Songs like What Hurts The Most by Rascal Flatts
Based on a tempo of (+/- 10%) and a similar genre
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Rascal Flatts
Let It Hurt
136 bpm • C Maj • 03:53 • -5.99db
40% Popularity • 47% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 47% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Aldean
Burnin' It Down
136 bpm • F# Maj • 03:39 • -6.65db
65% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Kenny Chesney
You and Tequila
136 bpm • F# Maj • 04:02 • -9.13db
62% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
57% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Faith Hill
Breathe
137 bpm • G Maj • 04:10 • -9.01db
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
68% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Rascal Flatts
When The Sand Runs Out
136 bpm • D# Maj • 03:46 • -6.25db
32% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Somebody’s Problem
137 bpm • F Maj • 02:41 • -8db
72% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Blown Away
137 bpm • A min • 04:00 • -2.57db
62% Popularity • 53% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 53% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
62% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Aldean
Big Green Tractor
137 bpm • E Maj • 03:24 • -5.01db
67% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Rascal Flatts
Ellsworth
136 bpm • F Maj • 04:01 • -6.13db
33% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rascal Flatts
My Wish
136 bpm • E Maj • 04:08 • -4.85db
64% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Reba McEntire
Because Of You
134 bpm • G Maj • 03:43 • -5.76db
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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George Strait
Carrying Your Love With Me
138 bpm • A# Maj • 03:52 • -10.61db
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Nickelback
Far Away - 2020 Remaster
133 bpm • F# Maj • 03:58 • -5.2db
67% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Rascal Flatts
I Feel Bad
134 bpm • E Maj • 03:18 • -4.94db
38% Popularity • 51% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 51% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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RaeLynn
Love Triangle
133 bpm • D Maj • 03:45 • -6.72db
55% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lady A
Love Don't Live Here
140 bpm • C# Maj • 03:50 • -3.83db
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Bieber
That Should Be Me
140 bpm • F min • 03:50 • -6.76db
57% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Scotty McCreery
The Trouble With Girls
132 bpm • A# Maj • 03:49 • -7.27db
46% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rascal Flatts
I Melt
140 bpm • A Maj • 03:54 • -4.46db
44% Popularity • 57% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Parker McCollum
Pretty Heart
132 bpm • G Maj • 04:05 • -4.45db
67% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Aldean
You Make It Easy
132 bpm • G Maj • 03:13 • -5.3db
73% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Rascal Flatts
Back To Life
132 bpm • E Maj • 03:34 • -5db
53% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Lady A
Dancin' Away With My Heart
140 bpm • E Maj • 03:52 • -5.42db
50% Popularity • 57% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 57% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Cam
Burning House
141 bpm • C Maj • 03:51 • -8db
64% Popularity • 73% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
64% Popularity • 73% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Uncle Kracker
Smile
141 bpm • E Maj • 03:21 • -3.76db
63% Popularity • 54% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 54% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 61% Positiveness
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Rascal Flatts
Why
141 bpm • G Maj • 04:54 • -7.43db
43% Popularity • 35% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 35% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Diamond Rio
One More Day
131 bpm • E Maj • 03:36 • -7.63db
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Combs
Dive - Recorded At Sound Stage Nashville
131 bpm • C# Maj • 04:20 • -8.19db
72% Popularity • 74% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 74% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Gavin DeGraw
Not Over You
142 bpm • A# Maj • 03:38 • -4.59db
64% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Carrie Underwood
Just a Dream
142 bpm • G Maj • 04:44 • -3.67db
50% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Young
The Man I Want to Be
142 bpm • G Maj • 03:27 • -5.06db
54% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
62% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Lady A
Just A Kiss
143 bpm • C# Maj • 03:38 • -5.83db
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Jason Aldean
The Truth
143 bpm • A Maj • 03:58 • -5.31db
66% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Carrie Underwood
Good Girl
129 bpm • C min • 03:25 • -2.85db
59% Popularity • 62% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 62% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Rascal Flatts
I'm Movin' On
129 bpm • C Maj • 04:02 • -5db
49% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jason Aldean
Don't You Wanna Stay
144 bpm • B Maj • 04:16 • -4.81db
45% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kenny Chesney
The Good Stuff
144 bpm • G Maj • 03:20 • -10db
58% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jason Aldean
Any Ol' Barstool
144 bpm • E Maj • 03:23 • -4.16db
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
