Songs like What the Fuck by The Boxer Rebellion
Based on a tempo of (+/- 10%) and a similar genre
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Augustines
This Ain't Me
138 bpm • F Maj • 04:37 • -7.7db
19% Popularity • 57% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
19% Popularity • 57% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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The Slow Readers Club
Lunatic
138 bpm • G min • 03:32 • -6.96db
35% Popularity • 59% Danceability • 73% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
35% Popularity • 59% Danceability • 73% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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Mystery Jets
Telomere
138 bpm • C min • 03:53 • -7db
30% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The War On Drugs
Suffering
138 bpm • C Maj • 06:02 • -10.74db
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
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The Boxer Rebellion
What the Fuck
138 bpm • B min • 04:23 • -13db
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
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Tired Pony
Punishment
139 bpm • G# Maj • 04:22 • -7.19db
11% Popularity • 60% Danceability • 75% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
11% Popularity • 60% Danceability • 75% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
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The Maccabees
Spit It Out
137 bpm • E min • 05:09 • -7.91db
31% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
31% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
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Augustines
Walkabout
137 bpm • C Maj • 05:00 • -9.05db
34% Popularity • 22% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
34% Popularity • 22% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
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Dustin Tebbutt
Where I Find You
140 bpm • G# min • 04:23 • -9.97db
23% Popularity • 57% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 28% Positiveness
23% Popularity • 57% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 28% Positiveness
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The War On Drugs
In Chains
138 bpm • B Maj • 07:20 • -4.82db
48% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
48% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
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The Boxer Rebellion
Let It Go
140 bpm • A Maj • 04:26 • -8.77db
26% Popularity • 46% Danceability • 57% Energy • 14% Liveness
79% Instrumentalness • 19% Positiveness
26% Popularity • 46% Danceability • 57% Energy • 14% Liveness
79% Instrumentalness • 19% Positiveness
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Elbow
The Take Off and Landing of Everything
136 bpm • D Maj • 07:11 • -4.62db
26% Popularity • 35% Danceability • 80% Energy • 34% Liveness
4% Instrumentalness • 19% Positiveness
26% Popularity • 35% Danceability • 80% Energy • 34% Liveness
4% Instrumentalness • 19% Positiveness
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Tom Chaplin
Quicksand
140 bpm • F Maj • 04:03 • -4.23db
40% Popularity • 45% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 45% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Howard
End Of The Affair
136 bpm • D min • 07:46 • -10.67db
47% Popularity • 37% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
47% Popularity • 37% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
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JOHAN
Oceans
140 bpm • B Maj • 04:18 • -6.26db
32% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Perryman Jones
Land of the Living
136 bpm • D Maj • 06:04 • -7.84db
28% Popularity • 39% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
28% Popularity • 39% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
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The Maccabees
Heave
140 bpm • D Maj • 04:24 • -7.17db
19% Popularity • 37% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
19% Popularity • 37% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
54% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
54% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Elbow
Colour Fields
136 bpm • A Maj • 03:42 • -12.73db
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Moss
I Don't See You Trying
136 bpm • D Maj • 02:00 • -6.28db
15% Popularity • 52% Danceability • 78% Energy • 34% Liveness
25% Instrumentalness • 56% Positiveness
15% Popularity • 52% Danceability • 78% Energy • 34% Liveness
25% Instrumentalness • 56% Positiveness
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Mystery Jets
Taken By The Tide
141 bpm • C# min • 05:35 • -7.84db
26% Popularity • 33% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 33% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Bell X1
The End Is Nigh
135 bpm • D Maj • 04:03 • -7.57db
32% Popularity • 44% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
32% Popularity • 44% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
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The Boxer Rebellion
World Without End
141 bpm • C min • 04:15 • -11.92db
12% Popularity • 47% Danceability • 26% Energy • 35% Liveness
10% Instrumentalness • 4% Positiveness
12% Popularity • 47% Danceability • 26% Energy • 35% Liveness
10% Instrumentalness • 4% Positiveness
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Marble Sounds
Anyhow (Even Now)
141 bpm • B min • 03:54 • -7.24db
