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What Whiskey Does
Songs like
What Whiskey Does (feat. Hillary Lindsey)
by
Randy Houser
Based on a tempo of (+/- 10%) and a similar genre
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
68% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
45% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
62% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
55% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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George Strait
Here For A Good Time
128 bpm • F# Maj • 03:00 • -6.75db
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
64% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
73% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
61% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
62% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
54% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
82% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
76% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
69% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
55% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
68% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Allan
Her Man
128 bpm • F# Maj • 02:44 • -11db
57% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Jackson
Drive (For Daddy Gene)
125 bpm • B Maj • 04:02 • -8.07db
67% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
60% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
69% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Midland
Longneck Way To Go
129 bpm • F Maj • 03:08 • -4.91db
55% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Owen
Yee Haw
129 bpm • G Maj • 02:52 • -3db
47% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
62% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
73% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
69% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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George Strait
Blue Clear Sky
124 bpm • E Maj • 02:54 • -7db
65% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
64% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
29% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
51% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
57% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
70% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
67% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
60% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
72% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
70% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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George Strait
Give It All We Got Tonight
130 bpm • G Maj • 04:11 • -7.03db
61% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Parker McCollum
Pretty Heart
132 bpm • G Maj • 04:05 • -4.45db
68% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
66% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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HIXTAPE
Drink Up
132 bpm • C Maj • 03:05 • -3.26db
38% Popularity • 56% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
63% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Scott
Hooked
132 bpm • A Maj • 02:29 • -6db
60% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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George Strait
Every Little Honky Tonk Bar
122 bpm • F Maj • 03:14 • -5.1db
60% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
70% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
67% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
50% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jon Wolfe
Boots on a Dance Floor
134 bpm • B Maj • 03:58 • -3.69db
49% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Kenny Chesney
She's Got It All
133 bpm • G Maj • 03:25 • -7db
61% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
68% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Craig Morgan
How You Make A Man
134 bpm • D Maj • 03:51 • -6.39db
40% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Frankie Ballard
Helluva Life
134 bpm • F# Maj • 03:51 • -6db
50% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Riley Green
Get That Man A Beer
134 bpm • E Maj • 03:22 • -4.67db
60% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johnson
Dirt Cheap
120 bpm • C# Maj • 03:59 • -5.89db
75% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
47% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
57% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
62% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
46% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
55% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Brothers Osborne
All Night
120 bpm • E min • 02:48 • -4.84db
56% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
61% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
53% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
63% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
75% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Erin Enderlin
The Coldest in Town
135 bpm • B Maj • 03:50 • -9.41db
5% Popularity • 36% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Randy Houser
Country Round Here Tonight
119 bpm • F min • 03:36 • -6db
51% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
51% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
59% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Logan Mize
Somebody to Thank
136 bpm • D Maj • 03:31 • -4.72db
47% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
71% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
51% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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George Strait
Troubadour
136 bpm • B Maj • 02:56 • -6.4db
65% Popularity • 57% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
65% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
47% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
67% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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What Whiskey Does