Songs like What A Wonderful Love by The Hound + The Fox
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Voltz
One Day at a Time
95 bpm • E Maj • 02:10 • -14db
42% Popularity • 61% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 61% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Btwn Us
Perfect / Can't Help Falling in Love
95 bpm • G# Maj • 03:15 • -7.39db
34% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Bareilles
You Matter To Me
95 bpm • F Maj • 04:10 • -11.69db
47% Popularity • 25% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 25% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Hound + The Fox
What A Wonderful Love
95 bpm • C Maj • 04:00 • -16.06db
39% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Peter Hollens
For the Dancing and the Dreaming
95 bpm • A Maj • 02:54 • -9.31db
41% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Renee & Jeremy
Night Mantra
95 bpm • A# Maj • 03:22 • -14.07db
41% Popularity • 80% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 80% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Emma Watson
How Does A Moment Last Forever (Montmart...
95 bpm • A# Maj • 01:55 • -18.66db
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Nani
Aloha 'oe
94 bpm • D Maj • 03:21 • -9.39db
36% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Natalie Taylor
Loved You Before
96 bpm • C Maj • 03:22 • -8.21db
46% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Hound + The Fox
Shallow
96 bpm • G Maj • 03:46 • -7.98db
40% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nick Lachey
All Through the Night
96 bpm • A Maj • 03:31 • -19.77db
40% Popularity • 28% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 28% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Hollens
Into The West
95 bpm • A# Maj • 04:26 • -5.74db
33% Popularity • 37% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 37% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Sweet Talk Radio
Will You Still Love Me Tomorrow
94 bpm • A# Maj • 03:31 • -15db
34% Popularity • 51% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 51% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Adam Chance
Song For Home
96 bpm • A# Maj • 03:36 • -11.02db
18% Popularity • 30% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 30% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Copperlily
Map to Your Heart
96 bpm • D# Maj • 03:18 • -9db
29% Popularity • 66% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 66% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Drew Holcomb
Fields of Gold
96 bpm • D Maj • 03:30 • -11.77db
42% Popularity • 42% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 42% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sabrina Carpenter
A Dream is a Wish Your Heart Makes/So Th...
94 bpm • C# Maj • 02:29 • -9.09db
44% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Hollens
The Sound of Silence
96 bpm • F# Maj • 03:17 • -8.92db
35% Popularity • 31% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 31% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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The Hound + The Fox
Go To Sleep Little Baby
97 bpm • C Maj • 02:35 • -16db
46% Popularity • 27% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 27% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sara Bareilles
Tightrope
97 bpm • A Maj • 03:38 • -13db
37% Popularity • 51% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Avi Kaplan
I'll Get By
97 bpm • F Maj • 03:23 • -8.88db
42% Popularity • 31% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 31% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Anchor + Bell
Shut up and Dance
97 bpm • C Maj • 02:56 • -6.51db
49% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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JJ Heller
Edelweiss
93 bpm • G Maj • 03:03 • -12.79db
48% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Hollens
At the Beginning
94 bpm • C# Maj • 03:36 • -5.09db
36% Popularity • 43% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 43% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Bely Basarte
(I Can't Help) Falling In Love With You ...
