Songs like What's Goin' On / Ain't No Sunshine by Bernard "Pretty" Purdie
Based on a tempo of (+/- 10%) and a similar genre
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Bernard "Pretty" Purdie
Shand Stand
93 bpm • G Maj • 04:27 • -9.91db
10% Popularity • 79% Danceability • 64% Energy • 24% Liveness
89% Instrumentalness • 58% Positiveness
10% Popularity • 79% Danceability • 64% Energy • 24% Liveness
89% Instrumentalness • 58% Positiveness
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Eddie Henderson
The Kumquat Kids
93 bpm • A min • 04:30 • -8db
22% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
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David Haney
Circadian World Clock, 2019: 11am. Sext ...
93 bpm • C# Maj • 01:06 • -20.24db
0% Popularity • 34% Danceability • 40% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 40% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
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Cornell Dupree
Teasin'
93 bpm • C# min • 03:51 • -4.8db
20% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
20% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Bucky Pizzarelli
Nuages
93 bpm • G Maj • 05:53 • -18.18db
0% Popularity • 46% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 46% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
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24 Carat Black
Foodstamps
93 bpm • C Maj • 06:27 • -8.58db
19% Popularity • 69% Danceability • 68% Energy • 4% Liveness
50% Instrumentalness • 80% Positiveness
19% Popularity • 69% Danceability • 68% Energy • 4% Liveness
50% Instrumentalness • 80% Positiveness
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Bernard "Pretty" Purdie
Light Years Away
93 bpm • G Maj • 03:17 • -14.31db
5% Popularity • 70% Danceability • 71% Energy • 6% Liveness
95% Instrumentalness • 48% Positiveness
5% Popularity • 70% Danceability • 71% Energy • 6% Liveness
95% Instrumentalness • 48% Positiveness
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Horace Silver
Acid, Pot Or Pills
93 bpm • G# Maj • 04:28 • -6.54db
19% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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David Haney
Circadian World Clock, 2019: 12pm. Sext ...
93 bpm • C Maj • 02:35 • -22.22db
0% Popularity • 46% Danceability • 29% Energy • 5% Liveness
65% Instrumentalness • 9% Positiveness
0% Popularity • 46% Danceability • 29% Energy • 5% Liveness
65% Instrumentalness • 9% Positiveness
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Booker T.
Flamingo - Instrumental
93 bpm • A# min • 03:39 • -9.93db
9% Popularity • 74% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
9% Popularity • 74% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Alphonse Mouzon
Snow Bound
92 bpm • G# Maj • 03:05 • -6.6db
25% Popularity • 67% Danceability • 82% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
25% Popularity • 67% Danceability • 82% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
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Rusty Bryant
Fire Eater
94 bpm • D min • 09:36 • -11.73db
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
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Charles Kynard
El Toro Poo Poo
94 bpm • F Maj • 03:14 • -9.14db
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Gary Bartz
Winding Roads
92 bpm • G# min • 03:19 • -10.49db
15% Popularity • 68% Danceability • 68% Energy • 6% Liveness
18% Instrumentalness • 55% Positiveness
15% Popularity • 68% Danceability • 68% Energy • 6% Liveness
18% Instrumentalness • 55% Positiveness
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Stanley Turrentine
Sister Sanctified
94 bpm • F Maj • 06:02 • -10.6db
9% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Patrice Rushen
The Hump
94 bpm • C# Maj • 06:11 • -7.84db
30% Popularity • 70% Danceability • 86% Energy • 35% Liveness
65% Instrumentalness • 94% Positiveness
30% Popularity • 70% Danceability • 86% Energy • 35% Liveness
65% Instrumentalness • 94% Positiveness
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Lou Donaldson
Ode To Billie Joe
94 bpm • F Maj • 06:33 • -10.6db
26% Popularity • 62% Danceability • 56% Energy • 4% Liveness
36% Instrumentalness • 64% Positiveness
26% Popularity • 62% Danceability • 56% Energy • 4% Liveness
36% Instrumentalness • 64% Positiveness
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Bernard "Pretty" Purdie
Purdie Perview - Loops
94 bpm • E min • 03:44 • -13.34db
6% Popularity • 50% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
6% Popularity • 50% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 21% Positiveness
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Ronnie Laws
Tell Me Something Good
92 bpm • C# min • 04:51 • -13.11db
24% Popularity • 58% Danceability • 80% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
24% Popularity • 58% Danceability • 80% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
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Roy Ayers Ubiquity
Lonesome Cowboy
94 bpm • C Maj • 04:03 • -10.47db
23% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Funk Inc.
