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What We Are Made Of
Songs like
What We Are Made Of
by
CLAIRE
Based on a tempo of (+/- 10%) and a similar genre
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Kafka Tamura
No Hope (Winterkind Remix) - Radio Edit
116 bpm • C min • 03:22 • -9.11db
11% Popularity • 83% Danceability • 53% Energy • 13% Liveness
64% Instrumentalness • 25% Positiveness
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AYER
Young
116 bpm • A# min • 04:34 • -5.12db
15% Popularity • 66% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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JONAH
All We Are - FlicFlac Remix
116 bpm • D min • 05:26 • -7.09db
30% Popularity • 73% Danceability • 65% Energy • 7% Liveness
18% Instrumentalness • 28% Positiveness
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Theophilus London
Wine and Chocolates
116 bpm • C Maj • 03:42 • -4.47db
32% Popularity • 83% Danceability • 73% Energy • 21% Liveness
3% Instrumentalness • 63% Positiveness
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CLAIRE
What We Are Made Of
116 bpm • G# Maj • 04:50 • -7.76db
6% Popularity • 67% Danceability • 60% Energy • 11% Liveness
66% Instrumentalness • 15% Positiveness
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Cyril Hahn
Inferno
116 bpm • C# Maj • 03:55 • -4.08db
17% Popularity • 49% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Kafka Tamura
No Hope - Winterkind Remix
116 bpm • C min • 04:12 • -9.17db
13% Popularity • 79% Danceability • 54% Energy • 10% Liveness
66% Instrumentalness • 32% Positiveness
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Pitto
Let's Do it Again
116 bpm • A min • 05:37 • -8db
16% Popularity • 73% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
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Sara Hartman
Satellite
116 bpm • D min • 03:41 • -5db
32% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Kate Boy
Higher
116 bpm • E min • 03:57 • -5db
16% Popularity • 71% Danceability • 77% Energy • 18% Liveness
1% Instrumentalness • 46% Positiveness
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CLAIRE
Drowning
116 bpm • A min • 04:20 • -7.42db
5% Popularity • 67% Danceability • 61% Energy • 11% Liveness
55% Instrumentalness • 14% Positiveness
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NONONO
Jungle
116 bpm • C Maj • 04:00 • -4.26db
17% Popularity • 67% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Iggy & the German Kids
So Hard
117 bpm • F# Maj • 03:13 • -7.88db
13% Popularity • 65% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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COSBY
Yeah!
115 bpm • A# Maj • 03:49 • -6.97db
9% Popularity • 56% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Du Tonc
Surging Memories
116 bpm • C# min • 04:29 • -5db
29% Popularity • 70% Danceability • 63% Energy • 5% Liveness
32% Instrumentalness • 46% Positiveness
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Gossling
Never Expire
115 bpm • A min • 03:46 • -6.81db
10% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Graham Candy
Glowing in the Dark
115 bpm • E min • 03:35 • -3.28db
14% Popularity • 71% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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CLAIRE
Stay With You
117 bpm • G# Maj • 05:38 • -9.88db
10% Popularity • 39% Danceability • 48% Energy • 9% Liveness
30% Instrumentalness • 5% Positiveness
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Kate Boy
Self Control
115 bpm • B Maj • 03:41 • -5db
20% Popularity • 78% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Planet Of Sound
We Are Together - Original Mix
117 bpm • G# Maj • 06:26 • -6.82db
25% Popularity • 54% Danceability • 80% Energy • 24% Liveness
61% Instrumentalness • 34% Positiveness
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Laura Doggett
Into the Glass
115 bpm • A min • 04:38 • -5.27db
10% Popularity • 60% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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AlunaGeorge
Supernatural
117 bpm • A# min • 03:11 • -7.84db
36% Popularity • 76% Danceability • 69% Energy • 10% Liveness
70% Instrumentalness • 59% Positiveness
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Kyla La Grange
Skin
115 bpm • C# min • 03:51 • -9.59db
19% Popularity • 68% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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CLAIRE
Treading Water
117 bpm • G# min • 04:45 • -5.86db
