Songs like When It All Comes True by Lanterns on the Lake
Based on a tempo of (+/- 10%) and a similar genre
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Brooke Bentham
Heavy Head (Keep It Near)
107 bpm • A Maj • 04:17 • -12.82db
20% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lanterns on the Lake
When It All Comes True
107 bpm • G# Maj • 04:21 • -11db
16% Popularity • 47% Danceability • 55% Energy • 11% Liveness
49% Instrumentalness • 35% Positiveness
16% Popularity • 47% Danceability • 55% Energy • 11% Liveness
49% Instrumentalness • 35% Positiveness
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Perfume Genius
Your Body Changes Everything
107 bpm • C# Maj • 04:13 • -6.26db
28% Popularity • 71% Danceability • 75% Energy • 13% Liveness
11% Instrumentalness • 66% Positiveness
28% Popularity • 71% Danceability • 75% Energy • 13% Liveness
11% Instrumentalness • 66% Positiveness
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Hayden Thorpe
In My Name
108 bpm • D# min • 03:38 • -16.21db
8% Popularity • 57% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 57% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Owen Pallett
A Bloody Morning
106 bpm • D# Maj • 05:52 • -7.59db
12% Popularity • 49% Danceability • 83% Energy • 10% Liveness
71% Instrumentalness • 26% Positiveness
12% Popularity • 49% Danceability • 83% Energy • 10% Liveness
71% Instrumentalness • 26% Positiveness
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Anna B Savage
Dead Pursuits
108 bpm • G# Maj • 04:19 • -12.02db
0% Popularity • 34% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 34% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Brooke Bentham
Perform for You
106 bpm • D Maj • 03:33 • -5.93db
10% Popularity • 44% Danceability • 71% Energy • 28% Liveness
16% Instrumentalness • 22% Positiveness
10% Popularity • 44% Danceability • 71% Energy • 28% Liveness
16% Instrumentalness • 22% Positiveness
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Lanterns on the Lake
Beings
108 bpm • A# Maj • 06:26 • -11.49db
13% Popularity • 20% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
13% Popularity • 20% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Orlando Weeks
None Too Tough
108 bpm • F# min • 03:35 • -12.52db
7% Popularity • 46% Danceability • 66% Energy • 9% Liveness
56% Instrumentalness • 7% Positiveness
7% Popularity • 46% Danceability • 66% Energy • 9% Liveness
56% Instrumentalness • 7% Positiveness
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Nadia Reid
Get The Devil Out
108 bpm • C# Maj • 03:59 • -12.18db
10% Popularity • 33% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 33% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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JFDR
Drifter - Dream On Version
108 bpm • G Maj • 04:33 • -15.47db
11% Popularity • 47% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 47% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Veirs
End Times
108 bpm • C# Maj • 03:06 • -14.29db
7% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
7% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Billie Marten
Creature of Mine
106 bpm • A min • 03:23 • -8.24db
28% Popularity • 68% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
28% Popularity • 68% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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The National
Quiet Light
106 bpm • B Maj • 04:15 • -7db
45% Popularity • 62% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
45% Popularity • 62% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Margaret Glaspy
Killing What Keeps Us Alive
108 bpm • B Maj • 03:18 • -8.76db
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Bessie Turner
Donkey
108 bpm • G Maj • 02:56 • -5db
23% Popularity • 56% Danceability • 79% Energy • 34% Liveness
22% Instrumentalness • 29% Positiveness
23% Popularity • 56% Danceability • 79% Energy • 34% Liveness
22% Instrumentalness • 29% Positiveness
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JFDR
Drifter
108 bpm • G Maj • 03:34 • -13.63db
7% Popularity • 54% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
7% Popularity • 54% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Jack Peñate
No One Lied
108 bpm • E Maj • 04:59 • -9.26db
8% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Liz Lawrence
Love Came Looking
106 bpm • A min • 01:32 • -13.61db
17% Popularity • 38% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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The Innocence Mission
Mary Margaret in Mid-Air
106 bpm • A Maj • 03:01 • -10.74db
7% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Douglas Dare
The Joy in Sarah's Eyes
105 bpm • A Maj • 03:29 • -12.28db
21% Popularity • 58% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 44% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 44% Positiveness
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Pillow Queens
Donaghmede
105 bpm • A Maj • 05:39 • -7.39db
16% Popularity • 27% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 27% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Lanterns on the Lake
A Fitting End
105 bpm • G Maj • 05:04 • -14.13db
8% Popularity • 45% Danceability • 20% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 45% Danceability • 20% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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Greta Morgan
