Songs like When I Hit the Ground by Ace Enders and a Million Different People
Based on a tempo of (+/- 10%) and a similar genre
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Brad Coder Project
Taking Back Cali
140 bpm • E min • 04:04 • -3.77db
20% Popularity • 49% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 49% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Gino Vee
Holding On
140 bpm • C Maj • 04:28 • -7.25db
7% Popularity • 41% Danceability • 62% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
7% Popularity • 41% Danceability • 62% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
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Something Corporate
21 And Invincible
140 bpm • G Maj • 03:17 • -3.52db
27% Popularity • 45% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 45% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Punchline
Everything I Wanted
140 bpm • B Maj • 03:06 • -3.76db
7% Popularity • 49% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 49% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
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Charit Way
Rain
140 bpm • B min • 04:38 • -3.99db
11% Popularity • 45% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 45% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
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Action Action
Photograph
140 bpm • B Maj • 03:34 • -5.3db
10% Popularity • 56% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jason James J
What If You're Right (And They're Wrong)
140 bpm • C# Maj • 03:21 • -11.11db
9% Popularity • 60% Danceability • 66% Energy • 10% Liveness
56% Instrumentalness • 77% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 10% Liveness
56% Instrumentalness • 77% Positiveness
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Baby J
Walk on Water
140 bpm • D# Maj • 03:04 • -6.25db
13% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Footballhead
SNOWBALL
140 bpm • E Maj • 02:00 • -8db
16% Popularity • 57% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 57% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Copeland
There Cannot Be a Close Second
140 bpm • E Maj • 03:38 • -6.89db
21% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Early November
A Stain On The Carpet
140 bpm • B Maj • 03:32 • -5.99db
18% Popularity • 23% Danceability • 56% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 56% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Gentle Heat
Trick
140 bpm • G# Maj • 03:06 • -4.71db
11% Popularity • 37% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 37% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Head Automatica
Graduation Day
140 bpm • G Maj • 03:42 • -4db
26% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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JamisonParker
Tearing Through Me
140 bpm • G Maj • 03:18 • -8db
10% Popularity • 30% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 30% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Counterfit
From Finish to Starting Line
140 bpm • B min • 03:54 • -9.35db
12% Popularity • 55% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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I Can Make A Mess
You're Not So Good At Talking Anymore
140 bpm • F# Maj • 03:55 • -4.42db
18% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Luci Hudson
Department
140 bpm • C Maj • 02:42 • -6.16db
27% Popularity • 42% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 42% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
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Number One Fan
Come On
141 bpm • B min • 03:05 • -5.97db
10% Popularity • 46% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 46% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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The Republic of Wolves
Spare Key
139 bpm • G# Maj • 03:44 • -6.1db
7% Popularity • 49% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 49% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Farewell Fighter
Well Wishing
139 bpm • D# Maj • 01:16 • -6.75db
11% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jonathan Panetta
Make Use Of Your Time
141 bpm • F Maj • 03:34 • -1.63db
8% Popularity • 53% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 53% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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I Can Make A Mess
Old Man...........................
140 bpm • B Maj • 05:51 • -8.92db
15% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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The Jealous Sound
Anxious Arms
139 bpm • E Maj • 04:59 • -5.37db
18% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Luci Hudson
My Baby
140 bpm • C Maj • 03:23 • -5.36db
27% Popularity • 42% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 42% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Facing Winter
Moonshine
139 bpm • D# Maj • 03:18 • -5.3db
12% Popularity • 52% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 52% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Juliana Theory
Leave Like a Ghost (Drive Away)
141 bpm • G Maj • 03:45 • -6.04db
16% Popularity • 47% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 47% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Spitalfield
Hold On
141 bpm • A Maj • 03:51 • -5.26db
9% Popularity • 60% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 60% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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The Rocking Horse Winner
When Songbirds Sing
141 bpm • E Maj • 04:00 • -5.46db
7% Popularity • 29% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 29% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Further Seems Forever
On Legendary
141 bpm • C# Maj • 03:40 • -4db
17% Popularity • 26% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 26% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Nightmare Of You
Tell Me When It's Over
139 bpm • G Maj • 03:40 • -5.69db
8% Popularity • 54% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
8% Popularity • 54% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Franc Paoli
Brighter
139 bpm • C Maj • 02:50 • -8.21db
12% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Days Away
Stay the Same
141 bpm • D min • 03:40 • -5.37db
10% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Head Automatica
Lying Through Your Teeth
138 bpm • A Maj • 03:29 • -3db
23% Popularity • 52% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 52% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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I Can Make A Mess
So I Finally Decided To Give Myself A Re...
