Songs like When I'm Gone by Dirty Honey
Based on a tempo of (+/- 10%) and a similar genre
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STONE HORSES
Good Ol' Days
91 bpm • A# Maj • 03:12 • -4.62db
11% Popularity • 50% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 50% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Small Town Titans
Rufflin' Feathers
91 bpm • G# Maj • 03:09 • -2.67db
34% Popularity • 47% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 47% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Touch
Skyman
91 bpm • F min • 03:02 • -5.48db
34% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Dirty Honey
When I'm Gone
91 bpm • C# Maj • 03:25 • -3.17db
53% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Georgia Thunderbolts
Lend A Hand
91 bpm • G Maj • 03:21 • -2db
39% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Rival Sons
Feral Roots
91 bpm • F min • 05:55 • -5.02db
41% Popularity • 48% Danceability • 66% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 48% Danceability • 66% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
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Foo Fighters
Making A Fire
91 bpm • A Maj • 04:15 • -4.17db
51% Popularity • 51% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 51% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Squier
The Stroke - Remastered 2010
91 bpm • G Maj • 03:37 • -6.01db
69% Popularity • 67% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 67% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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The Temperance Movement
Love and Devotion
90 bpm • C Maj • 03:23 • -4db
37% Popularity • 44% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 44% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Greta Van Fleet
Lover, Leaver
92 bpm • A Maj • 03:34 • -3.9db
51% Popularity • 50% Danceability • 92% Energy • 14% Liveness
22% Instrumentalness • 59% Positiveness
51% Popularity • 50% Danceability • 92% Energy • 14% Liveness
22% Instrumentalness • 59% Positiveness
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Those Damn Crows
Who Did It
90 bpm • F# Maj • 03:26 • -6.8db
37% Popularity • 42% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 42% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Phil X & The Drills
Something to Say
90 bpm • B min • 03:17 • -4.94db
18% Popularity • 52% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Pop Evil
Survivor
90 bpm • D Maj • 04:02 • -5.98db
46% Popularity • 61% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 61% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Shotgun Revolution
Don't Stop That Grind
90 bpm • G# Maj • 03:36 • -5.09db
33% Popularity • 60% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 60% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Blue Stones
Black Holes (Solid Ground)
92 bpm • B min • 03:05 • -4.24db
58% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Greta Van Fleet
Lover, Leaver (Taker, Believer)
92 bpm • E min • 06:01 • -4.24db
47% Popularity • 50% Danceability • 89% Energy • 12% Liveness
33% Instrumentalness • 55% Positiveness
47% Popularity • 50% Danceability • 89% Energy • 12% Liveness
33% Instrumentalness • 55% Positiveness
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Small Town Titans
Behind The Moon
90 bpm • A Maj • 04:28 • -3.28db
25% Popularity • 25% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 25% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Philip Sayce
Spirit
90 bpm • E min • 03:38 • -6.61db
33% Popularity • 48% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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The Dust Coda
Breakdown
90 bpm • F min • 03:52 • -4.2db
26% Popularity • 25% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 25% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Wolfmother
Chase The Feeling
90 bpm • D Maj • 03:47 • -6.23db
31% Popularity • 45% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 45% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
54% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
54% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Dirty Honey
Coming Home (Ballad of the Shire)
90 bpm • C# Maj • 03:14 • -8.25db
42% Popularity • 40% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 40% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Revival Black
Wide Awake
93 bpm • D# Maj • 04:21 • -3.93db
19% Popularity • 32% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 32% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
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Joyous Wolf
Said Too Much
93 bpm • F min • 03:22 • -5.79db
13% Popularity • 51% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 51% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Richie Kotzen
The Damned
93 bpm • B min • 04:39 • -4db
35% Popularity • 48% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 48% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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These Wicked Rivers
Shine On
89 bpm • D Maj • 04:48 • -5.6db
19% Popularity • 29% Danceability • 79% Energy • 29% Liveness
