Songs like What Gave You the Idea by Dick D'Agostin
Based on a tempo of (+/- 10%) and a similar genre
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The Bomboras
Twice Pipes
156 bpm • D Maj • 02:04 • -11.98db
14% Popularity • 30% Danceability • 84% Energy • 16% Liveness
91% Instrumentalness • 72% Positiveness
14% Popularity • 30% Danceability • 84% Energy • 16% Liveness
91% Instrumentalness • 72% Positiveness
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Greg Overman
The Little Lil
155 bpm • A# min • 03:36 • -13db
22% Popularity • 58% Danceability • 47% Energy • 19% Liveness
13% Instrumentalness • 96% Positiveness
22% Popularity • 58% Danceability • 47% Energy • 19% Liveness
13% Instrumentalness • 96% Positiveness
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Jody Reynolds
Beaulah Lee
155 bpm • A Maj • 02:20 • -8.24db
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Dick D'Agostin
What Gave You the Idea
156 bpm • D min • 02:03 • -7.79db
0% Popularity • 32% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 32% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Something Weird
Cemetery Stomp - The Essex
155 bpm • C min • 02:21 • -7.21db
9% Popularity • 23% Danceability • 95% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 23% Danceability • 95% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
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The Sentinals
Tor-Chula
155 bpm • D min • 02:11 • -14.38db
20% Popularity • 41% Danceability • 75% Energy • 29% Liveness
73% Instrumentalness • 92% Positiveness
20% Popularity • 41% Danceability • 75% Energy • 29% Liveness
73% Instrumentalness • 92% Positiveness
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Bailey's Nervous Kats
Devil's Run - 1960
157 bpm • E Maj • 01:58 • -6.26db
11% Popularity • 38% Danceability • 90% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
11% Popularity • 38% Danceability • 90% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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The Belairs
Volcanic Action
155 bpm • E Maj • 02:33 • -10.67db
16% Popularity • 31% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 71% Positiveness
16% Popularity • 31% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 71% Positiveness
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Johnny & The Hurricanes
Bam-Boo
158 bpm • E min • 02:27 • -7.08db
11% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
11% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
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The Rhythm Shakers
Home Wrecker
158 bpm • C Maj • 02:40 • -4.92db
8% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Limboos
Uncle Sailed Away
158 bpm • G# Maj • 02:41 • -4.02db
17% Popularity • 38% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 38% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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台視大樂隊
求你離開我
154 bpm • G Maj • 02:49 • -9.75db
8% Popularity • 35% Danceability • 52% Energy • 85% Liveness
56% Instrumentalness • 86% Positiveness
8% Popularity • 35% Danceability • 52% Energy • 85% Liveness
56% Instrumentalness • 86% Positiveness
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The Tremolo Beer Gut
Ol' Stam Bull
154 bpm • B min • 01:19 • -4.76db
12% Popularity • 36% Danceability • 88% Energy • 14% Liveness
93% Instrumentalness • 72% Positiveness
12% Popularity • 36% Danceability • 88% Energy • 14% Liveness
93% Instrumentalness • 72% Positiveness
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The Belairs
Little Brown Jug
154 bpm • C Maj • 02:07 • -17db
10% Popularity • 40% Danceability • 57% Energy • 17% Liveness
78% Instrumentalness • 85% Positiveness
10% Popularity • 40% Danceability • 57% Energy • 17% Liveness
78% Instrumentalness • 85% Positiveness
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The Saints
Husky Team
154 bpm • A min • 02:01 • -7.57db
10% Popularity • 45% Danceability • 97% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
10% Popularity • 45% Danceability • 97% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
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Gems
Hernando's Hideaway
158 bpm • D Maj • 02:15 • -3.86db
8% Popularity • 40% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
8% Popularity • 40% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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The Limboos
Tell Me Pretty Baby
154 bpm • D Maj • 03:10 • -5.06db
14% Popularity • 46% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
14% Popularity • 46% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Travelers All Stars
Another Life
154 bpm • B min • 03:27 • -6.94db
10% Popularity • 45% Danceability • 72% Energy • 26% Liveness
42% Instrumentalness • 93% Positiveness
10% Popularity • 45% Danceability • 72% Energy • 26% Liveness
42% Instrumentalness • 93% Positiveness
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Sugar Pie DeSanto
Love so Strong
154 bpm • A# Maj • 02:00 • -14.76db
16% Popularity • 54% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 54% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Self
Rocky Road Blues
153 bpm • D Maj • 02:29 • -10.9db
26% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Dick D'Agostin
Nancy Lynn
153 bpm • C Maj • 02:03 • -7.56db
0% Popularity • 42% Danceability • 90% Energy • 54% Liveness
68% Instrumentalness • 97% Positiveness
0% Popularity • 42% Danceability • 90% Energy • 54% Liveness
68% Instrumentalness • 97% Positiveness
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The Rumblers
I Don't Need You No More
153 bpm • B Maj • 02:21 • -7.83db
8% Popularity • 46% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 95% Positiveness
8% Popularity • 46% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 95% Positiveness
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The Hollywood Flames
Strollin' On The Beach
153 bpm • A Maj • 01:49 • -11db
9% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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The Bomboras
Outlaw
153 bpm • C Maj • 02:16 • -14.67db
8% Popularity • 46% Danceability • 54% Energy • 11% Liveness
75% Instrumentalness • 63% Positiveness
8% Popularity • 46% Danceability • 54% Energy • 11% Liveness
75% Instrumentalness • 63% Positiveness
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Jimmy Clanton
That's You Baby
153 bpm • F Maj • 02:31 • -4.28db
12% Popularity • 49% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 49% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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The Skytones
You're So Fine
152 bpm • C Maj • 02:16 • -5.55db
14% Popularity • 43% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 43% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Martin Cilia
Under the Hood
152 bpm • E Maj • 03:52 • -7.1db
21% Popularity • 53% Danceability • 90% Energy • 10% Liveness
76% Instrumentalness • 94% Positiveness
21% Popularity • 53% Danceability • 90% Energy • 10% Liveness
76% Instrumentalness • 94% Positiveness
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Jody Reynolds
Thunder
152 bpm • B min • 02:28 • -8.48db
11% Popularity • 44% Danceability • 81% Energy • 10% Liveness
78% Instrumentalness • 92% Positiveness
11% Popularity • 44% Danceability • 81% Energy • 10% Liveness
78% Instrumentalness • 92% Positiveness
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Neil Sedaka
Honey
160 bpm • B Maj • 02:05 • -12.1db
9% Popularity • 46% Danceability • 89% Energy • 18% Liveness
81% Instrumentalness • 93% Positiveness
9% Popularity • 46% Danceability • 89% Energy • 18% Liveness
81% Instrumentalness • 93% Positiveness
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Satan's Pilgrims
Crying In A Storm
151 bpm • F Maj • 02:45 • -5.69db
9% Popularity • 47% Danceability • 81% Energy • 19% Liveness
96% Instrumentalness • 94% Positiveness
9% Popularity • 47% Danceability • 81% Energy • 19% Liveness
96% Instrumentalness • 94% Positiveness
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The Milkshakes
Ruhrgebeat
161 bpm • G# Maj • 01:56 • -9.44db
11% Popularity • 41% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 41% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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The Super Stocks
Newport Beach
151 bpm • D Maj • 02:13 • -10.73db
20% Popularity • 62% Danceability • 77% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
20% Popularity • 62% Danceability • 77% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
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Los Twang! Marvels
Corazon Loco
151 bpm • F min • 02:47 • -7.92db
9% Popularity • 45% Danceability • 87% Energy • 16% Liveness
86% Instrumentalness • 96% Positiveness
9% Popularity • 45% Danceability • 87% Energy • 16% Liveness
86% Instrumentalness • 96% Positiveness
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The Impacts
Fort Lauderdale
161 bpm • E Maj • 01:43 • -10.42db
14% Popularity • 24% Danceability • 90% Energy • 27% Liveness
90% Instrumentalness • 38% Positiveness
14% Popularity • 24% Danceability • 90% Energy • 27% Liveness
90% Instrumentalness • 38% Positiveness
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Johnny's Uncalled Four
Movin' & Groovin'
151 bpm • E Maj • 01:59 • -6.45db
8% Popularity • 60% Danceability • 90% Energy • 19% Liveness
87% Instrumentalness • 97% Positiveness
8% Popularity • 60% Danceability • 90% Energy • 19% Liveness
87% Instrumentalness • 97% Positiveness
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The Chantays
Banzai
161 bpm • B min • 02:03 • -16db
27% Popularity • 34% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
27% Popularity • 34% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
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Alvie Self
Seven Minutes Till Four
151 bpm • G Maj • 02:08 • -7.64db
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
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Bobby Darin
Splish Splash
150 bpm • F Maj • 02:01 • -4.53db
14% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Worn-Tin
In My Place
150 bpm • G# Maj • 02:47 • -6.98db
