Songs like West Side Story: XIIId. Somewhere by Leonard Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
88 bpm • A# Maj • 03:42 • -31db
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
88 bpm • B min • 00:50 • -24.5db
22% Popularity • 48% Danceability • 3% Energy • 38% Liveness
80% Instrumentalness • 38% Positiveness
22% Popularity • 48% Danceability • 3% Energy • 38% Liveness
80% Instrumentalness • 38% Positiveness
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Zurab Sotkilava
Tosca, Act 1: "Recondita armonia"
88 bpm • F Maj • 02:47 • -9.23db
14% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Fancy Free: VI. Variation 1. Galop - Liv...
88 bpm • A# Maj • 01:28 • -13.57db
3% Popularity • 54% Danceability • 61% Energy • 46% Liveness
85% Instrumentalness • 77% Positiveness
3% Popularity • 54% Danceability • 61% Energy • 46% Liveness
85% Instrumentalness • 77% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber - Four songs, op. 13: Sure on thi...
89 bpm • G min • 02:17 • -19db
14% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
89 bpm • F Maj • 05:04 • -27.49db
6% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 "Resurrection": V. Finale...
87 bpm • D# Maj • 03:33 • -28db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
25% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
35% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Pie Jesu
89 bpm • A# Maj • 03:31 • -34db
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H. 48: II...
89 bpm • A Maj • 06:14 • -15.29db
14% Popularity • 23% Danceability • 25% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
14% Popularity • 23% Danceability • 25% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Leonard Bernstein
West Side Story : Act I: Maria
88 bpm • A# Maj • 02:37 • -18.12db
27% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
89 bpm • D Maj • 04:53 • -24db
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor: IV. Ada...
86 bpm • F Maj • 11:02 • -22.71db
28% Popularity • 9% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Dybbuk: Part I: IV. Dream
87 bpm • C# Maj • 03:58 • -34db
19% Popularity • 15% Danceability • 1% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, ...
86 bpm • F# min • 08:45 • -23.41db
22% Popularity • 9% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Leonard Bernstein
Serenade for Solo Violin, String Orchest...
90 bpm • F Maj • 07:58 • -31.27db
3% Popularity • 15% Danceability • 4% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 4% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
90 bpm • E Maj • 05:15 • -25db
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Intro...
90 bpm • C min • 03:21 • -35db
9% Popularity • 11% Danceability • 1% Energy • 41% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 1% Energy • 41% Liveness
63% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 2, In Haven (C...
86 bpm • C Maj • 01:44 • -26db
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
86 bpm • D Maj • 08:14 • -25.69db
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
49% Instrumentalness • 5% Positiveness
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
49% Instrumentalness • 5% Positiveness
► Preview
Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
86 bpm • A# min • 01:25 • -27db
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
No. 14, Vocalise
86 bpm • C min • 07:06 • -21db
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
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Gustav Mahler
Symphony No. 2 "Resurrection": Ib. Sehr ...
86 bpm • C Maj • 05:50 • -24.99db
23% Popularity • 10% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 8% Positiveness
23% Popularity • 10% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 8% Positiveness
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Leonard Bernstein
West Side Story: Act I: Maria
90 bpm • C# Maj • 02:35 • -12.62db
43% Popularity • 16% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 16% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 "Resurrection": V. Finale...
90 bpm • D# Maj • 05:09 • -12.45db
28% Popularity • 13% Danceability • 39% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
28% Popularity • 13% Danceability • 39% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Bernstein: Candide, Act I, Scene 3: Aria...
91 bpm • G# Maj • 06:52 • -15.2db
17% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1:...
91 bpm • D# Maj • 03:14 • -23db
26% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 09:07 • -31db
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
85 bpm • D Maj • 02:20 • -32.69db
20% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Dybbuk: Part III: XII. Leah (Maidens' Da...
86 bpm • B min • 02:58 • -21.31db
20% Popularity • 21% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 13% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 13% Positiveness
► Preview
Gabriel Fauré
Fauré: En Prière
85 bpm • F Maj • 02:44 • -31.06db
1% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
9% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Glitter And Be Gay
90 bpm • G# Maj • 05:41 • -16.83db
12% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Giacomo Carissimi
Vittoria, mio core!
91 bpm • C Maj • 02:32 • -20db
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 "Resurrection": Ia. Alleg...
85 bpm • C min • 07:01 • -22db
27% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 11. Alle...
85 bpm • D Maj • 01:01 • -18.87db
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
► Preview
Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
► Preview
Leonard Bernstein
Songfest: VI. To My Dear and Loving Husb...
86 bpm • C min • 03:58 • -23.03db
2% Popularity • 24% Danceability • 11% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
2% Popularity • 24% Danceability • 11% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
4 Dance Episodes from Rodeo: II. Corral ...
92 bpm • C Maj • 03:59 • -24.87db
24% Popularity • 11% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
The Blue Danube Waltz, Op. 314
84 bpm • D Maj • 10:18 • -16.46db
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Leonard Bernstein
West Side Story: XII. I Feel Pretty
91 bpm • C Maj • 03:24 • -19.32db
7% Popularity • 38% Danceability • 13% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 38% Danceability • 13% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Aaron Copland
Appalachian Spring: V. Subito allegro
92 bpm • C Maj • 03:43 • -15.28db
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
16% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
16% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 8. Alleg...
84 bpm • G Maj • 02:30 • -29.72db
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Songfest: I. To the Poem
85 bpm • E min • 03:26 • -16.94db
4% Popularity • 26% Danceability • 29% Energy • 31% Liveness
2% Instrumentalness • 8% Positiveness
4% Popularity • 26% Danceability • 29% Energy • 31% Liveness
2% Instrumentalness • 8% Positiveness
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Andrew Lloyd Webber
Cats: Memory
93 bpm • D# Maj • 04:19 • -15.84db
18% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
84 bpm • G# Maj • 02:00 • -30.44db
23% Popularity • 20% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 14% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
84 bpm • C Maj • 06:46 • -23db
19% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Leonard Bernstein
West Side Story: Somewhere
91 bpm • E Maj • 03:13 • -22.76db
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
George Gershwin
Porgy and Bess / Act 1: "Summertime"
83 bpm • B min • 08:45 • -18.03db
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
83 bpm • C# min • 07:59 • -16db
17% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Songfest: IV. To What You Said...
92 bpm • C Maj • 05:27 • -25.39db
10% Popularity • 14% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Ma...
83 bpm • D Maj • 05:48 • -25.77db
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
83 bpm • G# Maj • 03:44 • -17.35db
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, ...
83 bpm • G# min • 02:44 • -24.53db
22% Popularity • 19% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Leonard Bernstein
West Side Story: III. Something's Coming
84 bpm • G Maj • 02:36 • -25.22db
6% Popularity • 38% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
6% Popularity • 38% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
