Songs like We've Only Just Begun by Bobby Womack
Based on a tempo of (+/- 10%) and a similar genre
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Charles Bradley
Nobody But You
157 bpm • G Maj • 03:57 • -6.33db
46% Popularity • 44% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 44% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Michael Thompson
A Change Is Gonna Come
154 bpm • G Maj • 05:53 • -10.68db
5% Popularity • 42% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 42% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Rae & Christian
Get a Life - Acoustic Version
158 bpm • F Maj • 03:40 • -11.85db
5% Popularity • 74% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 74% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sam & Dave
I Got Everything I Need
154 bpm • D Maj • 02:58 • -16.05db
28% Popularity • 49% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 49% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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James Carr
These Ain't Raindrops
154 bpm • A Maj • 02:35 • -7.11db
46% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Bradley
Heartaches and Pain
155 bpm • C Maj • 02:56 • -9db
44% Popularity • 53% Danceability • 44% Energy • 5% Liveness
55% Instrumentalness • 60% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 5% Liveness
55% Instrumentalness • 60% Positiveness
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Bobby "Blue" Bland
Ain't No Love In The Heart Of The City -...
158 bpm • A min • 03:53 • -18.25db
66% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
66% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 04:00 • -9.53db
41% Popularity • 65% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 65% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lenny Kravitz
It Ain't Over 'Til It's Over
160 bpm • F# Maj • 04:02 • -10.74db
78% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
78% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Minnie Riperton
Les Fleurs
152 bpm • F# Maj • 03:19 • -9.45db
60% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Roy Ayers Ubiquity
Everybody Loves The Sunshine
161 bpm • B min • 03:59 • -10.33db
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Daryl Hall & John Oates
Sara Smile
150 bpm • D min • 03:05 • -11db
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 03:34 • -8.43db
60% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
60% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Kendricks
Intimate Friends
150 bpm • A Maj • 05:53 • -10db
50% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Irma Thomas
Wish Someone Would Care
164 bpm • G Maj • 02:20 • -12.1db
34% Popularity • 40% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 40% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Bradley
Changes
148 bpm • C Maj • 05:42 • -8.27db
62% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Main Ingredient
Summer Breeze
163 bpm • F min • 04:16 • -8.34db
45% Popularity • 41% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 41% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Bootsy Collins
I'd Rather Be with You
166 bpm • D Maj • 04:58 • -9.17db
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Betty Wright
Girls Can't Do What the Guys Do
164 bpm • D min • 02:07 • -7.83db
37% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Jean Knight
Do Me
166 bpm • F Maj • 02:49 • -13.34db
42% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Shuggie Otis
Purple
166 bpm • F min • 07:08 • -15.86db
43% Popularity • 43% Danceability • 48% Energy • 15% Liveness
76% Instrumentalness • 58% Positiveness
43% Popularity • 43% Danceability • 48% Energy • 15% Liveness
76% Instrumentalness • 58% Positiveness
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Al Green
How Can You Mend a Broken Heart
147 bpm • E Maj • 06:23 • -6.96db
65% Popularity • 47% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 47% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Sly & The Family Stone
Hot Fun in the Summertime
146 bpm • C Maj • 02:37 • -11.64db
49% Popularity • 66% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Martha Reeves & The Vandellas
(Love Is Like A) Heat Wave
167 bpm • C min • 02:43 • -9.29db
64% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
64% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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The Dramatics
In The Rain
146 bpm • G# min • 03:29 • -9.52db
50% Popularity • 42% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 42% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Teddy Pendergrass
Love T.K.O.
