Songs like When I Go by Judy Collins
Based on a tempo of (+/- 10%) and a similar genre
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Chris Smither
It Takes a Lot to Laugh, It Takes a Trai...
175 bpm • D Maj • 04:26 • -11.1db
20% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Judy Collins
When I Go
175 bpm • A# min • 04:27 • -13.39db
24% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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k.d. lang
Bird on a Wire
175 bpm • F Maj • 04:28 • -11db
30% Popularity • 30% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gordon Lightfoot
Return Into Dust
176 bpm • A Maj • 03:09 • -12db
20% Popularity • 47% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 47% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Ruth Moody
Tell Me
176 bpm • C Maj • 03:11 • -16db
16% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Sharon Shannon
A Man of Constant Sorrow
176 bpm • G Maj • 03:35 • -7.22db
20% Popularity • 16% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 16% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Smither
John Hardy
175 bpm • D Maj • 03:12 • -11.04db
2% Popularity • 22% Danceability • 31% Energy • 14% Liveness
35% Instrumentalness • 38% Positiveness
2% Popularity • 22% Danceability • 31% Energy • 14% Liveness
35% Instrumentalness • 38% Positiveness
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Caitlin Canty
Unknown Legend
176 bpm • A# Maj • 03:55 • -15db
30% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Steve Forbert
It Isn't Gonna Be That Way
173 bpm • D Maj • 04:56 • -18db
28% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Greg Brown
Spring Wind
173 bpm • F# min • 04:34 • -16.39db
38% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Dolly Parton
I Really Don't Want to Know
172 bpm • F# Maj • 03:00 • -15.72db
13% Popularity • 27% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Bonnie Raitt
Dimming Of The Day
178 bpm • G# Maj • 03:39 • -17.29db
45% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Willie Nelson
The Maker
172 bpm • F Maj • 05:08 • -12.26db
34% Popularity • 49% Danceability • 65% Energy • 45% Liveness
1% Instrumentalness • 60% Positiveness
34% Popularity • 49% Danceability • 65% Energy • 45% Liveness
1% Instrumentalness • 60% Positiveness
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k.d. lang
After the Gold Rush
172 bpm • E Maj • 04:00 • -9db
38% Popularity • 26% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 26% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hell Blues Choir
Jersey Girl
178 bpm • E Maj • 04:55 • -11.1db
18% Popularity • 30% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 30% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Merle Haggard
Seahorses Of Old Mexico
178 bpm • F# min • 03:35 • -17db
23% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ruth Moody
One Light Shining
172 bpm • D# Maj • 04:43 • -13.34db
20% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Cheryl Wheeler
Little Road
171 bpm • D Maj • 03:34 • -14.89db
16% Popularity • 33% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
16% Popularity • 33% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Willie Nelson
My Favorite Picture of You
172 bpm • C Maj • 03:55 • -13.31db
23% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
23% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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k.d. lang
A Case of You
172 bpm • A# Maj • 05:11 • -13db
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Connie Kaldor
Wood River
179 bpm • A Maj • 03:13 • -13.86db
16% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Rush
Won't Be Back At All
171 bpm • F Maj • 03:27 • -15.06db
19% Popularity • 41% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
19% Popularity • 41% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Karen O
Under Pressure
170 bpm • D Maj • 04:55 • -9.64db
37% Popularity • 38% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 38% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Judy Collins
In My Life
169 bpm • C# Maj • 02:57 • -18db
38% Popularity • 44% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 44% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Willie Nelson
I'll Love You Till The Day I Die
169 bpm • E Maj • 04:11 • -9db
37% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Luka Bloom
I'll Walk Beside You
169 bpm • C# Maj • 02:30 • -23.44db
14% Popularity • 36% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 36% Positiveness
14% Popularity • 36% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 36% Positiveness
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James Keelaghan
My Skies
169 bpm • D min • 03:12 • -9db
19% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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k.d. lang
Love Is Everything
183 bpm • A Maj • 05:43 • -11.79db
25% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Kate & Anna McGarrigle
Matapedia
183 bpm • D Maj • 04:53 • -10.38db
19% Popularity • 29% Danceability • 67% Energy • 10% Liveness
6% Instrumentalness • 35% Positiveness
19% Popularity • 29% Danceability • 67% Energy • 10% Liveness
6% Instrumentalness • 35% Positiveness
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Waylon Jennings
Write Your Own Songs
167 bpm • D Maj • 03:14 • -14.53db
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Willie Nelson
Hallelujah
169 bpm • A min • 04:52 • -7.79db
12% Popularity • 24% Danceability • 58% Energy • 28% Liveness
40% Instrumentalness • 30% Positiveness
12% Popularity • 24% Danceability • 58% Energy • 28% Liveness
40% Instrumentalness • 30% Positiveness
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Judy Collins
One I Love
166 bpm • G# Maj • 02:42 • -8.34db
8% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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A Woman's Heart
The Secret of Living
184 bpm • G Maj • 03:03 • -4db
27% Popularity • 44% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 44% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Raelyn Nelson Band
Moon Song
186 bpm • E Maj • 03:13 • -7.99db
10% Popularity • 51% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 51% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Finbar Furey
Don't Stop This Now
186 bpm • D Maj • 03:41 • -11.21db
17% Popularity • 44% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Diana Jones
All My Money On You
164 bpm • C min • 03:09 • -7.84db
20% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Waylon Jennings
Mammas Don't Let Your Babies Grow up to ...
