Songs like What's Good (The Thesis) by Lou Reed
Based on a tempo of (+/- 10%) and a similar genre
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Lou Reed
What's Good (The Thesis)
131 bpm • D Maj • 03:21 • -13.42db
35% Popularity • 69% Danceability • 50% Energy • 20% Liveness
82% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 50% Energy • 20% Liveness
82% Instrumentalness • 83% Positiveness
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Alex Chilton
No Sex
131 bpm • A Maj • 03:48 • -11.79db
9% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Nick Cave
Suzanne
131 bpm • E Maj • 04:42 • -13.02db
36% Popularity • 53% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Wilco
Monday - 2017 Remaster
131 bpm • C Maj • 03:32 • -4.47db
23% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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John Wesley Harding
Words Words Words
131 bpm • G min • 02:59 • -9.2db
15% Popularity • 40% Danceability • 79% Energy • 11% Liveness
9% Instrumentalness • 73% Positiveness
15% Popularity • 40% Danceability • 79% Energy • 11% Liveness
9% Instrumentalness • 73% Positiveness
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Brinsley Schwarz
(What's so Funny 'Bout) Peace Love and U...
131 bpm • D Maj • 03:32 • -10.56db
31% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Lou Reed
Romeo Had Juliette
131 bpm • A Maj • 03:10 • -13.07db
45% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
45% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
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Giant Sand
El Paso / Out On the Weekend
131 bpm • A Maj • 06:49 • -10db
10% Popularity • 37% Danceability • 42% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
10% Popularity • 37% Danceability • 42% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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The Blue Aeroplanes
Colour Me
131 bpm • A min • 05:48 • -8.47db
14% Popularity • 51% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 51% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
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Warren Zevon
Trouble Waiting To Happen
130 bpm • E Maj • 03:32 • -10.58db
19% Popularity • 58% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 58% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kevin Ayers
Lay Lady Lay
130 bpm • A min • 04:37 • -7.07db
19% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Lou Reed
What's Good
131 bpm • D Maj • 05:07 • -13.47db
22% Popularity • 52% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
22% Popularity • 52% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
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Grant Lee Buffalo
Wish You Well
132 bpm • F# Maj • 03:30 • -11.27db
37% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Strummer
Burnin' Streets
130 bpm • A# Maj • 04:31 • -6.27db
24% Popularity • 55% Danceability • 72% Energy • 37% Liveness
4% Instrumentalness • 49% Positiveness
24% Popularity • 55% Danceability • 72% Energy • 37% Liveness
4% Instrumentalness • 49% Positiveness
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Daniel Lanois
Lotta Love to Give
130 bpm • F Maj • 03:38 • -10.4db
22% Popularity • 61% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 88% Positiveness
22% Popularity • 61% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 88% Positiveness
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The Jayhawks
Real Light
132 bpm • G Maj • 03:25 • -7.25db
20% Popularity • 45% Danceability • 83% Energy • 31% Liveness
7% Instrumentalness • 67% Positiveness
20% Popularity • 45% Danceability • 83% Energy • 31% Liveness
7% Instrumentalness • 67% Positiveness
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Mike Scott
City Full of Ghosts (Dublin)
130 bpm • A Maj • 02:47 • -9db
29% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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10,000 Maniacs
Hey Jack Kerouac
132 bpm • F# Maj • 03:26 • -15.89db
39% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Stephenson
Little Red Bottle
132 bpm • D min • 04:07 • -12db
15% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
15% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
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The Dream Syndicate
Let It Rain
130 bpm • A Maj • 03:57 • -9.77db
12% Popularity • 36% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 36% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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Warren Zevon
Bad Karma
132 bpm • G Maj • 03:15 • -10.2db
20% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Bruce Springsteen
57 Channels (And Nothin' On)
132 bpm • G Maj • 02:25 • -18.98db
35% Popularity • 89% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
35% Popularity • 89% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Lloyd Cole and the Commotions
Charlotte Street
130 bpm • A Maj • 03:50 • -8.95db
33% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Graham Parker
Don't Let It Break You Down
130 bpm • G Maj • 03:34 • -8db
11% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Grant Lee Buffalo
Jupiter and Teardrop
130 bpm • G# Maj • 05:56 • -6db
39% Popularity • 49% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 49% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Cracker
Duty Free
133 bpm • G Maj • 05:53 • -5.78db
5% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Replacements
Achin' to Be - 2008 Remaster
132 bpm • D Maj • 03:42 • -5.82db
33% Popularity • 60% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 60% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Richard & Linda Thompson
Don't Renege on Our Love
133 bpm • G Maj • 04:18 • -14.83db
20% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
20% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Lloyd Cole and the Commotions
Why I Love Country Music - Remastered
133 bpm • D Maj • 03:00 • -11.32db
33% Popularity • 66% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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T Bone Burnett
Criminals
129 bpm • F# min • 03:44 • -8.15db
9% Popularity • 69% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 69% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Lou Reed
My Friend George
129 bpm • C Maj • 03:56 • -8.01db
23% Popularity • 77% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 77% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Kevin Coyne
I'll Go Too
133 bpm • E Maj • 03:33 • -17.76db
10% Popularity • 54% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 54% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
29% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Ayers
Shouting in a Bucket Blues - 2003 Remast...