138 bpm • F# Maj • 03:06 • -8db
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
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Sherwood
Song in My Head
142 bpm • C Maj • 03:50 • -3.99db
29% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Appleseed Cast
Fight Song
138 bpm • G# min • 04:13 • -8db
28% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Jealous Sound
Promise Of The West
142 bpm • A Maj • 04:17 • -8.31db
9% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Junior Varsity
Get Comfortable
142 bpm • F# Maj • 03:44 • -5db
22% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Facing Winter
Killshot
142 bpm • C# min • 03:02 • -4.34db
7% Popularity • 59% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 59% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Nightmare Of You
The Studded Cinctures
142 bpm • C Maj • 03:37 • -4.43db
16% Popularity • 47% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 47% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Sherwood
Middle of the Night
142 bpm • B min • 03:31 • -3.89db
19% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Bedlight for Blue Eyes
Waste My Time
138 bpm • C# Maj • 02:46 • -6db
14% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Jealous Sound
Got Friends?
138 bpm • G Maj • 03:25 • -6.35db
10% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Graduate
Halfway There
138 bpm • G# min • 03:55 • -5.48db
7% Popularity • 45% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 47% Positiveness
7% Popularity • 45% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 47% Positiveness
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Eddy Chapman
Nothing
142 bpm • D min • 03:21 • -4.5db
7% Popularity • 50% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 50% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Days Away
Ideas
138 bpm • D Maj • 03:48 • -4.23db
9% Popularity • 52% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 52% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ian PH Clifford
Providence
138 bpm • A# Maj • 02:25 • -9.4db
11% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Straylight Run
Your Name Here (Sunrise Highway)
138 bpm • G Maj • 05:06 • -7.24db
23% Popularity • 53% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 53% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Copeland
Take Care
142 bpm • G Maj • 04:10 • -6.63db
29% Popularity • 44% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Self Against City
Becoming A Monster
138 bpm • D Maj • 02:38 • -3.64db
9% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Further Seems Forever
The Sound
138 bpm • G# Maj • 03:41 • -4.1db
28% Popularity • 44% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 44% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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The Static Age
Amphibian
143 bpm • A Maj • 04:00 • -5.02db
10% Popularity • 52% Danceability • 97% Energy • 25% Liveness
86% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 97% Energy • 25% Liveness
86% Instrumentalness • 55% Positiveness
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The Jealous Sound
Abandon! Abandon!
143 bpm • B min • 03:38 • -3.19db
14% Popularity • 52% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 52% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Straylight Run
Tool Sheds And Hot Tubs
137 bpm • C Maj • 03:54 • -4.65db
19% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Limbeck
Julia
137 bpm • G Maj • 02:44 • -4.77db
15% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Daphne Loves Derby
Stranger, You and I
137 bpm • G# Maj • 03:11 • -5.56db
14% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Further Seems Forever
New Year's Project
143 bpm • D# min • 04:14 • -5.01db
25% Popularity • 30% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
25% Popularity • 30% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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Cold Collective
Adieu
137 bpm • C# min • 03:02 • -6.99db
7% Popularity • 58% Danceability • 77% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
7% Popularity • 58% Danceability • 77% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
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The Jealous Sound
Troublesome
137 bpm • A Maj • 03:30 • -3.81db
8% Popularity • 53% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 53% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Nightmare Of You
Thumbelina
143 bpm • C# Maj • 04:05 • -3.65db
22% Popularity • 40% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 40% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Straylight Run
Another Word For Desperate
143 bpm • G Maj • 05:20 • -5.57db
23% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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The Juliana Theory
Do You Believe Me?