6% Popularity • 52% Danceability • 93% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Mackintosh Braun
The City Below
117 bpm • G min • 03:38 • -6.38db
12% Popularity • 65% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Gossling
Never Expire - Oliver Tank Remix
115 bpm • E min • 03:26 • -7.89db
13% Popularity • 60% Danceability • 63% Energy • 9% Liveness
18% Instrumentalness • 13% Positiveness
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GEMS
Soak
117 bpm • A# Maj • 03:55 • -6.38db
20% Popularity • 58% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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MS MR
Hurricane - Chvrches Remix
115 bpm • C Maj • 03:10 • -5db
26% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Van She
Jamaica
115 bpm • E min • 04:33 • -5db
33% Popularity • 64% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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CLAIRE
Say It
115 bpm • C min • 04:34 • -5.04db
7% Popularity • 66% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 43% Positiveness
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Kate Boy
Open Fire
118 bpm • F# min • 04:02 • -8.9db
14% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Friends In Paris
Be Right
118 bpm • G# min • 03:30 • -5.94db
7% Popularity • 69% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Doe Paoro
Nostalgia
118 bpm • C# min • 04:48 • -8.84db
12% Popularity • 73% Danceability • 45% Energy • 29% Liveness
32% Instrumentalness • 65% Positiveness
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MS MR
Criminals
118 bpm • G# Maj • 03:18 • -4.71db
31% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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We Have Band
Someone
118 bpm • F# Maj • 03:50 • -6.66db
25% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Van She
We Move On
117 bpm • A Maj • 02:55 • -6.65db
9% Popularity • 69% Danceability • 62% Energy • 6% Liveness
26% Instrumentalness • 33% Positiveness
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The Real Youth
We Are
118 bpm • F# Maj • 03:39 • -5.83db
10% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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CLAIRE
Burn
118 bpm • C Maj • 04:36 • -6.12db
7% Popularity • 62% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Mackintosh Braun
Never Give In
118 bpm • A# Maj • 03:25 • -4.29db
13% Popularity • 59% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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RAC
Let Go - Arty X Krystal Klear Rework
118 bpm • F Maj • 04:05 • -5.43db
16% Popularity • 87% Danceability • 72% Energy • 51% Liveness
4% Instrumentalness • 86% Positiveness
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Twin Shadow
Flatliners
114 bpm • B Maj • 04:19 • -9db
19% Popularity • 60% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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COLLEAGUES
Tears
114 bpm • A min • 04:18 • -6.05db
10% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Shura
Indecision
114 bpm • E min • 03:32 • -7db
33% Popularity • 67% Danceability • 82% Energy • 8% Liveness
65% Instrumentalness • 75% Positiveness
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CLAIRE
Calling Out
114 bpm • F min • 03:35 • -5.43db
7% Popularity • 58% Danceability • 80% Energy • 8% Liveness
7% Instrumentalness • 33% Positiveness
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NIMMO
Others
118 bpm • F# min • 03:38 • -8.86db
9% Popularity • 43% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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MS MR
Criminals - Everything Everything Remix
118 bpm • G# Maj • 04:42 • -7.21db
8% Popularity • 68% Danceability • 67% Energy • 34% Liveness
10% Instrumentalness • 42% Positiveness
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Kate Boy
Midnight Sun
119 bpm • A Maj • 03:03 • -6db
26% Popularity • 67% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Hey Champ
On Holiday
119 bpm • A min • 06:30 • -6db
12% Popularity • 71% Danceability • 86% Energy • 27% Liveness
34% Instrumentalness • 68% Positiveness
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Rose Quartz
Leaving Now
119 bpm • G min • 04:35 • -7.19db
15% Popularity • 60% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Azier
Hylas
119 bpm • G# Maj • 04:05 • -6.41db
15% Popularity • 62% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Carousel
My New Friend