10% Popularity • 53% Danceability • 73% Energy • 36% Liveness
78% Instrumentalness • 79% Positiveness
10% Popularity • 53% Danceability • 73% Energy • 36% Liveness
78% Instrumentalness • 79% Positiveness
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Jesse Marchant
Only Now
135 bpm • D min • 03:55 • -9.24db
25% Popularity • 44% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
25% Popularity • 44% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Tiger Lou
Homecoming #2
135 bpm • F min • 04:15 • -6.69db
17% Popularity • 53% Danceability • 90% Energy • 7% Liveness
72% Instrumentalness • 58% Positiveness
17% Popularity • 53% Danceability • 90% Energy • 7% Liveness
72% Instrumentalness • 58% Positiveness
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Family of the Year
Hey Kid
135 bpm • F# min • 04:00 • -13.23db
19% Popularity • 51% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
19% Popularity • 51% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
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Wild Beasts
Mecca
135 bpm • F min • 03:44 • -13db
38% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
38% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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The Boxer Rebellion
Redemption
135 bpm • C Maj • 03:57 • -7.42db
22% Popularity • 44% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 44% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 22% Positiveness
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Athlete
Wires
135 bpm • D# min • 04:20 • -7db
50% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
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The Killers
Some Kind Of Love
142 bpm • G# Maj • 04:38 • -9.95db
49% Popularity • 25% Danceability • 48% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
49% Popularity • 25% Danceability • 48% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
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Eliot Sumner
After Dark
142 bpm • B min • 04:08 • -7.35db
33% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Fink
Too Late
134 bpm • C Maj • 04:15 • -11.17db
36% Popularity • 58% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 15% Positiveness
36% Popularity • 58% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 15% Positiveness
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The Boxer Rebellion
If You Run
135 bpm • C Maj • 04:49 • -9.9db
34% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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James
Moving On
142 bpm • C Maj • 04:44 • -4.87db
36% Popularity • 52% Danceability • 85% Energy • 11% Liveness
24% Instrumentalness • 55% Positiveness
36% Popularity • 52% Danceability • 85% Energy • 11% Liveness
24% Instrumentalness • 55% Positiveness
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Broken Bells
Leave It Alone
142 bpm • C# Maj • 05:30 • -8.75db
37% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Manon Prieur
Through the Veil of Night
142 bpm • C Maj • 02:00 • -17.46db
17% Popularity • 71% Danceability • 10% Energy • 22% Liveness
6% Instrumentalness • 23% Positiveness
17% Popularity • 71% Danceability • 10% Energy • 22% Liveness
6% Instrumentalness • 23% Positiveness
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Eliot Sumner
Information
142 bpm • C Maj • 07:18 • -5.76db
29% Popularity • 45% Danceability • 90% Energy • 28% Liveness
2% Instrumentalness • 16% Positiveness
29% Popularity • 45% Danceability • 90% Energy • 28% Liveness
2% Instrumentalness • 16% Positiveness
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Lanterns on the Lake
Faultlines
142 bpm • C min • 05:14 • -7.93db
16% Popularity • 24% Danceability • 74% Energy • 64% Liveness
43% Instrumentalness • 20% Positiveness
16% Popularity • 24% Danceability • 74% Energy • 64% Liveness
43% Instrumentalness • 20% Positiveness
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Ten Fé
Won't Happen
142 bpm • F Maj • 04:07 • -5db
32% Popularity • 65% Danceability • 78% Energy • 38% Liveness
14% Instrumentalness • 72% Positiveness
32% Popularity • 65% Danceability • 78% Energy • 38% Liveness
14% Instrumentalness • 72% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Slow Readers Club
Grace of God
134 bpm • D min • 04:09 • -6.28db
21% Popularity • 53% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
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The War On Drugs
You Don't Have to Go
134 bpm • E Maj • 06:42 • -7.52db
39% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
39% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Exitmusic
The Modern Age
134 bpm • F# min • 04:49 • -7.21db
24% Popularity • 36% Danceability • 59% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
24% Popularity • 36% Danceability • 59% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
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Ghosts
The World Is Outside
134 bpm • A# Maj • 03:32 • -6.09db
30% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Owl John
Red Hand
134 bpm • E min • 03:30 • -6db
23% Popularity • 52% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 58% Positiveness
23% Popularity • 52% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 58% Positiveness
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Augustines
This Is Your Life
134 bpm • E Maj • 05:30 • -4.97db
16% Popularity • 53% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 53% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Boxer Rebellion
Before Tomorrow (2004)
134 bpm • G Maj • 03:52 • -7.85db
