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What's Your Name
Songs like
What's Your Name
by
Chase Rice
Based on a tempo of (+/- 10%) and a similar genre
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
42% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chase Rice
What's Your Name
113 bpm • F# Maj • 03:18 • -7.12db
26% Popularity • 57% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Langston
When It Comes To Loving You
112 bpm • G Maj • 03:31 • -6.33db
47% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Burke
Whole Lot in Love
112 bpm • D Maj • 02:46 • -7.45db
46% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 03:02 • -2.81db
49% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Carly Pearce
Closer To You
112 bpm • E min • 03:07 • -4.55db
47% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ray Fulcher
Anything Like You Dance
114 bpm • B Maj • 03:18 • -5.46db
39% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Brandt
I'm An Open Road
115 bpm • D Maj • 03:54 • -6db
34% Popularity • 50% Danceability • 79% Energy • 23% Liveness
18% Instrumentalness • 17% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Hunter Brothers
Born and Raised
115 bpm • B min • 03:01 • -3db
40% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Chase Rice
Ride
115 bpm • A# Maj • 04:01 • -6.35db
60% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Drew Baldridge
Senior Year
111 bpm • F Maj • 03:55 • -3.72db
39% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
50% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
37% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
37% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
58% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Hunter Brothers
Lost
110 bpm • C# Maj • 02:43 • -4.47db
43% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
37% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Eli Young Band
Where Were You
110 bpm • D Maj • 03:10 • -5db
37% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
63% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Dallas Smith
Sky Stays This Blue
117 bpm • D Maj • 02:52 • -4db
34% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
35% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Chase Rice
Break. Up. Drunk.
117 bpm • G Maj • 02:56 • -6.15db
37% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
60% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Dallas Smith
Somebody Somewhere
118 bpm • B Maj • 03:30 • -2.78db
32% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Chad Brownlee
Forever's Gotta Start Somewhere
108 bpm • C Maj • 03:09 • -4db
44% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
40% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Taylor Ray Holbrook
Follow That Dust
108 bpm • A min • 03:53 • -6db
51% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Chase Rice
On Tonight
119 bpm • C# min • 04:03 • -4.6db
43% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jameson Rodgers
Missing One
107 bpm • D Maj • 03:22 • -5db
35% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Craig Campbell
Outta My Head
107 bpm • F# min • 03:32 • -5.73db
43% Popularity • 68% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
57% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Sanders
Over Did It
120 bpm • C Maj • 03:11 • -4.55db
32% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
29% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
57% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
47% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
52% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Young
Lonely Eyes
106 bpm • C# Maj • 03:37 • -5.27db
58% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Rice
Dirt Road Communion
106 bpm • C min • 03:36 • -4db
33% Popularity • 62% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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James Barker Band
Just Sayin'
106 bpm • F# Maj • 03:07 • -5db
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Steven Lee Olsen
Can't Not
121 bpm • D Maj • 02:43 • -4.2db
30% Popularity • 68% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
45% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
58% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
53% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Nichols
Hard to Be Cool
122 bpm • D Maj • 03:06 • -4.7db
38% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Adam Sanders
Life I'm Livin'
122 bpm • G# Maj • 02:53 • -3.22db
27% Popularity • 68% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
53% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tim Hicks
No Truck Song
122 bpm • G# Maj • 03:12 • -3.04db
44% Popularity • 62% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Nichols
Home Run
104 bpm • C# min • 03:05 • -5.92db
39% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Chase Bryant
Wayfarer Weather
124 bpm • A Maj • 03:09 • -4.38db
29% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Logan Mize
Thinking About You
124 bpm • C Maj • 03:27 • -6.65db
35% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
29% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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High Valley
Single Man
124 bpm • C Maj • 03:26 • -4.63db
44% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
42% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Seckond Chaynce
Write This Down
125 bpm • E Maj • 04:18 • -8.88db
36% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Bad Lovers
125 bpm • B Maj • 03:36 • -4.24db
36% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Logan Mize
Something Just Like This
103 bpm • B min • 04:08 • -6db
33% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Brothers
Silver Lining
125 bpm • C# Maj • 03:14 • -4.21db
31% Popularity • 60% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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RaeLynn
Boyfriend
102 bpm • C# Maj • 02:30 • -4.6db
41% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jameson Rodgers
Rehab
102 bpm • C# Maj • 02:50 • -5.09db
34% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Tim Hicks
Loud
102 bpm • C# Maj • 02:55 • -3.63db
42% Popularity • 56% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
32% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Dallas Smith
Nothing But Summer
102 bpm • D# Maj • 03:06 • -2.67db
32% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Sanders
I've Been Meaning to Call
126 bpm • D# Maj • 03:50 • -8.15db
32% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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James Barker Band
Keep It Simple
126 bpm • G min • 03:07 • -5.53db
45% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Walker McGuire
Growin' Up
126 bpm • C Maj • 03:25 • -4.42db
36% Popularity • 62% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Jessie James Decker
Almost Over You
101 bpm • G Maj • 03:31 • -3db
37% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
64% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Lose My Mind
101 bpm • F# min • 02:35 • -5.51db
54% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Noah Schnacky
I'll Be The One
127 bpm • B Maj • 03:22 • -5.68db
37% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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What's Your Name