Songs like Westport Town by Stuart Moyles
Based on a tempo of (+/- 10%) and a similar genre
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Stuart Moyles
Westport Town
100 bpm • C# Maj • 04:09 • -4.44db
35% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Stephen Smyth
The Boy From Donegal
100 bpm • A Maj • 02:54 • -7.45db
17% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Gary Gamble
Catch Me If You Can
100 bpm • G Maj • 02:26 • -4.86db
38% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Ennis Brothers
Star Of The County Down
100 bpm • C min • 02:53 • -5.31db
43% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Matthews
The Farmer Wants a Wife
100 bpm • G# Maj • 02:49 • -3.65db
38% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Keogh
100 Numbers
100 bpm • G# Maj • 02:49 • -5db
29% Popularity • 53% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 53% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Stuart Moyles
Hold The Line
100 bpm • F Maj • 04:07 • -5db
12% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Michael English
Joey On The Fiddle
100 bpm • A# Maj • 03:31 • -5.95db
23% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Gary Gamble
Star of the County Down
100 bpm • D Maj • 02:52 • -4db
22% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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T.R. Dallas
Say You Love Me
100 bpm • F Maj • 02:53 • -8.4db
21% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ritchie Remo
Shine Up My Boots
100 bpm • E min • 02:59 • -5.59db
15% Popularity • 60% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Brady
I Think About You
100 bpm • G Maj • 03:30 • -3.98db
25% Popularity • 55% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 55% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Stuart Moyles
Hold The Line
100 bpm • F Maj • 04:09 • -4.42db
25% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jim Devine
Ireland's Turning Country
100 bpm • D Maj • 03:25 • -6.11db
35% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Mone
Bullets and Strings
100 bpm • G Maj • 03:14 • -4db
44% Popularity • 70% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 70% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Derek Ryan
Wherever You're Going
100 bpm • D Maj • 03:19 • -4.27db
34% Popularity • 64% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 64% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Ritchie Remo
Tipperary Girl
100 bpm • A Maj • 02:58 • -7db
23% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Matthew O'Donnell
Johnny and Sally
99 bpm • D Maj • 03:29 • -3.72db
16% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Stuart Moyles
Westport Town
100 bpm • C# Maj • 04:08 • -5db
12% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Lee Matthews
That Country Girl
100 bpm • D# Maj • 03:09 • -4.86db
34% Popularity • 64% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 64% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Marty Mone
Ghost of Time
99 bpm • A Maj • 03:36 • -8.54db
25% Popularity • 76% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 76% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Tumbling Paddies
Zombie
101 bpm • C min • 03:19 • -6.97db
41% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Liam Kelly
The One That Got Away
101 bpm • F# Maj • 02:32 • -7db
19% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Derek Ryan
The Night That Went On For Days
101 bpm • G# Maj • 03:11 • -4.54db
35% Popularity • 59% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 59% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Shane Owens
Never Tire Of The Road
99 bpm • G Maj • 03:49 • -4.23db
25% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Ruaile Buaile
Beautiful Affair
101 bpm • F# min • 03:47 • -10.45db
24% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Michael English
Friday at the Dance
99 bpm • C Maj • 02:51 • -5db
36% Popularity • 72% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 72% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Paddy Treacy
The Legend Joe Mahon
101 bpm • G Maj • 03:26 • -4.76db
28% Popularity • 70% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 70% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Gerry Guthrie
The Boxer
101 bpm • C Maj • 03:24 • -6.78db
37% Popularity • 59% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Feeney
Old Dan Tucker
99 bpm • D Maj • 02:52 • -7.41db
23% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Matthews
Marie
99 bpm • F Maj • 03:52 • -3db
33% Popularity • 57% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 57% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Derek Ryan
Won't Ya Come Down (To Yarmouth Town)
99 bpm • A# Maj • 03:22 • -8.7db
30% Popularity • 69% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 69% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Lisa McHugh
Apple Jack
99 bpm • E Maj • 03:17 • -3.08db
38% Popularity • 73% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 73% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Conor O Donnell
Owenies Bar
101 bpm • G Maj • 03:22 • -3db
26% Popularity • 49% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 49% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Ritchie Remo
Country Boy
99 bpm • F Maj • 03:15 • -4.12db