20% Popularity • 64% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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The Sentinals
Sensation
150 bpm • A Maj • 02:32 • -12db
14% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
14% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Anna Dukke
Good Mind
150 bpm • G Maj • 03:04 • -6.52db
12% Popularity • 84% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 98% Positiveness
12% Popularity • 84% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 98% Positiveness
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Eddie Angel
Beyond Zone X
150 bpm • C Maj • 01:49 • -7.29db
11% Popularity • 42% Danceability • 79% Energy • 51% Liveness
80% Instrumentalness • 74% Positiveness
11% Popularity • 42% Danceability • 79% Energy • 51% Liveness
80% Instrumentalness • 74% Positiveness
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台視大樂隊
走！勿跑
150 bpm • C Maj • 02:33 • -14.38db
8% Popularity • 51% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
8% Popularity • 51% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
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The Pilgrims Five
And Blue
150 bpm • G Maj • 02:23 • -11.46db
10% Popularity • 36% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 36% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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The Nocturnes
Cyclone
162 bpm • E Maj • 02:22 • -6.1db
9% Popularity • 39% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 96% Positiveness
9% Popularity • 39% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 96% Positiveness
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The Tiki Tones
Spectre Detector
163 bpm • G Maj • 02:41 • -10db
20% Popularity • 30% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
20% Popularity • 30% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
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Bunker Hill
You Can't Make Me Doubt My Baby
163 bpm • C min • 02:16 • -10.92db
15% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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The Surfers
Time Machine
163 bpm • C Maj • 02:38 • -14.36db
8% Popularity • 46% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 46% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Peterson
I'm Gone
149 bpm • E Maj • 01:56 • -11.35db
14% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Edgar Allen & The Po' Boys
The Panic Button
149 bpm • F min • 01:49 • -9.38db
6% Popularity • 74% Danceability • 87% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness
6% Popularity • 74% Danceability • 87% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness
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Sam The Sham & The Pharaohs
Sweet Talk
164 bpm • E Maj • 02:04 • -11.54db
10% Popularity • 73% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 73% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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LaVern Baker
Voodoo Voodoo
148 bpm • C min • 01:49 • -5db
24% Popularity • 74% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 74% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Ruby Ann
Your Mamas Here
148 bpm • E Maj • 01:58 • -7.82db
12% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Ray Campi
The Newest Wave
164 bpm • A# min • 01:53 • -3.21db
15% Popularity • 58% Danceability • 74% Energy • 11% Liveness
24% Instrumentalness • 92% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 11% Liveness
24% Instrumentalness • 92% Positiveness
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MFC Chicken
Spy Wail
148 bpm • A Maj • 01:53 • -6db
23% Popularity • 46% Danceability • 87% Energy • 8% Liveness
74% Instrumentalness • 65% Positiveness
23% Popularity • 46% Danceability • 87% Energy • 8% Liveness
74% Instrumentalness • 65% Positiveness
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The Hi-Stakes
Please Don't Subjectify Me
148 bpm • C Maj • 02:04 • -6.14db
9% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
9% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
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The Marketts
Collision Course
148 bpm • A# Maj • 02:00 • -13.9db
9% Popularity • 40% Danceability • 69% Energy • 28% Liveness
71% Instrumentalness • 55% Positiveness
9% Popularity • 40% Danceability • 69% Energy • 28% Liveness
71% Instrumentalness • 55% Positiveness
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Vince and the Sun Boppers
Frank's Barber Shop
148 bpm • A Maj • 02:31 • -6.69db
9% Popularity • 52% Danceability • 90% Energy • 36% Liveness
92% Instrumentalness • 98% Positiveness
9% Popularity • 52% Danceability • 90% Energy • 36% Liveness
92% Instrumentalness • 98% Positiveness
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The Untouchables
Crawlin' (The Crawl)
148 bpm • D# Maj • 02:32 • -4.9db
11% Popularity • 51% Danceability • 79% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
11% Popularity • 51% Danceability • 79% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
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The Lancasters