Goodbye, So Long
92 bpm • A min • 04:25 • -9.4db
16% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Poets Of Rhythm
Strokin' the Grits
92 bpm • G Maj • 04:15 • -9.63db
27% Popularity • 79% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 84% Positiveness
27% Popularity • 79% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 84% Positiveness
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David Haney
Circadian World Clock, 2020: 4pm. None (...
92 bpm • A min • 02:36 • -25.15db
0% Popularity • 44% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 13% Positiveness
0% Popularity • 44% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 13% Positiveness
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24 Carat Black
Brown-Baggin'
94 bpm • A# Maj • 06:47 • -10db
12% Popularity • 67% Danceability • 57% Energy • 16% Liveness
90% Instrumentalness • 88% Positiveness
12% Popularity • 67% Danceability • 57% Energy • 16% Liveness
90% Instrumentalness • 88% Positiveness
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Idris Muhammad
Express Yourself
92 bpm • G# Maj • 05:25 • -15.32db
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
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The Fearless Flyers
Barbara
95 bpm • C# Maj • 02:48 • -8db
44% Popularity • 71% Danceability • 79% Energy • 6% Liveness
97% Instrumentalness • 92% Positiveness
44% Popularity • 71% Danceability • 79% Energy • 6% Liveness
97% Instrumentalness • 92% Positiveness
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Lafayette Afro Rock Band
Azeta
92 bpm • G# Maj • 06:24 • -7.4db
25% Popularity • 54% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
25% Popularity • 54% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Giggin' Down
95 bpm • F Maj • 03:04 • -11db
19% Popularity • 71% Danceability • 77% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
19% Popularity • 71% Danceability • 77% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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David Haney
Circadian World Clock, 2019: 12am. Vigil...
92 bpm • A# Maj • 02:45 • -21.47db
0% Popularity • 62% Danceability • 42% Energy • 16% Liveness
77% Instrumentalness • 14% Positiveness
0% Popularity • 62% Danceability • 42% Energy • 16% Liveness
77% Instrumentalness • 14% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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O'Donel Levy
People Make the World Go Round
95 bpm • B min • 04:43 • -7.54db
20% Popularity • 73% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
20% Popularity • 73% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
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James Moody
You Follow Me
91 bpm • A# min • 06:12 • -14.99db
13% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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The Howard Roberts Quartet
Florence Of Arabia
95 bpm • F Maj • 01:44 • -15.31db
37% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
37% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Jack McDuff
The Shadow of Your Smile
95 bpm • G# Maj • 03:52 • -18.22db
32% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
32% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
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David Haney
Circadian World Clock, 2019: 9pm. Compli...
92 bpm • C# Maj • 02:00 • -22.17db
0% Popularity • 53% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 15% Positiveness
0% Popularity • 53% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 15% Positiveness
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Bernard "Pretty" Purdie
God Made B Funky
95 bpm • D# min • 02:56 • -13.84db
4% Popularity • 69% Danceability • 79% Energy • 6% Liveness
95% Instrumentalness • 40% Positiveness
4% Popularity • 69% Danceability • 79% Energy • 6% Liveness
95% Instrumentalness • 40% Positiveness
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Darondo
Legs
95 bpm • D Maj • 03:44 • -9db
34% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
34% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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David Garfield
Rock Steady - Purdie Version
95 bpm • D Maj • 04:38 • -10.1db
1% Popularity • 69% Danceability • 71% Energy • 6% Liveness
11% Instrumentalness • 44% Positiveness
1% Popularity • 69% Danceability • 71% Energy • 6% Liveness
11% Instrumentalness • 44% Positiveness
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Lafayette Afro Rock Band
Heels & Soles
91 bpm • B Maj • 04:32 • -4.62db
16% Popularity • 45% Danceability • 92% Energy • 27% Liveness
62% Instrumentalness • 81% Positiveness
16% Popularity • 45% Danceability • 92% Energy • 27% Liveness
62% Instrumentalness • 81% Positiveness
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The Last Poets
Ho Chi Minh
91 bpm • C Maj • 05:16 • -14.64db
3% Popularity • 80% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 80% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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David Haney
Circadian World Clock, 2019: 9pm. Compli...
