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When We Were Young
Songs like
When We Were Young
by
Robert Mendoza
Based on a tempo of (+/- 10%) and a similar genre
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Pierluigi Colangelo
Something Just Like This - Guitar Trio
103 bpm • D Maj • 04:00 • -8.56db
47% Popularity • 74% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
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Graziatto
Dancing With a Stranger
103 bpm • G# Maj • 02:52 • -12db
40% Popularity • 84% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
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Tang Jia
Close To You
103 bpm • G Maj • 03:05 • -22.46db
24% Popularity • 34% Danceability • 4% Energy • 18% Liveness
86% Instrumentalness • 13% Positiveness
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Reynaldo Bastida
Tusa (Piano Version)
102 bpm • D Maj • 02:47 • -17.64db
38% Popularity • 42% Danceability • 26% Energy • 13% Liveness
83% Instrumentalness • 60% Positiveness
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Alessandro Minci
Englishman in New York
104 bpm • B min • 04:08 • -16db
31% Popularity • 50% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Edy Hafler
Let It Be - Guitar Solo
103 bpm • B Maj • 03:01 • -15.29db
38% Popularity • 64% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Jose Asunción
Rockabye
102 bpm • A min • 01:56 • -10.13db
41% Popularity • 75% Danceability • 43% Energy • 9% Liveness
71% Instrumentalness • 55% Positiveness
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Robert Mendoza
Me Enamoré
104 bpm • A min • 03:49 • -5.48db
23% Popularity • 77% Danceability • 76% Energy • 11% Liveness
70% Instrumentalness • 89% Positiveness
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Graziatto
Tusa
102 bpm • D Maj • 02:15 • -11.55db
36% Popularity • 90% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 42% Positiveness
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Evan Camrud
Chasing Cars - Piano
104 bpm • A Maj • 04:27 • -15db
40% Popularity • 61% Danceability • 28% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Ballroom Club
Fast Car
102 bpm • E min • 02:25 • -17.63db
33% Popularity • 71% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Mila Khodorkovsky
Canción de Ocarina
102 bpm • C min • 03:46 • -7.91db
30% Popularity • 67% Danceability • 61% Energy • 34% Liveness
90% Instrumentalness • 80% Positiveness
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Fernando Bussetti
Tusa - Saxophone Version
102 bpm • D Maj • 02:13 • -11.05db
36% Popularity • 88% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Robert Mendoza
I Took A Pill In Ibiza
102 bpm • G min • 03:15 • -5.05db
30% Popularity • 67% Danceability • 87% Energy • 21% Liveness
82% Instrumentalness • 51% Positiveness
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Georg Erixon
Open Arms
102 bpm • D Maj • 03:17 • -12.91db
42% Popularity • 59% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Purple Lions
Something Just Like This
101 bpm • B min • 03:51 • -20.31db
39% Popularity • 32% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Edy Hafler
Can't Help Falling in Love - Guitar Solo
101 bpm • A Maj • 02:37 • -18db
43% Popularity • 59% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 54% Positiveness
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Mila Khodorkovsky
Por Ti Volaré
102 bpm • G Maj • 03:53 • -5.53db
38% Popularity • 30% Danceability • 40% Energy • 20% Liveness
44% Instrumentalness • 12% Positiveness
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Rachel Pierce
Rolling in the Deep
105 bpm • G# Maj • 02:43 • -4.24db
41% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Andrea Carri
Fields of Gold - Piano Version
101 bpm • D Maj • 03:36 • -19.37db
49% Popularity • 47% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Bridesmaids Quartet
Riptide
101 bpm • C Maj • 03:23 • -15.55db
34% Popularity • 68% Danceability • 28% Energy • 21% Liveness
92% Instrumentalness • 59% Positiveness
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Robert Mendoza
Dakiti - Acústico
105 bpm • E min • 02:06 • -13db
28% Popularity • 67% Danceability • 32% Energy • 13% Liveness
93% Instrumentalness • 41% Positiveness
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Jose Asunción
Havana
105 bpm • G min • 02:40 • -8.23db
30% Popularity • 71% Danceability • 42% Energy • 12% Liveness
37% Instrumentalness • 73% Positiveness
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Pierluigi Colangelo
Vivir Mi Vida - Guitar Base
105 bpm • D Maj • 03:13 • -15db
47% Popularity • 70% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Peter Gergely
Galway Girl
101 bpm • D Maj • 02:50 • -6.21db
26% Popularity • 44% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
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Donald Jay Markowitz
The Time of My Life - Soundtrack to "The...
106 bpm • A Maj • 02:45 • -23.24db
19% Popularity • 52% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
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Reynaldo Bastida
Que Va - Piano Version
106 bpm • C Maj • 03:05 • -11db
21% Popularity • 41% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
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Robert Mendoza
Havana
105 bpm • F# min • 02:58 • -7db
43% Popularity • 74% Danceability • 48% Energy • 8% Liveness
97% Instrumentalness • 32% Positiveness
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DuoViolins
Careless Whisper
106 bpm • A min • 04:55 • -9db
25% Popularity • 48% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Daniel Jang
Sorry
100 bpm • C min • 02:55 • -4.79db
38% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Emelie Norstadt
Bad Romance
100 bpm • A min • 02:43 • -17.71db
25% Popularity • 66% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Kezia Amelia
Attention (Violin Version)
100 bpm • E min • 03:16 • -8.16db
19% Popularity • 77% Danceability • 40% Energy • 10% Liveness
52% Instrumentalness • 42% Positiveness
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Marta Z
Attention
100 bpm • F Maj • 03:31 • -13.36db
8% Popularity • 60% Danceability • 35% Energy • 7% Liveness
89% Instrumentalness • 32% Positiveness
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Robert Mendoza
Hey Ma
106 bpm • G Maj • 02:39 • -7db
24% Popularity • 76% Danceability • 74% Energy • 8% Liveness
94% Instrumentalness • 75% Positiveness
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Purple Lions
Happier
100 bpm • F Maj • 02:43 • -19.98db
49% Popularity • 54% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Marc Ato
Livin' on a Prayer (Instrumental Piano)
100 bpm • E min • 04:02 • -13.02db
42% Popularity • 66% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Sweet California
Whisper (Live Acoustic Version)
100 bpm • G min • 02:40 • -11.79db
5% Popularity • 56% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Samuel Solis"Saxofonista"
Just The Way You Are (Sax Instrumental V...
