Songs like When We Fall Apart (feat. Vince Gill & Amy Grant) by Ryan Stevenson
Based on a tempo of (+/- 10%) and a similar genre
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Amy Grant
Deep As It Is Wide
82 bpm • D Maj • 04:34 • -7.45db
16% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Unspoken
Start a Fire
82 bpm • C# Maj • 03:04 • -5db
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Vince Gill
The Red Words
82 bpm • F Maj • 04:48 • -10.61db
30% Popularity • 61% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
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Tasha Layton
Into the Sea - Acoustic Version
82 bpm • G Maj • 03:05 • -7.56db
23% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Gary LeVox
Never Forget
82 bpm • B Maj • 03:37 • -6.1db
25% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Colton Dixon
The Other Side
82 bpm • F# min • 03:56 • -7.27db
40% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ryan Stevenson
When We Fall Apart
82 bpm • D Maj • 04:26 • -9.07db
45% Popularity • 38% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 38% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Color
Better Way - Radio Version
82 bpm • A# Maj • 03:40 • -6.07db
29% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Apollo LTD
Sunday Morning Feeling
83 bpm • A# Maj • 03:42 • -7.61db
45% Popularity • 60% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 60% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Tasha Layton
Into the Sea (It's Gonna Be Ok)
82 bpm • G Maj • 03:02 • -7db
55% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anne Wilson
Closer To God
83 bpm • F# Maj • 03:33 • -6.08db
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jason Gray
I Will Rise Again
81 bpm • C Maj • 03:30 • -5db
36% Popularity • 55% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 55% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Stevenson
Faithful
83 bpm • G Maj • 03:50 • -8.24db
28% Popularity • 37% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 37% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Mandisa
Press On
83 bpm • C# min • 03:21 • -3.69db
41% Popularity • 58% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Amy Grant
Don't Ever Want To Lose It (Wind In The ...
81 bpm • C# Maj • 03:24 • -7.99db
8% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Pat Barrett
Sparrows And Lilies
83 bpm • G Maj • 03:34 • -7.61db
52% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Ripp
Fill My Cup
83 bpm • F Maj • 03:27 • -5.16db
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Plumb
God Help Me
81 bpm • G Maj • 03:54 • -6db
49% Popularity • 57% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 57% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Stevenson
Back to the Altar
83 bpm • F# Maj • 03:02 • -8.69db
32% Popularity • 42% Danceability • 52% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
32% Popularity • 42% Danceability • 52% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Morgan Harper Nichols
A Prayer for Grace
80 bpm • D# Maj • 04:13 • -11.89db
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Amy Grant
Carry You
81 bpm • A Maj • 03:00 • -6.61db
29% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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TobyMac
Faithfully
84 bpm • C Maj • 02:46 • -11.16db
63% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Ripp
Helpless Without You
84 bpm • A# Maj • 03:34 • -5.86db
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Influence Music
Rebels
84 bpm • G Maj • 03:46 • -6db
44% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Stevenson
Eye of the Storm
83 bpm • A Maj • 05:31 • -6.38db
60% Popularity • 48% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 48% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Ann Womack
There Is A God
84 bpm • D# Maj • 04:14 • -8db
36% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Rachael Lampa
Perfectly Loved
84 bpm • A Maj • 03:23 • -6.45db
37% Popularity • 63% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 63% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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TobyMac
Promised Land
84 bpm • G Maj • 03:29 • -8.01db
52% Popularity • 45% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 45% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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NONAH
Jump
80 bpm • G Maj • 03:33 • -7.05db
37% Popularity • 43% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 43% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Cade Thompson
Arms of Jesus
80 bpm • C Maj • 03:21 • -3.95db
48% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Stanley
Bridge Over Troubled Water
80 bpm • E Maj • 03:51 • -6.74db
33% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Colton Dixon
More Of You
80 bpm • A# Maj • 04:06 • -5db
52% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Camp
Keep Me In The Moment - Radio Version
80 bpm • G# Maj • 03:27 • -4.06db
57% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Hall
Never Seen The World
80 bpm • C# Maj • 03:11 • -8.49db
22% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Casting Crowns
Scars In Heaven
80 bpm • G Maj • 04:22 • -8.24db
45% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Brandon Heath
Minute By Minute
80 bpm • G# min • 03:36 • -7.59db
42% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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We Are Messengers
Image Of God
80 bpm • C Maj • 03:22 • -5.56db
20% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Colton Dixon
Through All Of It - Acoustic
80 bpm • C Maj • 03:04 • -8.76db
39% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Stevenson
Eye of the Storm - Acoustic
80 bpm • A Maj • 04:12 • -13db
28% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Maren Morris
Dear Hate
80 bpm • A Maj • 03:40 • -9db
36% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Vince Gill
It Is Well
84 bpm • D Maj • 05:47 • -11.85db
35% Popularity • 48% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 48% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Tauren Wells
Hills and Valleys (The Valleys Version)
79 bpm • D Maj • 04:09 • -11db
61% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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We Are Messengers
God Be The Glory
85 bpm • C Maj • 03:35 • -5.68db
42% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Fernando Ortega
Come Ye Sinners, Poor and Needy
79 bpm • F# min • 05:00 • -12.06db
34% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Stevenson
I Cry Jesus
85 bpm • G Maj • 03:38 • -6.13db
54% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Gray Robinson
Day with Jesus
79 bpm • A Maj • 04:02 • -9.51db
27% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Anne Wilson
Living Water
79 bpm • F Maj • 03:11 • -4.3db
60% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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David Leonard
Good Lord
79 bpm • F# Maj • 03:20 • -5.16db
29% Popularity • 37% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 37% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Neena Elliott
Confidently Me
86 bpm • E min • 03:38 • -4.67db
