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what did you get yourself into
Songs like
what did you get yourself into
by
remy
Based on a tempo of (+/- 10%) and a similar genre
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Joshua Golden
Black Dress
133 bpm • F Maj • 02:32 • -9.21db
35% Popularity • 83% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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remy
what did you get yourself into
133 bpm • E Maj • 03:12 • -8.47db
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Weston Estate
Stoked
133 bpm • A# Maj • 03:09 • -6db
52% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Aries
CONVERSATIONS
132 bpm • G Maj • 02:44 • -6.49db
48% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Nolie
Enough
132 bpm • D# Maj • 02:15 • -4.07db
26% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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remy
different things - acoustic
134 bpm • G Maj • 03:00 • -8.23db
13% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Max Drazen
Not Because I Loved You
134 bpm • F# Maj • 02:59 • -9.85db
29% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Bazzi
Little Miss Sunshine
135 bpm • C Maj • 02:47 • -5.02db
42% Popularity • 72% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Oliver
Seaside
131 bpm • C# Maj • 03:03 • -12.37db
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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diveliner
98 Mercedes
135 bpm • D# Maj • 02:34 • -9.52db
29% Popularity • 68% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The Millennial Club
summer nights
135 bpm • C# Maj • 03:33 • -8db
60% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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remy
different things
132 bpm • C Maj • 03:05 • -7.09db
19% Popularity • 72% Danceability • 81% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
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Max Drazen
Blurry Pictures
131 bpm • B min • 01:42 • -5.52db
51% Popularity • 74% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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young friend
HAND ME DOWN
135 bpm • G Maj • 03:00 • -4.46db
15% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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The Ivy
Broad Shoulders
135 bpm • G Maj • 03:07 • -6.86db
37% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
49% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Sally Boy
Chess & Checkers
131 bpm • D Maj • 02:29 • -8db
28% Popularity • 84% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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fcj
stay
130 bpm • C min • 02:00 • -9.35db
33% Popularity • 73% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
42% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Cooper Hill
Gas Money
130 bpm • C# min • 02:07 • -5.18db
40% Popularity • 87% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Forrest Nolan
Summer Vibe
136 bpm • E Maj • 03:20 • -8.46db
50% Popularity • 89% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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nodisco.
Unrelated
130 bpm • G# Maj • 03:19 • -8.24db
15% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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remy
checklist / the one about watching frien...
130 bpm • G# Maj • 02:39 • -7.77db
18% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Nolie
Think Back
130 bpm • G Maj • 02:48 • -5.44db
31% Popularity • 86% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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khai dreams
Flowers
130 bpm • E Maj • 02:34 • -6.03db
50% Popularity • 69% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Maasho
Fresh Air
130 bpm • D# Maj • 03:30 • -4.41db
46% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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david hugo
Die Right Here
130 bpm • C# Maj • 02:07 • -4.14db
56% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Free Arlo
summer again
130 bpm • C Maj • 02:44 • -5.89db
22% Popularity • 82% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Gervs
Every Tomorrow
130 bpm • G# Maj • 02:33 • -5db
24% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Public Library Commute
100 Degrees
137 bpm • E Maj • 03:22 • -6.41db
36% Popularity • 64% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Landon Conrath
Tagalong
130 bpm • E Maj • 01:51 • -13.53db
32% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nate Cassel
Headlights
128 bpm • F min • 02:37 • -8.28db
15% Popularity • 67% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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young friend
CRASH COURSE
129 bpm • G Maj • 03:37 • -6.97db
28% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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Cody Lovaas
Make More Sense
138 bpm • A# Maj • 02:53 • -5.83db
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Blake Shimoda
Habits
138 bpm • A# Maj • 04:00 • -9.73db
15% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Nolie
Lucky Me
128 bpm • G# Maj • 02:12 • -6db
29% Popularity • 59% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Landon Conrath
Boulevards
137 bpm • B Maj • 03:13 • -5db
44% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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remy
story straight
128 bpm • G Maj • 02:33 • -8.12db
15% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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young friend
ENDLESS
138 bpm • A# Maj • 02:45 • -7db
35% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Clubhouse
Are We Going Too Slow?
128 bpm • B Maj • 02:31 • -9.9db
23% Popularity • 65% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Weston Estate
So Good
127 bpm • G# min • 02:26 • -5.76db
58% Popularity • 80% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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milk.
A Little More
128 bpm • C# min • 04:20 • -10.54db
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Hardcastle
Blue Sky
127 bpm • C# Maj • 02:39 • -5.3db
33% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Caye
SOME LAKES
127 bpm • G Maj • 03:12 • -7.86db
31% Popularity • 71% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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remy
all ur fault
127 bpm • D# Maj • 03:03 • -5.83db
15% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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CaRter
To My Youth
127 bpm • F Maj • 02:54 • -10.67db
13% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Millennial Club
sleepless
140 bpm • F# Maj • 03:47 • -8.14db
35% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Sally Boy
just friends now
140 bpm • B min • 01:38 • -11db
20% Popularity • 80% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Joshua Golden
Rockstar
140 bpm • C Maj • 03:14 • -9.07db
24% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Landon Conrath
Telluride
140 bpm • G Maj • 02:51 • -6db
43% Popularity • 81% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Julia Wolf
Chlorine
140 bpm • D# Maj • 01:52 • -7db
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Ori Rose
DGAF BOY
140 bpm • B min • 02:09 • -5.52db
26% Popularity • 74% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Stephen Dawes
Positive!
