Songs like Wheels by Billy Vaughn
Based on a tempo of (+/- 10%) and a similar genre
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Bert Kaempfert
Blue Moon
123 bpm • F Maj • 02:08 • -12.35db
41% Popularity • 70% Danceability • 49% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
41% Popularity • 70% Danceability • 49% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
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Roger Williams
Near You
123 bpm • G Maj • 02:47 • -15db
31% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
31% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
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Edmundo Ros
Perhaps Perhaps Perhaps
123 bpm • D Maj • 02:20 • -9.96db
28% Popularity • 72% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 72% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Hans Hollestelle
Guitar Tango
123 bpm • D Maj • 03:12 • -12.35db
21% Popularity • 54% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 82% Positiveness
21% Popularity • 54% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 82% Positiveness
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Alfred Hause
A Media Luz (Tango) - New Recording
123 bpm • D Maj • 02:44 • -20.16db
26% Popularity • 51% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 60% Positiveness
26% Popularity • 51% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 60% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Billy Vaughn
Wheels
123 bpm • D Maj • 02:08 • -10.92db
44% Popularity • 75% Danceability • 40% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
44% Popularity • 75% Danceability • 40% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
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Billy Vaughn y su Orquesta
Wheels
123 bpm • D Maj • 02:07 • -8db
36% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
36% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
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Percy Faith
The Song from 'moulin Rouge' (Where Is Y...
122 bpm • D Maj • 05:51 • -10.77db
34% Popularity • 17% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 17% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Hans Hollestelle
Wonderful Land
123 bpm • C Maj • 02:10 • -11.91db
30% Popularity • 53% Danceability • 53% Energy • 29% Liveness
88% Instrumentalness • 64% Positiveness
30% Popularity • 53% Danceability • 53% Energy • 29% Liveness
88% Instrumentalness • 64% Positiveness
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The Jumping Jewels
(Ghost) Riders In The Sky
124 bpm • A min • 02:33 • -9.02db
27% Popularity • 46% Danceability • 55% Energy • 15% Liveness
64% Instrumentalness • 53% Positiveness
27% Popularity • 46% Danceability • 55% Energy • 15% Liveness
64% Instrumentalness • 53% Positiveness
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André Popp
Les papillons
124 bpm • F Maj • 02:30 • -6db
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
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Billy Vaughn
Petite Fleur
123 bpm • G min • 02:35 • -6.94db
20% Popularity • 34% Danceability • 38% Energy • 38% Liveness
19% Instrumentalness • 44% Positiveness
20% Popularity • 34% Danceability • 38% Energy • 38% Liveness
19% Instrumentalness • 44% Positiveness
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The Romantic Sound Orchestra
Silvermoon
124 bpm • F Maj • 03:53 • -9.54db
29% Popularity • 34% Danceability • 51% Energy • 30% Liveness
97% Instrumentalness • 54% Positiveness
29% Popularity • 34% Danceability • 51% Energy • 30% Liveness
97% Instrumentalness • 54% Positiveness
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Francis Dupont
Cherry Pink and apple blossom
124 bpm • F Maj • 03:15 • -13.1db
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
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Günter Noris
El Cumbanchero
124 bpm • G min • 02:36 • -12.07db
15% Popularity • 65% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 77% Positiveness
15% Popularity • 65% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 77% Positiveness
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Russ Conway
Sam's Song (The Happy Tune)
124 bpm • G min • 03:21 • -9.35db
18% Popularity • 51% Danceability • 65% Energy • 14% Liveness
90% Instrumentalness • 91% Positiveness
18% Popularity • 51% Danceability • 65% Energy • 14% Liveness
90% Instrumentalness • 91% Positiveness
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The Blue Diamonds
In A Little Spanish Town
124 bpm • F Maj • 02:25 • -10.84db
16% Popularity • 78% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 78% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Vaughn
Wheels
122 bpm • D Maj • 02:06 • -8db
8% Popularity • 81% Danceability • 43% Energy • 24% Liveness
40% Instrumentalness • 86% Positiveness
8% Popularity • 81% Danceability • 43% Energy • 24% Liveness
40% Instrumentalness • 86% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Leroy Anderson
Blue Tango
124 bpm • D Maj • 02:49 • -22db
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Chris Montez
Ay No Digas
121 bpm • C Maj • 02:41 • -10.09db
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Hans Hollestelle
Atlantis
121 bpm • F Maj • 02:57 • -11db
23% Popularity • 57% Danceability • 49% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