20% Popularity • 72% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 72% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Brendan Shine
Where Did You Meet Her
99 bpm • G Maj • 02:42 • -9.52db
29% Popularity • 66% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 66% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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The Davitt Country Band
Locklins Bar Irish Song
101 bpm • G Maj • 03:37 • -6.32db
12% Popularity • 85% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 85% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Shane Owens
Some Nights
102 bpm • G Maj • 03:08 • -5.46db
17% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Patrick Feeney
Red Haired Mary
101 bpm • A# Maj • 03:33 • -7db
37% Popularity • 59% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 59% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Lisa McHugh
Country Girl
98 bpm • C# Maj • 03:12 • -5.04db
32% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Claudia Buckley
Dearly Beloved
102 bpm • E Maj • 02:18 • -5db
25% Popularity • 67% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
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Shawn Cuddy
It Takes People Like You
98 bpm • A# Maj • 02:27 • -7.74db
27% Popularity • 76% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 76% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Kathy Durkin
Louisiana Saturday Night
98 bpm • A Maj • 02:21 • -14db
21% Popularity • 33% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 33% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Declan Nerney
Marquee In Drumlish
98 bpm • D Maj • 03:14 • -5.28db
29% Popularity • 82% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 82% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Shane Owens
Walking On The Waves
102 bpm • G# Maj • 04:05 • -5db
33% Popularity • 62% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 62% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Liam Kelly
Shamrock and Heather
98 bpm • D Maj • 03:04 • -5.78db
18% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Claudia Buckley
Country Is As Country Does
98 bpm • C Maj • 03:31 • -5.53db
20% Popularity • 60% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 60% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Stuart Moyles
The Streets Of Galway
98 bpm • G Maj • 03:39 • -2.56db
31% Popularity • 68% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 68% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Rattlin'Rogues
This Is the Life
98 bpm • F# min • 02:27 • -5.91db
32% Popularity • 64% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Larry Cunningham
Old Dungarvan Oak
98 bpm • C# Maj • 02:55 • -9.52db
24% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Jack Keogh
One More
98 bpm • F# Maj • 03:45 • -6.62db
38% Popularity • 51% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 51% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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Nathan Carter
Temple Bar
98 bpm • D Maj • 02:58 • -6.38db
39% Popularity • 59% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 59% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Jim Devine
Leighann Loves To Dance
98 bpm • D# Maj • 03:10 • -7db
30% Popularity • 63% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 63% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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The Murphys
Nelena
98 bpm • F# min • 03:38 • -6.36db
29% Popularity • 57% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 57% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Ritchie Remo
Hills Of Connemara
102 bpm • B Maj • 03:08 • -3.76db
36% Popularity • 69% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 69% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Brady
Down By The River
98 bpm • F Maj • 03:13 • -5.22db
30% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Patrick Feeney
Place In The Choir
103 bpm • E Maj • 03:06 • -6db
33% Popularity • 69% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Kelly
The Hangover
103 bpm • A# Maj • 03:14 • -5.29db
24% Popularity • 62% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 62% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Clodagh Lawlor
Jolene
103 bpm • B Maj • 03:26 • -6.48db
18% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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The Tumbling Paddies
Stay With Me
98 bpm • F Maj • 03:10 • -4.76db
33% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mike Denver
Messenger Boy
97 bpm • C Maj • 03:06 • -6.83db
24% Popularity • 62% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 62% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Murphys
The Boy Who Cries The Tears
98 bpm • D Maj • 03:10 • -5.2db
19% Popularity • 55% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 55% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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John McNicholl
Dig A Little Deeper In The Well
97 bpm • G Maj • 02:30 • -4.39db
17% Popularity • 70% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 70% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Sean Corrigan
Turn It on, Turn It up, Turn Me Loose
97 bpm • E Maj • 02:53 • -6.65db
33% Popularity • 76% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Alanna Maher
Heartbreak Hill
97 bpm • D Maj • 03:00 • -3.69db
