Songs like When Fall Comes To New England by Cheryl Wheeler
Based on a tempo of (+/- 10%) and a similar genre
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Cheryl Wheeler
Holding On
94 bpm • E Maj • 03:59 • -11db
12% Popularity • 66% Danceability • 34% Energy • 10% Liveness
27% Instrumentalness • 23% Positiveness
12% Popularity • 66% Danceability • 34% Energy • 10% Liveness
27% Instrumentalness • 23% Positiveness
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Abigail Lapell
Down by the Water
94 bpm • A Maj • 02:55 • -16db
55% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Mary McCaslin
Way Out West
93 bpm • C min • 04:13 • -13.36db
11% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dar Williams
Fishing in the Morning
93 bpm • G# Maj • 02:38 • -7.85db
36% Popularity • 64% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 64% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Beth Nielsen Chapman
Heads up for the Wrecking Ball
93 bpm • C# Maj • 03:58 • -7.46db
10% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Janis Ian
I'm Still Standing
93 bpm • G# Maj • 03:12 • -12.83db
25% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cheryl Wheeler
When Fall Comes To New England
94 bpm • G# Maj • 03:16 • -11.44db
32% Popularity • 58% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 58% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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David Mallett
The Haying Song
93 bpm • B Maj • 03:22 • -10.88db
12% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Cry Cry Cry
Cold Missouri Waters
95 bpm • B min • 04:34 • -9.26db
29% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Connie Kaldor
Spring on the Prairies
95 bpm • D Maj • 01:36 • -16.03db
16% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Ruth Moody
The Garden
95 bpm • D Maj • 04:40 • -14.62db
26% Popularity • 51% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
26% Popularity • 51% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
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Susan Werner
Last Of The Good Straight Girls
93 bpm • A Maj • 03:43 • -7.94db
13% Popularity • 58% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 58% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Cheryl Wheeler
Act Of Nature
94 bpm • B Maj • 03:21 • -12.78db
20% Popularity • 47% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 47% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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David Mallett
Red Red Rose
93 bpm • A# Maj • 02:52 • -15.97db
15% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Goodman
California Promises
95 bpm • A Maj • 02:45 • -19.58db
12% Popularity • 56% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
12% Popularity • 56% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Carrie Newcomer
The Beautiful Not Yet
95 bpm • G min • 02:26 • -14.43db
16% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tish Hinojosa
Taos to Tennessee
93 bpm • A Maj • 02:57 • -13.22db
23% Popularity • 54% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 54% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Cry Cry Cry
The Last Thing on My Mind
92 bpm • G Maj • 02:53 • -12.51db
16% Popularity • 39% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 39% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Cheryl Wheeler
Praise the Lord and Life Is Grand
95 bpm • C# Maj • 02:31 • -10.74db
15% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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David Mallett
Arowsic
96 bpm • D Maj • 02:44 • -17.14db
13% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kimmie Rhodes
Love Me Like A Song
96 bpm • A Maj • 03:40 • -14db
29% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lori McKenna
Never Die Young
92 bpm • B Maj • 04:42 • -11.76db
23% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Mary McCaslin
Ghost Riders In The Sky
96 bpm • A Maj • 04:04 • -16db
12% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Cry Cry Cry
Cathedrals
92 bpm • A# Maj • 03:36 • -11.64db
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Cheryl Wheeler
Summer's Almost Over
93 bpm • A# Maj • 03:07 • -11.95db
24% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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David Mallett
Somewhere in Time
96 bpm • G Maj • 03:23 • -10.43db
12% Popularity • 36% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 36% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 63% Positiveness
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Nickel Creek
Tomorrow Is A Long Time
96 bpm • A# Maj • 03:36 • -17db
34% Popularity • 58% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 58% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Beth Nielsen Chapman
Simple Things
92 bpm • C Maj • 03:29 • -7.55db
18% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Red Molly
Homeward Bound