23% Popularity • 57% Danceability • 49% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
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Ronnie Aldrich
All Those Years Ago
125 bpm • D Maj • 03:08 • -12.7db
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
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Billy Vaughn
Spanish Eyes (Rerecorded)
122 bpm • E Maj • 02:24 • -15db
23% Popularity • 56% Danceability • 35% Energy • 13% Liveness
84% Instrumentalness • 63% Positiveness
23% Popularity • 56% Danceability • 35% Energy • 13% Liveness
84% Instrumentalness • 63% Positiveness
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Horst Jankowski
A Lover's Concerto
125 bpm • C min • 02:49 • -10.5db
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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50 Guitars of Tommy Garrett
Mexico
125 bpm • D# Maj • 02:42 • -9.26db
15% Popularity • 58% Danceability • 56% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
15% Popularity • 58% Danceability • 56% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
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Tango Orchester Alfred Hause
Florentinische Nächte
121 bpm • D Maj • 02:59 • -10.96db
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
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Pepe Jaramillo
South of the Border
121 bpm • A# Maj • 02:59 • -13db
35% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
35% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Claudius Alzner
Brazil - El negro zumbon - Siboney
125 bpm • D# Maj • 03:18 • -10db
13% Popularity • 55% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
13% Popularity • 55% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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The Blue Comets
Beyond The Reef
121 bpm • D Maj • 02:45 • -11.63db
32% Popularity • 59% Danceability • 46% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:19 • -8.08db
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
39% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
39% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Billy Vaughn
Never On Sunday
126 bpm • D# Maj • 02:36 • -9.46db
21% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Al Hirt
Red Roses for a Blue Lady
120 bpm • C Maj • 02:16 • -14.02db
24% Popularity • 39% Danceability • 36% Energy • 7% Liveness
85% Instrumentalness • 34% Positiveness
24% Popularity • 39% Danceability • 36% Energy • 7% Liveness
85% Instrumentalness • 34% Positiveness
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Frank Davis Orchestra
What a Wonderful World
120 bpm • F Maj • 02:37 • -9db
28% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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The Romantic Sound Orchestra
The Last Rose Of Summer
120 bpm • D Maj • 03:45 • -10.85db
25% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
25% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Combo Alfredo
Schön war die Zeit - Medley - Heimweh/S...
120 bpm • C Maj • 03:07 • -11.52db
15% Popularity • 77% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 53% Positiveness
15% Popularity • 77% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 53% Positiveness
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Billy Vaughn
Wheels
126 bpm • C min • 02:01 • -8.86db
9% Popularity • 80% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 84% Positiveness
9% Popularity • 80% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 84% Positiveness
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Sweet People
A Wonderful Day - Instrumental
120 bpm • G# Maj • 04:22 • -17.24db
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
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Frank Chacksfield
Marylin
120 bpm • F Maj • 02:27 • -18db
32% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
32% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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André Popp
Beer Barrel Polka
126 bpm • F Maj • 02:40 • -9db
32% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Kurt Edelhagen
Slowfox: 30 Takte Pro Minute - Adios
120 bpm • F Maj • 02:20 • -11.22db
46% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
46% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Horst Jankowski
Donkey Serenade
119 bpm • A# Maj • 03:19 • -11.07db
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Combo Alfredo
Silberfäden
120 bpm • D min • 02:30 • -9.43db
28% Popularity • 58% Danceability • 35% Energy • 26% Liveness
48% Instrumentalness • 56% Positiveness
28% Popularity • 58% Danceability • 35% Energy • 26% Liveness
48% Instrumentalness • 56% Positiveness
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Arthur Lyman
Yellow Bird
119 bpm • D Maj • 02:43 • -26db
42% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
42% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Percy Faith & His Orchestra
I Will Follow You
127 bpm • C Maj • 02:04 • -11.98db
40% Popularity • 51% Danceability • 58% Energy • 38% Liveness
93% Instrumentalness • 85% Positiveness
40% Popularity • 51% Danceability • 58% Energy • 38% Liveness
93% Instrumentalness • 85% Positiveness
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Botticelli
Forever and Ever
119 bpm • E Maj • 02:59 • -11.24db
28% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
28% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha (La Golondrina Guantanamera)
127 bpm • G# Maj • 03:07 • -13.34db
43% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
43% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
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Russ Conway
Do, Re, Mi - Remastered
119 bpm • C# Maj • 01:46 • -8.36db
16% Popularity • 63% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
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Leroy Anderson
Blue Tango
119 bpm • D Maj • 03:04 • -22.71db
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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The Jumping Jewels
Irish Washerwoman
127 bpm • D Maj • 01:59 • -10db
29% Popularity • 36% Danceability • 67% Energy • 30% Liveness
85% Instrumentalness • 91% Positiveness
29% Popularity • 36% Danceability • 67% Energy • 30% Liveness
85% Instrumentalness • 91% Positiveness
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Kai Warner
Canadian Sunset
119 bpm • F Maj • 02:40 • -14db
35% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
33% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
33% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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Tango Orchester Alfred Hause
Blue Tango
127 bpm • D Maj • 02:41 • -8.49db
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
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Los Indios Tabajaras
Begin The Beginning (Volver A Empezar)
128 bpm • B min • 02:50 • -9.81db
29% Popularity • 59% Danceability • 56% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
29% Popularity • 59% Danceability • 56% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
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Fred Neil
Everybody's Talkin'
128 bpm • E Maj • 02:57 • -13.87db
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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Cuerdas y Metales
Soleado
128 bpm • F Maj • 03:40 • -10.8db
44% Popularity • 39% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
44% Popularity • 39% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Billy Vaughn y su Orquesta
Petite Fleur
118 bpm • G min • 02:39 • -7.95db
28% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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The Four Lads
Put a Light in the Window
118 bpm • C Maj • 02:28 • -9.72db
33% Popularity • 73% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 73% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Vaughn
Somewhere My Love (Rerecorded)
118 bpm • C# Maj • 02:01 • -16.72db
17% Popularity • 54% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
17% Popularity • 54% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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Jack Jersey
On This Night Of A Thousand Stars
118 bpm • E Maj • 02:44 • -7.76db
33% Popularity • 52% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 52% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Percy Faith
Born Free
128 bpm • D Maj • 02:32 • -12.29db
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
77% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
77% Instrumentalness • 47% Positiveness
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Combo Alfredo
Traum Melodien - Medley - Blue Spanish e...
128 bpm • A# Maj • 03:16 • -9.21db
30% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
30% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Al Martino
Red Roses For A Blue Lady
118 bpm • A# Maj • 02:39 • -12.25db
35% Popularity • 53% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 53% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Andi Häckel
Ein Schiff wird kommen
118 bpm • D Maj • 03:22 • -9.23db
32% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
32% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Bert Kaempfert
Red Roses For A Blue Lady
118 bpm • G Maj • 02:19 • -12.6db
54% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
54% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
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Franck Pourcel
Chariot
118 bpm • D# Maj • 02:37 • -5.56db
35% Popularity • 51% Danceability • 78% Energy • 7% Liveness
81% Instrumentalness • 79% Positiveness
35% Popularity • 51% Danceability • 78% Energy • 7% Liveness
81% Instrumentalness • 79% Positiveness
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Eddie Calvert
April in Portugal
129 bpm • C# Maj • 02:12 • -11.88db
21% Popularity • 56% Danceability • 51% Energy • 83% Liveness
93% Instrumentalness • 70% Positiveness
21% Popularity • 56% Danceability • 51% Energy • 83% Liveness
93% Instrumentalness • 70% Positiveness
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Ballroom Dance Orchestra
I Can't Give You Anything but Love
118 bpm • G# Maj • 02:37 • -10.52db
20% Popularity • 57% Danceability • 40% Energy • 28% Liveness
37% Instrumentalness • 84% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 28% Liveness
37% Instrumentalness • 84% Positiveness
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Edmundo Ros
Perfidia
117 bpm • G Maj • 02:28 • -8.38db
26% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Jumping Jewels
Wheels
117 bpm • D Maj • 02:05 • -17.29db
33% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
33% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha: 34 Takte Pro Minute - Noch ...
