Songs like What's a Woman by Vaya Con Dios
Based on a tempo of (+/- 10%) and a similar genre
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Kovacs
Shirley (Sound of the Underground)
80 bpm • E min • 04:16 • -9.49db
40% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Soha
Mil pasos
80 bpm • A min • 04:06 • -8.69db
58% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Beth Hart
Fire On The Floor
79 bpm • E min • 05:11 • -2.77db
45% Popularity • 60% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 60% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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George Baker
Paris Nights
81 bpm • B min • 05:06 • -17.82db
7% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Danyel Gerard
Butterfly
81 bpm • G Maj • 03:25 • -8.65db
46% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Foreigner
I Want to Know What Love Is - 1999 Remas...
81 bpm • F# Maj • 05:04 • -10.04db
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Viktor Lazlo
Backdoor Man
81 bpm • A Maj • 03:23 • -10.47db
17% Popularity • 42% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jim Diamond
I Should Have Known Better - Rerecorded
78 bpm • F Maj • 04:08 • -13.3db
53% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Donna Lynton
Hearts
78 bpm • C min • 03:31 • -13.2db
18% Popularity • 60% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 60% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Rocco Granata
That’s Amore
82 bpm • G Maj • 02:55 • -4db
32% Popularity • 61% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Cesária Evora
Sodade
83 bpm • G# Maj • 04:53 • -13.17db
59% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Roxy Music
Jealous Guy
78 bpm • E min • 04:57 • -7.65db
61% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
61% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Kovacs
Diggin'
83 bpm • F# min • 03:22 • -7.91db
47% Popularity • 62% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 62% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 66% Positiveness
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Oscar Benton
The Day I Got Rid Of The Blues
83 bpm • C Maj • 03:34 • -14.55db
18% Popularity • 73% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 73% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Tony Joe White
You're Gonna Look Good in Blues
83 bpm • E min • 05:16 • -14.72db
40% Popularity • 59% Danceability • 35% Energy • 19% Liveness
5% Instrumentalness • 29% Positiveness
40% Popularity • 59% Danceability • 35% Energy • 19% Liveness
5% Instrumentalness • 29% Positiveness
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Donna Lynton
If I Never Sing Another Song
83 bpm • F min • 04:35 • -12.46db
20% Popularity • 42% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
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Randy Crawford
When I Get over You
77 bpm • A min • 05:44 • -7.85db
38% Popularity • 54% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 54% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Viktor Lazlo
Ansiedad
76 bpm • A Maj • 03:56 • -10.9db
28% Popularity • 57% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 57% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Vaya Con Dios
Lord Help Me Please
84 bpm • C# min • 03:22 • -21.47db
30% Popularity • 60% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 60% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Hodgson
London
84 bpm • C min • 04:10 • -14.26db
36% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Dire Straits
Brothers In Arms
76 bpm • G# min • 06:59 • -9.45db
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Wet Wet Wet
Love Is All Around
84 bpm • A# Maj • 04:06 • -6.58db
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Mikis Theodorakis
Zorba's Dance
84 bpm • G Maj • 03:46 • -14.82db
26% Popularity • 44% Danceability • 43% Energy • 10% Liveness
54% Instrumentalness • 40% Positiveness
26% Popularity • 44% Danceability • 43% Energy • 10% Liveness
54% Instrumentalness • 40% Positiveness
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Tanita Tikaram
Something New
85 bpm • C# Maj • 04:55 • -17db
36% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nits
In the Dutch Mountains
85 bpm • G Maj • 03:26 • -11.45db
44% Popularity • 42% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 42% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Lee Hazlewood
Summer Wine - Bonus Track
75 bpm • A min • 03:05 • -12db
33% Popularity • 43% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 43% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Dire Straits
Private Investigations
84 bpm • A Maj • 06:45 • -20.08db
56% Popularity • 36% Danceability • 10% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
56% Popularity • 36% Danceability • 10% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Phil Carmen
Mirror, Mirror on the Wall
85 bpm • D min • 03:27 • -11db
41% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Maria Daines
You Don't Love Me
75 bpm • F Maj • 06:37 • -10.75db
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Zaz
Éblouie par la nuit
75 bpm • F# min • 02:43 • -6.49db
56% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Shirley Bassey
If You Go Away (Ne me quitte pas)
86 bpm • F# min • 04:34 • -13.28db
26% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Vaya Con Dios
The Moonshiner
86 bpm • A min • 02:49 • -14.95db
29% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Elton John
Nikita
87 bpm • G Maj • 05:43 • -9.29db
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Lucas Junior
28º à l'ombre
87 bpm • E min • 03:54 • -14.92db
34% Popularity • 54% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
34% Popularity • 54% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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Lizz Wright
My Heart
88 bpm • G min • 04:00 • -9.98db
37% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dire Straits
You And Your Friend
87 bpm • C min • 05:57 • -12.99db
57% Popularity • 56% Danceability • 29% Energy • 21% Liveness
80% Instrumentalness • 22% Positiveness
57% Popularity • 56% Danceability • 29% Energy • 21% Liveness
80% Instrumentalness • 22% Positiveness
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Eros Ramazzotti
Cosas De La Vida
88 bpm • F# min • 04:48 • -8.82db
66% Popularity • 62% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 62% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Gene Pitney
Something's Gotten Hold Of My Heart
88 bpm • G Maj • 03:36 • -6.31db
38% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
38% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
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Brigitte Bardot
Je t'aime moi non plus
72 bpm • C Maj • 04:30 • -13.93db
51% Popularity • 9% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
51% Popularity • 9% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
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Jason Donovan
Sealed With A Kiss
89 bpm • E min • 02:43 • -8db
28% Popularity • 59% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 59% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jeane Manson
Avant de nous dire adieu
89 bpm • E min • 03:57 • -9db
41% Popularity • 46% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 46% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Vaya Con Dios
Don't Cry For Louie
89 bpm • E min • 03:03 • -17.02db
46% Popularity • 63% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 63% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Logan
What's Another Year
90 bpm • A min • 03:08 • -14db
33% Popularity • 45% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 45% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Cesária Evora
Besame Mucho
90 bpm • E min • 04:55 • -10.18db
55% Popularity • 57% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 57% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Marianne Faithfull
So Sad
91 bpm • E min • 04:32 • -14.72db
21% Popularity • 67% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 67% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Enrico Macias
Solenzara
90 bpm • D min • 02:43 • -10db
46% Popularity • 34% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 34% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Annie Lennox
Why
91 bpm • C Maj • 04:53 • -9.27db
64% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Amina
Le dernier qui a parlé
91 bpm • F Maj • 03:17 • -12.01db
26% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Hanne Boel
Can't Run from Yourself
92 bpm • G min • 03:58 • -6.67db
25% Popularity • 74% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 74% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Kelly Family
Fell In Love With An Alien
92 bpm • C min • 03:11 • -9db
54% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tanita Tikaram
Only the Ones We Love (Acoustic)
92 bpm • F Maj • 02:27 • -10.87db
43% Popularity • 65% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 65% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Gilbert Bécaud
Je reviens te chercher
93 bpm • C min • 02:46 • -11db
32% Popularity • 41% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Bruce Springsteen
Streets of Philadelphia - Single Edit
94 bpm • F Maj • 03:15 • -13.25db
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
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Brotherhood of Man
Save Your Kisses for Me - Alternate Take
94 bpm • G Maj • 02:58 • -10.23db
43% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Cher
Dov'è l'amore
93 bpm • D min • 04:18 • -6.93db
52% Popularity • 67% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 67% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Adriano Celentano
Susanna (Susanna) - Remastered
94 bpm • A min • 04:47 • -4.41db
57% Popularity • 71% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 71% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 73% Positiveness
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Leonard Cohen
I'm Your Man
94 bpm • B min • 04:25 • -16db
57% Popularity • 71% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 71% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Simply Red
If You Don't Know Me by Now - 2008 Remas...
94 bpm • A# Maj • 03:24 • -9.27db
73% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
73% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Hanne Boel
All It Takes
94 bpm • D Maj • 04:56 • -7db
31% Popularity • 76% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 76% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Shirley Bassey
Yesterday, When I Was Young - 1994 Remas...
95 bpm • A min • 03:49 • -9db
39% Popularity • 41% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 41% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Agnetha Fältskog
Wrap Your Arms Around Me
95 bpm • D Maj • 05:16 • -17.34db
41% Popularity • 59% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 59% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Kristina Train
Dark Black
95 bpm • C Maj • 03:04 • -14db
51% Popularity • 33% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 33% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Trio Manouche
Americano
95 bpm • E min • 03:39 • -5db
38% Popularity • 78% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 78% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Cesária Evora
Velocidade
96 bpm • D Maj • 03:21 • -7db
42% Popularity • 64% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 64% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Jason Donovan
Sealed with a Kiss
96 bpm • E min • 02:32 • -8db
19% Popularity • 53% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 53% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Shirley Bassey
(Where Do I Begin) Love Story - 1994 Rem...
