Songs like When I'm Gone by Albert Hammond
Based on a tempo of (+/- 10%) and a similar genre
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Gino Padilla
But If You Leave Me
112 bpm • G# min • 04:01 • -10db
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Earth, Wind & Fire
Every Now and Then
112 bpm • G# Maj • 04:22 • -14.02db
54% Popularity • 65% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 65% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Gilbert O'Sullivan
Ooh-Wakka-Doo-Wakka-Day
112 bpm • A# Maj • 02:45 • -6.96db
33% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Middle Of The Road
Tweedle Dee Tweedle Dum
112 bpm • D# Maj • 03:11 • -11.67db
36% Popularity • 62% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 62% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Albert Hammond
When I'm Gone
112 bpm • D Maj • 04:23 • -11.91db
50% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Fred Panopio
Pitong Gatang
111 bpm • F Maj • 03:02 • -10db
45% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Gerard Kenny
Getting To Know Each Other
113 bpm • D Maj • 02:50 • -7.78db
39% Popularity • 55% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 55% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Landmark
What's In a Kiss
111 bpm • A# Maj • 02:31 • -7.39db
15% Popularity • 64% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Captain & Tennille
Don't Forget Me
111 bpm • G Maj • 03:05 • -7.78db
40% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Christopher Cross
Is There Something
113 bpm • C Maj • 04:55 • -14.28db
26% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Albert Hammond
Your World and My World
112 bpm • C Maj • 03:50 • -13.06db
27% Popularity • 51% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 51% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Chris de Burgh
Missing You
113 bpm • F Maj • 04:07 • -12db
54% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Rupert Holmes
Terminal
111 bpm • C# min • 04:17 • -12.49db
43% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Robin Gibb
In And Out Of Love
110 bpm • C Maj • 03:54 • -13.15db
21% Popularity • 54% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 54% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Stacy Lattisaw
Can't Stop Thinking About You
114 bpm • A Maj • 04:09 • -7db
30% Popularity • 58% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 58% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Don McLean
If We Try
110 bpm • D Maj • 03:36 • -16.22db
41% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Albert Hammond
Memories
111 bpm • B Maj • 03:14 • -12.76db
19% Popularity • 57% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 57% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Gilbert O'Sullivan
What's In a Kiss?
110 bpm • B Maj • 02:34 • -7.26db
47% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Rupert Holmes
Terminal - Single Edit
111 bpm • F# min • 03:25 • -12.17db
20% Popularity • 51% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Anka
One Man Woman/One Woman Man
110 bpm • F Maj • 03:04 • -7.65db
34% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The New Seekers
Come Softly To Me
114 bpm • F Maj • 02:10 • -12.66db
31% Popularity • 64% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Neil Diamond
Song Sung Blue
110 bpm • C Maj • 03:05 • -9.34db
48% Popularity • 59% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 59% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Albert Hammond
Take Me Sailing
113 bpm • G Maj • 02:40 • -17.47db
22% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Gilbert O'Sullivan
Who Was It?