129 bpm • C Maj • 03:44 • -11db
30% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Big Star
Try Again
133 bpm • G Maj • 03:32 • -11.45db
28% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Echo & the Bunnymen
It’s All Over Now, Baby Blue - Live, 1...
128 bpm • A Maj • 03:33 • -7.36db
18% Popularity • 49% Danceability • 91% Energy • 41% Liveness
1% Instrumentalness • 28% Positiveness
18% Popularity • 49% Danceability • 91% Energy • 41% Liveness
1% Instrumentalness • 28% Positiveness
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Elvis Costello & The Imposters
Monkey To Man
134 bpm • A Maj • 04:28 • -6db
22% Popularity • 54% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 54% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Lloyd Cole and the Commotions
Mister Malcontent
128 bpm • C Maj • 04:49 • -13.93db
28% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
28% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
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Graham Parker
Don't Get Excited
134 bpm • A Maj • 03:03 • -12.1db
9% Popularity • 65% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 65% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Lanegan
Strange Religion
134 bpm • E Maj • 04:07 • -12.93db
40% Popularity • 49% Danceability • 32% Energy • 12% Liveness
54% Instrumentalness • 11% Positiveness
40% Popularity • 49% Danceability • 32% Energy • 12% Liveness
54% Instrumentalness • 11% Positiveness
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Matthew Sweet
Devil With The Green Eyes
128 bpm • B min • 04:42 • -6.89db
23% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
23% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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The Smithereens
Cigrette
128 bpm • D# min • 02:30 • -15.36db
13% Popularity • 50% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Lou Reed
The Great Defender (Down at the Arcade)
128 bpm • E Maj • 03:41 • -7.66db
17% Popularity • 77% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 93% Positiveness
17% Popularity • 77% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 93% Positiveness
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Mott The Hoople
Sweet Jane
128 bpm • A min • 04:21 • -7.4db
37% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Robyn Hitchcock & The Egyptians
She Doesn't Exist
134 bpm • D Maj • 04:25 • -16.06db
11% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Scott Walker
Duchess
128 bpm • B Maj • 02:48 • -20db
42% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Mekons
Last Dance
134 bpm • C Maj • 03:13 • -6db
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Evan Dando
It Looks Like You
134 bpm • E Maj • 03:15 • -9.12db
19% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Pete Townshend
Heart To Hang Onto
134 bpm • E Maj • 04:29 • -18db
27% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lloyd Cole and the Commotions
Sweetness
128 bpm • B Maj • 02:52 • -12.71db
23% Popularity • 63% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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The Jayhawks
Bad Time
128 bpm • C Maj • 03:26 • -6.84db
33% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Van Morrison
Ballerina - 1999 Remaster
135 bpm • G Maj • 07:03 • -15db
36% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Faces
Love Lives Here
135 bpm • A# Maj • 03:06 • -9.93db
35% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
35% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
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Richard Thompson
Sights And Sounds Of London Town
127 bpm • G Maj • 04:54 • -8.44db
10% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Big Star
When My Baby's Beside Me
127 bpm • C Maj • 03:23 • -7.94db
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Pete Townshend
And I Moved
127 bpm • A Maj • 03:23 • -11.05db
37% Popularity • 50% Danceability • 70% Energy • 25% Liveness
58% Instrumentalness • 70% Positiveness
37% Popularity • 50% Danceability • 70% Energy • 25% Liveness
58% Instrumentalness • 70% Positiveness
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Graham Parker
Waiting For The UFO's
127 bpm • D Maj • 03:09 • -13.05db
8% Popularity • 59% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 59% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Van Morrison
The Way Young Lovers Do - 1999 Remaster
127 bpm • A min • 03:17 • -12.24db
44% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Lowe
Cracking Up
135 bpm • F Maj • 02:59 • -13db
36% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Strummer
Island Hopping
127 bpm • D Maj • 02:36 • -12.76db
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Blue Aeroplanes
Weightless - 2006 Remaster
135 bpm • G Maj • 05:00 • -8.83db
22% Popularity • 52% Danceability • 56% Energy • 18% Liveness
24% Instrumentalness • 19% Positiveness
22% Popularity • 52% Danceability • 56% Energy • 18% Liveness
24% Instrumentalness • 19% Positiveness
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Billy Bragg
Greetings to the New Brunette
135 bpm • G# Maj • 03:31 • -4.31db
35% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Graham Parker & The Rumour
Thunder And Rain
127 bpm • C Maj • 03:15 • -9.68db
15% Popularity • 51% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 51% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Bell
There Was A Light
135 bpm • C Maj • 03:23 • -9.08db
15% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Primal Scream
(I'm Gonna) Cry Myself Blind
135 bpm • F Maj • 04:28 • -6.58db
30% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Buckley
Make It Right
135 bpm • F min • 04:20 • -7db
26% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
26% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
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Cowboy Junkies
