Songs like (What Did I Do To Be So) Black and Blue? by Ethel Waters
Based on a tempo of (+/- 10%) and a similar genre
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Connee Boswell
Fare Thee, Honey, Fare Thee Well
121 bpm • D# Maj • 03:04 • -26.71db
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
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Ethel Waters
Go Back Where You Stayed Last Night
121 bpm • A min • 03:21 • -13.81db
0% Popularity • 68% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Rosa Henderson
He May Be Your Dog But He's Wearing My C...
121 bpm • A Maj • 03:06 • -14.45db
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
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Lee Morse
Ain't That Too Bad
120 bpm • E min • 02:28 • -10.36db
11% Popularity • 89% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 89% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ethel Waters
(What Did I Do To Be So) Black and Blue?
121 bpm • D Maj • 02:58 • -11.92db
3% Popularity • 70% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 70% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
27% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Annette Hanshaw
Little White Lies
120 bpm • C Maj • 02:59 • -8.32db
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Al Jolson
Ohio
123 bpm • G min • 02:54 • -14.3db
0% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Eddie Cantor
If You Knew Susie
123 bpm • D Maj • 02:49 • -7db
7% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Marion Harris
Don't Leave Me Daddy
119 bpm • B Maj • 03:24 • -7.36db
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Sophie Tucker
Papa Better Watch Your Step
123 bpm • G Maj • 02:46 • -12db
16% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
34% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
34% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Marion Harris
You May Be Fast, but You Won't Last
119 bpm • G Maj • 03:15 • -11.95db
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ethel Waters
Georgia Blues - Remastered
124 bpm • F# min • 03:18 • -8.07db
0% Popularity • 49% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 44% Positiveness
0% Popularity • 49% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 44% Positiveness
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Alberta Hunter
I'm Hard To Satisfy
123 bpm • F min • 02:45 • -10.76db
4% Popularity • 73% Danceability • 31% Energy • 34% Liveness
5% Instrumentalness • 80% Positiveness
4% Popularity • 73% Danceability • 31% Energy • 34% Liveness
5% Instrumentalness • 80% Positiveness
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Helen Kane
I Wanna Be Loved by You - Alternate Vers...
124 bpm • G# Maj • 02:04 • -10.43db
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
14% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
14% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Mamie Smith
You Can Have Him, I Don't Want Him, Didn...
124 bpm • A Maj • 03:02 • -9.58db
6% Popularity • 63% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 59% Positiveness
6% Popularity • 63% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 59% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Original Dixieland Jazz Band
Tiger Rag - 1992 Remastered
125 bpm • D# Maj • 03:07 • -10.05db
14% Popularity • 49% Danceability • 49% Energy • 41% Liveness
88% Instrumentalness • 88% Positiveness
14% Popularity • 49% Danceability • 49% Energy • 41% Liveness
88% Instrumentalness • 88% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
I Can't Believe That You're In Love With...
117 bpm • G min • 02:35 • -11.83db
10% Popularity • 65% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 65% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Emmett Miller
You're the Cream in My Coffee
117 bpm • B Maj • 03:05 • -16.46db
9% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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King Oliver
When You're Smiling
125 bpm • C min • 03:20 • -12db
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
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Sophie Tucker
After You've Gone
117 bpm • C min • 02:48 • -12.19db
8% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Ambrose & His Orchestra
The Clouds Will Soon Roll By
117 bpm • D# Maj • 03:16 • -23db
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Cleo Brown
The Stuff Is Here And It's Mellow (03-12...
125 bpm • A min • 02:44 • -13.71db
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
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Louis Jordan & His Tympany Five
G.I Jive
116 bpm • C Maj • 03:00 • -7.95db
9% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
When My Sugar Walks Down The Street
116 bpm • G min • 02:43 • -9.81db
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Marion Harris
It's the Blues 'Taint Nothin' Else
126 bpm • C Maj • 03:15 • -12db
6% Popularity • 63% Danceability • 10% Energy • 24% Liveness
15% Instrumentalness • 53% Positiveness
6% Popularity • 63% Danceability • 10% Energy • 24% Liveness
15% Instrumentalness • 53% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
10% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
10% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Al Jolson
April Showers
116 bpm • C min • 03:06 • -12.96db
24% Popularity • 29% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 29% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Helen Kane
I Wanna Be Loved by You - Remastered
126 bpm • G# Maj • 02:47 • -10db
14% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Bessie Smith
Kitchen Man - 78 rpm Version
116 bpm • D# Maj • 02:55 • -15.27db
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Jimmie Lunceford
Organ Grinder's Swing
116 bpm • F# Maj • 02:41 • -12db
19% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
19% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Ethel Waters
What Goes Up Must Come Down
115 bpm • G# Maj • 02:59 • -7.1db
2% Popularity • 65% Danceability • 29% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 65% Danceability • 29% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
I Want The Waiter (With The Water)
128 bpm • D# Maj • 03:07 • -10.84db
17% Popularity • 85% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 85% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Mamie Smith
That da da Strain
128 bpm • G Maj • 02:52 • -10.94db
9% Popularity • 60% Danceability • 31% Energy • 33% Liveness
9% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 31% Energy • 33% Liveness
9% Instrumentalness • 55% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
28% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Red Norvo
Remember
115 bpm • D Maj • 03:19 • -18.36db
17% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Ethel Waters
You've Seen Harlem at It's Best - Remast...
128 bpm • B min • 02:56 • -5.9db
0% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jelly Roll Morton
Dead Man Blues
129 bpm • A# Maj • 03:15 • -15.18db
5% Popularity • 75% Danceability • 16% Energy • 5% Liveness
24% Instrumentalness • 70% Positiveness
5% Popularity • 75% Danceability • 16% Energy • 5% Liveness
24% Instrumentalness • 70% Positiveness
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Ethel Waters
You Took My Man - Remastered
129 bpm • F Maj • 02:50 • -5.19db
0% Popularity • 58% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 58% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Sophie Tucker
There'll Be Some Changes Made
130 bpm • C# Maj • 02:59 • -14.19db
9% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Ethel Waters
Shoo Shoo Boogie Boo
129 bpm • G Maj • 02:50 • -8.55db
6% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
6% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
