Songs like what are you afraid of (work tape) by Wilder Woods
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Duhon
Slow Down
81 bpm • A# Maj • 04:45 • -11.8db
26% Popularity • 29% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 29% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Johnston
For a While
81 bpm • D Maj • 04:33 • -9.56db
36% Popularity • 61% Danceability • 49% Energy • 28% Liveness
3% Instrumentalness • 45% Positiveness
36% Popularity • 61% Danceability • 49% Energy • 28% Liveness
3% Instrumentalness • 45% Positiveness
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Wilder Woods
what are you afraid of (work tape)
81 bpm • F Maj • 03:09 • -10.68db
41% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Birdtalker
Be Where You Are
81 bpm • D# Maj • 04:11 • -11.14db
32% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Layup
Every Mile
81 bpm • D Maj • 03:21 • -10db
51% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
51% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Anderson East
Always Be My Baby - Recorded at Sound St...
81 bpm • C Maj • 04:14 • -4.92db
49% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Burchfield
When We Get Through
80 bpm • A# Maj • 03:30 • -8.79db
13% Popularity • 40% Danceability • 40% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
13% Popularity • 40% Danceability • 40% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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The Brevet
Where Do We Go From Here
82 bpm • C Maj • 03:17 • -5.81db
30% Popularity • 30% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 30% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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Wilder Woods
Hillside House
80 bpm • G Maj • 03:48 • -9.97db
30% Popularity • 56% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 56% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Salt Tree
Coming Home to You
82 bpm • A Maj • 03:12 • -9.84db
40% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Bronze Radio Return
There Will Be Another
80 bpm • G Maj • 03:51 • -10.66db
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Jervis Campbell
Teach Me to Dance
80 bpm • B Maj • 03:33 • -5.8db
50% Popularity • 54% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 54% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Field Guide
You Were
82 bpm • G Maj • 03:13 • -12.56db
51% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
51% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
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Donovan Woods
Clean Slate
80 bpm • E Maj • 03:25 • -7.99db
35% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Wilder Woods
What Gives You The Right
80 bpm • F min • 02:49 • -5.76db
29% Popularity • 59% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 59% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Wilderado
Take Some Time
80 bpm • A# Maj • 03:30 • -9.09db
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
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Bruno Lewis
Wild Woman
82 bpm • E Maj • 03:33 • -9db
36% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Abraham Alexander
Eye Can See
82 bpm • C min • 02:50 • -8.75db
34% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Morningsiders
Honey Hold Me
82 bpm • C Maj • 03:01 • -6.84db
63% Popularity • 61% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 61% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jervis Campbell
Teach Me to Dance (Acoustic Version)
82 bpm • B Maj • 03:38 • -8.03db
48% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wilder Woods
Be Yourself
80 bpm • G# Maj • 03:22 • -8.7db
56% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Layup
Change Coming (Acoustic)
80 bpm • F Maj • 02:51 • -9.58db
40% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Burchfield
Late to the Fire
80 bpm • A# Maj • 04:50 • -7.82db
44% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Abraham Alexander
Knee Deep
80 bpm • G# Maj • 03:42 • -12.54db
23% Popularity • 42% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 42% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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The Ballroom Thieves
In the Morning
80 bpm • A Maj • 02:26 • -7db
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Jervis Campbell
Let You Love Me
80 bpm • E Maj • 04:39 • -8.43db
51% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Head And The Heart
People Need A Melody
82 bpm • C Maj • 04:12 • -5.76db
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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GoldFord
Walk With Me
82 bpm • G# Maj • 02:47 • -7.9db
53% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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LOVKN
Endless Summer (For Kimmy)
80 bpm • D# Maj • 06:01 • -12.05db
34% Popularity • 63% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Leonhardt
The Bridge
82 bpm • C# Maj • 03:57 • -7.16db
24% Popularity • 46% Danceability • 37% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 46% Danceability • 37% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
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THEM PARENTS
The No Money Song
83 bpm • A# Maj • 03:26 • -8.07db
22% Popularity • 58% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 58% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Jordy Searcy
Morning Glow
79 bpm • E Maj • 05:02 • -8.26db