Southern Rain
127 bpm • A Maj • 04:50 • -15.59db
26% Popularity • 58% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 58% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Bragg
Levi Stubbs' Tears
135 bpm • B min • 03:31 • -6db
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Guadalcanal Diary
Fear of God
127 bpm • E min • 03:21 • -12.89db
17% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Thunders
You Can't Put Your Arms Around a Memory
136 bpm • D Maj • 02:52 • -17.41db
35% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Freedy Johnston
Trying to Tell You I Don't Know
136 bpm • C Maj • 04:24 • -14.49db
8% Popularity • 58% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Pete Townshend
Street In The City
136 bpm • G Maj • 06:08 • -21.09db
19% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Thompson
Easy There, Steady Now
126 bpm • G min • 04:46 • -13.96db
10% Popularity • 50% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 22% Positiveness
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Grant Hart
Twenty-Five Forty-One
126 bpm • G Maj • 04:47 • -8.94db
14% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Dream Syndicate
Loving the Sinner Hating the Sin
126 bpm • F# min • 04:30 • -4.27db
13% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The House of Love
Hannah
136 bpm • B min • 05:42 • -15.36db
22% Popularity • 55% Danceability • 51% Energy • 68% Liveness
5% Instrumentalness • 23% Positiveness
22% Popularity • 55% Danceability • 51% Energy • 68% Liveness
5% Instrumentalness • 23% Positiveness
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The Jayhawks
Crowded In The Wings
126 bpm • G Maj • 04:52 • -9.92db
20% Popularity • 58% Danceability • 50% Energy • 5% Liveness
1% Instrumentalness • 33% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 5% Liveness
1% Instrumentalness • 33% Positiveness
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Billy Bragg
Train Train
136 bpm • E min • 02:12 • -4.74db
19% Popularity • 37% Danceability • 81% Energy • 23% Liveness
6% Instrumentalness • 94% Positiveness
19% Popularity • 37% Danceability • 81% Energy • 23% Liveness
6% Instrumentalness • 94% Positiveness
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T Bone Burnett
Humans from Earth
126 bpm • C Maj • 02:45 • -10.8db
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
21% Instrumentalness • 64% Positiveness
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
21% Instrumentalness • 64% Positiveness
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T. Rex
Life's A Gas
126 bpm • G Maj • 02:23 • -9.34db
48% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Strummer
All In A Day
126 bpm • D Maj • 04:53 • -4.67db
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Modern Lovers
Old World
136 bpm • A min • 04:00 • -8.67db
31% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Jayhawks
Nevada, California
136 bpm • D Maj • 04:05 • -8.96db
15% Popularity • 63% Danceability • 52% Energy • 8% Liveness
5% Instrumentalness • 55% Positiveness
15% Popularity • 63% Danceability • 52% Energy • 8% Liveness
5% Instrumentalness • 55% Positiveness
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Pretenders
Alone
126 bpm • A Maj • 03:49 • -6.73db
25% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Camper Van Beethoven
Sweethearts
126 bpm • D Maj • 04:46 • -10.45db
11% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Adrian Belew
Pretty Pink Rose (Duet with David Bowie)
137 bpm • D Maj • 04:44 • -10.85db
24% Popularity • 53% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 53% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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Pete Townshend
The Sea Refuses No River
137 bpm • C Maj • 05:54 • -10.49db
22% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Modern Lovers
Astral Plane
137 bpm • A min • 03:00 • -8.01db
36% Popularity • 53% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 53% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Lloyd Cole and the Commotions
Down On Mission Street
125 bpm • D Maj • 03:45 • -11db
31% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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The Jayhawks
Miss Williams' Guitar
125 bpm • G Maj • 03:06 • -5.82db
27% Popularity • 52% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
27% Popularity • 52% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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The Blue Aeroplanes
Yr Own World
125 bpm • G Maj • 03:52 • -8.74db
18% Popularity • 56% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 56% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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John Wesley Harding
The Devil in Me
125 bpm • B Maj • 04:42 • -9db
11% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Danny & Dusty
Song For The Dreamers
125 bpm • C Maj • 04:52 • -9.35db
10% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Hindu Love Gods
Raspberry Beret
125 bpm • E Maj • 03:54 • -8.23db
30% Popularity • 56% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 56% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Hüsker Dü
Love is All Around
137 bpm • C Maj • 01:47 • -11.55db
23% Popularity • 41% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 41% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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The Jayhawks
Wichita
125 bpm • G Maj • 05:26 • -7.79db
13% Popularity • 66% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 66% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Lou Reed
Wild Child - Remastered
125 bpm • D Maj • 04:39 • -7.28db
26% Popularity • 72% Danceability • 84% Energy • 18% Liveness
5% Instrumentalness • 93% Positiveness
26% Popularity • 72% Danceability • 84% Energy • 18% Liveness
5% Instrumentalness • 93% Positiveness