Satan's Holiday
148 bpm • C Maj • 01:52 • -6db
9% Popularity • 34% Danceability • 90% Energy • 5% Liveness
86% Instrumentalness • 95% Positiveness
9% Popularity • 34% Danceability • 90% Energy • 5% Liveness
86% Instrumentalness • 95% Positiveness
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Hooveriii
Man of Science
148 bpm • F Maj • 01:15 • -8.21db
13% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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台視大樂隊
可憐燒酒仙
165 bpm • C Maj • 02:39 • -12.12db
8% Popularity • 51% Danceability • 73% Energy • 37% Liveness
70% Instrumentalness • 66% Positiveness
8% Popularity • 51% Danceability • 73% Energy • 37% Liveness
70% Instrumentalness • 66% Positiveness
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Pro Anton
Mystery Lane
165 bpm • C# Maj • 01:43 • -5.31db
12% Popularity • 48% Danceability • 90% Energy • 21% Liveness
86% Instrumentalness • 86% Positiveness
12% Popularity • 48% Danceability • 90% Energy • 21% Liveness
86% Instrumentalness • 86% Positiveness
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Preston Epps
Bongo In The Congo
147 bpm • E Maj • 01:58 • -11.06db
13% Popularity • 66% Danceability • 55% Energy • 20% Liveness
44% Instrumentalness • 73% Positiveness
13% Popularity • 66% Danceability • 55% Energy • 20% Liveness
44% Instrumentalness • 73% Positiveness
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Al Garris
That's All
165 bpm • D min • 02:22 • -3.58db
9% Popularity • 47% Danceability • 94% Energy • 33% Liveness
21% Instrumentalness • 95% Positiveness
9% Popularity • 47% Danceability • 94% Energy • 33% Liveness
21% Instrumentalness • 95% Positiveness
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Googie Rene
Wiggle Toe, Pt. 2
165 bpm • C Maj • 02:27 • -8.24db
13% Popularity • 59% Danceability • 75% Energy • 3% Liveness
66% Instrumentalness • 75% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 3% Liveness
66% Instrumentalness • 75% Positiveness
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Wilson Pickett
What to Do
147 bpm • A# Maj • 02:04 • -5.03db
11% Popularity • 42% Danceability • 66% Energy • 35% Liveness
57% Instrumentalness • 88% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 35% Liveness
57% Instrumentalness • 88% Positiveness
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Sanford Clark
Travelin' Man
165 bpm • G Maj • 02:12 • -6.12db
16% Popularity • 50% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 91% Positiveness
16% Popularity • 50% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 91% Positiveness
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The Chantays
Beyond
147 bpm • B min • 02:03 • -12.84db
32% Popularity • 36% Danceability • 58% Energy • 52% Liveness
78% Instrumentalness • 59% Positiveness
32% Popularity • 36% Danceability • 58% Energy • 52% Liveness
78% Instrumentalness • 59% Positiveness
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The Sentinals
Gremmies Walk
147 bpm • A min • 01:40 • -12db
10% Popularity • 70% Danceability • 84% Energy • 7% Liveness
81% Instrumentalness • 94% Positiveness
10% Popularity • 70% Danceability • 84% Energy • 7% Liveness
81% Instrumentalness • 94% Positiveness
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Charlie Feathers
Everybody's Lovin' My Baby
147 bpm • E Maj • 02:12 • -15.74db
12% Popularity • 59% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 81% Positiveness
12% Popularity • 59% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 81% Positiveness
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The 5.6.7.8's
Surfing and Spying
166 bpm • B min • 02:12 • -8.07db
8% Popularity • 50% Danceability • 91% Energy • 34% Liveness
44% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 91% Energy • 34% Liveness
44% Instrumentalness • 53% Positiveness
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The Crossfires
Chunky
166 bpm • A# Maj • 02:13 • -6.94db
22% Popularity • 35% Danceability • 81% Energy • 24% Liveness
33% Instrumentalness • 76% Positiveness
22% Popularity • 35% Danceability • 81% Energy • 24% Liveness
33% Instrumentalness • 76% Positiveness
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The Liverbirds
Talking About You - Remastered 2024
147 bpm • F Maj • 03:07 • -11.47db
12% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
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Huelyn Duvall
Teen Queen
166 bpm • D Maj • 02:02 • -4.85db
11% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Eagles
The Desperados
147 bpm • G Maj • 02:24 • -6.96db
15% Popularity • 42% Danceability • 73% Energy • 8% Liveness
20% Instrumentalness • 72% Positiveness
15% Popularity • 42% Danceability • 73% Energy • 8% Liveness
20% Instrumentalness • 72% Positiveness
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Davie Allan & The Arrows
Apache '65
166 bpm • G min • 02:17 • -4.2db
17% Popularity • 37% Danceability • 80% Energy • 37% Liveness
83% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 80% Energy • 37% Liveness
83% Instrumentalness • 65% Positiveness