129 bpm • G Maj • 02:20 • -10.38db
38% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
38% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
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Combo Alfredo
Rosen für Dich (roses for you) - Radio ...
117 bpm • G# Maj • 02:53 • -10db
26% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
26% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
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Winifred Atwell
Jubilee Rag
117 bpm • G Maj • 02:30 • -11db
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
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Claudius Alzner
September in the Rain - Komm zurück - N...
117 bpm • D# Maj • 04:33 • -12db
28% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
28% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
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Andi Häckel
La Paloma
117 bpm • G Maj • 04:06 • -8db
30% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
30% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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The Sidewalk Sounds
Billy Jack's Theme
129 bpm • D# Maj • 02:01 • -5.74db
41% Popularity • 45% Danceability • 76% Energy • 16% Liveness
91% Instrumentalness • 74% Positiveness
41% Popularity • 45% Danceability • 76% Energy • 16% Liveness
91% Instrumentalness • 74% Positiveness
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Mantovani y Su Gran Orquesta
Blue Tango
117 bpm • D Maj • 03:02 • -8.61db
23% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
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Kai Warner
Dream
117 bpm • D# Maj • 02:28 • -13db
40% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
40% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
45% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Claudius Alzner
La Paloma - Roter Mohn - Unter der roten...
117 bpm • C Maj • 04:05 • -14db
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
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Combo Alfredo
In Liebe - Mit Liebe - Medley - Mucho mu...
130 bpm • F Maj • 03:19 • -12.2db
19% Popularity • 77% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
19% Popularity • 77% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
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The Strings Of Paris
Ballade Pour Adeline
130 bpm • C Maj • 02:32 • -13db
49% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
49% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Mantovani y Su Gran Orquesta
Valencia
130 bpm • G# Maj • 02:23 • -8.64db
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Roger Williams
Yellow Bird
116 bpm • G Maj • 02:12 • -12.49db
27% Popularity • 66% Danceability • 24% Energy • 10% Liveness
74% Instrumentalness • 77% Positiveness
27% Popularity • 66% Danceability • 24% Energy • 10% Liveness
74% Instrumentalness • 77% Positiveness
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Nikos Ignatiadis
Pireaus (Never On A Sunday)
116 bpm • A Maj • 02:59 • -11.63db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Claudius Alzner
You belong to my heart - Ginny come late...
117 bpm • C Maj • 03:52 • -13db
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
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Billy Vaughn
El Choclo
116 bpm • E min • 02:07 • -11.92db
30% Popularity • 38% Danceability • 42% Energy • 13% Liveness
34% Instrumentalness • 77% Positiveness
30% Popularity • 38% Danceability • 42% Energy • 13% Liveness
34% Instrumentalness • 77% Positiveness
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Miguel Nacel
Juegos Prohibidos
131 bpm • C Maj • 02:59 • -7.99db
30% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Don Costa And His Orchestra
Never On Sunday
131 bpm • G Maj • 02:55 • -14db
34% Popularity • 54% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 84% Positiveness
34% Popularity • 54% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 84% Positiveness
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Claudius Alzner
Deep in the heart of Texas - My Darling ...
130 bpm • C Maj • 03:24 • -12.39db
24% Popularity • 60% Danceability • 42% Energy • 14% Liveness
48% Instrumentalness • 97% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 14% Liveness
48% Instrumentalness • 97% Positiveness
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Billy Vaughn
Yours
116 bpm • D Maj • 02:33 • -13.53db
24% Popularity • 52% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
24% Popularity • 52% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