When the Sun Comes Up
109 bpm • A Maj • 04:42 • -12.78db
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Braids
Here 4 U
109 bpm • D# Maj • 03:51 • -13.21db
11% Popularity • 62% Danceability • 37% Energy • 7% Liveness
4% Instrumentalness • 19% Positiveness
11% Popularity • 62% Danceability • 37% Energy • 7% Liveness
4% Instrumentalness • 19% Positiveness
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Loma
Half Silences
105 bpm • A# min • 03:46 • -12db
34% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Doves
Carousels
110 bpm • G Maj • 04:49 • -6db
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Pillow Queens
Holy Show
109 bpm • B Maj • 03:42 • -8db
28% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lanterns on the Lake
The Ghost That Sleeps in Me
105 bpm • F Maj • 04:37 • -13.29db
5% Popularity • 29% Danceability • 21% Energy • 7% Liveness
26% Instrumentalness • 8% Positiveness
5% Popularity • 29% Danceability • 21% Energy • 7% Liveness
26% Instrumentalness • 8% Positiveness
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Emma Ruth Rundle
Blooms of Oblivion
110 bpm • G# Maj • 05:39 • -17.68db
24% Popularity • 51% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
24% Popularity • 51% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Brooke Bentham
Control
110 bpm • D Maj • 03:05 • -7.71db
11% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Big Moon
Dog Eat Dog
110 bpm • E min • 03:39 • -12.15db
19% Popularity • 57% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 57% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Villagers
Deep In My Heart
110 bpm • E min • 04:21 • -9.39db
19% Popularity • 31% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 18% Positiveness
19% Popularity • 31% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 18% Positiveness
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Smoke Fairies
Chew Your Bones
110 bpm • B min • 04:57 • -8.42db
9% Popularity • 63% Danceability • 59% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
9% Popularity • 63% Danceability • 59% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Lanterns on the Lake
Locust
110 bpm • E min • 03:21 • -8.21db
13% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jehnny Beth
French Countryside
110 bpm • C Maj • 03:58 • -11.74db
20% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
20% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
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Hand Habits
can’t calm down
104 bpm • F# Maj • 03:35 • -8.29db
26% Popularity • 58% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
26% Popularity • 58% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
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Kathryn Joseph
The Bird
104 bpm • A# Maj • 03:46 • -10.05db
22% Popularity • 47% Danceability • 18% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
22% Popularity • 47% Danceability • 18% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Anna B Savage
Corncrakes
104 bpm • D Maj • 03:43 • -11.06db
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Emmy The Great
Mary
104 bpm • A Maj • 03:49 • -12.18db
7% Popularity • 56% Danceability • 52% Energy • 15% Liveness
3% Instrumentalness • 51% Positiveness
7% Popularity • 56% Danceability • 52% Energy • 15% Liveness
3% Instrumentalness • 51% Positiveness
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Lanterns on the Lake
I Love You, Sleepyhead
110 bpm • B Maj • 05:41 • -13.02db
21% Popularity • 24% Danceability • 17% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
21% Popularity • 24% Danceability • 17% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
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Perfume Genius
One More Try
103 bpm • A Maj • 03:01 • -11.66db
23% Popularity • 77% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 77% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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William Doyle
I Need to Keep You in My Life
111 bpm • A Maj • 04:48 • -12.96db
11% Popularity • 50% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 50% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Samantha Crain
An Echo
103 bpm • C# Maj • 03:48 • -9.19db
21% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Johanna Warren
Part of It
103 bpm • F min • 02:51 • -9.37db
18% Popularity • 65% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 65% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
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Lanterns on the Lake
Ships in the Rain
104 bpm • G Maj • 02:04 • -18db
30% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Anna B Savage
Chelsea Hotel #3
103 bpm • B Maj • 05:02 • -10.36db
1% Popularity • 32% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 32% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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BC Camplight
I Want To Be In The Mafia
103 bpm • C Maj • 04:36 • -8.31db
17% Popularity • 54% Danceability • 49% Energy • 7% Liveness
9% Instrumentalness • 15% Positiveness
17% Popularity • 54% Danceability • 49% Energy • 7% Liveness
9% Instrumentalness • 15% Positiveness
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William Doyle
And Everything Changed (But I Feel Alrig...