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The Desperados
Messing With My Mind
146 bpm • B min • 03:00 • -2.65db
12% Popularity • 49% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 49% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Ritchie Valens
Boney Moronie
146 bpm • F Maj • 02:44 • -8.18db
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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J.B. Lenoir
Five Years
146 bpm • D# Maj • 01:44 • -8db
14% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Creep
Betty Lou's Got A New Tattoo
146 bpm • A Maj • 02:01 • -9.27db
10% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Bailey's Nervous Kats
Chong
166 bpm • A Maj • 02:19 • -13.07db
15% Popularity • 45% Danceability • 56% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
15% Popularity • 45% Danceability • 56% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
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Aron Blue
Here Kitty Kitty
146 bpm • A Maj • 03:08 • -8.7db
16% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
16% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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Jan Davis
Vertigogo
146 bpm • F# min • 02:01 • -8.8db
15% Popularity • 50% Danceability • 66% Energy • 40% Liveness
96% Instrumentalness • 89% Positiveness
15% Popularity • 50% Danceability • 66% Energy • 40% Liveness
96% Instrumentalness • 89% Positiveness
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The Wailers
Shanghied
146 bpm • A# Maj • 02:00 • -5.23db
10% Popularity • 46% Danceability • 95% Energy • 16% Liveness
64% Instrumentalness • 96% Positiveness
10% Popularity • 46% Danceability • 95% Energy • 16% Liveness
64% Instrumentalness • 96% Positiveness
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Neil Sedaka
Come Back Joe
167 bpm • C# Maj • 02:25 • -12.81db
8% Popularity • 42% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 42% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Jesse Watson
Nashville Boogie
167 bpm • F Maj • 01:38 • -5.99db
8% Popularity • 47% Danceability • 82% Energy • 5% Liveness
93% Instrumentalness • 92% Positiveness
8% Popularity • 47% Danceability • 82% Energy • 5% Liveness
93% Instrumentalness • 92% Positiveness
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Frankie Avalon
Muscle Beach Party
145 bpm • G Maj • 02:07 • -7.58db
8% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
The Train Kept A Rollin'
168 bpm • A Maj • 02:17 • -9.73db
15% Popularity • 57% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 57% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Hollywood Hurricanes
Beaver Shot
145 bpm • G Maj • 02:07 • -11.29db
10% Popularity • 38% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 38% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
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Fats Domino
Blue Monday (Live)
145 bpm • A# Maj • 02:30 • -8.53db
12% Popularity • 43% Danceability • 77% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 43% Danceability • 77% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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The Chantays
El Conquistador
168 bpm • A Maj • 01:48 • -13.39db
35% Popularity • 36% Danceability • 70% Energy • 15% Liveness
88% Instrumentalness • 70% Positiveness
35% Popularity • 36% Danceability • 70% Energy • 15% Liveness
88% Instrumentalness • 70% Positiveness
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The Frogmen
Underwater
144 bpm • C Maj • 02:06 • -4.51db
14% Popularity • 49% Danceability • 91% Energy • 7% Liveness
96% Instrumentalness • 92% Positiveness
14% Popularity • 49% Danceability • 91% Energy • 7% Liveness
96% Instrumentalness • 92% Positiveness
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Quantum Gears
Hypotenuse Groove
144 bpm • B min • 01:04 • -11.7db
14% Popularity • 57% Danceability • 73% Energy • 45% Liveness
96% Instrumentalness • 86% Positiveness
14% Popularity • 57% Danceability • 73% Energy • 45% Liveness
96% Instrumentalness • 86% Positiveness
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Merrell and the Exiles
Mr X
144 bpm • A Maj • 02:25 • -10.22db
12% Popularity • 52% Danceability • 66% Energy • 20% Liveness
91% Instrumentalness • 80% Positiveness
12% Popularity • 52% Danceability • 66% Energy • 20% Liveness
91% Instrumentalness • 80% Positiveness
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Don & Dewey
Justine
168 bpm • A Maj • 02:44 • -11db
10% Popularity • 42% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 42% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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The Frantics
The Whip
169 bpm • C# min • 01:47 • -2.68db
6% Popularity • 30% Danceability • 99% Energy • 32% Liveness
92% Instrumentalness • 54% Positiveness
6% Popularity • 30% Danceability • 99% Energy • 32% Liveness
92% Instrumentalness • 54% Positiveness
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The Moonlighters
Rock-a-Bayou Baby
169 bpm • A# min • 02:03 • -9db
8% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