7% Instrumentalness • 40% Positiveness
19% Popularity • 29% Danceability • 79% Energy • 29% Liveness
7% Instrumentalness • 40% Positiveness
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Cry Of Love
Peace Pipe
93 bpm • A Maj • 03:57 • -11db
37% Popularity • 59% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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The Parlor Mob
Everything You're Breathing For
89 bpm • C Maj • 03:46 • -5.4db
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Rival Sons
Pressure and Time
93 bpm • C min • 03:16 • -4.68db
50% Popularity • 41% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 41% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Aerosmith
Rag Doll
93 bpm • E Maj • 04:25 • -3.95db
64% Popularity • 58% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 58% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Cam Cole
Mama
94 bpm • F# min • 02:27 • -5db
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Mammoth WVH
You're To Blame
94 bpm • A Maj • 04:06 • -4.06db
41% Popularity • 50% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 50% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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The Southern River Band
Chimney
88 bpm • G# min • 04:24 • -6.29db
34% Popularity • 33% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 33% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Clutch
A Quick Death in Texas
94 bpm • A Maj • 03:57 • -5.62db
43% Popularity • 59% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 59% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Pop Evil
Be Legendary
94 bpm • E min • 03:23 • -3.11db
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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The Black Keys
Eagle Birds
94 bpm • B min • 02:40 • -4.95db
51% Popularity • 51% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
51% Popularity • 51% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Lynyrd Skynyrd
Low Down Dirty
94 bpm • G# Maj • 03:14 • -4db
47% Popularity • 49% Danceability • 93% Energy • 29% Liveness
13% Instrumentalness • 67% Positiveness
47% Popularity • 49% Danceability • 93% Energy • 29% Liveness
13% Instrumentalness • 67% Positiveness
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Joe Bonamassa
Mountain Climbing
94 bpm • G min • 05:43 • -5.36db
42% Popularity • 62% Danceability • 85% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
42% Popularity • 62% Danceability • 85% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Billy F Gibbons
My Lucky Card
88 bpm • G Maj • 02:33 • -4.55db
40% Popularity • 53% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 53% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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The Tea Party
Black River
88 bpm • A Maj • 02:55 • -3.45db
25% Popularity • 40% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 40% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Roxanne
Go Fuck Yourself
94 bpm • G# Maj • 04:54 • -6db
25% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Black Pistol Fire
Hipster Shakes
88 bpm • C Maj • 02:50 • -4.81db
49% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The White Stripes
Icky Thump
94 bpm • A Maj • 04:14 • -7.24db
66% Popularity • 42% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
66% Popularity • 42% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
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Dorothy
Down To The Bottom
87 bpm • B min • 02:32 • -5.43db
53% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Ace Monroe
Bad News
95 bpm • C# Maj • 03:05 • -7.15db
38% Popularity • 42% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 42% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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AC/DC
Rock and Roll Ain't Noise Pollution
95 bpm • A Maj • 04:26 • -5.62db
63% Popularity • 58% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 58% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Dirty Honey
Tied Up
95 bpm • G# Maj • 03:32 • -4db
35% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Rival Sons
Shooting Stars
95 bpm • A Maj • 04:20 • -5db
44% Popularity • 40% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 40% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dinosaur Pile-Up
11:11
95 bpm • C# Maj • 04:04 • -7db
46% Popularity • 57% Danceability • 80% Energy • 68% Liveness
66% Instrumentalness • 84% Positiveness
46% Popularity • 57% Danceability • 80% Energy • 68% Liveness
66% Instrumentalness • 84% Positiveness
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Massive Wagons
Sunshine Smile
95 bpm • A min • 03:16 • -4.98db
29% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Chickenfoot
Oh Yeah
95 bpm • D Maj • 04:53 • -4db
39% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Monster Magnet
Space Lord
96 bpm • A# Maj • 05:55 • -7.11db
57% Popularity • 63% Danceability • 74% Energy • 12% Liveness
64% Instrumentalness • 35% Positiveness
57% Popularity • 63% Danceability • 74% Energy • 12% Liveness
64% Instrumentalness • 35% Positiveness