114 bpm • F min • 02:25 • -6.47db
27% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Colors
Never Mind
115 bpm • A Maj • 05:49 • -9db
44% Popularity • 69% Danceability • 72% Energy • 60% Liveness
57% Instrumentalness • 57% Positiveness
44% Popularity • 69% Danceability • 72% Energy • 60% Liveness
57% Instrumentalness • 57% Positiveness
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Lloyd Mabrey
Listen To The Rythm Of The Falling Rain
115 bpm • C Maj • 02:47 • -13.73db
31% Popularity • 78% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 78% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Hitchcock
The Sun Ain't Gonna Shine Anymore
109 bpm • G Maj • 03:39 • -10.7db
18% Popularity • 60% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 60% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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America
Special Girl
109 bpm • C Maj • 03:47 • -13.08db
33% Popularity • 74% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 74% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Albert Hammond
It Never Rains in Southern California
115 bpm • A Maj • 04:03 • -7.27db
17% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Classic Illustration
Darling I Love You
115 bpm • A# Maj • 03:16 • -7db
36% Popularity • 42% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 42% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Milsap
Is It Over
109 bpm • B min • 03:57 • -16.55db
45% Popularity • 68% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 68% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Learns To Rock
Crazy Dream
109 bpm • A Maj • 03:59 • -11.47db
22% Popularity • 74% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 74% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Donny & Marie Osmond
I'm Leaving It All Up To You
109 bpm • B Maj • 02:48 • -4db
43% Popularity • 51% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 51% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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Gilbert O'Sullivan
You Are You
115 bpm • C Maj • 03:16 • -7.07db
32% Popularity • 74% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Albert Hammond
Where Were You
115 bpm • C Maj • 03:43 • -7.94db
6% Popularity • 70% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 70% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Fra Lippo Lippi
Every Time I See You
115 bpm • C Maj • 04:26 • -11db
47% Popularity • 58% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 58% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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David Foster
The Best of Me
115 bpm • F# Maj • 04:05 • -14db
57% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Cascades
Rhythm of the Rain (Remastered)
115 bpm • E Maj • 02:28 • -14.07db
44% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Natalie Cole
Starting Over Again
115 bpm • C Maj • 04:13 • -13.03db
61% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Middle Of The Road
Samson And Delilah
109 bpm • A Maj • 03:01 • -13.01db
41% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Carmen
All By Myself - Single Edit
116 bpm • G min • 04:31 • -10.78db
50% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
50% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
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Albert Hammond
Hot Kisses On A Hot Night
108 bpm • A Maj • 03:54 • -8.66db
6% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Leif Garrett
Put You're Head On My Shoulder
116 bpm • C Maj • 02:43 • -11.55db
24% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Tito Mina
Got to Let You Know
108 bpm • D Maj • 03:17 • -10.32db
48% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Rare Gems Odyssey's Charles & Sandy Givings
Rhythm of The Falling Rain
116 bpm • E Maj • 02:44 • -4db
27% Popularity • 64% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 64% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Kathy Troccoli
If I'm Not In Love
116 bpm • G Maj • 03:46 • -12db
50% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Eric Carmen
Never Gonna Fall in Love Again
116 bpm • A Maj • 03:46 • -7.97db
47% Popularity • 42% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
47% Popularity • 42% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Albert Hammond
When I Need You
108 bpm • A# Maj • 04:26 • -10db
17% Popularity • 45% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 45% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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David Foster
Love Theme from St. Elmo's Fire (For Jus...
108 bpm • G# Maj • 03:47 • -17.29db
44% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lord Soriano
Dearest One
108 bpm • C# Maj • 03:07 • -11.1db
37% Popularity • 53% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Dennis DeYoung
Desert Moon - Live
108 bpm • D Maj • 09:24 • -8.15db
33% Popularity • 51% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 51% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
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Captain & Tennille
The Wind Beneath My Wings
117 bpm • A# Maj • 04:48 • -10.5db
22% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Carmen
All By Myself
116 bpm • G min • 07:10 • -9.18db
64% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
64% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Albert Hammond
I Want You Back Here with Me
116 bpm • C Maj • 03:36 • -11.84db
18% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Eagles
New Kid in Town - 2013 Remaster
107 bpm • E Maj • 05:04 • -10db
67% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Brotherhood of Man
Angelo
117 bpm • C Maj • 03:19 • -9.26db
27% Popularity • 67% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Loggins
Meet Me Half Way
117 bpm • E Maj • 03:39 • -13.01db
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Peabo Bryson
Tonight I Celebrate My Love
117 bpm • D# Maj • 03:31 • -14.52db
67% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
67% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Fra Lippo Lippi
Beauty And Madness
107 bpm • A# Maj • 04:19 • -15db
53% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Albert Hammond
It Never Rains in Southern California
117 bpm • A Maj • 03:53 • -10.03db
67% Popularity • 63% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
67% Popularity • 63% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Holdridge
It’s Time To Say I Love You (Love Them...