21% Popularity • 64% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 64% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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The Davitt Country Band
Marlena
97 bpm • F Maj • 02:38 • -8db
26% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Patricia Maguire
Truck Drivin Woman
97 bpm • G Maj • 02:19 • -10.31db
20% Popularity • 68% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 68% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Ciarán Rosney
Uncle Pen
103 bpm • G Maj • 02:47 • -6.34db
29% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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The Tumbling Paddies
Night On The Town
103 bpm • A Maj • 03:31 • -5db
48% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Una Healy
Staring At The Moon
103 bpm • B Maj • 03:15 • -6.05db
29% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jim Devine
Crooked Jack
103 bpm • G Maj • 04:00 • -3.68db
11% Popularity • 61% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Mike Denver
My Oklahoma Home Blowed Away
103 bpm • D Maj • 03:47 • -5.19db
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Matthews
Do Dat Diddly Ding Dang
103 bpm • G Maj • 03:19 • -4db
34% Popularity • 62% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 62% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Ciarán Rosney
Marie's Wedding
103 bpm • G Maj • 03:39 • -3db
38% Popularity • 63% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 63% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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The Outlaws
Five Minutes More
97 bpm • B Maj • 02:37 • -6db
29% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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David James
My Donegal Doll
97 bpm • G Maj • 02:59 • -7.83db
33% Popularity • 60% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Richie Kavanagh
A Ferguson Tractor
97 bpm • F# min • 03:35 • -12db
24% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Mike Denver
Tommy K the Dj
97 bpm • A# Maj • 02:50 • -3.45db
35% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Tumbling Paddies
The Way I Am
97 bpm • D Maj • 03:26 • -4.54db
51% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Ciarán Rosney
Found
103 bpm • F# Maj • 03:27 • -4.17db
35% Popularity • 68% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 68% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Shane Owens
Sunny Side
97 bpm • G# Maj • 02:49 • -5.5db
16% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Hugo Duncan
Fifty Years Ago (Golden Jubilee)
103 bpm • A Maj • 02:19 • -9.97db
18% Popularity • 87% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 87% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Patrick Feeney
Courtin' In The Kitchen
104 bpm • A# Maj • 03:16 • -3.64db
19% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Ritchie Remo
Hit the Diff
103 bpm • A Maj • 04:08 • -4db
34% Popularity • 71% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 71% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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The Murphys
The Streets Of Promise
97 bpm • G Maj • 03:07 • -5.48db
37% Popularity • 63% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 63% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Stuart Moyles
Jessie
97 bpm • G# Maj • 03:26 • -6.76db
6% Popularity • 61% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
6% Popularity • 61% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Shawn Cuddy
Old Dungarvan Oak
96 bpm • F Maj • 02:15 • -7.01db
25% Popularity • 74% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Ciarán Rosney
Green Green Grass
104 bpm • F Maj • 03:41 • -5.28db
32% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Patrick Feeney
Step It Out Mary
104 bpm • B min • 03:48 • -1.9db
25% Popularity • 62% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 62% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Barry Kirwan
Mary Mac
104 bpm • D Maj • 02:50 • -6.33db
21% Popularity • 65% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Denver
Country Medley
104 bpm • C Maj • 03:55 • -6db
28% Popularity • 62% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 62% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
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Stuart Moyles
Jessie
97 bpm • G# Maj • 03:24 • -6.96db
16% Popularity • 61% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Shawn Cuddy
Locklin's Bar
104 bpm • D Maj • 02:48 • -7.42db
23% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Kelly
How's She Cutting, Keep On Truckin'
104 bpm • G Maj • 03:06 • -7.15db
29% Popularity • 67% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 67% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Sean Corrigan
Full Time Fool
96 bpm • D Maj • 02:50 • -5db
25% Popularity • 72% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 72% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Matthews
Sadie's Got Her New Dress On
104 bpm • G Maj • 03:05 • -5db
32% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Brendan Quinn
Ruby Don't Take Your Love to Town
104 bpm • D Maj • 02:52 • -8db
34% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Stuart Moyles
Jessie
97 bpm • G# Maj • 03:26 • -5.91db
31% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness