Songs like What Can You Bring Me by Charles Wright & The Watts 103rd Street Rhythm Band
Based on a tempo of (+/- 10%) and a similar genre
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Black Heat
No Time to Burn
103 bpm • A min • 03:55 • -14.73db
14% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Lyn Collins
Give It Up Or Turnit A Loose
103 bpm • A min • 04:31 • -8db
13% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Poets Of Rhythm
Funky Runthrough, Pt. 1 & 2
103 bpm • A# min • 04:37 • -6.2db
27% Popularity • 66% Danceability • 95% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
27% Popularity • 66% Danceability • 95% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
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Mandrill
Mango Meat
103 bpm • D Maj • 04:44 • -8db
23% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
23% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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The Jimmy Castor Bunch
Bad
103 bpm • F Maj • 03:37 • -12db
11% Popularity • 81% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 97% Positiveness
11% Popularity • 81% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 97% Positiveness
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Joyce Jones
Help Me Make up My Mind
103 bpm • D Maj • 02:44 • -6.96db
9% Popularity • 84% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 84% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Pointer Sisters
Chainey Do
103 bpm • C Maj • 05:58 • -8.27db
14% Popularity • 52% Danceability • 96% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
14% Popularity • 52% Danceability • 96% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Eddie Bo
We're Doin' It (The Thang), Pt. 1
102 bpm • F# Maj • 02:58 • -9.55db
10% Popularity • 65% Danceability • 80% Energy • 37% Liveness
26% Instrumentalness • 94% Positiveness
10% Popularity • 65% Danceability • 80% Energy • 37% Liveness
26% Instrumentalness • 94% Positiveness
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A.A.B.B.
Pick Up The Pieces One By One
104 bpm • C Maj • 03:54 • -7db
13% Popularity • 64% Danceability • 93% Energy • 5% Liveness
90% Instrumentalness • 83% Positiveness
13% Popularity • 64% Danceability • 93% Energy • 5% Liveness
90% Instrumentalness • 83% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
What Can You Bring Me
103 bpm • F min • 02:49 • -8.17db
29% Popularity • 84% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 84% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Delores Ealy & The Kenyattas
Honeydripper
102 bpm • D Maj • 02:23 • -5.7db
9% Popularity • 74% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 74% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Black Heat
Wanaoh
104 bpm • F Maj • 03:52 • -13db
19% Popularity • 59% Danceability • 88% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
19% Popularity • 59% Danceability • 88% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
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Shades Of Black
Mystery Of Black - Pt. 1
104 bpm • A# Maj • 02:51 • -4.74db
14% Popularity • 88% Danceability • 86% Energy • 14% Liveness
2% Instrumentalness • 94% Positiveness
14% Popularity • 88% Danceability • 86% Energy • 14% Liveness
2% Instrumentalness • 94% Positiveness
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Dyke & The Blazers
Black Boy From the Ghetto
104 bpm • F min • 02:19 • -9.38db
27% Popularity • 73% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 73% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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The Temptations
You've Got My Soul On Fire
104 bpm • A# min • 03:52 • -8.88db
15% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Barbara Randolph
Can I Get A Witness - Single Version
102 bpm • C# Maj • 02:21 • -6db
27% Popularity • 73% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 73% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Pearly Queen
Quit Jivin'
102 bpm • E min • 02:37 • -8.55db
12% Popularity • 79% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 79% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Magnum
It's the Music That Makes Us Do It
104 bpm • C Maj • 04:01 • -9.03db
11% Popularity • 69% Danceability • 93% Energy • 5% Liveness
24% Instrumentalness • 79% Positiveness
11% Popularity • 69% Danceability • 93% Energy • 5% Liveness
24% Instrumentalness • 79% Positiveness
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Eddie Bo
We're Doin' It (The Thang), Pt. 2
102 bpm • G Maj • 03:08 • -12.28db
13% Popularity • 80% Danceability • 63% Energy • 4% Liveness
48% Instrumentalness • 87% Positiveness
13% Popularity • 80% Danceability • 63% Energy • 4% Liveness
48% Instrumentalness • 87% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love
102 bpm • G Maj • 03:39 • -8.29db
22% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Vicki Anderson
Answer To Mother Popcorn (I Got A Mother...
104 bpm • D Maj • 03:11 • -10db
14% Popularity • 64% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Rufus Thomas
Break Down
102 bpm • A min • 03:06 • -10.79db
14% Popularity • 86% Danceability • 68% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
14% Popularity • 86% Danceability • 68% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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The Propositions
Africana
102 bpm • D Maj • 05:37 • -8.17db
30% Popularity • 53% Danceability • 89% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
30% Popularity • 53% Danceability • 89% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
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Breakestra
Gotta Let Me Know
102 bpm • A Maj • 03:28 • -4.57db
25% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Oceanliners
Cutting Room (Hot Pants)
102 bpm • A Maj • 02:53 • -11.1db
11% Popularity • 81% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 97% Positiveness
11% Popularity • 81% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 97% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love - Remastered Version
102 bpm • G Maj • 03:36 • -9.46db
11% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Mar-Keys
Grab This Thing
105 bpm • F min • 04:28 • -12.86db
24% Popularity • 90% Danceability • 39% Energy • 13% Liveness
85% Instrumentalness • 79% Positiveness
24% Popularity • 90% Danceability • 39% Energy • 13% Liveness
85% Instrumentalness • 79% Positiveness
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Graham Central Station
Water
105 bpm • B min • 04:26 • -10.26db
17% Popularity • 80% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 68% Positiveness
17% Popularity • 80% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 68% Positiveness
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The Third Guitar
Baby Don't Cry
101 bpm • G Maj • 02:50 • -5db
10% Popularity • 51% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 51% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Tony Alvon & The Belairs
Sexy Coffee Pot - Single Version;Remaste...
105 bpm • F Maj • 02:27 • -8.37db
16% Popularity • 76% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
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Skull Snaps
Trespassing - Remastered
101 bpm • G Maj • 03:59 • -8.09db
16% Popularity • 62% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 62% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Mandrill
Ape Is High
105 bpm • F Maj • 05:36 • -6db
24% Popularity • 71% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 71% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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Rufus Thomas
Do The Funky Penguin - Part 1
101 bpm • D Maj • 03:09 • -11.11db
29% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Eugene Blacknell
We Know We Have to Live Together
105 bpm • C# Maj • 05:50 • -9.1db
12% Popularity • 83% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 64% Positiveness
12% Popularity • 83% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 64% Positiveness
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The Chambers Brothers
Funky
101 bpm • A min • 02:50 • -15db
32% Popularity • 59% Danceability • 46% Energy • 14% Liveness
14% Instrumentalness • 91% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 14% Liveness
14% Instrumentalness • 91% Positiveness
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Breakestra
Stand Up
105 bpm • G Maj • 04:56 • -5db
31% Popularity • 65% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 65% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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The Believers
Mr. Hot Pants aka Across The Track (Pts....
101 bpm • C Maj • 06:24 • -7db
10% Popularity • 78% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 78% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Maceo And The Macks
Soul Power 74 - Pt. 2
105 bpm • G Maj • 04:08 • -5.51db
48% Popularity • 82% Danceability • 74% Energy • 44% Liveness
25% Instrumentalness • 94% Positiveness
48% Popularity • 82% Danceability • 74% Energy • 44% Liveness
25% Instrumentalness • 94% Positiveness
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Rufus Thomas
(Do The) Push And Pull - Pt. 1
105 bpm • F min • 03:18 • -9.75db
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Lyn Collins
Me And My Baby Got A Good Thing Goin'
105 bpm • C Maj • 03:18 • -9.1db
22% Popularity • 79% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 79% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I'm Aware
101 bpm • F Maj • 03:47 • -9.93db
13% Popularity • 59% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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The Third Guitar
Baby Don't Cry
101 bpm • D Maj • 02:59 • -5.24db
16% Popularity • 51% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 51% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
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Ripple
