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What Are You Drinking
Songs like
What Are You Drinking
by
Ryan Hurd
Based on a tempo of (+/- 10%) and a similar genre
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Corey Kent
Tumbleweed
146 bpm • C# Maj • 03:52 • -4.57db
36% Popularity • 44% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Roman Alexander
Cocktail Conversations
146 bpm • G Maj • 03:24 • -6db
32% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
41% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Maddie & Tae
Wish You The Best
146 bpm • C Maj • 02:59 • -4.64db
37% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Moakler
Make A Little Room
146 bpm • C# Maj • 03:00 • -6.25db
35% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Clare Dunn
Holding Out For A Cowboy
146 bpm • A min • 03:30 • -7.88db
31% Popularity • 56% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Braden
She Don't Care
146 bpm • G Maj • 03:14 • -4.66db
37% Popularity • 45% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Smithfield
Something Sexy
146 bpm • C Maj • 03:14 • -4.08db
41% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Brian Kelley
Made By The Water
146 bpm • F# Maj • 02:56 • -4.9db
40% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ryan Hurd
Her Name Was Summer
146 bpm • E Maj • 03:24 • -6db
34% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Hambrick
Rockin' All Night Long
146 bpm • D# Maj • 03:18 • -5.59db
36% Popularity • 53% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch Rossell
Then Again
146 bpm • D Maj • 03:25 • -6.61db
47% Popularity • 55% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Russell Dickerson
All Yours, All Night
146 bpm • C Maj • 03:06 • -5db
39% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Hurd
What Are You Drinking
146 bpm • C Maj • 03:24 • -6.22db
36% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Braden
Secret - Gravel Drive Sounds
146 bpm • F# Maj • 03:45 • -8.44db
38% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nate Smith
Under My Skin - Stripped
145 bpm • G# Maj • 03:05 • -6.22db
44% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rodell Duff
Wrecked
147 bpm • G Maj • 02:48 • -5.56db
31% Popularity • 51% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 75% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Corey Kent
Wild as Her - Acoustic One-Take
144 bpm • E min • 03:33 • -8db
43% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Dailey
24
148 bpm • C# Maj • 03:03 • -6.08db
22% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Kyle Clark
Like the Worlds Gonna End
148 bpm • B Maj • 03:27 • -7.2db
28% Popularity • 35% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Elvie Shane
Sundress
144 bpm • G Maj • 03:30 • -5.38db
40% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jameson Rodgers
Goin' Crazy
144 bpm • D Maj • 03:17 • -2.51db
32% Popularity • 43% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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ERNEST
Locals Only
148 bpm • B min • 04:17 • -7.04db
36% Popularity • 55% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Dustin Lynch
Wood On The Fire
144 bpm • E Maj • 03:27 • -4.15db
39% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Devin Dawson
Range Rover
144 bpm • C Maj • 03:17 • -2.76db
37% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Drew Baldridge
That's You
144 bpm • G# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Jordan Davis
I Still Smoked
144 bpm • A Maj • 03:26 • -6db
41% Popularity • 60% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
40% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dustin Lynch
Back Road TN
144 bpm • G Maj • 03:22 • -4.44db
33% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
46% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Noah Thompson
Make You Rich
144 bpm • A Maj • 03:35 • -5.43db
35% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Clark
First Time Feels
144 bpm • F# Maj • 03:37 • -5db
45% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Ashley Cooke
dirt on 'em
144 bpm • A Maj • 02:49 • -3.96db
34% Popularity • 55% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
Songs You Never Heard
144 bpm • F Maj • 03:55 • -6.53db
31% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Trea Landon
Lost Right Now
148 bpm • F Maj • 02:52 • -4.97db
37% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Cole Swindell
Every Beer
148 bpm • D Maj • 03:37 • -6db
33% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Canaan Smith
Cabin In The Woods
144 bpm • D# Maj • 02:56 • -5.82db
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Noah Hicks
Making Up My Mind
144 bpm • D Maj • 03:01 • -4.23db
44% Popularity • 43% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Maddie & Tae
What It's Like Loving You
144 bpm • G Maj • 03:16 • -4db
38% Popularity • 62% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
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LANCO
First Beer
148 bpm • G Maj • 04:01 • -6.2db
27% Popularity • 44% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Dustin Lynch
