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What Makes You Country
Songs like
What Makes You Country
by
Luke Bryan
Based on a tempo of (+/- 10%) and a similar genre
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
60% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
58% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
What Makes You Country
160 bpm • C Maj • 03:55 • -1.72db
57% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Home Alone Tonight
162 bpm • G# Maj • 03:10 • -1.18db
55% Popularity • 50% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Church
Guys Like Me
158 bpm • C Maj • 03:11 • -6.92db
55% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
58% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Cagle
Let There Be Cowgirls
162 bpm • B Maj • 04:33 • -5.56db
51% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
40% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Bryan
Games
158 bpm • G# min • 02:56 • -3.45db
51% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Granger Smith
If the Boot Fits
162 bpm • D# Maj • 02:50 • -5.74db
45% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Montgomery Gentry
What Do Ya Think About That
157 bpm • G Maj • 03:37 • -6.13db
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dustin Lynch
Mind Reader
162 bpm • E min • 03:05 • -4.17db
55% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Jade Eagleson
Got Your Name On It
162 bpm • C# Maj • 03:09 • -4.81db
52% Popularity • 59% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Little Big Town
Day Drinking
164 bpm • A Maj • 02:58 • -2.52db
57% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Bryan
Hooked On It
164 bpm • A Maj • 03:17 • -1.38db
37% Popularity • 51% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
55% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
Country On
156 bpm • F Maj • 03:56 • -5db
47% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
40% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Tim McGraw
7500 OBO
156 bpm • G Maj • 03:41 • -6.95db
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
54% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Combs
Blue Collar Boys
154 bpm • F Maj • 03:39 • -5.52db
59% Popularity • 53% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Chase Rice
Three Chords & The Truth
166 bpm • G# Maj • 03:54 • -4.72db
43% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
57% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Bryan
She's A Hot One
154 bpm • F min • 02:55 • -1.9db
39% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
50% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
49% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Bryan
Beer In The Headlights
154 bpm • B min • 02:51 • -2.78db
43% Popularity • 45% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
48% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Mitchell Tenpenny
Bitches
168 bpm • C# Maj • 03:30 • -4.91db
53% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Power of Positive Drinkin'
168 bpm • B Maj • 03:30 • -4.89db
43% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Midland
Make A Little
152 bpm • E Maj • 03:01 • -5.16db
54% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Trace Adkins
Where the Country Girls At
152 bpm • B min • 03:30 • -4.69db
47% Popularity • 57% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
50% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Bryan
Love You, Miss You, Mean It
152 bpm • A# Maj • 03:21 • -4.34db
63% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
81% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
What She Wants Tonight
170 bpm • G# min • 03:07 • -3.86db
46% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Jake Owen
Catch A Cold One
150 bpm • D# Maj • 02:50 • -4.77db
45% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
70% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
48% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Midland
Mr. Lonely
150 bpm • E Maj • 03:00 • -4.49db
54% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Brice
Parking Lot Party
172 bpm • C# Maj • 03:27 • -5.76db
53% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Easton Corbin
Yup
172 bpm • A# Maj • 03:13 • -6db
45% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Sam Hunt
Leave The Night On
172 bpm • A Maj • 03:12 • -3.81db
62% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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What Makes You Country