Songs like What Child is This? by Eileen Farrell
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem, Op. 48: II. Offertory
75 bpm • D Maj • 08:09 • -34db
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
75 bpm • F Maj • 03:33 • -22.91db
10% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
In a Monastery Garden
75 bpm • F Maj • 06:20 • -28.26db
16% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Traditional
The Water is Wide (Arr. Johnson)
75 bpm • G Maj • 03:45 • -19.62db
8% Popularity • 22% Danceability • 13% Energy • 7% Liveness
11% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 13% Energy • 7% Liveness
11% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Vocalise-étude - Remastered
75 bpm • C Maj • 03:33 • -20.97db
0% Popularity • 24% Danceability • 7% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
7% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act III: "...
74 bpm • D# Maj • 02:46 • -16.31db
13% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
12% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Johannes Brahms
Volkslieder: In stiller Nacht, WoO 33 No...
76 bpm • D# Maj • 02:38 • -34db
14% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Kunzel
Climb Ev'ry Mountain
74 bpm • A# Maj • 03:24 • -17.3db
1% Popularity • 18% Danceability • 13% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 13% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Jimmy Van Heusen
The Second Time Around - Voice
76 bpm • G min • 03:28 • -16.74db
0% Popularity • 30% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Im Feuer...
74 bpm • D Maj • 02:17 • -16db
9% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Tommaso Giordani
Caro mio ben
74 bpm • D# Maj • 02:43 • -25db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Johannes Brahms
Fünf Lieder, Op. 105: No. 1, Wie Melodi...
74 bpm • C Maj • 02:33 • -22db
8% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Mario Castelnuovo-Tedesco
La pastorella - Remastered
73 bpm • C# Maj • 02:09 • -18.88db
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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May Brahe
Bless This House
77 bpm • D# Maj • 03:08 • -10.27db
0% Popularity • 27% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Dame Joan Sutherland
Per la gloria d'adoravi
73 bpm • F Maj • 04:51 • -21.84db
8% Popularity • 23% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Pifa (Pastoral Symphony)
77 bpm • C Maj • 03:02 • -29.98db
22% Popularity • 14% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
22% Popularity • 14% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Oh! Is There No...
77 bpm • C# Maj • 04:04 • -27.54db
7% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
77 bpm • C# Maj • 01:01 • -20.11db
16% Popularity • 49% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 49% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Luigi Cherubini
Medea, Act I: "Nemici senza cor" - Remas...
77 bpm • C Maj • 04:40 • -12.55db
0% Popularity • 43% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Erich Kunzel
Maria
73 bpm • C Maj • 03:05 • -23.19db
2% Popularity • 39% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 39% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Karl Jenkins
Paradise Lost?
78 bpm • D Maj • 05:27 • -15.97db
8% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
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George Frideric Handel
Saul: Act I, Scene I, Air. "An Infant Ra...
78 bpm • B min • 01:37 • -21.11db
9% Popularity • 33% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
9% Popularity • 33% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Engelbert Humperdinck
Act 1: Prelude To Act One - Orchestra
77 bpm • C Maj • 08:16 • -19.6db
9% Popularity • 10% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Aquarelles I. Green, L.60/5 - Remastered
78 bpm • C# Maj • 02:15 • -20.17db
0% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
72 bpm • B Maj • 04:28 • -30.14db
7% Popularity • 21% Danceability • 1% Energy • 41% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 1% Energy • 41% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda: Voce di donna o d'angelo
72 bpm • D# Maj • 05:26 • -13.2db
0% Popularity • 17% Danceability • 31% Energy • 26% Liveness
3% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 31% Energy • 26% Liveness
3% Instrumentalness • 7% Positiveness
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Gian Carlo Menotti
The Medium, Act I: "the Sun has fallen" ...
78 bpm • G min • 02:08 • -26db
8% Popularity • 22% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
O mìo babbino caro from Gianni Schicchi
72 bpm • G# Maj • 02:31 • -25.15db
7% Popularity • 22% Danceability • 3% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 1, The Conspiracy
72 bpm • E min • 02:20 • -20.31db
12% Popularity • 40% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 40% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Théodore Dubois
Seven Last Words - Fifth Word - Theodore...
79 bpm • G min • 05:46 • -23.96db
11% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
78 bpm • D# Maj • 03:33 • -25db
10% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Friedrich von Flotow
The Last Rose of Summer
72 bpm • F# Maj • 03:03 • -20.87db
10% Popularity • 34% Danceability • 9% Energy • 6% Liveness
19% Instrumentalness • 6% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 6% Liveness
19% Instrumentalness • 6% Positiveness
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Eileen Farrell
The Man I Love
79 bpm • C# Maj • 03:41 • -9.59db
1% Popularity • 43% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 43% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
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Amilcare Ponchielli
La Gioconda: Maledici? Sta ben ... L'amo...
79 bpm • C Maj • 05:38 • -9.99db
0% Popularity • 25% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
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Harry Burleigh
My Lord, What a Mornin' (arr. H.H.T. Bur...
79 bpm • D# Maj • 03:39 • -25.73db
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Madame Butterfly, Act I: "Spira sul mare...
79 bpm • F# Maj • 02:51 • -16.16db
0% Popularity • 22% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Théodore Dubois
Seven Last Words - Introduction - Theodo...
79 bpm • G min • 05:58 • -28.96db
13% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
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Duke Ellington
I Got It Bad and That Ain't Good - Remas...
79 bpm • C Maj • 03:57 • -12.44db
0% Popularity • 30% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Eileen Farrell
The Second Time Around
79 bpm • G# min • 03:23 • -11.84db
0% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Amilcare Ponchielli
La Gioconda: E un anatèma!
71 bpm • F Maj • 09:31 • -12.39db
0% Popularity • 25% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 25% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
8% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Fernando Obradors
Del cabello mas sutil
79 bpm • F# Maj • 01:44 • -33db
14% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Medea, Act II: "Date almen per pietà" -...
79 bpm • A# min • 05:25 • -14.56db
0% Popularity • 32% Danceability • 23% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 23% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
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Jules Massenet
Poème d'amour: No. 3, Ouvre tes yeux bl...
79 bpm • G Maj • 02:09 • -18.77db
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Offe...
80 bpm • G# Maj • 03:33 • -39.81db
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Roger Quilter
Go, Lovely Rose
70 bpm • F# Maj • 02:55 • -23.97db
7% Popularity • 38% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 38% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Guy Carawan
We Shall Overcome
80 bpm • E Maj • 02:39 • -14.72db
1% Popularity • 25% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 25% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Agustín Lara
Granada (Arr. Chichon)
80 bpm • D Maj • 03:51 • -14.14db
5% Popularity • 28% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 28% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Duke Ellington
I Got It Bad and That Ain't Good - Voice
80 bpm • C Maj • 03:51 • -13.97db
0% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Mario Castelnuovo-Tedesco
Ninna Nanna, Op. 4 - Remastered
70 bpm • F min • 03:00 • -26.83db
0% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "De l'enfer qui v...
80 bpm • A# Maj • 02:25 • -18.49db
8% Popularity • 22% Danceability • 24% Energy • 24% Liveness
63% Instrumentalness • 16% Positiveness
8% Popularity • 22% Danceability • 24% Energy • 24% Liveness
63% Instrumentalness • 16% Positiveness
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Kathleen Battle
He's Gone Away
80 bpm • F Maj • 03:44 • -18db
9% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Leonard Bernstein
Mass (A Theatre Piece For Singers, Playe...
80 bpm • D min • 04:41 • -25.5db
2% Popularity • 13% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
2% Popularity • 13% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Ludwig van Beethoven
Missa Solemnis: Mass in D Major, Op. 123
80 bpm • G Maj • 09:27 • -17.99db
0% Popularity • 8% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Lina Mktrchyan (contralto)
J.S.Bach - Ch.Gounod. Ave Maria
81 bpm • C Maj • 03:14 • -19.76db
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Emil Gouè
Trois mélodies: No. 3, Toi qui te conna...
81 bpm • G# min • 03:11 • -10.13db
8% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Eileen Farrell
Happiness is a thing called Joe
70 bpm • G Maj • 04:33 • -20.37db
0% Popularity • 52% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 52% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Giacomo Puccini
Messa di Gloria: Agnus Dei
70 bpm • C Maj • 02:32 • -24.91db
12% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
12% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
► Preview
Leonard Bernstein
Mass: Devotions before Mass: Hymn and Ps...
80 bpm • C Maj • 04:10 • -19.55db
24% Popularity • 23% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: 63 Irish Songs, Pt. 1, WoO 15...
70 bpm • B min • 02:46 • -19.26db
1% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Amy Woodforde-Finden
4 Indian Love Lyrics: No. 3. Kashmiri So...
81 bpm • A# Maj • 03:28 • -22db
7% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Lehár: Giuditta, Act 3: "Meine Lippen s...
81 bpm • E Maj • 05:16 • -8.28db
12% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jules Massenet
Massenet: Hérodiade, Act 1: "Celui dont...
81 bpm • D# Maj • 05:12 • -14.26db
0% Popularity • 19% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda: Tradita! ... Ahimè ... Soc...
81 bpm • C# Maj • 04:00 • -12.06db
0% Popularity • 15% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Eileen Farrell
I'll Be Around
69 bpm • G Maj • 04:05 • -21.68db
0% Popularity • 37% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
0% Popularity • 37% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
► Preview
Gareth Jones
The Pirates of Penzance: Pour, Oh Pour, ...
81 bpm • D# Maj • 01:29 • -21db
11% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
81 bpm • D Maj • 02:54 • -35.12db
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
11% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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Claude Debussy
Le Faune, L. 104/2 - Remastered
69 bpm • A# min • 01:51 • -27.34db
0% Popularity • 48% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 48% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Thomas Moore
Believe Me, If All Those Endearing Young...
82 bpm • D# Maj • 03:15 • -13.52db
0% Popularity • 27% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Engelbert Humperdinck
Hansel and Gretel: Evening Prayer
69 bpm • E min • 02:00 • -22.06db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Un ballo in maschera, Act II: "Ma dall'a...
82 bpm • F min • 06:31 • -19.11db
0% Popularity • 29% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Cielo, a...
82 bpm • G Maj • 02:08 • -24.25db
15% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Eileen Farrell
Taking a Chance on Love
69 bpm • C# Maj • 02:46 • -9.81db
0% Popularity • 50% Danceability • 42% Energy • 93% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 50% Danceability • 42% Energy • 93% Liveness
0% Instrumentalness • 74% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
82 bpm • E min • 05:47 • -24.99db
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Poeme d'un jour, Op. 21: No. 3. Adieu
82 bpm • F Maj • 02:23 • -23.5db
9% Popularity • 34% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 34% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Kurt Weill
September Song - Voice
82 bpm • G# Maj • 02:42 • -16.44db
0% Popularity • 33% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 33% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
La rondine, Act I: "Chi il bel sogno di ...
68 bpm • F Maj • 02:42 • -14.74db
0% Popularity • 35% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
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Henry John Gauntlett
Once in Royal David's City (Arr. for Tre...
83 bpm • G Maj • 02:58 • -25.71db
20% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Eileen Farrell
A Connecticut Yankee: Can't You Do a Fri...
68 bpm • A# Maj • 02:52 • -25.97db
0% Popularity • 35% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Opera Australia Orchestra
Hubička, JB 1:104 "The Kiss": Vendulka'...
68 bpm • A min • 04:03 • -19db
9% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Liberace with Paul Weston and His Orchestra
Rachmaninoff Fantasia
83 bpm • D Maj • 06:33 • -24.36db
10% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
10% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Aida: Act II: Vieni: sul crin ti piovano
83 bpm • G Maj • 00:55 • -27.16db
18% Popularity • 17% Danceability • 5% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 5% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, Act II: "Un bel di ved...
83 bpm • C# Maj • 04:47 • -17.14db
0% Popularity • 17% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Amilcare Ponchielli
La Gioconda: Qui chiamata m' avete?
83 bpm • F Maj • 08:27 • -9.39db
0% Popularity • 29% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 29% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Eileen Farrell
Too Many Girls: You're Nearer
68 bpm • G# Maj • 02:41 • -21.16db
0% Popularity • 29% Danceability • 3% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
14% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
A Sheaf of Songs from Leinster, Op. 140:...
68 bpm • C# Maj • 02:19 • -22.87db
7% Popularity • 47% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 47% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