97 bpm • C Maj • 03:05 • -16.99db
42% Popularity • 46% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 46% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kelly Willard
Daddy’s Girl
93 bpm • F Maj • 03:19 • -18.36db
22% Popularity • 59% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
22% Popularity • 59% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Dave Barnes
Good Day for Marrying You
98 bpm • F# Maj • 02:42 • -8.31db
44% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Benjamin Scheuer
Hibernate With Me
98 bpm • C# Maj • 02:53 • -11.84db
28% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Evynne Hollens
Be A Light
98 bpm • C Maj • 02:48 • -8.54db
11% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Arcadian Wild
The Ballad of Donnie Gene
92 bpm • F Maj • 03:27 • -6.19db
38% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Brian D'Arcy James
Think of the Moon
98 bpm • G Maj • 03:19 • -17.06db
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kelly Willard
Dream Dream Dream
92 bpm • A# Maj • 03:47 • -20.76db
19% Popularity • 34% Danceability • 11% Energy • 10% Liveness
46% Instrumentalness • 16% Positiveness
19% Popularity • 34% Danceability • 11% Energy • 10% Liveness
46% Instrumentalness • 16% Positiveness
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Kurt Bestor
Let Me In
92 bpm • C Maj • 01:35 • -15db
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Shawna Edwards
More Than Enough
98 bpm • G Maj • 03:39 • -8.22db
36% Popularity • 59% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 59% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Martin Kerr
You're Amazing
92 bpm • C# Maj • 03:30 • -7.47db
33% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Lachey
All the Pretty Little Horses
99 bpm • C min • 02:45 • -16.23db
37% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Hound + The Fox
Love's Enough
92 bpm • D Maj • 03:30 • -13.37db
10% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Freya Catherine
Will The Circle Be Unbroken
92 bpm • D Maj • 04:48 • -14.82db
21% Popularity • 34% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 34% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Rose Cousins
Never Surrender
99 bpm • C min • 03:59 • -11.87db
30% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Evynne Hollens
God Help the Outcasts
99 bpm • F Maj • 03:30 • -8.25db
26% Popularity • 42% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 42% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Liz Callaway
Leavin' On a Jet Plane
100 bpm • D Maj • 04:51 • -10.07db
23% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Quincy Coleman
Baby Don't You Cry (The Pie Song)
100 bpm • A# Maj • 03:16 • -5.73db
25% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Julie Hammarback
Hush-A-Bye Mountain
91 bpm • F Maj • 02:25 • -17.49db
26% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Handsome and Gretyl
Dream a Little Dream of Me
100 bpm • C Maj • 02:26 • -7.01db
39% Popularity • 76% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 76% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Cherie Call
Marry Me
100 bpm • G Maj • 03:33 • -16.59db
8% Popularity • 57% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 57% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Hound + The Fox
The Sound of Silence
100 bpm • F# min • 03:11 • -11.55db
22% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Us The Duo
My Girl
100 bpm • G Maj • 03:07 • -11.49db
37% Popularity • 63% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 63% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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3rd & Union
My Love
100 bpm • D Maj • 03:24 • -8.18db
27% Popularity • 45% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 45% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Tenors
Angels Calling
90 bpm • G# Maj • 05:07 • -10.07db
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Rachel Platten
Better Place
100 bpm • C Maj • 02:56 • -8.16db
57% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Natalie Weiss
Can't Help Falling in Love / What A Wond...
100 bpm • C Maj • 05:00 • -13db
22% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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The Hound + The Fox
Storybook Love
100 bpm • G Maj • 03:38 • -13.54db
22% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Scott & Ryceejo
So Close / Perfect
101 bpm • A# Maj • 04:24 • -7.87db
18% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Liz Callaway
Journey to the Past
90 bpm • G# Maj • 02:55 • -10.56db
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Nathan Pacheco
Be Thou My Vision
89 bpm • G Maj • 03:44 • -12.06db
33% Popularity • 16% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 16% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Peterson
Dancing in the Minefields
101 bpm • C# Maj • 03:30 • -12db
43% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Roy Hamilton Orchestra
Looking Through Your Eyes, Pt. 2
89 bpm • A# Maj • 03:39 • -10.55db
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Hound + The Fox
Walk With Me
100 bpm • C# Maj • 04:02 • -12.49db
12% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Scott & Ryceejo
For the First Time in Forever / When Wil...