28% Popularity • 52% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
28% Popularity • 52% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
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Air Traffic
No More Running Away
134 bpm • C Maj • 04:22 • -6.96db
31% Popularity • 62% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 47% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Slow Readers Club
I Saw A Ghost
133 bpm • G Maj • 03:32 • -5.41db
33% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
33% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
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Rylan Farrell
Entering a Gentle Embrace
143 bpm • D# Maj • 03:26 • -8.71db
15% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Racing Glaciers
High Love
144 bpm • D# Maj • 04:48 • -13.13db
34% Popularity • 58% Danceability • 47% Energy • 11% Liveness
39% Instrumentalness • 36% Positiveness
34% Popularity • 58% Danceability • 47% Energy • 11% Liveness
39% Instrumentalness • 36% Positiveness
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Sons Of Bill
Believer/Pretender
144 bpm • F# Maj • 04:52 • -6.25db
24% Popularity • 56% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
24% Popularity • 56% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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The Slow Readers Club
The Wait
144 bpm • D min • 03:24 • -5.64db
25% Popularity • 54% Danceability • 90% Energy • 8% Liveness
10% Instrumentalness • 41% Positiveness
25% Popularity • 54% Danceability • 90% Energy • 8% Liveness
10% Instrumentalness • 41% Positiveness
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Bell X1
Fake Memory
132 bpm • C Maj • 03:39 • -9.42db
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
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Fink
Berlin Sunrise
132 bpm • A min • 04:04 • -8.39db
34% Popularity • 56% Danceability • 53% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
34% Popularity • 56% Danceability • 53% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
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The Shutes
Echo of Love
132 bpm • D Maj • 04:48 • -5.41db
19% Popularity • 42% Danceability • 69% Energy • 10% Liveness
61% Instrumentalness • 37% Positiveness
19% Popularity • 42% Danceability • 69% Energy • 10% Liveness
61% Instrumentalness • 37% Positiveness
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The Boxer Rebellion
Spitting Fire
132 bpm • D# Maj • 02:50 • -5.43db
13% Popularity • 41% Danceability • 95% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
13% Popularity • 41% Danceability • 95% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
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In-Flight Safety
Surround
132 bpm • G# Maj • 04:39 • -4.98db
25% Popularity • 45% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
25% Popularity • 45% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Foals
Out of the Woods
132 bpm • C Maj • 03:24 • -8db
43% Popularity • 70% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
43% Popularity • 70% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
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Moss
The Comfort
145 bpm • B Maj • 03:20 • -6.55db
12% Popularity • 50% Danceability • 88% Energy • 23% Liveness
11% Instrumentalness • 63% Positiveness
12% Popularity • 50% Danceability • 88% Energy • 23% Liveness
11% Instrumentalness • 63% Positiveness
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The Sweet Serenades
Out of Time
145 bpm • C Maj • 03:42 • -8.14db
25% Popularity • 56% Danceability • 74% Energy • 15% Liveness
14% Instrumentalness • 30% Positiveness
25% Popularity • 56% Danceability • 74% Energy • 15% Liveness
14% Instrumentalness • 30% Positiveness
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Ten Fé
Isn't Ever A Day
131 bpm • F# min • 04:44 • -6.35db
45% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
45% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
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The Boxer Rebellion
Big Ideas
132 bpm • D Maj • 04:26 • -7.75db
40% Popularity • 43% Danceability • 72% Energy • 38% Liveness
39% Instrumentalness • 37% Positiveness
40% Popularity • 43% Danceability • 72% Energy • 38% Liveness
39% Instrumentalness • 37% Positiveness
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EL VY
It's a Game
145 bpm • C Maj • 04:04 • -9.64db
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
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Bell X1
Careful What You Wish For
131 bpm • F Maj • 04:32 • -9db
28% Popularity • 64% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
28% Popularity • 64% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Spencer & Antfood
Trek
146 bpm • G Maj • 03:29 • -7.97db
24% Popularity • 45% Danceability • 60% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
24% Popularity • 45% Danceability • 60% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Bootstraps
FortyFive
131 bpm • A# min • 03:04 • -7db
33% Popularity • 56% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Shearwater
Animal Life
146 bpm • B Maj • 03:38 • -7db
29% Popularity • 57% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
29% Popularity • 57% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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The Boxer Rebellion
Pull Yourself Together
132 bpm • D Maj • 03:18 • -9.41db
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Columbia Mills
Who Am I Supposed to Talk to Now?