27% Popularity • 45% Danceability • 41% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
27% Popularity • 45% Danceability • 41% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
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Sam Burchfield
Waking Up
83 bpm • G Maj • 03:59 • -10db
39% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mt. Joy
Witness
79 bpm • C# Maj • 03:54 • -8.16db
57% Popularity • 55% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
57% Popularity • 55% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Martin Kerr
A Long Drive
79 bpm • F# min • 02:42 • -7.45db
32% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Fancy Hagood
Forest
83 bpm • G Maj • 04:15 • -14.45db
42% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Wilder Woods
Be Yourself
79 bpm • G# Maj • 03:23 • -8.43db
48% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bronze Radio Return
With Me All Along
79 bpm • F Maj • 03:46 • -7db
46% Popularity • 60% Danceability • 72% Energy • 43% Liveness
10% Instrumentalness • 43% Positiveness
46% Popularity • 60% Danceability • 72% Energy • 43% Liveness
10% Instrumentalness • 43% Positiveness
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The War And Treaty
Jubilee
79 bpm • D Maj • 02:22 • -11db
34% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tyler Edwards
Plain and the Valley
83 bpm • D# Maj • 02:53 • -12db
31% Popularity • 57% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 50% Positiveness
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Willie Shaw
Sunday Call
83 bpm • G Maj • 04:26 • -8.46db
34% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Pat Barrett
Sparrows And Lilies
83 bpm • G Maj • 03:34 • -7.61db
52% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Garrett Kato
I'll Be Around
79 bpm • C# Maj • 03:06 • -12db
59% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Thunderstorm Artis
Take Me to the Fire
83 bpm • C# min • 03:02 • -6.39db
34% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Wilder Woods
Death Of Me
79 bpm • D Maj • 03:29 • -5.84db
33% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Woodlock
Steady as Stones
79 bpm • B Maj • 03:51 • -7.71db
39% Popularity • 56% Danceability • 59% Energy • 10% Liveness
32% Instrumentalness • 32% Positiveness
39% Popularity • 56% Danceability • 59% Energy • 10% Liveness
32% Instrumentalness • 32% Positiveness
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Miner
Together
83 bpm • C Maj • 03:01 • -7.12db
30% Popularity • 42% Danceability • 64% Energy • 11% Liveness
10% Instrumentalness • 45% Positiveness
30% Popularity • 42% Danceability • 64% Energy • 11% Liveness
10% Instrumentalness • 45% Positiveness
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Sumbuck
Hey Honey
79 bpm • B Maj • 03:41 • -10.44db
40% Popularity • 62% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
40% Popularity • 62% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Brendan James
Happy Just To Be Alive
79 bpm • F Maj • 03:32 • -9.58db
23% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ethan Nathaniel
Bonafide
79 bpm • D Maj • 03:36 • -13.36db
27% Popularity • 54% Danceability • 35% Energy • 7% Liveness
42% Instrumentalness • 25% Positiveness
27% Popularity • 54% Danceability • 35% Energy • 7% Liveness
42% Instrumentalness • 25% Positiveness
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Northwest Stories
Scenic Route
83 bpm • A min • 03:31 • -9.85db
32% Popularity • 40% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Van Cleaf
Rattlesnake
78 bpm • C# Maj • 04:56 • -10.16db
51% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Penny and Sparrow
Need You
79 bpm • A# Maj • 03:09 • -7.34db
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Sumbuck
Tigersharks
83 bpm • C# min • 04:17 • -9db
48% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Lawrence
The Weather (Acoustic)
78 bpm • C# Maj • 03:10 • -7.3db
47% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Zach Winters
Sometimes I Wonder
84 bpm • B Maj • 03:44 • -15db
24% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jenny & Tyler
Baby I Got You
84 bpm • C Maj • 03:47 • -10.34db
25% Popularity • 54% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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John Mark McMillan
Monsters Talk
84 bpm • G Maj • 03:51 • -6.29db
38% Popularity • 55% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
38% Popularity • 55% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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The Talbott Brothers
We Got Love
84 bpm • E Maj • 03:19 • -5.73db
33% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Mills
Let Life Do
84 bpm • G# Maj • 02:49 • -9.58db
36% Popularity • 64% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
36% Popularity • 64% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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The Light The Heat
Steady Me
84 bpm • C Maj • 02:37 • -12.07db
40% Popularity • 48% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
40% Popularity • 48% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Edwin Raphael
Tangerine Skies
84 bpm • F Maj • 03:52 • -6.56db
46% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
46% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Vincent Lima
Somewhere
78 bpm • F# Maj • 03:10 • -7.91db
53% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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Sun On Shade
Tiger Lilies - Lloyd Buchanan
84 bpm • A Maj • 05:07 • -5db
47% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
47% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Nathan Colberg
Roses
78 bpm • A# Maj • 04:02 • -7.17db
25% Popularity • 55% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 55% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Oliver Hazard
Two x Four
84 bpm • D Maj • 04:14 • -8.15db
29% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Juice
Workin' on Lovin'
78 bpm • A Maj • 03:54 • -4.51db
49% Popularity • 48% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 48% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Zach Winters
Give Thanks
84 bpm • C Maj • 03:04 • -10.49db
41% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Abraham Alexander
Tears Run Dry
78 bpm • G# min • 04:14 • -9db
33% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Winnetka Bowling League
Come To The Beach - Acoustic Version
84 bpm • G Maj • 02:28 • -10.03db
35% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Sheroky
Life Ain't Always Pretty
84 bpm • F# Maj • 03:26 • -11db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Oliver Hazard
Gold Teeth Girl
78 bpm • G# Maj • 02:54 • -7.18db
45% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Zach Torres
Worn Down Woman
84 bpm • E Maj • 03:46 • -11.12db
25% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Light The Heat
Morning Light
78 bpm • D Maj • 03:32 • -9db
30% Popularity • 47% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 47% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Zach Winters
Love My Woman
85 bpm • E min • 03:25 • -11.81db
33% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Birdtalker
Heavy
78 bpm • F Maj • 04:24 • -7.11db
52% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Sam Burchfield
Spring
77 bpm • G# Maj • 03:51 • -8.96db
33% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Little Chief
North Carolina
85 bpm • D# Maj • 03:53 • -9.93db
38% Popularity • 53% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 53% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Whitacre
find the light (alt. version)
77 bpm • C# Maj • 03:36 • -15.16db
26% Popularity • 32% Danceability • 31% Energy • 15% Liveness
9% Instrumentalness • 8% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 15% Liveness
9% Instrumentalness • 8% Positiveness
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Zach Seabaugh
Slingshot
85 bpm • C# Maj • 02:30 • -10.23db
60% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
60% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Kahan
Young Blood - Acoustic
85 bpm • B Maj • 03:20 • -10.51db
64% Popularity • 69% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 69% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Thunderstorm Artis
Stand Up Eight
85 bpm • D min • 03:07 • -5db
38% Popularity • 58% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 58% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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BAILEN
Your Love Is All I Know
77 bpm • C Maj • 03:39 • -9db
42% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sean McConnell
Shaky Bridges
77 bpm • A# Maj • 03:28 • -8.85db
35% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Guthrie
Colorado
86 bpm • D Maj • 03:49 • -8.21db
38% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Mipso
Carolina Rolling By
76 bpm • A Maj • 04:55 • -10.78db
42% Popularity • 66% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
42% Popularity • 66% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Andrew Duhon
Gonna Take a Little Rain
86 bpm • D Maj • 03:25 • -6.55db
38% Popularity • 49% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 49% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Thunderstorm Artis
Wildfire
77 bpm • F Maj • 03:33 • -9.29db
19% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dalton Day
Glad You Came
86 bpm • C# Maj • 03:33 • -10.94db
29% Popularity • 45% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 45% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Zach Winters
There for You
86 bpm • C Maj • 03:56 • -11.98db
18% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Thirdstory
Grows Old
86 bpm • G# Maj • 03:56 • -13.46db
45% Popularity • 56% Danceability • 27% Energy • 20% Liveness
46% Instrumentalness • 9% Positiveness
45% Popularity • 56% Danceability • 27% Energy • 20% Liveness
46% Instrumentalness • 9% Positiveness
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Dan Bettridge
Third Eye Blind - Mahogany Sessions
76 bpm • G# Maj • 03:17 • -11.23db
28% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Renzema
Faith!?
76 bpm • A Maj • 04:02 • -6.05db
49% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Seabaugh
Maybe We Do
76 bpm • D# Maj • 02:53 • -13.06db
48% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Dustin Tebbutt
Quiet Moon, Wild Sea
87 bpm • F Maj • 04:08 • -10.79db
51% Popularity • 56% Danceability • 54% Energy • 8% Liveness
7% Instrumentalness • 20% Positiveness
51% Popularity • 56% Danceability • 54% Energy • 8% Liveness
7% Instrumentalness • 20% Positiveness
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Matt Hartke
Let Go
76 bpm • D Maj • 03:27 • -10.21db
35% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Ashton
Nicole
87 bpm • A# Maj • 03:50 • -10.12db
36% Popularity • 76% Danceability • 38% Energy • 9% Liveness
7% Instrumentalness • 71% Positiveness
36% Popularity • 76% Danceability • 38% Energy • 9% Liveness
7% Instrumentalness • 71% Positiveness