119 bpm • C# Maj • 04:01 • -11.7db
30% Popularity • 82% Danceability • 44% Energy • 10% Liveness
41% Instrumentalness • 41% Positiveness
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COSBY
Get Up
113 bpm • F# min • 03:38 • -6.23db
10% Popularity • 60% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Kite String Tangle
What If
119 bpm • E min • 04:20 • -6.45db
15% Popularity • 63% Danceability • 66% Energy • 36% Liveness
45% Instrumentalness • 10% Positiveness
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Spring Offensive
Bodylifting
119 bpm • G# min • 03:35 • -9db
13% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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AYER
Circle Down (Keljet Remix)
113 bpm • A# min • 05:51 • -4db
32% Popularity • 57% Danceability • 94% Energy • 36% Liveness
40% Instrumentalness • 28% Positiveness
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Kate Boy
The Way We Are
113 bpm • C# Maj • 04:13 • -8db
22% Popularity • 72% Danceability • 84% Energy • 9% Liveness
5% Instrumentalness • 75% Positiveness
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Alex Winston
We Got Nothing
113 bpm • B Maj • 03:35 • -7.16db
10% Popularity • 71% Danceability • 78% Energy • 6% Liveness
2% Instrumentalness • 82% Positiveness
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Hey Champ
Comet
113 bpm • C# Maj • 04:37 • -8db
28% Popularity • 66% Danceability • 69% Energy • 5% Liveness
37% Instrumentalness • 54% Positiveness
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Prinze George
Children in the Audience
113 bpm • A min • 03:30 • -5.25db
17% Popularity • 61% Danceability • 89% Energy • 46% Liveness
23% Instrumentalness • 39% Positiveness
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Grizfolk
The Struggle - RAC Mix
113 bpm • B min • 04:14 • -5.6db
20% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ghosts
Powerless
113 bpm • C Maj • 03:28 • -5.23db
16% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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HONNE
Top to Toe
120 bpm • A min • 04:31 • -6.6db
23% Popularity • 57% Danceability • 71% Energy • 16% Liveness
17% Instrumentalness • 25% Positiveness
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Masquer
There Was the Smell of Grease
120 bpm • D min • 04:35 • -8.46db
8% Popularity • 56% Danceability • 66% Energy • 30% Liveness
7% Instrumentalness • 14% Positiveness
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Deptford Goth
Union
120 bpm • E min • 04:03 • -15.38db
30% Popularity • 68% Danceability • 48% Energy • 11% Liveness
32% Instrumentalness • 32% Positiveness
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TVÃ…
Sensual
120 bpm • B min • 04:25 • -3.86db
22% Popularity • 76% Danceability • 83% Energy • 9% Liveness
17% Instrumentalness • 32% Positiveness
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Kids Of 88
Tucan
120 bpm • F min • 03:57 • -8.48db
8% Popularity • 69% Danceability • 87% Energy • 36% Liveness
3% Instrumentalness • 86% Positiveness
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Manicanparty
Rebels in the Light
120 bpm • C Maj • 03:52 • -4.75db
9% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Indiana
Mess Around
120 bpm • A min • 05:24 • -5.9db
12% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Viceroy
Dream of Bombay
120 bpm • D Maj • 04:48 • -5.99db
14% Popularity • 72% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Lincoln Jesser
Tops
120 bpm • G# Maj • 03:37 • -3.05db
21% Popularity • 56% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Savoir Adore
Lovers Wake
120 bpm • C Maj • 04:36 • -9.42db
21% Popularity • 61% Danceability • 62% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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MØ
Dark Night
120 bpm • A min • 03:22 • -5.87db
21% Popularity • 67% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Beauregard
You Drew a Line
120 bpm • C# min • 03:11 • -11db
21% Popularity • 54% Danceability • 55% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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No Ceremony
FEELSOLOW
120 bpm • A min • 04:19 • -6.62db
11% Popularity • 52% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tove Styrke
Ego
120 bpm • D Maj • 03:49 • -7.7db
24% Popularity • 70% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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James Hersey
Miss You - HONNE Remix
120 bpm • F min • 03:46 • -9.15db