188 bpm • A Maj • 02:32 • -14.4db
70% Popularity • 36% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
70% Popularity • 36% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Loretta Lynn
Lay Me Down
164 bpm • A Maj • 02:50 • -12.62db
37% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kate & Anna McGarrigle
Goin' back to Harlan (Aka Appalachian Dr...
161 bpm • A Maj • 04:57 • -9.88db
18% Popularity • 44% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 44% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ruth Moody
Travellin' Shoes
162 bpm • A# Maj • 03:05 • -10.98db
22% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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John Denver
The Eagle and the Hawk - "Greatest Hits"...
159 bpm • A Maj • 02:14 • -10.6db
46% Popularity • 26% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 26% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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![A Prayer Like Any Other (For Nikke) [feat. Fats Kaplin] cover art](https://i.scdn.co/image/ab67616d00001e023990bdaa1ff51fa17e2b5e4f)
Kieran Kane
A Prayer Like Any Other (For Nikke)
158 bpm • D Maj • 03:45 • -13db
24% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Mary Gauthier
Drop In A Bucket
159 bpm • A Maj • 04:10 • -8.5db
29% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Sinéad Lohan
To Ramona
158 bpm • G Maj • 03:43 • -11db
40% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Rush
Child's Song
157 bpm • E Maj • 04:09 • -25.14db
31% Popularity • 40% Danceability • 7% Energy • 9% Liveness
63% Instrumentalness • 29% Positiveness
31% Popularity • 40% Danceability • 7% Energy • 9% Liveness
63% Instrumentalness • 29% Positiveness
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John McCutcheon
Water From Another Time
157 bpm • C Maj • 03:13 • -17db
16% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ruth Moody
Far and Wide
156 bpm • C Maj • 03:24 • -17.64db
21% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Julie Felix
Mr Tambourine Man
155 bpm • G Maj • 05:36 • -10.26db
17% Popularity • 47% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 47% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Judy Collins
Leavin' On A Jetplane
155 bpm • D# Maj • 04:10 • -9db
12% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Earle
Goodbye
154 bpm • C Maj • 04:57 • -16db
36% Popularity • 47% Danceability • 12% Energy • 13% Liveness
7% Instrumentalness • 21% Positiveness
36% Popularity • 47% Danceability • 12% Energy • 13% Liveness
7% Instrumentalness • 21% Positiveness
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The Secret Sisters
'Til It's Over
200 bpm • C Maj • 02:56 • -11.01db
41% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Dougie MacLean
Feel So Near
153 bpm • F Maj • 05:03 • -15.56db
27% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kate & Anna McGarrigle
Foolish You
203 bpm • D Maj • 03:04 • -14.52db
20% Popularity • 29% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 29% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Mary Gauthier
Our Lady Of The Shooting Stars
152 bpm • E min • 03:29 • -18.37db
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
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Judy Collins
Arizona
151 bpm • C min • 05:57 • -10.97db
8% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Garnet Rogers
Frankie & Johnny
151 bpm • C Maj • 08:17 • -13db
11% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Harry Chapin
Remember When the Music (Reprise)
150 bpm • A Maj • 03:52 • -16db
26% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Janis Ian
Swannanoa
150 bpm • A Maj • 03:28 • -15.51db
15% Popularity • 32% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Cherokee Rose
Black Irish Indian
205 bpm • C Maj • 03:17 • -9.77db
34% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