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Dirty Honey
Rolling 7s
95 bpm • A# min • 04:15 • -4.56db
48% Popularity • 58% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
48% Popularity • 58% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Joyous Wolf
Fearless
96 bpm • D Maj • 03:09 • -4.44db
28% Popularity • 48% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 48% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Greta Van Fleet
When The Curtain Falls
96 bpm • C Maj • 03:42 • -3db
60% Popularity • 54% Danceability • 98% Energy • 5% Liveness
13% Instrumentalness • 69% Positiveness
60% Popularity • 54% Danceability • 98% Energy • 5% Liveness
13% Instrumentalness • 69% Positiveness
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Dorothy
Gifts From The Holy Ghost
96 bpm • A Maj • 04:19 • -3db
39% Popularity • 43% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 43% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Bad Touch
I Get High
96 bpm • G# Maj • 03:19 • -8.47db
25% Popularity • 61% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 61% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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The Blue Stones
The Drop
96 bpm • A min • 03:39 • -7.3db
41% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Roxanne
Super Bad
96 bpm • E Maj • 03:34 • -5db
14% Popularity • 49% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 49% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Crobot
Gasoline
86 bpm • F min • 03:34 • -4.53db
39% Popularity • 47% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 47% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Rival Sons
Thundering Voices
96 bpm • G min • 02:52 • -6.9db
52% Popularity • 48% Danceability • 85% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
52% Popularity • 48% Danceability • 85% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
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Anthony Gomes
Painted Horse
97 bpm • E Maj • 03:45 • -3.79db
33% Popularity • 51% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 51% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Ace Monroe
The Hangman
96 bpm • D# min • 04:07 • -8.06db
25% Popularity • 41% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 41% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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The Blue Stones
Be My Fire
96 bpm • C# min • 03:13 • -6.13db
55% Popularity • 48% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 48% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Airbourne
Back In the Game
97 bpm • C Maj • 03:25 • -2.97db
59% Popularity • 59% Danceability • 96% Energy • 23% Liveness
22% Instrumentalness • 44% Positiveness
59% Popularity • 59% Danceability • 96% Energy • 23% Liveness
22% Instrumentalness • 44% Positiveness
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STONE HORSES
Reckless Ways
97 bpm • D# min • 03:07 • -4.14db
16% Popularity • 45% Danceability • 84% Energy • 50% Liveness
2% Instrumentalness • 43% Positiveness
16% Popularity • 45% Danceability • 84% Energy • 50% Liveness
2% Instrumentalness • 43% Positiveness
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Billy Squier
Lonely Is The Night - Remastered 2010
85 bpm • A Maj • 04:41 • -5db
65% Popularity • 35% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
65% Popularity • 35% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Chickenfoot
Big Foot
97 bpm • E Maj • 03:49 • -4.05db
31% Popularity • 60% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 60% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Mammoth WVH
Mammoth
97 bpm • A Maj • 04:30 • -4.42db
37% Popularity • 43% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
37% Popularity • 43% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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Cam Cole
Anticipating
98 bpm • F# Maj • 02:54 • -6.2db
31% Popularity • 37% Danceability • 62% Energy • 15% Liveness
27% Instrumentalness • 42% Positiveness
31% Popularity • 37% Danceability • 62% Energy • 15% Liveness
27% Instrumentalness • 42% Positiveness
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Lucer
Living on the Line
98 bpm • A Maj • 04:47 • -6.14db
19% Popularity • 34% Danceability • 56% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
19% Popularity • 34% Danceability • 56% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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Band of Rascals
Holler
98 bpm • C# Maj • 03:47 • -3db
28% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Dirty Honey
Satisfied
98 bpm • C# Maj • 03:35 • -5.23db
32% Popularity • 42% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
32% Popularity • 42% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
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One Bad Son
Black Buffalo
98 bpm • G Maj • 03:21 • -4.96db
21% Popularity • 46% Danceability • 89% Energy • 36% Liveness
8% Instrumentalness • 34% Positiveness
21% Popularity • 46% Danceability • 89% Energy • 36% Liveness
8% Instrumentalness • 34% Positiveness
