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Whatever Lola Wants
Songs like
Whatever Lola Wants
by
Gwen Verdon
Based on a tempo of (+/- 10%) and a similar genre
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Jerry Herman
A Little More Mascara
153 bpm • A Maj • 05:00 • -12db
22% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Cole Porter
Can-Can: Introduction
156 bpm • F Maj • 01:43 • -7.37db
0% Popularity • 45% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 73% Positiveness
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Gwen Verdon
Whatever Lola Wants - II
153 bpm • F# Maj • 03:56 • -13.91db
0% Popularity • 37% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Beth Fowler
I Want It All
151 bpm • C Maj • 04:11 • -13db
16% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Danny Kaye
My Heart Knows A Lovely Song
159 bpm • F Maj • 02:22 • -11db
16% Popularity • 32% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Julia Migenes
Far from the Home I Love
161 bpm • C Maj • 03:30 • -19.44db
17% Popularity • 40% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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David Hyde Pierce
Penny in My Pocket
150 bpm • G Maj • 02:49 • -10.98db
23% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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John Kander
Cabaret: Perfectly Marvelous
162 bpm • G Maj • 03:27 • -13.24db
15% Popularity • 47% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Adler
Whatever Lola Wants (Lola Gets)
149 bpm • A# Maj • 03:52 • -14.16db
10% Popularity • 42% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Colin Donnell
It's De-Lovely
149 bpm • G min • 04:59 • -14db
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Jessie Mueller
It Might as Well Rain Until September
164 bpm • D Maj • 01:47 • -5.14db
28% Popularity • 55% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Fred Astaire
Clap Yo' Hands
148 bpm • A Maj • 03:31 • -10.97db
13% Popularity • 53% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Cole Porter
Can-Can: Never, Never Be an Artist
148 bpm • G Maj • 02:57 • -11.18db
0% Popularity • 56% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Meredith Willson
Pick-A-Little, Talk-A-Little & Goodnight...
148 bpm • G Maj • 01:56 • -15.33db
16% Popularity • 59% Danceability • 27% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Strouse
Annie: N.Y.C
147 bpm • C min • 04:51 • -13db
31% Popularity • 42% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Gwen Verdon
Me and My Baby
147 bpm • F min • 01:26 • -19.16db
15% Popularity • 42% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Joseph Bova
Shuffle Off to Buffalo
146 bpm • C Maj • 03:50 • -15.97db
22% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jim Dale
There Is a Sucker Born Ev'ry Minute
146 bpm • C# min • 02:24 • -9db
19% Popularity • 74% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Kay Thompson
Think Pink
146 bpm • D# min • 02:15 • -13db
21% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Lesley Ann Warren
Chicago, Illinois
146 bpm • A min • 02:47 • -8.69db
17% Popularity • 61% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 59% Positiveness
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Richard Adler
Six Months Out Of Every Year
146 bpm • C Maj • 04:07 • -14.6db
11% Popularity • 58% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Gwen Verdon
Whatever Lola Wants
147 bpm • A min • 03:14 • -15db
21% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Rosalind Russell
Ohio
167 bpm • C# Maj • 03:19 • -15db
3% Popularity • 35% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Vivian Blaine
A Bushel And A Peck
145 bpm • D Maj • 01:32 • -19db
15% Popularity • 63% Danceability • 25% Energy • 68% Liveness
12% Instrumentalness • 65% Positiveness
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Jim Walton
Sara Lee
145 bpm • G Maj • 02:37 • -19.04db
11% Popularity • 52% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Tab Hunter
Goodbye, Old Girl (Remastered 2014)
169 bpm • C# Maj • 03:11 • -8.88db
0% Popularity • 22% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Gwen Verdon
A Little Brains, A Little Talent
145 bpm • F Maj • 03:39 • -16db
17% Popularity • 61% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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West End Concert Orchestra
Forty Second Street Finale
170 bpm • A min • 07:12 • -14.48db
12% Popularity • 40% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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And the World Goes 'Round Ensemble
Coffee in a Cardboard Cup
143 bpm • F min • 02:46 • -16.93db
16% Popularity • 64% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Kay McClelland
What You Don't Know About Women
142 bpm • E min • 02:14 • -19db
19% Popularity • 61% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Tab Hunter
Overture (Remastered 2014)
143 bpm • F min • 01:40 • -3.46db
0% Popularity • 37% Danceability • 69% Energy • 40% Liveness
92% Instrumentalness • 49% Positiveness
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Gwen Verdon
A Little Brains - A Little Talent
143 bpm • F Maj • 03:41 • -14.13db
0% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Frederick Loewe
My Fair Lady: A Hymn to Him
142 bpm • G Maj • 03:15 • -14.09db
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Zero Mostel
If I Were a Rich Man
142 bpm • C# Maj • 04:55 • -19.7db
29% Popularity • 54% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Cole Porter
Can-Can: Montmart'
142 bpm • G Maj • 01:33 • -9.41db
1% Popularity • 67% Danceability • 51% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
► Preview
Anthony Newley
What Kind Of Fool Am I
171 bpm • G min • 02:33 • -9db
8% Popularity • 38% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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William C. Witter
Join the Circus
142 bpm • C# Maj • 05:50 • -7.79db
16% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Gwen Verdon
The Right Finger of My Left Hand (Remast...
