Songs like What I Did for Love (from "A Chorus Line") by Josh Groban
Based on a tempo of (+/- 10%) and a similar genre
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Josh Groban
What I Did for Love
144 bpm • A# Maj • 04:49 • -7.87db
37% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Aaron Tveit
Elephant Love Medley
144 bpm • D# Maj • 05:25 • -4.9db
49% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Jacobs
Go the Distance
143 bpm • A# Maj • 03:26 • -6.74db
30% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Military Wives
Annie's Song
143 bpm • E Maj • 03:09 • -12.37db
38% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Chloe Agnew
Brahms' Lullabye
143 bpm • D Maj • 02:20 • -16db
36% Popularity • 26% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
36% Popularity • 26% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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Melissa Manchester
Through the Eyes of Love (Theme from the...
143 bpm • A# Maj • 04:13 • -16.38db
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Groban
Play Me
144 bpm • F Maj • 03:26 • -10.85db
23% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Pentatonix
Bohemian Rhapsody
146 bpm • G# Maj • 05:55 • -7db
48% Popularity • 34% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 34% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Carpenters
Solitaire
143 bpm • E Maj • 04:39 • -15.17db
53% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Regina Belle, Jeffrey Osborne, Robbie Buchanan, Lex de Azevedo, David Zippel
Far Longer Than Forever
146 bpm • G# Maj • 03:46 • -13.62db
31% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jersey Boys
My Eyes Adored You
142 bpm • A# Maj • 02:26 • -8.79db
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mat and Savanna Shaw
For Good
146 bpm • A# Maj • 04:22 • -9.33db
25% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Groban
Higher Window
146 bpm • C Maj • 04:36 • -6.62db
31% Popularity • 35% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 35% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Amy Grant
That's What Love Is For
142 bpm • A Maj • 04:17 • -4db
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Neal E. Boyd
Is Nothing Sacred
142 bpm • G# Maj • 04:09 • -9db
21% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Morrison
If The World Turned Upside Down - Origin...
147 bpm • A Maj • 01:43 • -8.76db
29% Popularity • 38% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 38% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Stephanie J. Block
Never Neverland (Fly Away)
147 bpm • F Maj • 03:42 • -8.35db
16% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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BYU Vocal Point
Go the Distance
148 bpm • C Maj • 03:56 • -7db
34% Popularity • 26% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 26% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Anna Maria Perez de Taglé
Day by Day
140 bpm • C Maj • 03:10 • -10db
34% Popularity • 44% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Byrne
I (Who Have Nothing)
140 bpm • E min • 02:33 • -6.09db
15% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah McLachlan
I Will Remember You
140 bpm • A Maj • 04:55 • -10.99db
48% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Groban
In Her Eyes
140 bpm • A# min • 04:53 • -7.12db
38% Popularity • 52% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 52% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Susan Egan
I Have You
140 bpm • G# Maj • 03:29 • -6.85db
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Vanessa Williams
The Sweetest Days
140 bpm • A# Maj • 03:31 • -10.34db
46% Popularity • 48% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 48% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Paul McCrane
Miles from Here - Bonus Track
139 bpm • D Maj • 03:01 • -15.27db
24% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Cliff Richard/Helen Hobson/Darryl Knock
Had to Be - Live
150 bpm • D Maj • 06:02 • -13.11db
8% Popularity • 41% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 21% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
26% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Josh Groban
February Song
140 bpm • G# Maj • 05:12 • -8.99db
42% Popularity • 22% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
42% Popularity • 22% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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John Lloyd Young
Fallen Angel
150 bpm • G# Maj • 02:06 • -8.34db
28% Popularity • 41% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 41% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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The Celtic Tenors
Going Home
138 bpm • C Maj • 04:01 • -8.72db
14% Popularity • 36% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 36% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Beth Nielsen Chapman
All I Have
138 bpm • D Maj • 04:16 • -8db
34% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Harriet
Afterglow
138 bpm • D Maj • 03:50 • -10.97db
16% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Pentatonix
Say Something
150 bpm • G Maj • 04:31 • -9db
48% Popularity • 25% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
48% Popularity • 25% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Josh Groban
Now or Never
140 bpm • D# Maj • 03:38 • -7.73db
26% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Giorgia Fumanti
Il Mare Calmo Della Sera
138 bpm • B Maj • 04:47 • -12.2db
13% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Arturo Sandoval
Solo Esta Soledad
138 bpm • D Maj • 05:20 • -9.68db
28% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Miss Saigon Original Cast
The Movie In My Mind - Live
138 bpm • D min • 06:09 • -15db
36% Popularity • 26% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 26% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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Lucas Steele
The Duel
151 bpm • F# Maj • 07:31 • -9.19db
36% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Military Wives
Up Where We Belong (Love Lift Us Up)
137 bpm • C Maj • 04:16 • -12.25db
20% Popularity • 26% Danceability • 31% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 31% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
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Stephanie J. Block
You Haven't Seen the Last of Me
137 bpm • D Maj • 02:57 • -4db
24% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Groban
Changing Colours
137 bpm • D Maj • 04:47 • -8.42db
18% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Straight No Chaser
I Won't Give Up
137 bpm • E Maj • 04:00 • -11.14db
15% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
18% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Grant
Joanna
136 bpm • C Maj • 03:53 • -7.53db
11% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Michael W. Smith
Somewhere Somehow
152 bpm • A Maj • 04:15 • -10db
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Groban
Won't Look Back
152 bpm • D Maj • 03:41 • -6.44db
30% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Military Wives
Fix You
136 bpm • G# Maj • 04:00 • -13.88db
29% Popularity • 45% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
29% Popularity • 45% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Kurt Bestor
The Curse
153 bpm • F Maj • 02:43 • -12.1db
24% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Carpenters
For All We Know
136 bpm • G Maj • 02:38 • -13db
59% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Mat and Savanna Shaw
Come What May
136 bpm • C Maj • 04:01 • -8.71db
21% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Josh Groban
The First Time Ever I Saw Your Face
136 bpm • A# Maj • 04:31 • -13.43db
28% Popularity • 38% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
28% Popularity • 38% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Hugh Jackman
Bring Him Home
153 bpm • A Maj • 03:37 • -16db
39% Popularity • 20% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 20% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
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Aaron Tveit
Your Song
135 bpm • E Maj • 03:08 • -8.42db
46% Popularity • 46% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 46% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Secret Garden
You Raise Me Up
134 bpm • C Maj • 05:04 • -13.08db
42% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
42% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Pentatonix
Can You Feel the Love Tonight
134 bpm • A Maj • 04:07 • -6.82db
48% Popularity • 35% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 35% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Vanessa Redgrave
I Loved You Once in Silence - Guenevere ...