102 bpm • E Maj • 04:32 • -5.41db
22% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Evynne Hollens
How Does a Moment Last Forever
102 bpm • C# Maj • 03:25 • -9.43db
24% Popularity • 37% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 37% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Jenny & Tyler
When I Meet You
88 bpm • C Maj • 03:24 • -14.33db
25% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Avi Kaplan
Otherside
102 bpm • C Maj • 04:59 • -15.74db
36% Popularity • 35% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 35% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Mayer
Now Touch The Air Softly
88 bpm • C# Maj • 03:20 • -13.77db
14% Popularity • 36% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 36% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Hound + The Fox
She Moved Through the Fair
90 bpm • G Maj • 02:50 • -10.76db
24% Popularity • 38% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 38% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Scott & Ryceejo
Go the Distance / Journey to the Past
88 bpm • C min • 04:00 • -5db
21% Popularity • 41% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 41% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Elliott Park
Blue Skies over the Rainbow
88 bpm • C Maj • 01:47 • -8.94db
42% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Close
You'll Be In My Heart
102 bpm • A Maj • 01:36 • -17db
62% Popularity • 35% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 35% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Beau Dermott
Sparkles
88 bpm • D# Maj • 03:44 • -7db
25% Popularity • 29% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 29% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Christy Nockels
Close Your Eyes
88 bpm • A Maj • 03:34 • -19db
41% Popularity • 67% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 67% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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One Piano
A Change In Me
103 bpm • A Maj • 03:45 • -14.03db
13% Popularity • 38% Danceability • 22% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
13% Popularity • 38% Danceability • 22% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Diana Panton
All In The Golden Afternoon
103 bpm • C Maj • 03:43 • -12.65db
24% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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AJ Rafael
This Is Me / You Will Be Found - Mashup
88 bpm • G# Maj • 03:18 • -11db
24% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Anne Dudley
I'd Pluck a Fair Rose
87 bpm • A min • 02:06 • -18.37db
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Beau Dermott
I Dreamed A Dream
88 bpm • C Maj • 03:03 • -10db
33% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Peter Hollens
The Water is Wide
103 bpm • A Maj • 02:33 • -9.28db
22% Popularity • 27% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 27% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Kurt Bestor
The Melody Within
87 bpm • F Maj • 03:39 • -11.72db
27% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Nick Lachey
When You Wish Upon a Star
87 bpm • D Maj • 04:21 • -20.7db
37% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Tenors
Mother
104 bpm • F# Maj • 04:24 • -8.77db
17% Popularity • 41% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 41% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Dallyn Vail Bayles
The Music of the Night / All I Ask of Yo...
86 bpm • C# Maj • 05:41 • -11db
14% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The All-American Boys Chorus
As Long As I Have Music
86 bpm • F Maj • 03:06 • -26db
13% Popularity • 23% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 9% Positiveness
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Miranda Sings
Gotta Be You
86 bpm • G# Maj • 03:20 • -7.8db
8% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Hollens
Shenandoah
86 bpm • A# Maj • 02:53 • -10.49db
25% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Christy Nockels
The Sound of Music
86 bpm • C Maj • 02:37 • -16.72db
43% Popularity • 67% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 67% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Pomplamoose
Rainbow Connection
105 bpm • D Maj • 03:20 • -8.78db
30% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Us The Duo
No Matter Where You Are - Wedding Versio...
105 bpm • C Maj • 04:11 • -11.32db
42% Popularity • 64% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 64% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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![500 Miles (Acoustic) [feat. Louise Rademakers] cover art](https://i.scdn.co/image/ab67616d00001e0274a451fa808abb69b2f507b0)
Jefr Tale
500 Miles (Acoustic)
105 bpm • E Maj • 02:49 • -12.15db
29% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Evynne Hollens
Someday My Prince Will Come
105 bpm • C Maj • 03:11 • -7.11db
20% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Katherine Jenkins
I'll Never Love Again
86 bpm • G Maj • 04:22 • -11db
28% Popularity • 29% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 29% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Diane
Will The Sun Ever Shine Again
85 bpm • B Maj • 02:40 • -14db
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lexi Walker
The Prayer
85 bpm • A# Maj • 04:53 • -9db
20% Popularity • 13% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 13% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sons of Serendip
Carry on My Wayward Son
106 bpm • E min • 03:58 • -12.66db
24% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lisa Lambe
Bridge over Trouble Waters
85 bpm • A# Maj • 04:03 • -10db
31% Popularity • 28% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 28% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Christy Nockels
La La Lu
85 bpm • C# Maj • 03:47 • -15.19db
42% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Renee & Jeremy
New Soul
106 bpm • A min • 02:11 • -9.79db
37% Popularity • 85% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 85% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jonatha Brooke
The Second Star To The Right
85 bpm • C Maj • 01:56 • -18db
36% Popularity • 26% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Carly Waddell
Distant Melody
106 bpm • C# Maj • 01:48 • -18.86db
21% Popularity • 39% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
21% Popularity • 39% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Diana Panton
Sleep Is A Precious Thing
85 bpm • C Maj • 04:53 • -16.22db
19% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Madison Malone
Love Me Tender
107 bpm • A# Maj • 03:41 • -12.04db
34% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness