Songs like What Child Is This (feat. Taylor Davis) by Jennifer Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Traditional Song
I Saw Three Ships
66 bpm • G Maj • 01:34 • -18.28db
24% Popularity • 60% Danceability • 22% Energy • 17% Liveness
97% Instrumentalness • 65% Positiveness
24% Popularity • 60% Danceability • 22% Energy • 17% Liveness
97% Instrumentalness • 65% Positiveness
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Jon Schmidt
Silent Night
66 bpm • C Maj • 04:57 • -22.71db
13% Popularity • 21% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
13% Popularity • 21% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Philip Wesley
The Magic of Christmas
66 bpm • G Maj • 01:31 • -24.06db
18% Popularity • 54% Danceability • 3% Energy • 19% Liveness
91% Instrumentalness • 7% Positiveness
18% Popularity • 54% Danceability • 3% Energy • 19% Liveness
91% Instrumentalness • 7% Positiveness
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Vitamin String Quartet
Christmas Star
66 bpm • D Maj • 03:16 • -13.44db
11% Popularity • 13% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 13% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Layla Wall
Mary Did You Know
66 bpm • D# min • 02:18 • -22.67db
23% Popularity • 65% Danceability • 4% Energy • 16% Liveness
95% Instrumentalness • 39% Positiveness
23% Popularity • 65% Danceability • 4% Energy • 16% Liveness
95% Instrumentalness • 39% Positiveness
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Jennifer Thomas
What Child Is This
66 bpm • E min • 04:07 • -11.56db
10% Popularity • 9% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Chemayne
Silent Night
67 bpm • A# Maj • 04:38 • -26.49db
21% Popularity • 45% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
21% Popularity • 45% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Wendy Salisbury
Auld Lang Syne
67 bpm • G Maj • 02:05 • -26db
19% Popularity • 52% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 46% Positiveness
19% Popularity • 52% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 46% Positiveness
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Paul Cardall
Our Little Angel
65 bpm • D# min • 02:58 • -19.4db
7% Popularity • 32% Danceability • 7% Energy • 17% Liveness
72% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 7% Energy • 17% Liveness
72% Instrumentalness • 8% Positiveness
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Manny Heights
Do You Hear What I Hear
67 bpm • C Maj • 03:20 • -24.48db
38% Popularity • 54% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
38% Popularity • 54% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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The O'Neill Brothers Group
Carol of the Bells
65 bpm • A min • 03:08 • -21.84db
14% Popularity • 49% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
14% Popularity • 49% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Brian Crain
Shimmering Lights
65 bpm • G Maj • 03:16 • -19.8db
16% Popularity • 35% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 8% Positiveness
16% Popularity • 35% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 8% Positiveness
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Chemayne
God Rest Ye Merry Gentlemen
65 bpm • D min • 03:31 • -24db
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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David Lanz
La Estrella De La Navidad
68 bpm • G# Maj • 01:13 • -24.65db
31% Popularity • 38% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
31% Popularity • 38% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Paul Cardall
The First Noel
64 bpm • D Maj • 02:44 • -17.37db
5% Popularity • 46% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
5% Popularity • 46% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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James Lord Pierpont
Jingle Bells (Piano Version)
64 bpm • D# Maj • 03:03 • -20.68db
11% Popularity • 31% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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David Schultz
The Prayer - Piano Version
68 bpm • F Maj • 02:11 • -26.47db
32% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Jennifer Thomas
Silent Night
68 bpm • D Maj • 04:49 • -11.3db
4% Popularity • 20% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
4% Popularity • 20% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Chemayne
What Child Is This?
67 bpm • E min • 04:50 • -28.16db
20% Popularity • 29% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 13% Positiveness
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Allen & Bright
O Come, O Come Emmanuel
68 bpm • E min • 02:54 • -14.02db
10% Popularity • 27% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
10% Popularity • 27% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Stian Jarrell
The Coventry Carol
68 bpm • G min • 02:16 • -29.11db
22% Popularity • 55% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
22% Popularity • 55% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
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Jon Schmidt
In The Bleak Midwinter
68 bpm • E Maj • 04:47 • -27.07db
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 20% Positiveness
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 20% Positiveness
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Michael Forster
Christmas Time Is Here (Piano Version)
68 bpm • F Maj • 02:47 • -25.84db
12% Popularity • 48% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 48% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Adolphe Adam
O Holy Night
64 bpm • F Maj • 03:11 • -22.57db
31% Popularity • 36% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 36% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Chemayne
O Holy Night
68 bpm • C Maj • 06:13 • -26.83db
18% Popularity • 30% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 30% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Anne Stahl
Come Thou Long Expected Jesus
69 bpm • F Maj • 02:51 • -26db
23% Popularity • 30% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
23% Popularity • 30% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Joseph Akins
O Holy Night
69 bpm • C Maj • 03:38 • -17.34db
12% Popularity • 28% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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David Lanz
Snow Dance
69 bpm • G Maj • 01:43 • -23.88db
29% Popularity • 33% Danceability • 0% Energy • 17% Liveness
89% Instrumentalness • 11% Positiveness
29% Popularity • 33% Danceability • 0% Energy • 17% Liveness
89% Instrumentalness • 11% Positiveness
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Michael Forster
I Wish It Could Be Christmas Every Day (...
69 bpm • A Maj • 03:25 • -20.17db
7% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
7% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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José Feliciano
Feliz Navidad
63 bpm • D Maj • 04:25 • -20.15db
21% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Franz Xaver Gruber
Silent Night (Piano Version)
69 bpm • C# Maj • 02:49 • -28.82db
8% Popularity • 25% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Ryan Marvel
Still, Still, Still
63 bpm • C# Maj • 04:23 • -28.91db
16% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
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David Nevue
Coventry Carol
69 bpm • G min • 04:05 • -18.28db
20% Popularity • 24% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
20% Popularity • 24% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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John Bladh
See Amidst The Winter's Snow
63 bpm • G Maj • 02:28 • -28.21db
37% Popularity • 42% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
37% Popularity • 42% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Michael Forster
White Christmas (Piano Version)
63 bpm • A Maj • 03:19 • -24.25db
6% Popularity • 41% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
6% Popularity • 41% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Jesse Brown
O Come, All Ye Faithful(Adeste Fideles)
70 bpm • G Maj • 03:01 • -19.13db
17% Popularity • 32% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
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Kevin Kern
O Come, O Come Emmanuel
63 bpm • F min • 02:42 • -22.02db
10% Popularity • 67% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
10% Popularity • 67% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
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Alexis Ffrench
Simple Gifts
70 bpm • F# Maj • 02:24 • -19.05db
15% Popularity • 35% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Ilya Mann
12 Days of Christmas
70 bpm • G Maj • 02:34 • -20.86db
14% Popularity • 60% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
14% Popularity • 60% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
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Paul Cardall
Jenna's Dance
62 bpm • F Maj • 02:52 • -13.62db
7% Popularity • 38% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
7% Popularity • 38% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Kendra Logozar
In the Bleak Midwinter
70 bpm • D Maj • 04:16 • -19.54db
10% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
10% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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David Lanz
Winter’s Prelude
62 bpm • A min • 01:16 • -16.26db
35% Popularity • 25% Danceability • 10% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
35% Popularity • 25% Danceability • 10% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
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Thad Fiscella
What Child is This?
70 bpm • D min • 03:48 • -19.47db
10% Popularity • 38% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
10% Popularity • 38% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Greg Maroney
It Came Upon a Midnight Clear
71 bpm • A# Maj • 02:58 • -22.65db
8% Popularity • 36% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
8% Popularity • 36% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Joy Williams
I'll Be Home for Christmas (Instrumental...
70 bpm • D Maj • 02:01 • -27.23db
10% Popularity • 63% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 41% Positiveness
10% Popularity • 63% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 41% Positiveness
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London Philharmonic Orchestra
O Holy Night
61 bpm • C Maj • 04:32 • -10.6db
9% Popularity • 21% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Steve Hall
Still, Still, Still / Virgin Slumber Son...