92 bpm • A Maj • 03:25 • -6.84db
18% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Muireann Nic Amhlaoibh
Gold Hills
96 bpm • A# Maj • 03:51 • -10.25db
14% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Cheryl Wheeler
One Step at a Time
95 bpm • A# Maj • 03:23 • -8.2db
19% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Carter
The Mountain
91 bpm • A# Maj • 03:39 • -11.74db
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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James Keelaghan
Cold Missouri Waters
91 bpm • C Maj • 04:59 • -10.52db
21% Popularity • 78% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 78% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tift Merritt
Feeling of Beauty
97 bpm • D# Maj • 04:01 • -10.33db
34% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Dar Williams
Echoes
97 bpm • F# Maj • 03:59 • -7.03db
8% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Greg Brown
Sleeper
97 bpm • A Maj • 04:29 • -21.19db
19% Popularity • 48% Danceability • 22% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
19% Popularity • 48% Danceability • 22% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
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Cheryl Wheeler
Half a Book
95 bpm • E Maj • 03:00 • -14.68db
5% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Mammals
If You Could Hear Me Now
97 bpm • A# Maj • 05:21 • -12.92db
14% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Herring
Tales Of The Islander
97 bpm • A Maj • 04:25 • -10.29db
24% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Robin Batteau
Northern Girl
91 bpm • A Maj • 05:02 • -22.53db
1% Popularity • 40% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 40% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Red Molly
Walk Beside Me
97 bpm • F Maj • 03:09 • -6.46db
13% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Patty Larkin
Me And That Train
97 bpm • F Maj • 05:01 • -11db
15% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Cheryl Wheeler
Music In My Room
95 bpm • B Maj • 03:48 • -10.37db
10% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Lynn Miles
Fearless Heart
97 bpm • F Maj • 03:41 • -8.76db
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Ruth Moody
Trouble and Woe
97 bpm • E Maj • 03:16 • -11.82db
31% Popularity • 63% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 63% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Rush
Too Many Memories -
91 bpm • E Maj • 03:42 • -13.41db
18% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Catie Curtis
People Look Around
91 bpm • C# Maj • 03:58 • -7.08db
14% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Stray Birds
Down in the Willow Garden
97 bpm • F# Maj • 02:57 • -12.23db
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cheryl Wheeler
Hard Line To Draw
97 bpm • G Maj • 03:29 • -13.57db
5% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
5% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Patty Larkin
Open Arms (Don't Explain)
97 bpm • D Maj • 04:25 • -11.32db
11% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dar Williams
Little Town
97 bpm • D Maj • 03:58 • -9db
15% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Secret Sisters
Endless Running Out of Time
98 bpm • G# Maj • 03:58 • -12.44db
26% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lucy Kaplansky
More Than This
98 bpm • D# Maj • 04:22 • -12.53db
23% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
23% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Amy Speace
Hymn for the Crossing
90 bpm • A# Maj • 03:36 • -10.75db
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Cheryl Wheeler
Alice
91 bpm • D Maj • 03:52 • -13.33db
11% Popularity • 47% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
11% Popularity • 47% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Caroline Herring
Trace
90 bpm • A# Maj • 03:15 • -5.98db
13% Popularity • 43% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 43% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ian & Sylvia
Early Morning Rain
98 bpm • E Maj • 03:58 • -22.93db
40% Popularity • 47% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
40% Popularity • 47% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Our Native Daughters
You're Not Alone
98 bpm • C Maj • 05:36 • -11.9db
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Carrie Newcomer
I Meant to Do My Work Today
90 bpm • F# Maj • 02:49 • -14.43db
17% Popularity • 77% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 77% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Red Molly
Willow Tree
90 bpm • A min • 02:47 • -6.43db
16% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Cheryl Wheeler
Quartermoon
90 bpm • A Maj • 04:20 • -22.14db
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Henry Girls
Here Beside Me
90 bpm • A Maj • 03:31 • -10.98db
15% Popularity • 19% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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David Mallett