103 bpm • G# Maj • 03:50 • -10db
17% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Feiner
Encounters at the End of the World
112 bpm • G min • 03:40 • -7.99db
18% Popularity • 57% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
18% Popularity • 57% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Black Belt Eagle Scout
Run It to Ya
112 bpm • D Maj • 03:39 • -5.49db
24% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
24% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
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Lanterns on the Lake
The Likes Of Us
103 bpm • D min • 04:30 • -6.66db
19% Popularity • 25% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 25% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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The National
So Far So Fast
112 bpm • E Maj • 06:36 • -11.21db
33% Popularity • 50% Danceability • 67% Energy • 6% Liveness
46% Instrumentalness • 27% Positiveness
33% Popularity • 50% Danceability • 67% Energy • 6% Liveness
46% Instrumentalness • 27% Positiveness
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Modern Nature
Peradam
102 bpm • G Maj • 04:15 • -15.99db
9% Popularity • 50% Danceability • 32% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 50% Danceability • 32% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Ex:Re
I Can't Keep You
113 bpm • F# Maj • 04:17 • -8db
29% Popularity • 51% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
29% Popularity • 51% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
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Alice Boman
It's OK, It's Alright
113 bpm • C# Maj • 03:47 • -12.02db
11% Popularity • 56% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 15% Positiveness
11% Popularity • 56% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 15% Positiveness
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Nadine Shah
Trad
113 bpm • D Maj • 05:27 • -9.69db
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
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Lanterns on the Lake
Rich Girls
103 bpm • F Maj • 04:20 • -7.74db
15% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jess Williamson
Pictures of Flowers
101 bpm • E Maj • 04:20 • -10.1db
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Loma
Don't Shy Away
114 bpm • A# Maj • 04:31 • -19.67db
19% Popularity • 30% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
19% Popularity • 30% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Matt Berninger
Take Me Out of Town
114 bpm • A# Maj • 04:11 • -9.32db
29% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tomberlin
Untitled 1
114 bpm • A Maj • 04:51 • -15.85db
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Lanterns on the Lake
Send Me Home
113 bpm • B Maj • 02:26 • -12.64db
19% Popularity • 41% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
19% Popularity • 41% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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BC Camplight
Midnight Ease
114 bpm • F Maj • 04:58 • -10.25db
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
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Liela Moss
Wild As Fire
100 bpm • G Maj • 04:01 • -10.89db
11% Popularity • 43% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
11% Popularity • 43% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Jehnny Beth
I Am
100 bpm • F Maj • 03:42 • -7.19db
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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I Break Horses
Baby You Have Travelled For Miles Withou...
100 bpm • G Maj • 04:24 • -6.16db
9% Popularity • 45% Danceability • 94% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 45% Danceability • 94% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
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Porridge Radio
Let's Not Fight !
