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What a Relief/Coda
Songs like
What a Relief/Coda
by
Maury Yeston
Based on a tempo of (+/- 10%) and a similar genre
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Mark Harelik
Let's Walk
84 bpm • D# Maj • 03:08 • -20.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Victoria Clark
By the River
84 bpm • G min • 05:11 • -11.1db
1% Popularity • 27% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Pia Douwes
Unendlich befreit
84 bpm • C Maj • 04:52 • -11.59db
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
23% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Scott Frankel
Will You?
85 bpm • F Maj • 03:57 • -12.91db
16% Popularity • 24% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Brent Carver
Mama, It's Me
84 bpm • G Maj • 02:02 • -19.32db
9% Popularity • 31% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Adam Pascal
Enchantment Passing Through - Broadway C...
83 bpm • A Maj • 03:18 • -12.55db
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Maury Yeston
The Germans at the Spa (Bonus Track)
85 bpm • C Maj • 04:44 • -12.67db
2% Popularity • 49% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers (Prologue)
85 bpm • D Maj • 02:18 • -10.38db
20% Popularity • 34% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
34% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Kieran McIlroy
Bidin' My Time
85 bpm • C Maj • 01:45 • -19.47db
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Maury Yeston
More and More
85 bpm • G Maj • 02:49 • -8.29db
6% Popularity • 25% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
24% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Maury Yeston
Autumn
85 bpm • G Maj • 03:11 • -17.23db
3% Popularity • 15% Danceability • 17% Energy • 11% Liveness
13% Instrumentalness • 17% Positiveness
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Zero Mostel
Funeral Sequence
83 bpm • D# Maj • 02:04 • -11.81db
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Louise
Little Lamb
85 bpm • F# Maj • 02:45 • -14db
14% Popularity • 26% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Soundtrack/Cast Album
Somewhere That's Green
86 bpm • G Maj • 04:10 • -13.63db
40% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Victoria Clark
Please Let’s Not Even Say Hello
86 bpm • C# Maj • 02:15 • -12db
1% Popularity • 20% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
19% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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John Babcock
Round-Shouldered Man
82 bpm • A Maj • 01:53 • -20.07db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Isabelle Georges
When Your Love Is New
86 bpm • A Maj • 02:01 • -5.43db
2% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Maury Yeston
Alone Here With You
86 bpm • A# Maj • 03:44 • -10.96db
4% Popularity • 30% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 7% Positiveness
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Pia Douwes
Großmutters Liebesbriefe
86 bpm • D Maj • 04:20 • -13.39db
1% Popularity • 48% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Sherie Rene Scott
A Miracle Would Happen / When You Come H...
86 bpm • D Maj • 05:20 • -10.39db
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Jordan Donica
I Loved You Once In Silence
86 bpm • F# Maj • 02:33 • -12.81db
16% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Victoria Clark
I Am Longing
86 bpm • B Maj • 04:16 • -12.65db
1% Popularity • 20% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Maury Yeston
Unusual Way
82 bpm • C# min • 03:22 • -14.36db
3% Popularity • 22% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Drue Williams
Proud Lady
86 bpm • G Maj • 03:12 • -11db
12% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jerry Herman
Song on the Sand
86 bpm • F# Maj • 04:41 • -15db
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Isabelle Georges
I Had a Dream About You
87 bpm • A# Maj • 02:43 • -8.48db
1% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Maury Yeston
Danglin'
82 bpm • G# Maj • 03:50 • -12.79db
3% Popularity • 51% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Brad Oscar
In Old Bavaria
87 bpm • A# Maj • 00:56 • -13.15db
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Ross Lekites
Come to Me, Bend to Me
87 bpm • G Maj • 02:14 • -12db
15% Popularity • 28% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Maury Yeston
Roberto's Eyes
86 bpm • G Maj • 04:22 • -10.37db
4% Popularity • 31% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Megan McGinnis
When Shall We Meet?
87 bpm • A Maj • 02:19 • -13.26db
18% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Maury Yeston
Be on Your Own
82 bpm • D min • 02:58 • -6.62db
1% Popularity • 26% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Phillipa Soo
The Simple Joys of Maidenhood
81 bpm • B Maj • 03:03 • -11.49db
23% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jekyll, John Utterson
Pursue the Truth
87 bpm • G# min • 01:27 • -14.65db
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Maury Yeston
Anything Can Happen in the Theater
81 bpm • G Maj • 03:05 • -6.97db
1% Popularity • 61% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Sophie Hayden
Somebody, Somewhere
88 bpm • F Maj • 02:12 • -16db
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
23% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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David Aaron Baker
Man to Man Talk
88 bpm • A Maj • 04:37 • -15.9db
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Maury Yeston
Who Is This Man?
87 bpm • D# Maj • 02:27 • -9.24db
7% Popularity • 28% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
A Call from the Vatican
87 bpm • D min • 03:24 • -11.49db
1% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Original Broadway Cast Of 'Passion'
Farewell Letter
89 bpm • C# min • 03:09 • -18.49db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Broadway Cast Recording
Were Thine That Special Face
89 bpm • A# min • 02:52 • -9.47db
13% Popularity • 35% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Maury Yeston
Finale: Grazia and Sirki
80 bpm • C Maj • 03:56 • -11.01db
2% Popularity • 30% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Original Cast of Amélie
How To Tell Time
79 bpm • F Maj • 01:28 • -11.05db
19% Popularity • 36% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Megan McGinnis
Graduation Day
89 bpm • C# Maj • 02:37 • -12.14db
20% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
Finally to Know
80 bpm • G Maj • 04:39 • -10.98db
4% Popularity • 24% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Radcliffe
Rosemary
79 bpm • G Maj • 03:57 • -13.67db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
26% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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What a Relief/Coda