146 bpm • C# min • 04:05 • -7.88db
18% Popularity • 54% Danceability • 89% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
18% Popularity • 54% Danceability • 89% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Moss
Today's Gold
146 bpm • F# Maj • 03:12 • -6db
13% Popularity • 54% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 54% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Director
Reconnect
130 bpm • G Maj • 04:32 • -6.33db
38% Popularity • 68% Danceability • 68% Energy • 13% Liveness
56% Instrumentalness • 61% Positiveness
38% Popularity • 68% Danceability • 68% Energy • 13% Liveness
56% Instrumentalness • 61% Positiveness
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Family of the Year
Facepaint
130 bpm • G min • 03:48 • -6.18db
17% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Boxer Rebellion
No Harm
132 bpm • D min • 04:02 • -9.63db
25% Popularity • 64% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 17% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 17% Positiveness
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The Haunted Youth
Teen Rebel
130 bpm • D Maj • 04:17 • -7.93db
47% Popularity • 56% Danceability • 69% Energy • 6% Liveness
88% Instrumentalness • 14% Positiveness
47% Popularity • 56% Danceability • 69% Energy • 6% Liveness
88% Instrumentalness • 14% Positiveness
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Moss
Me Me Me
146 bpm • B Maj • 05:26 • -6.65db
9% Popularity • 56% Danceability • 85% Energy • 11% Liveness
61% Instrumentalness • 50% Positiveness
9% Popularity • 56% Danceability • 85% Energy • 11% Liveness
61% Instrumentalness • 50% Positiveness
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The Slow Readers Club
Cavalcade
130 bpm • F# min • 03:12 • -7.28db
24% Popularity • 59% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Keane
Atlantic
130 bpm • D# Maj • 04:13 • -6.82db
43% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Wild Beasts
Palace
130 bpm • G Maj • 03:20 • -11.9db
24% Popularity • 59% Danceability • 50% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
24% Popularity • 59% Danceability • 50% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
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The Boxer Rebellion
Keep Moving
130 bpm • F Maj • 04:08 • -8.61db
25% Popularity • 44% Danceability • 65% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
25% Popularity • 44% Danceability • 65% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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Smoke & Jackal
Roadside
130 bpm • A min • 03:32 • -9.52db
14% Popularity • 64% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 64% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Habib Ali Suadiye
Keep Moving
130 bpm • A min • 02:57 • -26.09db
2% Popularity • 51% Danceability • 14% Energy • 27% Liveness
97% Instrumentalness • 48% Positiveness
2% Popularity • 51% Danceability • 14% Energy • 27% Liveness
97% Instrumentalness • 48% Positiveness
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The Maccabees
Silence
147 bpm • C Maj • 03:19 • -12.41db
23% Popularity • 43% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 19% Positiveness
23% Popularity • 43% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 19% Positiveness
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Bell X1
Velcro
129 bpm • A min • 04:49 • -4.62db
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
11% Instrumentalness • 55% Positiveness
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
11% Instrumentalness • 55% Positiveness
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Moss
My Decision
147 bpm • E min • 05:43 • -7db
23% Popularity • 55% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 61% Positiveness
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The Boxer Rebellion
Firework
130 bpm • C Maj • 03:27 • -6.42db
27% Popularity • 49% Danceability • 88% Energy • 11% Liveness
66% Instrumentalness • 42% Positiveness
27% Popularity • 49% Danceability • 88% Energy • 11% Liveness
66% Instrumentalness • 42% Positiveness
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Shearwater
You as You Were
148 bpm • F# Maj • 03:42 • -5.54db
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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The National
Day I Die
148 bpm • D Maj • 04:31 • -5db
47% Popularity • 43% Danceability • 95% Energy • 8% Liveness
74% Instrumentalness • 39% Positiveness
47% Popularity • 43% Danceability • 95% Energy • 8% Liveness
74% Instrumentalness • 39% Positiveness
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Marble Sounds
The Advice to Travel Light
148 bpm • G Maj • 03:53 • -7.29db
10% Popularity • 45% Danceability • 62% Energy • 15% Liveness
41% Instrumentalness • 8% Positiveness
10% Popularity • 45% Danceability • 62% Energy • 15% Liveness
41% Instrumentalness • 8% Positiveness