71 bpm • C min • 04:19 • -20.79db
14% Popularity • 34% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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Brian Crain
O Little Town of Bethlehem
71 bpm • F Maj • 03:31 • -21.51db
14% Popularity • 35% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 35% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Dana Daoud
The Holly And The Ivy
71 bpm • F Maj • 02:24 • -25db
17% Popularity • 53% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
17% Popularity • 53% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
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Paul Cardall
A Change Of Heart
71 bpm • D Maj • 03:52 • -23.8db
7% Popularity • 31% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Franz Xaver Gruber
Silent Night
71 bpm • A# Maj • 03:01 • -18.91db
16% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Traditional Song
Silent Night
61 bpm • D Maj • 01:22 • -23.86db
22% Popularity • 62% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
22% Popularity • 62% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Brooklyn Duo
Home Alone Medley
72 bpm • C Maj • 03:22 • -10.4db
8% Popularity • 49% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
8% Popularity • 49% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Jem Finer
Fairytale of New York
72 bpm • D Maj • 03:14 • -22.34db
18% Popularity • 46% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
18% Popularity • 46% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Amy Yeager
My Own Christmas
72 bpm • G# Maj • 02:29 • -21.61db
11% Popularity • 76% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
11% Popularity • 76% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Louis Landon
Pachelbel's Canon
73 bpm • D Maj • 02:46 • -16.93db
26% Popularity • 27% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 27% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Michele McLaughlin
Sing We Now of Christmas
72 bpm • G min • 02:41 • -19.1db
15% Popularity • 25% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
15% Popularity • 25% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Traditional Song
O Holy Night
72 bpm • A# Maj • 02:05 • -22.65db
13% Popularity • 44% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
13% Popularity • 44% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Jan Mulder
In The Bleak Midwinter
73 bpm • C# Maj • 03:21 • -18.81db
8% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
8% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Brooklyn Duo
Charlie Brown Christmas Medley
72 bpm • F Maj • 04:25 • -9.61db
8% Popularity • 27% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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HAUSER
The Christmas Song
60 bpm • D Maj • 03:55 • -11.87db
19% Popularity • 18% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Jule Styne
Let It Snow (Piano Version)
73 bpm • A# min • 02:24 • -24.71db
8% Popularity • 37% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
8% Popularity • 37% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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Brian Crain
Away in a Manger
73 bpm • C Maj • 03:05 • -24.63db
14% Popularity • 23% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 23% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Kevin Kern
Good King Wenceslas
73 bpm • A# Maj • 04:59 • -22.12db
10% Popularity • 44% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
10% Popularity • 44% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Jester Hairston
Mary's Boy Child
74 bpm • E Maj • 02:50 • -24.07db
17% Popularity • 45% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
17% Popularity • 45% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
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Ryan Marvel
All Through the Night / Away in a Manger
74 bpm • D# Maj • 03:54 • -29.71db
14% Popularity • 48% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
14% Popularity • 48% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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The Piano Guys
Silent Night
74 bpm • C Maj • 03:30 • -13.4db
27% Popularity • 16% Danceability • 7% Energy • 19% Liveness
84% Instrumentalness • 7% Positiveness
27% Popularity • 16% Danceability • 7% Energy • 19% Liveness
84% Instrumentalness • 7% Positiveness
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Invadable Harmony
O Christmas Tree
74 bpm • A Maj • 01:28 • -21.67db
17% Popularity • 46% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 46% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 20% Positiveness
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Ahron Kupner
Another Year Has Gone By
74 bpm • E Maj • 04:07 • -22.96db
17% Popularity • 52% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 52% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Johannes Bornlöf
Away In A Manger (Piano Version)
74 bpm • D# Maj • 02:14 • -19.96db
23% Popularity • 48% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
23% Popularity • 48% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Beegie Adair
Toyland / O Christmas Tree - Medley
74 bpm • A Maj • 03:50 • -15.49db
16% Popularity • 21% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
16% Popularity • 21% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
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Kendra Logozar
O Come O Come Emmanuel
74 bpm • E min • 03:16 • -22.1db
15% Popularity • 48% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
15% Popularity • 48% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Traditional
The Coventry Carol
74 bpm • G min • 03:46 • -20.4db
17% Popularity • 12% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
17% Popularity • 12% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Michael Forster
Driving Home for Christmas (Piano Versio...