Funky Song
101 bpm • G Maj • 03:21 • -7db
25% Popularity • 68% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 68% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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B.T. Express
This House Is Smokin'
101 bpm • E min • 02:16 • -11db
22% Popularity • 54% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 54% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Rufus Thomas
The Funky Bird
105 bpm • A min • 03:24 • -10.44db
26% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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The Headhunters
Straight From The Gate
105 bpm • A Maj • 05:31 • -8db
19% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Marva Whitney
In The Middle
101 bpm • G Maj • 02:47 • -12.07db
24% Popularity • 74% Danceability • 44% Energy • 6% Liveness
69% Instrumentalness • 67% Positiveness
24% Popularity • 74% Danceability • 44% Energy • 6% Liveness
69% Instrumentalness • 67% Positiveness
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Tommy Stewart
Bump and Hustle Music
101 bpm • A min • 05:03 • -7.01db
23% Popularity • 81% Danceability • 89% Energy • 5% Liveness
7% Instrumentalness • 97% Positiveness
23% Popularity • 81% Danceability • 89% Energy • 5% Liveness
7% Instrumentalness • 97% Positiveness
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Darondo
Gimme Some
101 bpm • G min • 03:03 • -8db
31% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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B.T. Express
Once You Get It
106 bpm • C Maj • 03:20 • -9db
22% Popularity • 66% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 66% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Ernie Hines
Our Generation
100 bpm • C# Maj • 03:10 • -7.19db
32% Popularity • 82% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 82% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Smith
Give Up The Booty
100 bpm • F Maj • 08:14 • -8db
13% Popularity • 69% Danceability • 58% Energy • 12% Liveness
16% Instrumentalness • 80% Positiveness
13% Popularity • 69% Danceability • 58% Energy • 12% Liveness
16% Instrumentalness • 80% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Fried Okra
106 bpm • A# Maj • 02:38 • -26db
15% Popularity • 78% Danceability • 14% Energy • 29% Liveness
60% Instrumentalness • 64% Positiveness
15% Popularity • 78% Danceability • 14% Energy • 29% Liveness
60% Instrumentalness • 64% Positiveness
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Black Heat
You Should've Listened
106 bpm • F# min • 05:39 • -13db
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
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Eddie Bo
Check Your Bucket
100 bpm • A min • 04:52 • -10.38db
29% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Bo Diddley
Hit Or Miss
100 bpm • G Maj • 03:43 • -7db
35% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Family Tree
Family Tree
106 bpm • A min • 02:58 • -13.94db
20% Popularity • 79% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 79% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Rufus Thomas
Funkiest Man Alive
100 bpm • D Maj • 07:48 • -10.17db
12% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lyn Collins
Mr. Big Stuff
106 bpm • C# Maj • 04:01 • -7.06db
24% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Poets Of Rhythm
Funky Train
100 bpm • C Maj • 04:46 • -6db
32% Popularity • 72% Danceability • 89% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
32% Popularity • 72% Danceability • 89% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
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Mandrill
Fencewalk
106 bpm • G Maj • 05:32 • -12db
36% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
36% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Myra Barnes
The Message From The Soul Sisters - Pt. ...
100 bpm • A min • 05:21 • -4.36db
25% Popularity • 64% Danceability • 80% Energy • 91% Liveness
72% Instrumentalness • 81% Positiveness
25% Popularity • 64% Danceability • 80% Energy • 91% Liveness
72% Instrumentalness • 81% Positiveness
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Marva Whitney
It's My Thing - Pt. 1
106 bpm • G Maj • 02:53 • -8.9db
22% Popularity • 85% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 77% Positiveness
22% Popularity • 85% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 77% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Tell Me What You Want Me to Do
100 bpm • F Maj • 05:46 • -13.17db
12% Popularity • 51% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
12% Popularity • 51% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Harvey & The Phenomenals
Soul and Sunshine
100 bpm • A# min • 03:54 • -4.79db
13% Popularity • 70% Danceability • 89% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 89% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
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Lyn Collins
We Want To Parrty, Parrty, Parrty - Pts....
106 bpm • F# Maj • 04:25 • -10.83db
12% Popularity • 68% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 68% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Carolyn Franklin
Deal with It
106 bpm • E min • 03:18 • -12.16db
10% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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The Modulations
Rough Out Here
99 bpm • D Maj • 04:41 • -8db
16% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Mike James Kirkland
The Prophet
106 bpm • A Maj • 04:17 • -8.49db
8% Popularity • 58% Danceability • 80% Energy • 4% Liveness
7% Instrumentalness • 86% Positiveness
8% Popularity • 58% Danceability • 80% Energy • 4% Liveness
7% Instrumentalness • 86% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself - Alternate Take
100 bpm • F min • 03:46 • -10.46db
6% Popularity • 82% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
6% Popularity • 82% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Fred Wesley & The J.B.'s
Watermelon Man
107 bpm • A# Maj • 03:34 • -11.18db
29% Popularity • 80% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
29% Popularity • 80% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
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The Chefs
Mr. Machine
106 bpm • A Maj • 04:08 • -7.54db
11% Popularity • 66% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Gladys Knight & The Pips
Who Is She (And What Is She To You)
107 bpm • C# min • 04:13 • -15db
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
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The Beginning Of The End
Pretty Girl
107 bpm • G Maj • 04:59 • -7.14db
28% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Sharon Jones & The Dap-Kings
What If We All Stopped Paying Taxes?
99 bpm • C# Maj • 04:40 • -7db
28% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
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Mary Love
Born to Live with Heartache
99 bpm • G min • 03:02 • -5db
11% Popularity • 61% Danceability • 59% Energy • 65% Liveness
1% Instrumentalness • 68% Positiveness
11% Popularity • 61% Danceability • 59% Energy • 65% Liveness
1% Instrumentalness • 68% Positiveness
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Magnum
Evolution
107 bpm • G# min • 05:50 • -10db
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
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Spanky Wilson
Waiting for Your Touch
107 bpm • C Maj • 03:45 • -7.26db
31% Popularity • 74% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
31% Popularity • 74% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Eddie Bo
The Hook & Sling - Vocal Mix
99 bpm • G# Maj • 03:40 • -10.76db
24% Popularity • 76% Danceability • 85% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 76% Danceability • 85% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Tell Me What You Want Me to Do - Remaste...
99 bpm • F Maj • 05:48 • -10.27db
3% Popularity • 54% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 54% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Ballin' Jack
Never Let Em Say
107 bpm • A# min • 02:43 • -7.84db
14% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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87th Off Broadway
Moving Woman
107 bpm • F Maj • 02:56 • -9.26db
9% Popularity • 60% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
9% Popularity • 60% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Mandrill
Livin' It Up
99 bpm • C Maj • 04:21 • -10db
32% Popularity • 75% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 75% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Ohio Players
Pleasure
108 bpm • C Maj • 05:32 • -7.33db
16% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Rufus Thomas
The Breakdown - Pt. 2
99 bpm • A min • 03:11 • -10db
16% Popularity • 82% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 82% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Gene Anderson
The Loneliest One
108 bpm • G# min • 02:03 • -8.72db
8% Popularity • 77% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 77% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Clarence Reid
It's Good Enough for Daddy
108 bpm • B Maj • 02:57 • -15.58db
16% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
16% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
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The Blackbyrds
The Runaway
99 bpm • F Maj • 04:11 • -9db
21% Popularity • 68% Danceability • 56% Energy • 63% Liveness
11% Instrumentalness • 86% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 63% Liveness
11% Instrumentalness • 86% Positiveness
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Earth, Wind & Fire
C'mon Children
108 bpm • A Maj • 03:09 • -10.83db
20% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Graham Central Station
The Jam
108 bpm • B min • 08:12 • -11db
38% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
38% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
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Mandrill
Happy Beat
108 bpm • E min • 05:18 • -7.01db
13% Popularity • 77% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 77% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Marva Whitney
It's My Thing - Pt. 2
108 bpm • G Maj • 01:52 • -9.8db
28% Popularity • 75% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 75% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Clarence Reid
Living Together is Keeping Us Apart
108 bpm • A# min • 03:00 • -14.94db
17% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
17% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Felecia Johnson
Franchise on Love
108 bpm • A Maj • 02:25 • -9.54db
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Cold Blood
Baby I Love You
108 bpm • G Maj • 06:10 • -9.32db
19% Popularity • 59% Danceability • 91% Energy • 4% Liveness
2% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 91% Energy • 4% Liveness
2% Instrumentalness • 64% Positiveness
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J.J. Barnes
You Owe It to Yourself
98 bpm • E Maj • 08:30 • -6db
14% Popularity • 59% Danceability • 50% Energy • 65% Liveness
3% Instrumentalness • 77% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 65% Liveness
3% Instrumentalness • 77% Positiveness
