Songs like When It Ends by Avery Lynch
Based on a tempo of (+/- 10%) and a similar genre
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Caleb Hearn
Where Do We Go from Here?
115 bpm • B Maj • 03:33 • -11.31db
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Anson Seabra
Magazines
115 bpm • F Maj • 03:40 • -12.28db
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Benson Boone
GHOST TOWN - campfire version
115 bpm • C Maj • 03:01 • -7.44db
49% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Ashley Elle
how do you stop loving someone?
114 bpm • C# Maj • 04:19 • -10.38db
17% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gracie Abrams
Long Sleeves
114 bpm • A# Maj • 03:38 • -9.16db
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Andi
Think You Do
114 bpm • A# Maj • 03:09 • -7.33db
27% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sody
i've got you
114 bpm • C Maj • 02:36 • -11db
21% Popularity • 47% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 47% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Avery Lynch
Round & Round
115 bpm • D Maj • 02:48 • -12.24db
25% Popularity • 50% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 50% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
51% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Michal Leah
Used To It
117 bpm • C Maj • 02:42 • -9db
44% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Catie Turner
Home
113 bpm • B min • 03:27 • -12.02db
46% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Karel
Another
113 bpm • D Maj • 02:50 • -5.97db
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Avery Lynch
i’m sorry if i hurt u sometimes
117 bpm • C Maj • 03:53 • -9.23db
24% Popularity • 61% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
24% Popularity • 61% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Laila Mach
Official Lover
113 bpm • G Maj • 03:27 • -9.18db
28% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Natasha Bure
Her, Instead
118 bpm • A# Maj • 03:14 • -10.05db
29% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Anson Seabra
Dominoes
112 bpm • G# Maj • 03:43 • -7db
33% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Munn
maybe we're both right
118 bpm • F Maj • 02:41 • -7.6db
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Francis Karel
Fall
112 bpm • G Maj • 03:09 • -6db
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
43% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Aria Rayes
The Girl You Call Best Friend
111 bpm • D# Maj • 02:42 • -13db
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Devon Gabriella
get clean
120 bpm • A min • 02:59 • -14db
38% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Avery Lynch
Not In That Way
120 bpm • F# min • 03:52 • -13.57db
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sabrina Sterling
Landslide
120 bpm • C# Maj • 03:16 • -11.17db
31% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Chandler Leighton
A Letter To Everyone Who's Hurt Me
120 bpm • D Maj • 03:47 • -13db
44% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Dasha
Love Me Till August
120 bpm • E Maj • 03:04 • -7db
30% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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JORDY
Long Distance
110 bpm • C# Maj • 02:28 • -7db
38% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Brynn Cartelli
Love You in My Mind
110 bpm • E Maj • 03:44 • -7.35db
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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ROSIE
Startover
110 bpm • G Maj • 03:05 • -6.46db
31% Popularity • 73% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 73% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Francis Karel
I Don't Like How Much I Like You
110 bpm • F# Maj • 02:44 • -6.86db
32% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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JORDY
Long Distance (Acoustic)
110 bpm • G# Maj • 02:27 • -10db
11% Popularity • 77% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Zevia
toxicity
110 bpm • C Maj • 03:13 • -11db
35% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lily Williams
Kinda Like The Heartbreak
110 bpm • A Maj • 02:49 • -11db
28% Popularity • 47% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 47% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
36% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Bickett
zodiac sign
110 bpm • D Maj • 03:28 • -9db
31% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
42% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Andi
Get Your Attention
110 bpm • F min • 03:17 • -7db
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Zevia
we're just friends
121 bpm • D Maj • 02:59 • -11db
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Munn
YOU KILLED ME
110 bpm • C Maj • 02:50 • -7db
24% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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carobae
rock bottom
109 bpm • C Maj • 02:50 • -11db
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Avery Lynch
The Closest to That
109 bpm • B Maj • 03:37 • -12db
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Gray
Winter City
121 bpm • C Maj • 02:41 • -6db
27% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Savannah Sgro
Until We Drink
121 bpm • E Maj • 03:15 • -7.2db
45% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Gatton
Waves
121 bpm • C Maj • 02:25 • -13.04db
41% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Avery Lynch
Kids Table
122 bpm • G# Maj • 03:34 • -10.58db
23% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Andi
Devil's Work
108 bpm • D# Maj • 03:30 • -8db
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Avery Lynch
i put you first, and you did too (as wri...
122 bpm • G min • 03:44 • -15.76db
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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GUNNAR
Not Even In My Dreams
108 bpm • A# Maj • 03:05 • -7.35db
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Anson Seabra
Lucky Charms
108 bpm • E Maj • 03:10 • -9.28db
42% Popularity • 70% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 70% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Bickett
green
108 bpm • E Maj • 03:04 • -10.16db
30% Popularity • 80% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 80% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Sody
Nothing Ever Changes
123 bpm • B Maj • 03:02 • -7db
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Suriel Hess
Mr. Nice Guy
108 bpm • A Maj • 02:44 • -8.25db
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Sydney Rose
Things That Don’t Exist
123 bpm • C# Maj • 02:48 • -10.73db
28% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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BLÜ EYES
halcyon
123 bpm • C# Maj • 03:19 • -8db
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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elijah woods
matthew
107 bpm • A Maj • 03:13 • -12.13db
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Young Bombs
Summer in Brooklyn - clavette Remix
124 bpm • D Maj • 03:49 • -5.11db
4% Popularity • 57% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 57% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Gatton
When Scars Become Art II
124 bpm • B Maj • 04:12 • -10.48db
44% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Wrabel
hurts like hell
106 bpm • C Maj • 03:59 • -7db
37% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Pittman
Pam and Jim
106 bpm • D Maj • 03:10 • -14.64db
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Avery Lynch
Obvious
125 bpm • C Maj • 03:08 • -12.78db
19% Popularity • 64% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 64% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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BLÜ EYES
my body hates me
126 bpm • D Maj • 02:48 • -7.28db
30% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