95 bpm • D Maj • 03:17 • -9.7db
56% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Tasmin Archer
Sleeping Satellite
96 bpm • F min • 04:41 • -9.86db
63% Popularity • 60% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 60% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Tina Charles
I Love to Love
97 bpm • A Maj • 03:09 • -10.65db
60% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Ike & Tina Turner
Proud Mary
96 bpm • D Maj • 04:57 • -10.73db
57% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Vaya Con Dios
Don't Break My Heart
97 bpm • A# Maj • 04:07 • -12.19db
22% Popularity • 68% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
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Soulsister
Broken
97 bpm • A# Maj • 03:58 • -7.53db
22% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Shirley Bassey
This Is My Life (La Vita)
95 bpm • C min • 03:16 • -7.66db
31% Popularity • 37% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 37% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Jean-François Michaël
Adieu Jolie Candy
97 bpm • A# Maj • 03:22 • -10db
39% Popularity • 59% Danceability • 58% Energy • 28% Liveness
1% Instrumentalness • 56% Positiveness
39% Popularity • 59% Danceability • 58% Energy • 28% Liveness
1% Instrumentalness • 56% Positiveness
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Oscar Benton
Busted
97 bpm • C Maj • 03:57 • -13.53db
16% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Georges Moustaki
Le métèque
98 bpm • A Maj • 02:33 • -9db
52% Popularity • 52% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 52% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Vaya Con Dios
No One Can Make You Stay
98 bpm • C min • 04:07 • -7.63db
22% Popularity • 77% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 77% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Hélène Ségara
Et si tu n'existais pas
98 bpm • B min • 03:35 • -4.32db
43% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Shirley Bassey
Life Goes On - 1999 Remaster
98 bpm • C min • 02:41 • -8.84db
34% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Michelle Gurevich
End of an Era
98 bpm • F min • 03:07 • -8.93db
46% Popularity • 66% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 66% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Texas
The Conversation
98 bpm • B min • 02:44 • -7db
44% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Alain Barrière
Tu t'en vas
98 bpm • G Maj • 04:19 • -10.49db
45% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mike Oldfield
To France - Remastered 2015
98 bpm • F# min • 04:43 • -9.87db
54% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Marc Almond
Something's Gotten Hold of My Heart
98 bpm • E Maj • 04:40 • -12.55db
49% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Monica Molina
Oh amores
99 bpm • A min • 03:45 • -11db
42% Popularity • 38% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
42% Popularity • 38% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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The Manhattan Transfer
Chanson d'Amour
99 bpm • D min • 02:53 • -17db
48% Popularity • 47% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 47% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Soulsister
The Way to Your Heart
99 bpm • A# min • 03:48 • -9.18db
50% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Hélène Ségara
Ça va pas changer le monde
99 bpm • C# min • 03:29 • -7.75db
33% Popularity • 61% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 61% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Vaya Con Dios
Heading for a Fall
99 bpm • C Maj • 03:40 • -8db
47% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Knopfler
Sailing To Philadelphia
99 bpm • F# min • 05:53 • -10.12db
56% Popularity • 59% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 17% Positiveness
56% Popularity • 59% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 17% Positiveness
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Joe Dassin
Et si tu n'existais pas
99 bpm • B min • 03:26 • -7.42db
63% Popularity • 58% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 58% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Robbie Williams
The Road To Mandalay
99 bpm • C min • 03:57 • -8.13db
51% Popularity • 62% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Notting Hillbillies
Will You Miss Me
100 bpm • C# Maj • 03:50 • -15db
50% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
50% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
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The Gypsy Queens
Aicha
100 bpm • C Maj • 03:49 • -6.71db
28% Popularity • 74% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 74% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Vaya Con Dios
Farewell Song
100 bpm • D min • 03:10 • -7.54db
39% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Anne-Marie David
Tu te reconnaitras
100 bpm • D# min • 02:39 • -4db
40% Popularity • 54% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 54% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Dassin
Taka takata (La femme du toréro)
101 bpm • E min • 02:36 • -9.46db
43% Popularity • 84% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
43% Popularity • 84% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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Albert Hammond
I'm a Train
101 bpm • G# Maj • 03:23 • -10.98db
41% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