17% Popularity • 53% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 53% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Gray
I'm Gonna Let It Go
86 bpm • G Maj • 03:09 • -7.57db
45% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Stevenson
Coming Home
79 bpm • A Maj • 03:42 • -8.84db
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Citizen Way
When I'm with You
86 bpm • D Maj • 03:33 • -5.67db
46% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jars Of Clay
I'll Fly Away
86 bpm • G Maj • 04:42 • -5.21db
38% Popularity • 50% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 50% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Ripp
God Knows (Must Be Love) - Radio Edit
78 bpm • F Maj • 03:56 • -4.62db
47% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Cade Thompson
Dear Future Wife
86 bpm • C# Maj • 03:14 • -7db
36% Popularity • 38% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 38% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Philippa Hanna
You're Still God
78 bpm • C Maj • 04:39 • -9.24db
38% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ryan Stevenson
No Matter What
79 bpm • A Maj • 03:36 • -6.58db
45% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Pat Barrett
Better
78 bpm • G Maj • 04:57 • -6db
45% Popularity • 28% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 28% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Fuller
But the Cross
78 bpm • C Maj • 03:19 • -5.82db
47% Popularity • 50% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 50% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Tauren Wells
Known
78 bpm • C# Maj • 03:18 • -10.36db
62% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Colton Dixon
Through All Of It
78 bpm • C Maj • 03:25 • -8db
55% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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John Waller
What My Father Does
78 bpm • G# Maj • 04:05 • -6.09db
17% Popularity • 39% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 39% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Amy Grant
What A Friend We Have In Jesus/Old Rugge...
86 bpm • C Maj • 03:30 • -14.45db
34% Popularity • 39% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 39% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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CAIN
The Commission
87 bpm • F Maj • 03:16 • -8db
57% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Fuller
He Found Me
86 bpm • G# Maj • 03:30 • -5.86db
37% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Matty Mullins
No Hold on Me
87 bpm • G Maj • 03:22 • -5.3db
39% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Big Daddy Weave
All Things New
77 bpm • A# Maj • 04:52 • -8db
39% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cory Asbury
These are the Days
77 bpm • E Maj • 04:50 • -8.4db
42% Popularity • 57% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 57% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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I AM THEY
Amen
77 bpm • G Maj • 03:58 • -5db
39% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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CAIN
Rise Up (Lazarus)
87 bpm • F Maj • 03:26 • -5.44db
62% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Leanna Crawford
Before I Knew Jesus
77 bpm • C Maj • 03:16 • -4db
49% Popularity • 49% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 49% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Mandisa
You Keep Hope Alive
77 bpm • D# Maj • 04:11 • -6.02db
55% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Gray
What I Wish For You
77 bpm • E Maj • 03:51 • -10.93db
29% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Stevenson
Take Me Back
77 bpm • C Maj • 03:56 • -11.07db
20% Popularity • 70% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 70% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Wilson
I See God In You
88 bpm • F# Maj • 04:03 • -8.69db
30% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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CAIN
Revival
77 bpm • D# Maj • 03:55 • -5.85db
48% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Olivia Lane
Woman At The Well
88 bpm • C# Maj • 03:29 • -5.4db
35% Popularity • 41% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 41% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Tasha Layton
Look What You've Done
77 bpm • F# Maj • 03:25 • -7db
53% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Vince Gill
Love Changes Everything
77 bpm • F Maj • 04:54 • -8.5db
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lydia Laird
Hallelujah Even Here
88 bpm • F Maj • 03:24 • -4.41db
50% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Cade Thompson
Every Step of the Way
88 bpm • F Maj • 03:15 • -6db
46% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Ryan Stevenson
Through It All
77 bpm • B Maj • 03:38 • -8.46db
42% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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I AM THEY
Faithful God
88 bpm • C Maj • 03:29 • -5.41db
57% Popularity • 53% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 53% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Brett Eldredge
Phone Call to God
88 bpm • B Maj • 03:57 • -7.13db
33% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Jordan St. Cyr
In My Lifetime
88 bpm • E Maj • 03:30 • -5.68db
32% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Rachael Lampa
Turn Your Eyes Upon Jesus
76 bpm • C Maj • 03:21 • -10db
38% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tim Timmons
I Belong
76 bpm • E Maj • 03:25 • -6db
27% Popularity • 47% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 47% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Stevenson
Speak Life - Acoustic
88 bpm • A Maj • 03:28 • -7.21db
23% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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RICHLIN
Good Mood
76 bpm • B Maj • 03:11 • -7db
48% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Anne Wilson
Strong
76 bpm • F Maj • 03:24 • -5.6db
44% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Tasha Layton
Good Things
76 bpm • F Maj • 03:22 • -4.76db
30% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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7eventh Time Down
By Faith
76 bpm • A# Maj • 03:21 • -5db
25% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Unspoken
Lift My Life Up
76 bpm • F Maj • 04:03 • -5db
43% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Stevenson
Closer
88 bpm • A Maj • 04:03 • -8.27db
30% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Patrick Mayberry
How You Love Me
76 bpm • G Maj • 04:03 • -8.56db
48% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Anne Wilson
My Jesus
76 bpm • F# Maj • 03:37 • -6db
67% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
67% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Elevation Worship
RATTLE! (Morning & Evening)
76 bpm • G# Maj • 04:33 • -8.29db
48% Popularity • 47% Danceability • 56% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 47% Danceability • 56% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
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I AM THEY
Scars
75 bpm • A# Maj • 03:58 • -7db
62% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