Not Every Cowboy
148 bpm • A Maj • 03:47 • -4.19db
35% Popularity • 43% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Hurd
We Do Us
148 bpm • G Maj • 03:16 • -7db
32% Popularity • 60% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Combs
Better Back When
144 bpm • G# Maj • 03:23 • -4db
52% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Noah Hicks
No More of 'Em
148 bpm • F# Maj • 03:08 • -5db
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Smithfield
New Town
144 bpm • C min • 03:12 • -4.45db
25% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Dallas Smith
Hide From A Broken Heart
144 bpm • D Maj • 03:28 • -4.25db
32% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Adam Doleac
Close That Tab
148 bpm • F Maj • 03:09 • -4.3db
24% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Detours
144 bpm • C Maj • 03:31 • -6.67db
51% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Kyle Clark
Winning
148 bpm • A# Maj • 02:56 • -5.22db
40% Popularity • 60% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Jaden Hamilton
Bad Spot
148 bpm • C# Maj • 03:17 • -5.92db
31% Popularity • 42% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Langston
Give You My All
143 bpm • B Maj • 02:51 • -6db
42% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Halle Kearns
Happy in This Bar
150 bpm • D Maj • 02:37 • -6.44db
31% Popularity • 62% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Maddie & Tae
Madness
150 bpm • C Maj • 03:25 • -4.71db
34% Popularity • 59% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Dailey
Got Married
150 bpm • F Maj • 02:58 • -6.79db
32% Popularity • 59% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Corey Kent
There's Always Next Year
150 bpm • C Maj • 02:49 • -6db
42% Popularity • 53% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
37% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Drew Green
Dirt Boy
150 bpm • F Maj • 03:12 • -5.21db
31% Popularity • 56% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Chase Bryant
Think About That
142 bpm • D# Maj • 03:51 • -5.03db
23% Popularity • 53% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Hurd
Florida With a Girl
150 bpm • C Maj • 03:11 • -7.85db
28% Popularity • 69% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Clark
Think You Know Someone
150 bpm • B Maj • 03:12 • -4.18db
36% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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CHASE WRIGHT
Why Can't It Be Over
142 bpm • F# min • 03:17 • -6.46db
33% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Teddy Robb
Heaven On Dirt
150 bpm • A# Maj • 03:28 • -4.52db
29% Popularity • 51% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Break Like You Do
142 bpm • A Maj • 03:16 • -4.5db
31% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jameson Rodgers
I'm on a Dirt Road
142 bpm • C# Maj • 03:25 • -4.68db
40% Popularity • 50% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Hurd
If I Had Two Hearts
142 bpm • F# Maj • 03:29 • -6db
33% Popularity • 65% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jordan Rager
Memories
142 bpm • A# Maj • 03:11 • -6.12db
23% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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David J
STAY
151 bpm • A# Maj • 02:38 • -8db
41% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Seaforth
What I Get for Loving You
141 bpm • C# Maj • 03:04 • -7.1db
27% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Corey Kent
How You Know You Made It
152 bpm • F Maj • 03:37 • -5.04db
41% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lily Rose
Know My Way Around
152 bpm • G# Maj • 02:54 • -3db
41% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Schuster
Who Are You Kidding?
140 bpm • B Maj • 03:27 • -6.39db
50% Popularity • 53% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Bandi
Carolina Blue
140 bpm • A Maj • 03:09 • -4.03db
20% Popularity • 44% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Hurd
Michigan for the Winter
140 bpm • F# Maj • 03:39 • -7db
39% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Owen
Fishin' On A River
140 bpm • E Maj • 03:41 • -4.71db
38% Popularity • 53% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Priscilla Block
Ever Since You Left
140 bpm • E Maj • 02:44 • -3db
40% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Restless Road
One Step Ahead
140 bpm • C# Maj • 03:16 • -4.1db
37% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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CHASE WRIGHT
My Kinda Morning
140 bpm • B Maj • 02:47 • -7db
38% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Young
If I Knew What Was Good for Me
140 bpm • C# Maj • 02:48 • -4.1db
36% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kameron Marlowe
Goin' There Today
140 bpm • C# Maj • 04:09 • -4.55db
41% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Conner Smith
Orange And White
140 bpm • E Maj • 03:29 • -3.24db
48% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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What Are You Drinking