140 bpm • C Maj • 02:26 • -6.45db
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Aicher
Last Night, 4 Years Ago
140 bpm • B Maj • 03:15 • -6.91db
21% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Turley
I Like That
140 bpm • G# Maj • 02:29 • -8.51db
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Chrmng,
DOSHTI
140 bpm • G# min • 02:49 • -10db
29% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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remy
sunset
140 bpm • C# Maj • 01:53 • -5.2db
11% Popularity • 59% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
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Jay Kim
complicated
140 bpm • D# Maj • 02:11 • -4.53db
41% Popularity • 76% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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contradash
room number
126 bpm • B min • 02:13 • -7.26db
30% Popularity • 65% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Landon Conrath
Deep End
126 bpm • D Maj • 02:16 • -6.92db
45% Popularity • 73% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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19&YOU
Loving Me
126 bpm • A Maj • 02:44 • -8.03db
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Emery
Mid July
126 bpm • A min • 03:05 • -9.45db
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Playyard
Strangers
126 bpm • F Maj • 02:25 • -13.28db
33% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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POLYDRIVE
Not Me Anymore
125 bpm • C min • 03:22 • -9db
29% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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DWLLRS
You
126 bpm • C min • 02:22 • -11.28db
24% Popularity • 57% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Illusion Hills
bittersweet
125 bpm • C Maj • 02:50 • -8.34db
36% Popularity • 69% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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a kid named rufus
things will be okay
125 bpm • B Maj • 02:14 • -9db
33% Popularity • 83% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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X Lovers
Punching Walls
125 bpm • D# Maj • 02:34 • -4.31db
28% Popularity • 75% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Wldlfe
Box
125 bpm • A Maj • 03:13 • -5db
44% Popularity • 66% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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milk.
You&I.
125 bpm • C Maj • 04:16 • -8.67db
32% Popularity • 70% Danceability • 59% Energy • 23% Liveness
38% Instrumentalness • 54% Positiveness
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DWLLRS
Beauty Rains
125 bpm • A# Maj • 03:31 • -6.04db
34% Popularity • 64% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Forrest Nolan
no name #1
125 bpm • E Maj • 03:14 • -11.92db
17% Popularity • 66% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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19&YOU
RUNNIN'
142 bpm • C Maj • 03:47 • -6.11db
15% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Steinza
Plane Ticket
142 bpm • G Maj • 01:55 • -13.94db
33% Popularity • 84% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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remy
useless
124 bpm • C Maj • 02:54 • -8.46db
12% Popularity • 80% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Vwillz
Superstar
124 bpm • D Maj • 02:21 • -8.24db
35% Popularity • 85% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Conor Burns
Mansion On A Hill
143 bpm • E Maj • 03:10 • -10.41db
40% Popularity • 63% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Devin Kennedy
No Parachute
143 bpm • C# Maj • 02:16 • -12.1db
45% Popularity • 80% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Verzache
Tongue Tied
143 bpm • F# Maj • 03:22 • -7.19db
33% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
34% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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remy
u either die a hero or live long enough ...
124 bpm • D Maj • 02:48 • -7.72db
22% Popularity • 71% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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contradash
Superficial
123 bpm • C# Maj • 02:30 • -8.73db
28% Popularity • 79% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Peach Tree Rascals
TINYA
123 bpm • G Maj • 02:24 • -5.33db
24% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Ori Rose
A.S.A.G.
123 bpm • G# Maj • 03:07 • -6.01db
42% Popularity • 74% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Atlas in Motion
startalready
144 bpm • C# Maj • 02:14 • -12.51db
28% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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remy
i95
124 bpm • A Maj • 02:44 • -7.92db
16% Popularity • 58% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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raspy
Strawberry Blonde
123 bpm • E Maj • 03:00 • -7.86db
40% Popularity • 77% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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sorryethan
Cadillac Dreams
144 bpm • D Maj • 02:30 • -7.73db
2% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
21% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Free Arlo
feel things
144 bpm • F Maj • 02:55 • -5.42db
29% Popularity • 70% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Peter Fenn
Dashboard
144 bpm • G Maj • 02:26 • -9db
23% Popularity • 77% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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remy
serial monogamist
124 bpm • A Maj • 02:57 • -7.21db
12% Popularity • 49% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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DWLLRS
Things We Don't Talk About
144 bpm • G Maj • 03:28 • -6db
26% Popularity • 45% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Kidsnot$aints.
Daydreamer
122 bpm • C Maj • 02:22 • -8.56db
50% Popularity • 89% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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pj frantz
leave this party
145 bpm • G# Maj • 02:59 • -8.19db
37% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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tone october
i would've known
122 bpm • D# Maj • 02:57 • -6.56db
13% Popularity • 87% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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what did you get yourself into