143 bpm • B min • 04:29 • -4.04db
19% Popularity • 47% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 47% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 38% Positiveness
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Further Seems Forever
The Moon Is Down
144 bpm • C# Maj • 03:12 • -3.81db
33% Popularity • 34% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 34% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
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Waking Ashland
I Am For You
143 bpm • C min • 03:34 • -4.58db
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Unsung Zeros
Louder Than Words
144 bpm • A Maj • 04:31 • -8db
9% Popularity • 59% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 59% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Jealous Sound
The Fold Out
144 bpm • B min • 03:11 • -6.8db
19% Popularity • 48% Danceability • 89% Energy • 39% Liveness
8% Instrumentalness • 78% Positiveness
19% Popularity • 48% Danceability • 89% Energy • 39% Liveness
8% Instrumentalness • 78% Positiveness
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Carissa Johnson
I Surrender
144 bpm • E Maj • 03:42 • -3.91db
12% Popularity • 57% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 57% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Limbeck
Gamblin' Man
136 bpm • G Maj • 03:06 • -4.82db
8% Popularity • 46% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Further Seems Forever
King's Canyon
136 bpm • G min • 03:20 • -5.98db
11% Popularity • 49% Danceability • 89% Energy • 34% Liveness
61% Instrumentalness • 58% Positiveness
11% Popularity • 49% Danceability • 89% Energy • 34% Liveness
61% Instrumentalness • 58% Positiveness
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Days Away
God and Mars
136 bpm • C Maj • 02:44 • -4.07db
15% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Brighten
Ready When You Are
136 bpm • G min • 03:30 • -6.15db
20% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Jealous Sound
Hope For Us
136 bpm • A Maj • 04:10 • -5.36db
31% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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A Day At The Fair
This Is Why We Don't Have Nice Things
136 bpm • D# Maj • 04:56 • -5.98db
8% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sherwood
The Best in Me
145 bpm • A Maj • 04:21 • -4.29db
15% Popularity • 38% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 38% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Sense Field
Feel What You Feel
145 bpm • D Maj • 03:58 • -4.86db
7% Popularity • 47% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 47% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Tyreek Fritsch
All Station
135 bpm • D# Maj • 02:34 • -16.09db
7% Popularity • 55% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 55% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Rocket Summer
TV Family
135 bpm • C Maj • 04:13 • -7.51db
24% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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We Shot The Moon
Waters Edge
145 bpm • C Maj • 02:33 • -14.67db
8% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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JamisonParker
Paper, Rock, Scissors
135 bpm • B Maj • 03:28 • -5.9db
12% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Color Fred
Complaintor
145 bpm • C# Maj • 03:59 • -3.17db
8% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Nine Narrows
Tear This House
145 bpm • C Maj • 03:40 • -3.66db
11% Popularity • 37% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Straylight Run
Soon We'll Be Living In The Future
145 bpm • G# min • 02:54 • -5.02db
25% Popularity • 69% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 69% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sense Field
Beatles Song
145 bpm • A# Maj • 02:47 • -5.84db
13% Popularity • 46% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 46% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Düvall
Hometown
145 bpm • C Maj • 04:06 • -3.66db
16% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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This Tomorrow
Break The Cycle
145 bpm • B min • 05:06 • -14.75db
8% Popularity • 49% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 49% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Days Away
It's Not Over
145 bpm • C Maj • 03:48 • -3.95db
8% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Used
Got to Tell You
135 bpm • E Maj • 02:25 • -4.16db
11% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Watashi Wa
With Love From Me To You - Watashi Wa Al...
135 bpm • G Maj • 04:56 • -3.39db
8% Popularity • 55% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 55% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Deskjobs
I Took Some Drugs
135 bpm • C# Maj • 04:18 • -6.49db
22% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Zolof the Rock & Roll Destroyer
Mean Old Coot
135 bpm • A Maj • 02:27 • -5.78db
11% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Trophy Fire
Jenny Under House Arrest
135 bpm • G Maj • 04:23 • -10.39db
16% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mêlée
The War
146 bpm • E Maj • 03:50 • -5.27db
13% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Spitalfield
In The Same Lifetime
146 bpm • A Maj • 05:18 • -7.52db
15% Popularity • 47% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 47% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Further Seems Forever
Rusted Machines
146 bpm • G min • 03:17 • -5.81db
7% Popularity • 50% Danceability • 94% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
7% Popularity • 50% Danceability • 94% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
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The Color Fred
Hate To See You Go
146 bpm • F# Maj • 03:55 • -3.1db
23% Popularity • 46% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 46% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Copeland
No One Really Wins
134 bpm • B min • 03:30 • -7.65db
34% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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What's Eating Gilbert
You're The Most
134 bpm • A Maj • 02:58 • -3.97db
9% Popularity • 52% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Waking Ashland
Rumors
147 bpm • D# Maj • 04:09 • -4.42db
10% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