75 bpm • F# min • 02:48 • -25.12db
10% Popularity • 30% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Philip Wesley
O Christmas Tree - Tanenbaum
75 bpm • G Maj • 04:26 • -23.97db
9% Popularity • 37% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
9% Popularity • 37% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Holiday Melody
O Christmas Tree
75 bpm • C Maj • 01:48 • -29.4db
33% Popularity • 72% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
33% Popularity • 72% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
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Andrew Billings
Sleigh Ride
75 bpm • A Maj • 01:32 • -19.36db
21% Popularity • 69% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
21% Popularity • 69% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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London Music Works
Carol of the Bells - Introduction
75 bpm • F Maj • 01:42 • -24.31db
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ryan Marvel
Gloucestershire Wassail
75 bpm • G# Maj • 03:05 • -21.84db
14% Popularity • 43% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
14% Popularity • 43% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Michael Logozar
Angels We Have Heard on High
75 bpm • F Maj • 03:53 • -19.93db
18% Popularity • 42% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Traditional Song
O Holy Night
76 bpm • C# Maj • 02:09 • -24.65db
20% Popularity • 54% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Emma Shynes
Star of Bethlehem
76 bpm • G Maj • 03:07 • -20.93db
36% Popularity • 62% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 62% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Ground Zero Academy Orchestra
O Holy Night
76 bpm • A# Maj • 01:45 • -8.63db
35% Popularity • 8% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 19% Positiveness
35% Popularity • 8% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 19% Positiveness
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Trans-Siberian Orchestra
Christmas Bells, Carousels & Time - Inst...
76 bpm • C# Maj • 01:04 • -17.44db
20% Popularity • 35% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
20% Popularity • 35% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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The Piano Guys
Still, Still, Still
57 bpm • F Maj • 04:59 • -24.18db
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Brooklyn Duo
Carol of the Bells
76 bpm • D# Maj • 01:39 • -6.36db
10% Popularity • 40% Danceability • 48% Energy • 22% Liveness
86% Instrumentalness • 50% Positiveness
10% Popularity • 40% Danceability • 48% Energy • 22% Liveness
86% Instrumentalness • 50% Positiveness
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David Tolk
By the Hearth
76 bpm • D# Maj • 05:33 • -14.28db
8% Popularity • 39% Danceability • 24% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
8% Popularity • 39% Danceability • 24% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
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Traditional Song
Coventry Carol
76 bpm • C min • 01:09 • -26.69db
17% Popularity • 47% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
17% Popularity • 47% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Jill Pitz
What Child Is This
76 bpm • E min • 02:24 • -16.37db
25% Popularity • 30% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 30% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Danis
Silent Night
77 bpm • C Maj • 03:02 • -24.95db
8% Popularity • 49% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
8% Popularity • 49% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Taylor Davis
Silent Night / On a Starlit Night
77 bpm • C Maj • 03:37 • -15.5db
8% Popularity • 14% Danceability • 22% Energy • 13% Liveness
55% Instrumentalness • 16% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 13% Liveness
55% Instrumentalness • 16% Positiveness
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Half Giant
O Come O Come Emmanuel (Piano Version)
77 bpm • E min • 04:00 • -23.98db
18% Popularity • 40% Danceability • 4% Energy • 35% Liveness
89% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 4% Energy • 35% Liveness
89% Instrumentalness • 22% Positiveness
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Anya
Ich steh an deiner Krippe hier - Gemafre...
77 bpm • B min • 04:18 • -13.66db
6% Popularity • 32% Danceability • 32% Energy • 27% Liveness
48% Instrumentalness • 17% Positiveness
6% Popularity • 32% Danceability • 32% Energy • 27% Liveness
48% Instrumentalness • 17% Positiveness
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Marshall McDonald
O Come, O Come, Emmanuel
77 bpm • E min • 05:09 • -16.37db
11% Popularity • 14% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Paul Cardall
Silent Night
77 bpm • F Maj • 05:18 • -26.37db
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Ken Dorset
Sans Day Carol
77 bpm • G# Maj • 02:41 • -27.89db
38% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Simply Three
Carol of the Bells
77 bpm • E min • 03:02 • -5.26db
13% Popularity • 34% Danceability • 91% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
13% Popularity • 34% Danceability • 91% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
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Traditional Song
Greensleeves
78 bpm • E min • 02:10 • -22.01db
14% Popularity • 53% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 53% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