169 bpm • C Maj • 01:32 • -11.63db
0% Popularity • 46% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Lilo
Montmartre
142 bpm • G Maj • 01:33 • -5.28db
1% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Jennie McGustie
Thank God I'm Old
172 bpm • D# Maj • 02:33 • -11db
27% Popularity • 56% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
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Cole Porter
Can-Can: C'est Magnifique
172 bpm • F Maj • 03:22 • -10.34db
0% Popularity • 39% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Megan Mullally
Please Don't Touch Me
142 bpm • F Maj • 03:58 • -7.54db
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Queen Latifah
When You're Good To Mama
172 bpm • D Maj • 03:19 • -9.24db
39% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gwen Verdon
Me and My Baby
144 bpm • A# Maj • 03:16 • -18db
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Carol Burnett
I Can't Say No
141 bpm • D# Maj • 02:23 • -8.01db
12% Popularity • 59% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Don Francks, Petula Clark, Fred Astaire & Chorus
If This Isn't Love
141 bpm • F Maj • 03:37 • -11.36db
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Ann-Margret
How Lovely to Be a Woman (Bonus Track)
141 bpm • C Maj • 02:27 • -11.3db
11% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Putting It Together Ensemble
Back in Business
141 bpm • C Maj • 02:29 • -13.41db
9% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Jerry Orbach
All I Care About
141 bpm • E Maj • 03:29 • -9db
19% Popularity • 41% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Gwen Verdon
Two Lost Souls
141 bpm • F min • 04:59 • -10.22db
0% Popularity • 38% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 35% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Carol Burnett
The Trolley Song
141 bpm • G min • 02:53 • -6.82db
20% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Tammy Grimes
About a Quarter to Nine
141 bpm • C# Maj • 02:16 • -20.79db
18% Popularity • 41% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Elaine Stritch
Why Do The Wrong People Travel
140 bpm • C# Maj • 06:39 • -10.49db
7% Popularity • 59% Danceability • 32% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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Hermione Gingold
Pick-A-Little, Talk-A-Little
140 bpm • G Maj • 02:02 • -8.54db
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Richard Adler
The Pajama Game: Once-a-Year Day!
140 bpm • F Maj • 03:17 • -9.98db
13% Popularity • 52% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
32% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Carol Burnett
Shy
140 bpm • D Maj • 03:45 • -21.13db
13% Popularity • 36% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 40% Positiveness
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Harve Presnell
I'll Never Say No
174 bpm • G# Maj • 04:33 • -14db
11% Popularity • 18% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
34% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Cole Porter
Can-Can: Every Man Is a Stupid Man
140 bpm • D Maj • 02:22 • -11.94db
0% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Morse
How To
174 bpm • A min • 01:14 • -13.29db
16% Popularity • 41% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Lauren Bacall
One of the Boys
139 bpm • G# Maj • 04:07 • -9db
11% Popularity • 49% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Kristin Chenoweth
Knowing When to Leave
139 bpm • C# Maj • 03:35 • -9.63db
15% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Gwen Verdon
My Own Best Friend
139 bpm • F Maj • 02:41 • -16.75db
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Ethel Merman
The Hostess With The Mostes' On The Ball
176 bpm • G# Maj • 03:26 • -8.22db
11% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Richard Adler
The Pajama Game: Steam Heat
138 bpm • F Maj • 04:27 • -9db
17% Popularity • 50% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Bebe Neuwirth
I Can't Do It Alone
176 bpm • A# Maj • 04:46 • -12.94db
29% Popularity • 53% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Tammy Grimes
Shadow Waltz
138 bpm • A min • 03:29 • -21.42db
19% Popularity • 37% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Broadway Cast Recording
We Open In Venice
138 bpm • C# Maj • 02:00 • -12.27db
17% Popularity • 62% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Cy Coleman
Sweet Charity: I'm a Brass Band
138 bpm • F# min • 02:46 • -12.92db
14% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Scott Wise
Isn't It Kinda Fun?
138 bpm • F Maj • 04:07 • -13.1db
8% Popularity • 51% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Yul Brynner
A Puzzlement - Remastered 2001
137 bpm • A# Maj • 03:27 • -11.1db
18% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Nellie Forbush
Honey Bun
177 bpm • A# Maj • 01:45 • -13.25db
27% Popularity • 51% Danceability • 18% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
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Renée Fleming
June Is Bustin' Out All Over
137 bpm • F# min • 06:45 • -10.3db
25% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Cole Porter
Can-Can: Maidens Typical of France
137 bpm • C Maj • 01:20 • -9.24db
4% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Lilo
Maidens Typical of France
137 bpm • C Maj • 01:17 • -6.34db
1% Popularity • 69% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Josie de Guzman
If I Were a Bell
178 bpm • D# Maj • 02:31 • -18.4db
31% Popularity • 40% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Adler
Shoeless Joe From Hannibal, Mo. - 1994 O...
137 bpm • A# Maj • 03:24 • -12db
14% Popularity • 48% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
19% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Catherine Zeta-Jones
I Can't Do It Alone
179 bpm • C# Maj • 03:50 • -7.46db
30% Popularity • 48% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Zero Mostel
To Life
136 bpm • F min • 04:11 • -15.81db
22% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Julia Murney
Raise the Roof
179 bpm • G# Maj • 03:12 • -4.8db
26% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Stubby Kaye (performer), Guys and Dolls Chorus
Sit Down You're Rockin the Boat!
136 bpm • D# Maj • 02:01 • -13db
23% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Ethel Merman
You're Just In Love
180 bpm • D# Maj • 03:10 • -7db
17% Popularity • 41% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Carradine
Our Favorite Son
135 bpm • G# Maj • 03:40 • -11db
16% Popularity • 61% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Cook
This Is All Very New To Me
135 bpm • C# Maj • 02:56 • -12db
11% Popularity • 33% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Whatever Lola Wants