30% Popularity • 66% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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Parasite Single
The Hunt
120 bpm • C# Maj • 03:44 • -12.57db
19% Popularity • 78% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tomas Barfod
Busy Baby
120 bpm • E min • 04:33 • -8.77db
14% Popularity • 69% Danceability • 56% Energy • 17% Liveness
25% Instrumentalness • 17% Positiveness
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Kidnap
Like You Used To
120 bpm • F min • 03:51 • -10.51db
31% Popularity • 70% Danceability • 47% Energy • 8% Liveness
49% Instrumentalness • 20% Positiveness
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Asbjørn
The Criminal
120 bpm • F min • 04:20 • -5.99db
8% Popularity • 54% Danceability • 81% Energy • 8% Liveness
74% Instrumentalness • 21% Positiveness
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CLAIRE
Games - Rey & Kjavik Remix
120 bpm • C# Maj • 07:30 • -10.07db
6% Popularity • 80% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 20% Positiveness
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The New Division
Introspective
120 bpm • D min • 03:58 • -6db
20% Popularity • 52% Danceability • 93% Energy • 14% Liveness
9% Instrumentalness • 74% Positiveness
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COSBY
Boon & Bane
120 bpm • A min • 03:35 • -4.74db
12% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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HAERTS
All the Days
120 bpm • C# min • 04:27 • -5.23db
24% Popularity • 26% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Phantafox
Love The Noise
120 bpm • C Maj • 03:18 • -3.93db
8% Popularity • 79% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Woolf and the Wondershow
Cloaked
120 bpm • C# Maj • 03:18 • -5db
17% Popularity • 63% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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KANEHOLLER
A.S.N.Y.
120 bpm • C# Maj • 05:57 • -7.73db
15% Popularity • 57% Danceability • 66% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
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Strange Talk
Eskimo Boy
120 bpm • G Maj • 03:52 • -2.81db
7% Popularity • 65% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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COSBY
Boon and Bane
120 bpm • A min • 03:32 • -5.42db
8% Popularity • 58% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Until The Ribbon Breaks
Spark
120 bpm • C min • 03:30 • -6.75db
2% Popularity • 67% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sin Fang
Lost Girls
120 bpm • E min • 04:14 • -10.36db
11% Popularity • 60% Danceability • 62% Energy • 14% Liveness
15% Instrumentalness • 17% Positiveness
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Young Wonder
Tumbling Backwards
112 bpm • B Maj • 03:34 • -7.98db
14% Popularity • 62% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Say Lou Lou
Fool of Me
112 bpm • G Maj • 04:41 • -12db
36% Popularity • 56% Danceability • 52% Energy • 10% Liveness
38% Instrumentalness • 17% Positiveness
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Arthur Beatrice
Real Life
112 bpm • C Maj • 04:29 • -6.87db
13% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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YesYou
Frivolous Life
112 bpm • G min • 03:32 • -6db
23% Popularity • 58% Danceability • 80% Energy • 21% Liveness
2% Instrumentalness • 50% Positiveness
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CLAIRE
Resurrection
112 bpm • A# Maj • 03:15 • -5.13db
13% Popularity • 75% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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COLLEAGUES
Talk It Out
112 bpm • G# Maj • 03:34 • -6.97db
9% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Young Empires
Earth Plates Are Shifting - Bonus Track
112 bpm • G min • 05:02 • -6.05db
11% Popularity • 59% Danceability • 78% Energy • 15% Liveness
24% Instrumentalness • 28% Positiveness
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Lykke Li
Gunshot - Paul Thomas Saunders Remix
112 bpm • C min • 04:15 • -6.45db
8% Popularity • 52% Danceability • 77% Energy • 12% Liveness
38% Instrumentalness • 20% Positiveness
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CIRC
Girls Thoughts
120 bpm • A# Maj • 04:10 • -9.78db
8% Popularity • 56% Danceability • 69% Energy • 13% Liveness
20% Instrumentalness • 24% Positiveness
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What We Are Made Of