91 bpm • C# Maj • 02:05 • -21.36db
0% Popularity • 50% Danceability • 50% Energy • 5% Liveness
62% Instrumentalness • 12% Positiveness
0% Popularity • 50% Danceability • 50% Energy • 5% Liveness
62% Instrumentalness • 12% Positiveness
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Gene Harris & The Three Sounds
Sugar Hill
95 bpm • G Maj • 02:46 • -9.22db
22% Popularity • 57% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 57% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Bernard "Pretty" Purdie
New Orleans Strutt
91 bpm • F Maj • 08:55 • -11.82db
7% Popularity • 60% Danceability • 64% Energy • 18% Liveness
74% Instrumentalness • 87% Positiveness
7% Popularity • 60% Danceability • 64% Energy • 18% Liveness
74% Instrumentalness • 87% Positiveness
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Stone Alliance
Sweetie-Pie
95 bpm • A# min • 04:28 • -9.91db
13% Popularity • 70% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 70% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Cold Blood
Valdez in the Country
96 bpm • C Maj • 03:40 • -9.88db
21% Popularity • 52% Danceability • 78% Energy • 49% Liveness
68% Instrumentalness • 74% Positiveness
21% Popularity • 52% Danceability • 78% Energy • 49% Liveness
68% Instrumentalness • 74% Positiveness
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Black Heat
Zimba Ku
90 bpm • A# Maj • 04:38 • -12.96db
24% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Skull Snaps
It's a New Day - Remastered
96 bpm • C Maj • 02:59 • -10.36db
46% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
46% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Afrique
Kissing My Love
96 bpm • G# Maj • 03:08 • -10.14db
11% Popularity • 78% Danceability • 67% Energy • 22% Liveness
64% Instrumentalness • 96% Positiveness
11% Popularity • 78% Danceability • 67% Energy • 22% Liveness
64% Instrumentalness • 96% Positiveness
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The Last Poets
Blessed Are Those Who Struggle
96 bpm • B Maj • 03:42 • -14.66db
3% Popularity • 86% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 86% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Sly & The Family Stone
In Time
96 bpm • A# min • 05:47 • -13db
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Cold Blood
Kissing My Love
96 bpm • G Maj • 06:03 • -9.77db
24% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Jazz Crusaders
Why Do You Laugh At Me?