118 bpm • F# Maj • 02:37 • -12.21db
28% Popularity • 38% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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John Farnham
Help
118 bpm • C Maj • 04:25 • -14.35db
32% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Clout
You Make My World So Colourful
118 bpm • C Maj • 03:57 • -6db
32% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Karen Young
Nobody's Child
106 bpm • A Maj • 04:23 • -10.81db
35% Popularity • 52% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 52% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Cetera
The Next Time I Fall
118 bpm • G# Maj • 03:46 • -10.18db
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Albert Hammond
Through The Eyes Of A Child
117 bpm • E Maj • 04:11 • -9.09db
6% Popularity • 75% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
6% Popularity • 75% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Fra Lippo Lippi
Stitches and Burns
118 bpm • C Maj • 04:21 • -11.41db
61% Popularity • 77% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 77% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Carpenter
Calling Your Name Again
118 bpm • B Maj • 04:18 • -17.9db
53% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jessie Hock
Stay Just a Little Bit Longer
106 bpm • E min • 03:21 • -7db
27% Popularity • 73% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
27% Popularity • 73% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
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Gilbert O'Sullivan
Clair
106 bpm • A Maj • 02:59 • -7.31db
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Cetera
(I Wanna Take) Forever Tonight
106 bpm • C# Maj • 04:34 • -8.89db
61% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Albert Hammond
By the Night
106 bpm • G Maj • 04:28 • -14.62db
14% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 73% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Cliff Richard
Ocean Deep - 2002 Remaster
119 bpm • A# Maj • 05:15 • -9.39db
55% Popularity • 37% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 37% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Chicago
You Come to My Senses - 2009 Remaster
106 bpm • D Maj • 03:50 • -6.45db
48% Popularity • 38% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 38% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Pussycat
If You Ever Come To Amsterdam
120 bpm • E Maj • 04:49 • -11.67db
33% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
33% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Teri DeSario
Fallin’
120 bpm • D Maj • 03:04 • -11db
38% Popularity • 68% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 68% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Carmen
The Way We Used To Be
120 bpm • A Maj • 03:18 • -12db
37% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Albert Hammond
I THINK I'LL GO THAT WAY
117 bpm • F Maj • 03:36 • -12.64db
10% Popularity • 68% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 68% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Dionne Warwick
That's What Friends Are For
120 bpm • C min • 04:15 • -16.26db
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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David Gates
Goodbye Girl
120 bpm • G# min • 02:48 • -15.96db
62% Popularity • 47% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 47% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Springbok
Don't Tell Me Stories
104 bpm • F Maj • 03:19 • -15.53db
13% Popularity • 51% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 51% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Christopher Cross
Talking in My Sleep
104 bpm • E Maj • 03:34 • -19db
38% Popularity • 71% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Restless Heart
When She Cries
104 bpm • A Maj • 03:43 • -9.74db
51% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Albert Hammond
These Are the Good Old Days
118 bpm • A Maj • 03:27 • -8.85db
20% Popularity • 59% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 59% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Joey Albert
Tell Me
121 bpm • C Maj • 02:49 • -8db
53% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Joy
Touch by Touch
121 bpm • C min • 03:52 • -11db
34% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Glenn Medeiros
Long & Lasting Love
121 bpm • G# Maj • 03:39 • -15db
39% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Seals and Crofts
My Fair Share (The Love Them from "One o...
104 bpm • D# Maj • 02:44 • -13.59db
50% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Albert Hammond
Anyone Here In The Audience
118 bpm • G Maj • 03:58 • -10.9db
13% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Clout
Substitute
104 bpm • E Maj • 03:23 • -7.48db
49% Popularity • 48% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 48% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Charlene D'Angelo
I've Been To Paradise, But I've Never Be...
122 bpm • A# Maj • 04:10 • -20db
35% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Charlene
I've Never Been To Me
121 bpm • A# Maj • 03:54 • -12.51db
60% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Raymond Lauchengco
Farewell
122 bpm • A Maj • 03:33 • -10db
60% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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DJ Ostkurve
Everything I Want to Do (Extended Mix)
103 bpm • A# Maj • 04:03 • -4db
3% Popularity • 68% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 68% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Albert Hammond
When I Need You
106 bpm • G Maj • 04:40 • -12.24db
20% Popularity • 46% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 46% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Maggie Mcneal
I Love You This Much
122 bpm • G Maj • 03:50 • -11.19db
25% Popularity • 45% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 45% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Pia Zadora
It's Wrong For Me To Love You (Theme Fro...
122 bpm • C Maj • 03:41 • -17.57db
23% Popularity • 40% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 40% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