I Knew This Place
90 bpm • A Maj • 02:58 • -14.66db
20% Popularity • 55% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Kim Richey
Whistle on Occasion
98 bpm • C Maj • 02:36 • -15.1db
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Claire Lynch
That's What Makes You Strong
99 bpm • D Maj • 03:47 • -10db
12% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Carrie Newcomer
Writing a Better Story
99 bpm • F# Maj • 03:56 • -11.31db
19% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Cheryl Wheeler
I See Your Eyes
99 bpm • F# Maj • 04:46 • -15.08db
2% Popularity • 53% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 53% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Dar Williams
After All
90 bpm • C Maj • 04:48 • -11.31db
33% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Garnet Rogers
Sparrows Wing
90 bpm • F# min • 05:13 • -22.16db
10% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 19% Positiveness
10% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 19% Positiveness
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Livingston Taylor
Thank You Song
89 bpm • D Maj • 01:09 • -18.6db
25% Popularity • 51% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 51% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Christine Lavin
The Moment Slipped Away
89 bpm • C# Maj • 03:41 • -21db
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Guy Clark
I Don't Love You Much Do I
99 bpm • B Maj • 02:41 • -13.16db
31% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cheryl Wheeler
Rainin'
89 bpm • B Maj • 02:44 • -15.95db
2% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dick Gaughan
Ruby Tuesday
99 bpm • G Maj • 04:31 • -19.43db
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Diana Jones
Cracked and Broken
99 bpm • C Maj • 03:16 • -11.62db
12% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lynn Miles
Three Chords and Truth
100 bpm • A# Maj • 03:30 • -9.69db
15% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Natalie Hemby
Cairo, IL
100 bpm • B Maj • 02:59 • -10.62db
50% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Mayer
Now Touch The Air Softly
88 bpm • C# Maj • 03:20 • -13.77db
16% Popularity • 36% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 36% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Cheryl Wheeler
Northern Girl
99 bpm • A Maj • 03:46 • -15.04db
31% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cry Cry Cry
Lord, I Have Made You A Place In My Hear...
100 bpm • D Maj • 03:34 • -13.46db
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dar Williams
The One Who Knows
100 bpm • D Maj • 03:46 • -9.73db
32% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Luka Bloom
Make Me Feel My Love
88 bpm • C# Maj • 02:49 • -16.3db
12% Popularity • 50% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Bonnie Raitt
Feels Like Home
100 bpm • C Maj • 04:24 • -11.99db
43% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Mary McCaslin
Down The Road
88 bpm • E Maj • 02:28 • -12.4db
29% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Cheryl Wheeler
Gandhi/ Buddha (Live)
89 bpm • A Maj • 06:24 • -9.63db
13% Popularity • 47% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 47% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
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David Mallett
Fire
100 bpm • G Maj • 05:10 • -14.1db
11% Popularity • 45% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 45% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Carrie Newcomer
There Is a Tree
88 bpm • A Maj • 04:30 • -10.72db
16% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dar Williams
When I Was A Boy - Acoustic Revisited Ve...
88 bpm • G Maj • 05:17 • -11.15db
13% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Meg Hutchinson
Seeing Stars
101 bpm • F# Maj • 02:59 • -10.37db
26% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Andersen
Violets Of Dawn
88 bpm • D Maj • 03:50 • -17.8db
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bruce Cockburn
Going To The Country
101 bpm • F# Maj • 03:16 • -13.42db
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Mulvey
Shirt
101 bpm • D Maj • 03:10 • -10db
33% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Rani Arbo & Daisy Mayhem
Crossing The Bar
101 bpm • A# Maj • 03:32 • -12.66db
12% Popularity • 67% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 67% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Red Molly
Do I Ever Cross Your Mind
87 bpm • C# Maj • 03:21 • -7.44db
23% Popularity • 53% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Melia
Twenty-Three
87 bpm • E Maj • 04:03 • -11.49db
10% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mary McCaslin
Blackbird
102 bpm • D Maj • 02:25 • -8db
16% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Laura Smith
My Bonny
102 bpm • B min • 04:53 • -10.87db
12% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