96 bpm • C Maj • 02:35 • -12.46db
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Jack McDuff
Moon Rappin'
96 bpm • F# min • 06:21 • -8db
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
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Afrique
House of the Rising Funk
96 bpm • F Maj • 03:20 • -10.43db
21% Popularity • 73% Danceability • 56% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
21% Popularity • 73% Danceability • 56% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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Love Uprisers
Eddie Boogaloo
90 bpm • G Maj • 09:40 • -9.94db
14% Popularity • 51% Danceability • 72% Energy • 10% Liveness
58% Instrumentalness • 91% Positiveness
14% Popularity • 51% Danceability • 72% Energy • 10% Liveness
58% Instrumentalness • 91% Positiveness
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King Herbert & The Knights
Sissy Strut
96 bpm • C Maj • 03:44 • -14db
24% Popularity • 48% Danceability • 58% Energy • 23% Liveness
84% Instrumentalness • 84% Positiveness
24% Popularity • 48% Danceability • 58% Energy • 23% Liveness
84% Instrumentalness • 84% Positiveness
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The Last Poets
Be - First Part of Be-Yond-Er
90 bpm • D Maj • 06:17 • -12.69db
2% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Eddy Senay
Cameo
97 bpm • G Maj • 06:10 • -13.33db
14% Popularity • 77% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Jack McDuff
Loose Foot
90 bpm • G# Maj • 05:03 • -9.36db
16% Popularity • 49% Danceability • 60% Energy • 19% Liveness
84% Instrumentalness • 52% Positiveness
16% Popularity • 49% Danceability • 60% Energy • 19% Liveness
84% Instrumentalness • 52% Positiveness
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Bernard "Pretty" Purdie
Tappin'
89 bpm • E min • 02:42 • -18.58db
4% Popularity • 65% Danceability • 31% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
4% Popularity • 65% Danceability • 31% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
23% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
23% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Bobby Hutcherson
Mountain Caravan
89 bpm • F min • 05:20 • -11.87db
27% Popularity • 58% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
27% Popularity • 58% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
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Herbie Hancock
Sunlight
97 bpm • F Maj • 07:09 • -11.16db
28% Popularity • 67% Danceability • 64% Energy • 45% Liveness
2% Instrumentalness • 80% Positiveness
28% Popularity • 67% Danceability • 64% Energy • 45% Liveness
2% Instrumentalness • 80% Positiveness
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Dave Hamilton
Soul Suite
97 bpm • A# min • 05:16 • -4.28db
15% Popularity • 73% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 63% Positiveness
15% Popularity • 73% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 63% Positiveness
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The Headhunters
God Make Me Funky
97 bpm • D Maj • 09:39 • -8db
34% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
34% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
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Charles Kynard
Sweetheart
89 bpm • F min • 07:56 • -18db
16% Popularity • 68% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
16% Popularity • 68% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
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Dave Keyes
Ain't Going Down
97 bpm • E min • 04:59 • -11.91db
0% Popularity • 66% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 66% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Pleasure
Dust Yourself Off
97 bpm • C Maj • 03:51 • -7.27db
10% Popularity • 59% Danceability • 94% Energy • 7% Liveness
12% Instrumentalness • 60% Positiveness
10% Popularity • 59% Danceability • 94% Energy • 7% Liveness
12% Instrumentalness • 60% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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David Haney
Circadian World Clock, 2019: 12pm. Sext ...
97 bpm • D min • 01:46 • -21.09db
0% Popularity • 35% Danceability • 27% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
0% Popularity • 35% Danceability • 27% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
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Bernard "Pretty" Purdie
Give the Drummer Some
89 bpm • C min • 01:57 • -15.47db
5% Popularity • 66% Danceability • 44% Energy • 7% Liveness
96% Instrumentalness • 27% Positiveness
5% Popularity • 66% Danceability • 44% Energy • 7% Liveness
96% Instrumentalness • 27% Positiveness
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Charles Kynard
Nightwood
89 bpm • F Maj • 02:31 • -15db
8% Popularity • 41% Danceability • 22% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
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The Poets Of Rhythm
50 Yards of Soul
97 bpm • C Maj • 04:02 • -7db
30% Popularity • 73% Danceability • 87% Energy • 4% Liveness
82% Instrumentalness • 92% Positiveness
30% Popularity • 73% Danceability • 87% Energy • 4% Liveness
82% Instrumentalness • 92% Positiveness
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The Blackbyrds
Supernatural Feeling
98 bpm • C Maj • 03:52 • -16db
29% Popularity • 78% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 78% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Ike Turner & The Kings Of Rhythm
Thinking Black