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The Jailbirds
Watery Grave
84 bpm • C Maj • 03:20 • -6.08db
12% Popularity • 13% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 13% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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BRKN LOVE
Shot Down
84 bpm • A# min • 02:47 • -5.29db
39% Popularity • 52% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 52% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
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Rival Sons
Do Your Worst
84 bpm • D Maj • 03:30 • -2.79db
54% Popularity • 39% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 39% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Bad Touch
Hammer Falls
84 bpm • F# Maj • 03:40 • -5.11db
20% Popularity • 33% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
20% Popularity • 33% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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STONE HORSES
Broken Hearts Broken Bones
99 bpm • F min • 02:52 • -4.7db
17% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Audioslave
Doesn't Remind Me
100 bpm • A Maj • 04:15 • -3.59db
64% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Record Company
Make It Happen
100 bpm • G Maj • 04:02 • -4.43db
33% Popularity • 44% Danceability • 73% Energy • 9% Liveness
61% Instrumentalness • 58% Positiveness
33% Popularity • 44% Danceability • 73% Energy • 9% Liveness
61% Instrumentalness • 58% Positiveness
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Myles Kennedy
Year of the Tiger
84 bpm • A min • 03:40 • -4.57db
35% Popularity • 47% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 47% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Dust Coda
Rock N Roll
100 bpm • C# Maj • 03:16 • -5.63db
13% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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One Bad Son
Rustbucket
100 bpm • C# Maj • 03:40 • -4.77db
13% Popularity • 52% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 52% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Bad Touch
Dressed to Kill
100 bpm • F# Maj • 02:48 • -7.18db
19% Popularity • 53% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Richie Kotzen
Venom
100 bpm • G# Maj • 03:56 • -3.63db
36% Popularity • 47% Danceability • 89% Energy • 12% Liveness
9% Instrumentalness • 47% Positiveness
36% Popularity • 47% Danceability • 89% Energy • 12% Liveness
9% Instrumentalness • 47% Positiveness
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Greta Van Fleet
Black Smoke Rising
100 bpm • G Maj • 04:19 • -4.02db
67% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Santana
Whole Lotta Love
100 bpm • A Maj • 03:51 • -2.72db
51% Popularity • 41% Danceability • 99% Energy • 7% Liveness
6% Instrumentalness • 24% Positiveness
51% Popularity • 41% Danceability • 99% Energy • 7% Liveness
6% Instrumentalness • 24% Positiveness
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Scarlet Rebels
I'm Alive
100 bpm • C# Maj • 03:11 • -4.36db
34% Popularity • 52% Danceability • 92% Energy • 30% Liveness
42% Instrumentalness • 56% Positiveness
34% Popularity • 52% Danceability • 92% Energy • 30% Liveness
42% Instrumentalness • 56% Positiveness
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The Brew
Johnny Moore
100 bpm • A# min • 03:24 • -5db
22% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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ZZ Top
I Gotsta Get Paid
82 bpm • G Maj • 04:03 • -2.23db
54% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Days Of The New
Touch, Peel And Stand
82 bpm • B Maj • 04:57 • -8.02db
61% Popularity • 58% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 58% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Philip Sayce
Blood on Your Hands
101 bpm • C# Maj • 03:05 • -4.27db
42% Popularity • 37% Danceability • 85% Energy • 25% Liveness
5% Instrumentalness • 41% Positiveness
42% Popularity • 37% Danceability • 85% Energy • 25% Liveness
5% Instrumentalness • 41% Positiveness
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Hannah Wicklund
Bomb Through The Breeze
82 bpm • D Maj • 02:44 • -4.65db
42% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Fantastic Negrito
Plastic Hamburgers
82 bpm • A Maj • 03:37 • -6.61db
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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South of Eden
Dancing With Fire
102 bpm • F# Maj • 04:16 • -4.88db
15% Popularity • 28% Danceability • 94% Energy • 40% Liveness
16% Instrumentalness • 62% Positiveness
15% Popularity • 28% Danceability • 94% Energy • 40% Liveness
16% Instrumentalness • 62% Positiveness
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Seven Mary Three
Cumbersome
81 bpm • B Maj • 03:56 • -5.93db
64% Popularity • 54% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
64% Popularity • 54% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Florence Black
Breadfan
103 bpm • D Maj • 05:12 • -6.43db
31% Popularity • 29% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
31% Popularity • 29% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