134 bpm • D Maj • 02:57 • -26.72db
18% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
Le temps des cathédrales
136 bpm • C min • 04:02 • -8.13db
28% Popularity • 29% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 29% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Tveit
Come What May
154 bpm • G Maj • 03:16 • -7.1db
47% Popularity • 39% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 39% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Collabro
I Dreamed A Dream
134 bpm • D# Maj • 03:43 • -12.95db
32% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Gordon Macrae
People Will Say We're in Love (Excerpts ...
134 bpm • G# Maj • 04:22 • -12db
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Straight No Chaser
Take Me to Church
132 bpm • F# Maj • 03:58 • -6.21db
23% Popularity • 73% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 73% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Carpenters
I Just Fall In Love Again
133 bpm • F Maj • 04:05 • -13.95db
52% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Kenny Rogers
Through The Years
131 bpm • C Maj • 04:46 • -11.46db
63% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Tveit
Finale (Come What May)
133 bpm • A Maj • 02:43 • -9.35db
41% Popularity • 34% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 34% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Klein
Fallin' - 1979 Original Broadway Cast
131 bpm • D Maj • 02:42 • -20.68db
40% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Elton John
Your Song
131 bpm • D# Maj • 04:21 • -5db
41% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Caissie Levy
Good Morning Starshine
131 bpm • F Maj • 02:29 • -9.3db
26% Popularity • 54% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 54% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Dan Fogelberg
Believe In Me
131 bpm • A Maj • 04:34 • -16db
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Nicky Holland
I Just Don't Know What to Do With Myself
159 bpm • G# Maj • 04:20 • -9.98db
24% Popularity • 27% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 27% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Military Wives
Mealor: Wherever You Are
130 bpm • G# Maj • 02:51 • -11db
29% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
29% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Josh Groban
Let Me Fall - from Cirque du Soleil
130 bpm • A min • 04:09 • -8.54db
33% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Klein
They're Playing My Song (His) - 1979 Ori...
129 bpm • C Maj • 01:38 • -15.12db
18% Popularity • 85% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 85% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Tveit
Drink With Me
129 bpm • F Maj • 01:42 • -21.79db
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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BYU Vocal Point
Danny Boy (Arr. McKay Crockett)
128 bpm • D Maj • 04:46 • -12.88db
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
60% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Angelique Kidjo
Pearls
128 bpm • G min • 05:05 • -7.94db
17% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Groban
Awake
130 bpm • G# Maj • 05:11 • -8.38db
41% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Jacobs
If I Never Knew You
128 bpm • C Maj • 03:37 • -6db
13% Popularity • 64% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 64% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Carpenters
A Song For You
128 bpm • F Maj • 04:42 • -11db
54% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Nicole Kidman
Come What May - Original Film Version
128 bpm • C Maj • 04:38 • -7.81db
43% Popularity • 24% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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GENTRI
Let It Be
127 bpm • C Maj • 03:47 • -8.67db
34% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Susan Boyle
This Is the Moment
127 bpm • G# Maj • 03:27 • -8db
32% Popularity • 30% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 30% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Straight No Chaser
Shut up and Dance
127 bpm • C# Maj • 02:47 • -6db
31% Popularity • 71% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 71% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Liisi Lafontaine
Listen
127 bpm • A# Maj • 03:49 • -6db
28% Popularity • 40% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 40% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Lara Fabian
For Always
127 bpm • C Maj • 04:42 • -15.71db
31% Popularity • 21% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Voctave
Disney Showstoppers
126 bpm • C Maj • 03:39 • -10.34db
31% Popularity • 44% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Diana Krall
If You Could Read My Mind
126 bpm • F Maj • 03:45 • -12.82db
44% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Madonna
Another Suitcase in Another Hall
126 bpm • G# Maj • 03:33 • -14.17db
36% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Renée Zellweger
Here's to Love
126 bpm • G Maj • 03:10 • -7db
25% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Groban
Gold Can Turn to Sand
126 bpm • A Maj • 04:13 • -8.99db
27% Popularity • 34% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 34% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Owen Colclough
Bigger Love
126 bpm • D# Maj • 04:18 • -11.67db
16% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Chloe Agnew
Someday
165 bpm • D Maj • 04:22 • -14db
24% Popularity • 24% Danceability • 23% Energy • 22% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 23% Energy • 22% Liveness
2% Instrumentalness • 16% Positiveness