97 bpm • G Maj • 02:40 • -10db
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
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Bucky Pizzarelli
Two Funky People
89 bpm • C# Maj • 03:04 • -23.03db
0% Popularity • 35% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
0% Popularity • 35% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Speedometer
African Bushfire
98 bpm • G Maj • 02:47 • -7db
30% Popularity • 75% Danceability • 87% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
30% Popularity • 75% Danceability • 87% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
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Lafayette Afro Rock Band
Raff - Remastered
88 bpm • F# min • 03:15 • -4.85db
26% Popularity • 37% Danceability • 93% Energy • 33% Liveness
55% Instrumentalness • 91% Positiveness
26% Popularity • 37% Danceability • 93% Energy • 33% Liveness
55% Instrumentalness • 91% Positiveness
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Bernard "Pretty" Purdie
Elevate
98 bpm • F Maj • 03:51 • -7db
14% Popularity • 62% Danceability • 88% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 88% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
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The Blackbyrds
Reggins
98 bpm • F min • 04:05 • -12db
33% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
33% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Milton Wright
Let's Take a Break
98 bpm • D Maj • 01:45 • -11.82db
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
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Black Heat
Times Have Changed
98 bpm • G# Maj • 05:38 • -19.05db
7% Popularity • 75% Danceability • 46% Energy • 7% Liveness
18% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 46% Energy • 7% Liveness
18% Instrumentalness • 92% Positiveness
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David Garfield
Creatchy Stomp OTB
98 bpm • E min • 05:25 • -10.12db
7% Popularity • 63% Danceability • 75% Energy • 13% Liveness
56% Instrumentalness • 75% Positiveness
7% Popularity • 63% Danceability • 75% Energy • 13% Liveness
56% Instrumentalness • 75% Positiveness
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Lafayette Afro Rock Band
Baba Hya - Remastered
88 bpm • G min • 05:29 • -5.15db
22% Popularity • 44% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
22% Popularity • 44% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
20% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
20% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Allen Toussaint
Worldwide - Remastered Version
98 bpm • A min • 02:42 • -9.95db
35% Popularity • 81% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
35% Popularity • 81% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Dave Keyes
That's What the Blues Are for
98 bpm • G min • 05:10 • -10.11db
1% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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Leon Spencer
Mercy Mercy Me
98 bpm • A min • 04:05 • -7.91db
10% Popularity • 58% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 72% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 72% Positiveness
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Jack McDuff
Theme From Electric Surfboard
98 bpm • F# Maj • 03:34 • -5.04db
17% Popularity • 50% Danceability • 65% Energy • 11% Liveness
59% Instrumentalness • 62% Positiveness
17% Popularity • 50% Danceability • 65% Energy • 11% Liveness
59% Instrumentalness • 62% Positiveness
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WRD Trio
Corner Pocket
98 bpm • G# Maj • 02:58 • -9.87db
31% Popularity • 71% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 87% Positiveness
31% Popularity • 71% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 87% Positiveness
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Ronnie Laws
Captain Midnite
88 bpm • A# min • 02:59 • -9.47db
29% Popularity • 69% Danceability • 63% Energy • 16% Liveness
73% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 63% Energy • 16% Liveness
73% Instrumentalness • 90% Positiveness
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Johnny "Guitar" Watson
Why Don’t You Treat Me Like I’m Your...
99 bpm • C# min • 02:59 • -9.73db
20% Popularity • 91% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 91% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Roy Porter Sound Machine
Party Time
99 bpm • D min • 03:49 • -5.46db
15% Popularity • 79% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 96% Positiveness
15% Popularity • 79% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 96% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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O'Donel Levy
I Want To Make It With You
99 bpm • F Maj • 03:44 • -8.64db
15% Popularity • 68% Danceability • 72% Energy • 22% Liveness
25% Instrumentalness • 81% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 22% Liveness
25% Instrumentalness • 81% Positiveness
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The Section
Doing the Meatball
99 bpm • A Maj • 02:51 • -6.64db
12% Popularity • 65% Danceability • 55% Energy • 2% Liveness
90% Instrumentalness • 97% Positiveness
12% Popularity • 65% Danceability • 55% Energy • 2% Liveness
90% Instrumentalness • 97% Positiveness
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Wade Marcus
Spinning Wheel
99 bpm • G# Maj • 03:57 • -19.76db
13% Popularity • 54% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
