Songs like What Can I Say After I Say I’m Sorry by Helen Forrest
Based on a tempo of (+/- 10%) and a similar genre
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Tony Bennett
Cinnamon Sinner
133 bpm • F Maj • 03:00 • -6.27db
1% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ella Mae Morse
The Patty Cake Man
133 bpm • G# Maj • 02:53 • -9.33db
9% Popularity • 71% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 71% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Nat Gonella And His Georgians
Swingin' The Jinx Away
132 bpm • D# Maj • 03:04 • -19.94db
7% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
7% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
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Cab Calloway
Between the Devil & the Deep Blue Sea
136 bpm • F Maj • 03:05 • -11.87db
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Annette Hanshaw
Daddy Won't You Please Come Home
136 bpm • C Maj • 03:02 • -14.96db
24% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Mills Blue Rhythm Band
Let's Have a Jubilee
132 bpm • F min • 02:52 • -12.34db
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
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Larry Clinton
Saving Myself for You
137 bpm • G# Maj • 02:48 • -10.92db
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Lew Stone & His Band
Pop Goes Your Heart
137 bpm • G# Maj • 02:48 • -19.16db
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Annette Hanshaw
Daddy Won't You Please Come Home
136 bpm • G Maj • 02:58 • -11db
28% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Louis Jordan
Salt Pork, West Virginia (Alternate Take...
131 bpm • G# Maj • 03:00 • -13.42db
17% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Carmen McRae
Ev'ry Time We Say Goodbye
137 bpm • G# Maj • 03:02 • -16.47db
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Lee Wiley
Sugar
137 bpm • C Maj • 03:08 • -15.32db
13% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Mercer & The Pied Pipers
I'm Gonna See My Baby
137 bpm • C# Maj • 02:29 • -9.29db
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Harry James
I Had the Craziest Dream
130 bpm • G# Maj • 03:25 • -9.79db
28% Popularity • 37% Danceability • 19% Energy • 7% Liveness
58% Instrumentalness • 22% Positiveness
28% Popularity • 37% Danceability • 19% Energy • 7% Liveness
58% Instrumentalness • 22% Positiveness
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Johnny Mercer & The Pied Pipers
A Gal In Calico
130 bpm • D# Maj • 02:36 • -11.61db
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Gene Krupa & His Orchestra
He's Funny That Way
130 bpm • A min • 02:35 • -16.05db
8% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Roy Fox
My Sweet (Roy Fox)
130 bpm • G Maj • 03:04 • -21db
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
49% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Condon
Nobody Knows
129 bpm • D# Maj • 02:29 • -16.73db
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
22% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
22% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Harry Roy and His Orchestra
They Can't Black Out the Moon
140 bpm • A min • 03:11 • -9.65db
18% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
18% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Tex Beneke
The Beautiful Blond from Bashful Bend
128 bpm • D Maj • 02:55 • -9.6db
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Mercer
They Didn't Believe Me - Remastered
128 bpm • D# Maj • 02:47 • -9.24db
30% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The McGuire Sisters
Something's Gotta Give
128 bpm • A# Maj • 02:56 • -8.75db
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Andrews Sisters with Orchestra
In The Mood
141 bpm • C min • 02:53 • -10db
22% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
25% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Annette Hanshaw
Am I Blue
127 bpm • F Maj • 03:14 • -12.17db
22% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Crosby
The Old Master Painter
127 bpm • C Maj • 01:58 • -11.43db
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
24% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Helen Forrest
On the Sunny Side of the Street
127 bpm • G Maj • 02:00 • -5.17db
9% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Tennessee Ernie Ford
A Hundred Years from Today
127 bpm • F Maj • 02:40 • -15.81db
0% Popularity • 43% Danceability • 4% Energy • 83% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 4% Energy • 83% Liveness
0% Instrumentalness • 16% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Lynda Carter
Baby It's Just You
142 bpm • G# Maj • 02:33 • -14.04db
48% Popularity • 76% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 76% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Rudy Vallee
Makin' Whoopee
142 bpm • G Maj • 02:57 • -13db
11% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Annette Hanshaw
You're the Cream in My Coffee
143 bpm • G min • 02:59 • -14.79db
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Artie Shaw & His Orchestra
Do I Love You
144 bpm • G# Maj • 03:03 • -12.05db
4% Popularity • 46% Danceability • 20% Energy • 30% Liveness
35% Instrumentalness • 32% Positiveness
4% Popularity • 46% Danceability • 20% Energy • 30% Liveness
35% Instrumentalness • 32% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Helen Forrest
Dancing on the Ceiling
124 bpm • C# Maj • 02:21 • -9.35db
19% Popularity • 41% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 41% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Les Brown
Moonglow
124 bpm • E min • 02:28 • -16db
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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Freddy Martin & His Orchestra
Managua, Nicaragua
124 bpm • G Maj • 02:53 • -8db
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Fats Waller
Have a Little Dream On Me
145 bpm • F Maj • 02:52 • -14.96db
18% Popularity • 64% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 72% Positiveness
18% Popularity • 64% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 72% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Johnny Mercer & The Pied Pipers
Ac-cent-tchu-ate The Positive
124 bpm • F Maj • 02:46 • -10.6db
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Artie Shaw & His Ochestra
They Say
123 bpm • D Maj • 02:46 • -13.52db
6% Popularity • 57% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 57% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Gerhard Trede
Manhattan
146 bpm • F min • 01:22 • -10.3db
37% Popularity • 56% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
37% Popularity • 56% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
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Helen O'Connell
You, You Darling
147 bpm • G min • 02:02 • -13.07db
18% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
26% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Krupa & His Orchestra
Tea For Two
148 bpm • A min • 02:17 • -14.14db
22% Popularity • 47% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 47% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Crosby
Politics
122 bpm • G Maj • 02:05 • -13.14db
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Connee Boswell
Fare Thee, Honey, Fare Thee Well
121 bpm • D# Maj • 03:04 • -26.71db
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
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Dick Haymes
I'll Get By (As Long As I Have You)
121 bpm • A# Maj • 02:41 • -17.74db
32% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Clinton & His Orchestra
Feeling Like A Dream
149 bpm • F Maj • 03:20 • -19.88db
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 52% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