100 bpm • A# Maj • 04:19 • -9.95db
15% Popularity • 60% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
15% Popularity • 60% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Lanterns on the Lake
Romans
102 bpm • F# min • 05:08 • -12.75db
3% Popularity • 28% Danceability • 37% Energy • 7% Liveness
26% Instrumentalness • 12% Positiveness
3% Popularity • 28% Danceability • 37% Energy • 7% Liveness
26% Instrumentalness • 12% Positiveness
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Storefront Church
After the Alphabets
100 bpm • D# min • 04:20 • -6.39db
11% Popularity • 52% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
11% Popularity • 52% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Jealous of the Birds
Ode To Fire
100 bpm • D Maj • 03:21 • -9.12db
7% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jess Williamson
Infinite Scroll
100 bpm • C# Maj • 04:10 • -9.02db
8% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Weather Station
Tried to Tell You - Piano Version
100 bpm • C Maj • 04:29 • -16.51db
20% Popularity • 48% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 48% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Katie Malco
Cloudbusting
115 bpm • C# min • 03:17 • -11.07db
8% Popularity • 60% Danceability • 28% Energy • 17% Liveness
5% Instrumentalness • 36% Positiveness
8% Popularity • 60% Danceability • 28% Energy • 17% Liveness
5% Instrumentalness • 36% Positiveness
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Lanterns on the Lake
Beings - Live
113 bpm • A# Maj • 07:40 • -9.96db
2% Popularity • 21% Danceability • 83% Energy • 67% Liveness
37% Instrumentalness • 12% Positiveness
2% Popularity • 21% Danceability • 83% Energy • 67% Liveness
37% Instrumentalness • 12% Positiveness
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Hamish Hawk
Your Ceremony
115 bpm • D Maj • 03:18 • -11.33db
14% Popularity • 63% Danceability • 54% Energy • 18% Liveness
29% Instrumentalness • 32% Positiveness
14% Popularity • 63% Danceability • 54% Energy • 18% Liveness
29% Instrumentalness • 32% Positiveness
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Cloth
Old Bear
115 bpm • A Maj • 03:58 • -11.47db
31% Popularity • 91% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
31% Popularity • 91% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
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Future Islands
Thrill
115 bpm • G# Maj • 04:20 • -9db
43% Popularity • 58% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
43% Popularity • 58% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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The Weather Station
Trust
100 bpm • C# min • 05:00 • -12.45db
16% Popularity • 44% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
16% Popularity • 44% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
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Katy J Pearson
Poison Cup
115 bpm • C Maj • 02:39 • -14.04db
17% Popularity • 84% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 84% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Lanterns on the Lake
Stepping Down
114 bpm • G# min • 04:22 • -13.77db
8% Popularity • 42% Danceability • 66% Energy • 10% Liveness
45% Instrumentalness • 13% Positiveness
8% Popularity • 42% Danceability • 66% Energy • 10% Liveness
45% Instrumentalness • 13% Positiveness
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Tim Burgess
Yours. To Be
99 bpm • F Maj • 02:44 • -9.11db
11% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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LYR
The First Time
99 bpm • A# min • 03:42 • -12.24db
9% Popularity • 45% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
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Saint Sister
The Place That I Work
99 bpm • A# Maj • 03:58 • -10.87db
18% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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JFDR
Think Too Fast
116 bpm • G min • 04:58 • -15.34db
13% Popularity • 66% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 80% Positiveness
13% Popularity • 66% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 80% Positiveness
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Smoke Fairies
Elevator
116 bpm • A min • 03:17 • -5.5db
12% Popularity • 66% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
12% Popularity • 66% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Lanterns on the Lake
Blue Screen Beams
100 bpm • D Maj • 04:28 • -11.79db
14% Popularity • 44% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 23% Positiveness
14% Popularity • 44% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 23% Positiveness
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Big Thief
Off You
99 bpm • F Maj • 04:04 • -9.95db
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Fenne Lily
To Be a Woman Pt. 1
116 bpm • F min • 01:37 • -16.91db
19% Popularity • 20% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hayden Thorpe
Anywhen
116 bpm • D# min • 04:14 • -14.94db
10% Popularity • 33% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
10% Popularity • 33% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Isobel Campbell
City of Angels
98 bpm • F# Maj • 03:08 • -19.23db
15% Popularity • 32% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 14% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 14% Positiveness
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Katy J Pearson
Return
117 bpm • D Maj • 04:03 • -10.71db
21% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Lanterns on the Lake
Our Cool Decay
115 bpm • F# min • 03:27 • -10.95db
8% Popularity • 55% Danceability • 59% Energy • 8% Liveness
32% Instrumentalness • 41% Positiveness
8% Popularity • 55% Danceability • 59% Energy • 8% Liveness
32% Instrumentalness • 41% Positiveness
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Blake Mills
Vanishing Twin
117 bpm • F# Maj • 06:16 • -11db
21% Popularity • 38% Danceability • 15% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
21% Popularity • 38% Danceability • 15% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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Bartees Strange
Going Going
116 bpm • D Maj • 04:18 • -9.22db
17% Popularity • 42% Danceability • 57% Energy • 19% Liveness
7% Instrumentalness • 12% Positiveness
17% Popularity • 42% Danceability • 57% Energy • 19% Liveness
7% Instrumentalness • 12% Positiveness
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Porridge Radio
Born Confused
98 bpm • B min • 03:01 • -4.07db
29% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
