Songs like When I Take My Sugar To Tea by The Boswell Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
25% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Jack Hylton & His Orchestra
Happy Days Are Here Again
120 bpm • C Maj • 03:08 • -11.64db
16% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
16% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
10% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
10% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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The Boswell Sisters
Rock and Roll
120 bpm • D# Maj • 02:42 • -13.96db
8% Popularity • 80% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 80% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Connee Boswell
Fare Thee, Honey, Fare Thee Well
121 bpm • D# Maj • 03:04 • -26.71db
20% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
20% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
13% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
13% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
28% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Jack Hylton
Happy Days Are Here Again
119 bpm • G Maj • 03:10 • -9.64db
12% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
12% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
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Bea Wain
Oh, You Crazy Moon
119 bpm • F min • 02:53 • -10.89db
16% Popularity • 68% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 68% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
31% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
31% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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The Dorsey Brothers Orchestra
If It Ain't Love
121 bpm • E min • 02:57 • -14.13db
1% Popularity • 64% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 64% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Helen Rowland With Ed Kirkeby Orchestra
I've Got To Sing A Torch Song
118 bpm • C# Maj • 02:44 • -11.11db
19% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Boswell Sisters
If It Ain't Love
122 bpm • E min • 02:56 • -15.09db
5% Popularity • 63% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 63% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Henry Hall
Love Is the Sweetest Thing
118 bpm • D# Maj • 03:06 • -13.99db
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chick Webb
I Got The Spring Fever Blues
118 bpm • B min • 02:58 • -8.26db
17% Popularity • 85% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 85% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Vaughn Monroe
Dance Ballerina Dance
122 bpm • A Maj • 03:28 • -11.71db
23% Popularity • 55% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 81% Positiveness
23% Popularity • 55% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 81% Positiveness
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The Boswell Sisters
When I Take My Sugar to Tea
122 bpm • A# Maj • 03:12 • -13db
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
11% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
11% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
16% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
16% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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The Boswell Sisters
The Sentimental Gentleman From Georgia
122 bpm • E min • 03:05 • -15.4db
6% Popularity • 67% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
6% Popularity • 67% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Sophie Tucker
After You've Gone
117 bpm • C min • 02:48 • -12.19db
8% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
16% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
16% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Ambrose & His Orchestra
The Clouds Will Soon Roll By
117 bpm • D# Maj • 03:16 • -23db
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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The Boswell Sisters
I Found A Million Dollar Baby
123 bpm • D# Maj • 03:15 • -11.51db
9% Popularity • 57% Danceability • 30% Energy • 32% Liveness
5% Instrumentalness • 62% Positiveness
9% Popularity • 57% Danceability • 30% Energy • 32% Liveness
5% Instrumentalness • 62% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
43% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
43% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
17% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
17% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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George Hall and His Hotel Taft Orchestra
Remember My Forgotten Man - 2003 Remast...
116 bpm • C min • 02:52 • -13db
11% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
When My Sugar Walks Down The Street
116 bpm • G min • 02:43 • -9.81db
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Hall
It's Just the Time for Dancing
116 bpm • G Maj • 02:31 • -10db
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Bessie Smith
Kitchen Man - 78 rpm Version
116 bpm • D# Maj • 02:55 • -15.27db
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
24% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Slim Gaillard
Atomic Cocktail - Alternate Take
124 bpm • F Maj • 02:43 • -14db
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
32% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
13% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
13% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Chick Webb
Crying My Heart Out For You
125 bpm • G min • 03:05 • -8.11db
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Four Vagabonds
The Duke Of Dubuque
115 bpm • A min • 02:32 • -13.38db
11% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
11% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
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The Boswell Sisters
Shout Sister Shout
125 bpm • F min • 03:15 • -12db
22% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
22% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Ted Lewis
There's A New Day Comin'
125 bpm • G# Maj • 02:54 • -15.27db
8% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
8% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
17% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
17% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Gracie Fields
Donkey Serenade
115 bpm • A# Maj • 02:34 • -11.26db
20% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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The Boswell Sisters
Mama Don't Allow It
115 bpm • F min • 02:47 • -10.46db
4% Popularity • 74% Danceability • 52% Energy • 48% Liveness
20% Instrumentalness • 96% Positiveness
4% Popularity • 74% Danceability • 52% Energy • 48% Liveness
20% Instrumentalness • 96% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Marvin
Happy Days Are Here Again
115 bpm • C Maj • 02:19 • -10db
27% Popularity • 79% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 79% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Cleo Brown
The Stuff Is Here And It's Mellow (03-12...
125 bpm • A min • 02:44 • -13.71db
11% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
11% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
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The Boswell Sisters
It's You
125 bpm • F# Maj • 03:02 • -12.71db
3% Popularity • 59% Danceability • 38% Energy • 9% Liveness
10% Instrumentalness • 52% Positiveness
3% Popularity • 59% Danceability • 38% Energy • 9% Liveness
10% Instrumentalness • 52% Positiveness
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Ambrose & His Orchestra
The Clouds Will Soon Roll By
115 bpm • A# Maj • 03:21 • -10db
22% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 67% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 67% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
28% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Cliff Edwards
That's My Weakness Now
127 bpm • G min • 02:36 • -14db
10% Popularity • 77% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Connee Boswell
Between 18th And 19th On Chestnut Street
127 bpm • D# Maj • 03:01 • -25.63db
8% Popularity • 78% Danceability • 7% Energy • 15% Liveness
4% Instrumentalness • 81% Positiveness
8% Popularity • 78% Danceability • 7% Energy • 15% Liveness
4% Instrumentalness • 81% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
24% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
24% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Henry "Red" Allen
Whose Honey Are You
127 bpm • A Maj • 02:46 • -10.85db
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
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Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
27% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Roger Wolfe Kahn & His Orchestra
Russian Lullaby
127 bpm • F# min • 03:13 • -16db
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
12% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
12% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Doris Day
Put 'Em In A Box, Tie 'Em With A Ribbon ...
127 bpm • D Maj • 03:07 • -13db
26% Popularity • 84% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 84% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Boswell Sisters
Coffee In The Morning (Kisses In The Nig...
113 bpm • G# Maj • 02:57 • -17.85db
19% Popularity • 66% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 66% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
17% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lew Stone & His Band
Seein' Is Believin'
113 bpm • D min • 03:12 • -29db
10% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
10% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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The Boswell Sisters
Crazy People
113 bpm • F Maj • 02:33 • -15.12db
18% Popularity • 70% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 70% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
19% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
19% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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The Boswell Sisters
Let yourself go
112 bpm • A# Maj • 02:44 • -6.44db
0% Popularity • 71% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 71% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Maxine Sullivan
My Blue Heaven
112 bpm • C min • 03:06 • -10.99db
3% Popularity • 67% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 67% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