146 bpm • G# min • 04:59 • -10.54db
60% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
60% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Dylan
The Man in Me
145 bpm • G# Maj • 03:06 • -9.37db
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
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Bobby Womack
Just My Imagination
168 bpm • A Maj • 05:13 • -10.43db
26% Popularity • 52% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 52% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Ayers
Searching
169 bpm • E min • 04:00 • -7.3db
49% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Smokey Robinson
Cruisin'
169 bpm • F# min • 05:52 • -5.81db
62% Popularity • 50% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 50% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Pastor T.L. Barrett and the Youth for Christ Choir
Like a Ship
170 bpm • G# Maj • 04:38 • -8db
45% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Mel Tormé
Comin' Home Baby
143 bpm • G min • 02:45 • -14.9db
58% Popularity • 63% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 63% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Bradley
How Long
171 bpm • C min • 03:54 • -7.02db
51% Popularity • 37% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 37% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Impressions
People Get Ready
142 bpm • C# Maj • 02:43 • -12.67db
57% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Allen Toussaint
Soul Sister - Remastered Version
171 bpm • F Maj • 02:49 • -9.13db
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Meters
Just Kissed My Baby
171 bpm • C Maj • 04:43 • -14db
48% Popularity • 72% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
48% Popularity • 72% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Shuggie Otis
Strawberry Letter 23
171 bpm • A min • 03:59 • -12.8db
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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The Delfonics
La-La Means I Love You
171 bpm • D Maj • 03:20 • -7.73db
62% Popularity • 36% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 36% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Bobby Womack
California Dreamin' - Live In Hollywood ...
142 bpm • F# min • 06:06 • -8.41db
16% Popularity • 46% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 69% Positiveness
16% Popularity • 46% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 69% Positiveness
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Darondo
Let My People Go
172 bpm • D min • 03:58 • -12db
49% Popularity • 63% Danceability • 58% Energy • 12% Liveness
64% Instrumentalness • 84% Positiveness
49% Popularity • 63% Danceability • 58% Energy • 12% Liveness
64% Instrumentalness • 84% Positiveness
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Denise LaSalle
Trapped By a Thing Called Love
141 bpm • F min • 02:38 • -5db
32% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The Shirelles
Mama Said
141 bpm • C# min • 02:04 • -12.1db
56% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Funkadelic
Can You Get To That
141 bpm • G# Maj • 02:49 • -5.44db
61% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Dionne Warwick
Don't Make Me Over
173 bpm • C Maj • 03:26 • -8.76db
26% Popularity • 33% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 33% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Womack
(If You Want My Love) Put Something Down...
173 bpm • A min • 03:43 • -7.69db
20% Popularity • 28% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 28% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Bradley
Victim of Love
141 bpm • E Maj • 03:30 • -7.26db
52% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Delfonics
Didn't I (Blow Your Mind This Time)
141 bpm • A Maj • 03:21 • -7db
55% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Luther Ingram
(If Loving You Is Wrong) I Don't Want to...
140 bpm • E min • 03:36 • -7.42db
47% Popularity • 50% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 50% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Dramatics
Watcha See Is Whatcha Get
173 bpm • C# min • 02:11 • -14db
31% Popularity • 64% Danceability • 52% Energy • 95% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 95% Liveness
0% Instrumentalness • 87% Positiveness
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Dorothy Moore
Misty Blue
173 bpm • D# Maj • 03:42 • -14.66db
54% Popularity • 39% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
54% Popularity • 39% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Sam Cooke
A Change Is Gonna Come
174 bpm • A# Maj • 03:11 • -10.07db
70% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Linda Lyndell
What A Man
174 bpm • G Maj • 02:40 • -8db
57% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
57% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
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Curtis Harding
Need Your Love
140 bpm • G min • 02:57 • -5.94db
58% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Womack
No Money In My Pocket
175 bpm • G Maj • 03:00 • -10.31db
25% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Them Two
Am I a Good Man
174 bpm • D# min • 03:09 • -4.88db
40% Popularity • 26% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
40% Popularity • 26% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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DeBarge
I Like It
175 bpm • A Maj • 04:39 • -4.5db
64% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Sam & Dave
When Something Is Wrong with My Baby
139 bpm • C# Maj • 03:14 • -6db
43% Popularity • 38% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 38% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Curtis Mayfield
Move On Up
139 bpm • B min • 02:45 • -5.63db
63% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Kool & The Gang
Summer Madness
176 bpm • F# min • 04:17 • -16.52db
