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What Once Was
Songs like
What Once Was
by
Her's
Based on a tempo of (+/- 10%) and a similar genre
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Jungle
Back On 74
146 bpm • A# min • 03:29 • -7.28db
84% Popularity • 62% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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beabadoobee
the perfect pair
146 bpm • B Maj • 02:57 • -6.82db
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Joji
worldstar money (interlude)
147 bpm • G Maj • 02:06 • -8.61db
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Her's
Dorothy
145 bpm • C# min • 04:06 • -4.15db
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Current Joys
A Different Age
144 bpm • D Maj • 06:52 • -10.62db
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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The MarÃas
Only in My Dreams
144 bpm • A# Maj • 02:50 • -11.61db
67% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Puma Blue
(She's) Just a Phase
143 bpm • C# min • 03:06 • -10.49db
58% Popularity • 42% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Strawberry Guy
Sun Outside My Window
142 bpm • A# Maj • 03:21 • -6db
51% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
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CASTLEBEAT
Change Your Mind
150 bpm • B Maj • 04:57 • -9.62db
49% Popularity • 38% Danceability • 58% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Dream, Ivory
Blue
150 bpm • E Maj • 02:30 • -2.65db
53% Popularity • 55% Danceability • 94% Energy • 15% Liveness
71% Instrumentalness • 50% Positiveness
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Her's
Mannie's Smile
150 bpm • F Maj • 03:40 • -4.94db
45% Popularity • 56% Danceability • 79% Energy • 26% Liveness
82% Instrumentalness • 71% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Beach House
Myth
142 bpm • D# Maj • 04:18 • -6.24db
46% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
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Bedroom
In My Head
151 bpm • A Maj • 05:54 • -13.54db
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Djo
Gloom
141 bpm • A min • 02:00 • -7db
66% Popularity • 83% Danceability • 69% Energy • 10% Liveness
57% Instrumentalness • 62% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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MGMT
When You Die
141 bpm • B min • 04:23 • -4.56db
65% Popularity • 64% Danceability • 94% Energy • 16% Liveness
2% Instrumentalness • 50% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Ocean Alley
Confidence
141 bpm • B min • 04:13 • -9.61db
77% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Cure
Just Like Heaven
151 bpm • A Maj • 03:32 • -6.95db
73% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
93% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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TV Girl
It Almost Worked
141 bpm • A Maj • 02:32 • -4.35db
74% Popularity • 67% Danceability • 89% Energy • 8% Liveness
35% Instrumentalness • 68% Positiveness
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The Buttertones
Orpheus Under the Influence
152 bpm • D Maj • 02:14 • -6.55db
59% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Gus Dapperton
Prune, You Talk Funny
140 bpm • A# min • 03:32 • -7.19db
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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BADBADNOTGOOD
Time Moves Slow
140 bpm • B min • 04:33 • -10.83db
67% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Thundercat
Funny Thing
140 bpm • G Maj • 01:56 • -8.77db
76% Popularity • 59% Danceability • 89% Energy • 21% Liveness
64% Instrumentalness • 65% Positiveness
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Banes World
You Say I'm in Love
140 bpm • C# min • 02:56 • -16.69db
57% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Hotel Ugly
I Think I Left the Stove On
140 bpm • C# min • 03:22 • -6.62db
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Men I Trust
Oncle Jazz
140 bpm • C min • 00:57 • -16.78db
72% Popularity • 71% Danceability • 31% Energy • 8% Liveness
82% Instrumentalness • 25% Positiveness
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Sunbeam Sound Machine
In Your Arms
140 bpm • D# Maj • 04:39 • -4.11db
51% Popularity • 33% Danceability • 79% Energy • 42% Liveness
94% Instrumentalness • 44% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
71% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Beach Fossils
May 1st
140 bpm • D Maj • 02:58 • -7.44db
54% Popularity • 57% Danceability • 62% Energy • 54% Liveness
1% Instrumentalness • 50% Positiveness
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Her's
Low Beam
140 bpm • F Maj • 04:28 • -5db
45% Popularity • 64% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 57% Positiveness
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late night drive home
Stress Relief
140 bpm • G# Maj • 03:25 • -7.58db
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Hotel Ugly
Stevie Doesn't Wonder
140 bpm • A# min • 02:44 • -13.23db
73% Popularity • 53% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Slow Pulp
High
140 bpm • A# Maj • 02:32 • -8db
60% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Radiohead
Weird Fishes/ Arpeggi
153 bpm • B min • 05:18 • -8.03db
73% Popularity • 53% Danceability • 61% Energy • 9% Liveness
76% Instrumentalness • 20% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Kendrick Lamar
PRIDE.
139 bpm • E min • 04:35 • -7.06db
83% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Men I Trust
Numb
139 bpm • E Maj • 03:39 • -14.39db
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Eyedress
Cocaine Sunday
154 bpm • E Maj • 02:48 • -6.49db
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
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Hotel Ugly
Shut up My Moms Calling
138 bpm • A min • 02:44 • -10.71db
88% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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No Vacation
Yam Yam
138 bpm • G min • 03:36 • -9db
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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The Symposium
The Physical Attractions
138 bpm • F min • 04:44 • -10.1db
52% Popularity • 36% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 53% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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The Growlers
Orgasm of Death
155 bpm • B min • 03:55 • -5.57db
55% Popularity • 42% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Current Joys
You Broke My Heart
155 bpm • E Maj • 07:08 • -19.59db
56% Popularity • 60% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 57% Positiveness
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Her's
Love on the Line (Call Now)
137 bpm • G# Maj • 03:10 • -5db
48% Popularity • 59% Danceability • 86% Energy • 20% Liveness
90% Instrumentalness • 76% Positiveness
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Good Morning
Don't Come Home Today
156 bpm • F# Maj • 03:11 • -7.73db
48% Popularity • 38% Danceability • 74% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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The Smiths
There Is a Light That Never Goes Out - 2...
136 bpm • E Maj • 04:04 • -5.86db
81% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Plums
Parking Lots
156 bpm • C# min • 03:26 • -5.33db
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
59% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Current Joys
New York City
156 bpm • G# Maj • 03:45 • -12.83db
47% Popularity • 61% Danceability • 66% Energy • 6% Liveness
58% Instrumentalness • 80% Positiveness
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Her's
Carry the Doubt
137 bpm • F# min • 04:41 • -6.08db
42% Popularity • 55% Danceability • 56% Energy • 12% Liveness
46% Instrumentalness • 54% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Vacations
Honey
157 bpm • C# min • 02:19 • -7.56db
69% Popularity • 28% Danceability • 85% Energy • 20% Liveness
31% Instrumentalness • 67% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
59% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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Men I Trust
Say, Can You Hear
158 bpm • F# min • 03:09 • -14.1db
58% Popularity • 63% Danceability • 40% Energy • 11% Liveness
80% Instrumentalness • 49% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Dayglow
Listerine
135 bpm • B Maj • 03:35 • -11.55db
59% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Inner Wave
American Spirits
158 bpm • C# min • 02:50 • -5db
54% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Her's
Under Wraps
135 bpm • A# Maj • 05:03 • -5.22db
47% Popularity • 59% Danceability • 67% Energy • 13% Liveness
21% Instrumentalness • 39% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
70% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Frank Ocean
Pink + White
160 bpm • A Maj • 03:04 • -7.36db
88% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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What Once Was