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
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Sly & The Family Stone
Everybody Is a Star - Single Version
176 bpm • D min • 03:04 • -13db
39% Popularity • 44% Danceability • 36% Energy • 66% Liveness
4% Instrumentalness • 51% Positiveness
39% Popularity • 44% Danceability • 36% Energy • 66% Liveness
4% Instrumentalness • 51% Positiveness
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Little Beaver
I'm Losin' the Feelin
138 bpm • G min • 03:18 • -10.52db
49% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
138 bpm • D# Maj • 03:08 • -14db
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
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The Meters
Cissy Strut
176 bpm • C Maj • 03:06 • -12.73db
60% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
60% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
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Curtis Mayfield
Move on Up - Extended Version
138 bpm • B min • 08:55 • -6.53db
58% Popularity • 58% Danceability • 98% Energy • 10% Liveness
50% Instrumentalness • 88% Positiveness
58% Popularity • 58% Danceability • 98% Energy • 10% Liveness
50% Instrumentalness • 88% Positiveness
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Jimmy Cliff
Many Rivers To Cross
138 bpm • F Maj • 02:44 • -16db
50% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Janis Joplin
Kozmic Blues
177 bpm • G Maj • 04:21 • -8.22db
56% Popularity • 34% Danceability • 62% Energy • 62% Liveness
27% Instrumentalness • 50% Positiveness
56% Popularity • 34% Danceability • 62% Energy • 62% Liveness
27% Instrumentalness • 50% Positiveness
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Marlena Shaw
Let's Wade In The Water
137 bpm • C Maj • 03:34 • -5db
42% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
42% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
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Bobby Womack
Somebody Special
178 bpm • B Maj • 02:55 • -9.12db
27% Popularity • 34% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 34% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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Teddy Pendergrass
Close the Door
178 bpm • F min • 05:25 • -10.42db
56% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Irma Thomas
Ruler of My Heart
179 bpm • B Maj • 02:35 • -18db
37% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Supremes
Baby Love
136 bpm • F Maj • 02:38 • -9.28db
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Womack
Monologue/(They Long To Be) Close To You
178 bpm • A Maj • 09:28 • -14.26db
18% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Dusty Springfield
Son Of A Preacher Man
180 bpm • E Maj • 02:28 • -12.33db
80% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
80% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Curtis Harding
I Won't Let You Down
180 bpm • D min • 04:04 • -6.74db
55% Popularity • 59% Danceability • 53% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
55% Popularity • 59% Danceability • 53% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
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The Impressions
Keep On Pushing
134 bpm • F# min • 02:35 • -6.64db
39% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Sharon Jones & The Dap-Kings
Just Dropped In (To See What Condition M...
133 bpm • A# min • 02:59 • -7.4db
44% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Womack
Nobody Wants You When You're Down And Ou...
179 bpm • A Maj • 02:59 • -10db
28% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Shirley Bassey
Light My Fire - 1994 Remaster
184 bpm • D min • 03:27 • -8.81db
46% Popularity • 39% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 39% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Yvonne Fair
It Should Have Been Me
185 bpm • A# Maj • 03:33 • -9.47db
48% Popularity • 66% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 66% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Isley Brothers
It's Your Thing
186 bpm • A# Maj • 02:49 • -9.27db
59% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Pastor T.L. Barrett and the Youth for Christ Choir
Nobody Knows
186 bpm • G# Maj • 06:30 • -9.29db
48% Popularity • 37% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 37% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Womack
A Change Is Gonna Come
135 bpm • G Maj • 03:12 • -9.94db
22% Popularity • 31% Danceability • 50% Energy • 32% Liveness
1% Instrumentalness • 47% Positiveness
22% Popularity • 31% Danceability • 50% Energy • 32% Liveness
1% Instrumentalness • 47% Positiveness
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Freddie Scott
(You) Got What I Need
187 bpm • C Maj • 02:59 • -10.84db
55% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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The Flying Stars Of Brooklyn NY
My God Has A Telephone
198 bpm • B Maj • 02:55 • -8.6db
70% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
70% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Billy Paul
Me and Mrs. Jones
201 bpm • G# Maj • 04:44 • -10db
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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The Spinners
It's A Shame
199 bpm • B Maj • 03:10 • -11.96db
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Marvin Gaye
What's Going On
202 bpm • C# min • 03:53 • -9.63db
70% Popularity • 28% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
70% Popularity • 28% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Bobby Womack
Fire And Rain
134 bpm • G Maj • 04:15 • -10db
31% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Carole King
It's Too Late
208 bpm • A min • 03:53 • -12.72db
71% Popularity • 45% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
71% Popularity • 45% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