100 bpm • F Maj • 04:04 • -9db
29% Popularity • 61% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Cole Albrighton
I'll Be There for You
99 bpm • A Maj • 02:08 • -11db
40% Popularity • 70% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 80% Positiveness
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Robert Mendoza
Memories
100 bpm • G Maj • 02:42 • -9.21db
25% Popularity • 80% Danceability • 57% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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Emelie Norstadt
Forever Young
99 bpm • C Maj • 03:45 • -17db
35% Popularity • 67% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Amanda Crow
One Last Time - Piano Version
107 bpm • G# Maj • 03:50 • -16db
33% Popularity • 62% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Lola & Hauser
We Are the Champions
99 bpm • A# Maj • 03:01 • -6db
43% Popularity • 26% Danceability • 62% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
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Ernesto Tapia
Dance Monkey (Sax Version)
98 bpm • G min • 03:28 • -5.95db
31% Popularity • 88% Danceability • 66% Energy • 22% Liveness
73% Instrumentalness • 20% Positiveness
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Rachel Pierce
Set Fire to the Rain
108 bpm • C Maj • 04:00 • -8db
29% Popularity • 52% Danceability • 54% Energy • 28% Liveness
86% Instrumentalness • 56% Positiveness
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Robert Mendoza
Pasos De Cero
100 bpm • F Maj • 03:50 • -7.29db
23% Popularity • 60% Danceability • 74% Energy • 11% Liveness
89% Instrumentalness • 79% Positiveness
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Phil Larson
Dark Horse
108 bpm • A# min • 03:51 • -10.16db
15% Popularity • 53% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 8% Positiveness
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ItsAMoney
Dance Monkey
98 bpm • F# min • 02:30 • -8.48db
36% Popularity • 69% Danceability • 49% Energy • 6% Liveness
59% Instrumentalness • 66% Positiveness
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Reynaldo Bastida
Suena El Dembow (Piano Version)
98 bpm • C Maj • 03:14 • -11.27db
21% Popularity • 34% Danceability • 44% Energy • 8% Liveness
83% Instrumentalness • 67% Positiveness
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Ray Mak
Dance Monkey - Piano Version
98 bpm • F# min • 03:30 • -16.25db
37% Popularity • 68% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 41% Positiveness
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Carmen da Silva
How Deep is Your Love - Piano
98 bpm • C min • 03:08 • -17db
50% Popularity • 66% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Robert Mendoza
Love Yourself
100 bpm • E Maj • 03:54 • -10.51db
39% Popularity • 69% Danceability • 21% Energy • 40% Liveness
97% Instrumentalness • 64% Positiveness
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Amanda Crow
Love Yourself - Piano Version
98 bpm • E Maj • 04:00 • -19.95db
35% Popularity • 67% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 41% Positiveness
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Mila Khodorkovsky
Polvo en el Viento
98 bpm • A min • 02:58 • -5.27db
43% Popularity • 48% Danceability • 58% Energy • 13% Liveness
71% Instrumentalness • 39% Positiveness
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Dallas String Quartet
Hey Soul Sister
98 bpm • E Maj • 03:43 • -5db
41% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Georg Erixon
Fernando
108 bpm • A Maj • 03:57 • -12db
38% Popularity • 50% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Reynaldo Bastida
Tattoo - Piano Version
98 bpm • A Maj • 02:47 • -20.14db
40% Popularity • 45% Danceability • 20% Energy • 15% Liveness
80% Instrumentalness • 43% Positiveness
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Robert Mendoza
Attention
100 bpm • C# min • 03:32 • -6.57db
18% Popularity • 52% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Daniel Jang
Photograph
109 bpm • A Maj • 04:19 • -4.9db
46% Popularity • 36% Danceability • 58% Energy • 10% Liveness
16% Instrumentalness • 14% Positiveness
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MaryAnnViolin
Lose Yourself/ Till I Collapse/ Berzerk/...
98 bpm • D min • 03:12 • -9.11db
25% Popularity • 61% Danceability • 18% Energy • 31% Liveness
95% Instrumentalness • 39% Positiveness
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Carmen da Silva
Can’t Help Falling in Love
97 bpm • G Maj • 02:22 • -16db
45% Popularity • 65% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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XOXO
Just the Way You Are [Saxophone Version...
109 bpm • F Maj • 03:34 • -6.58db
13% Popularity • 73% Danceability • 62% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
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Allen & Bright
Wonderwall
97 bpm • E min • 03:32 • -9.04db
38% Popularity • 54% Danceability • 37% Energy • 13% Liveness
80% Instrumentalness • 53% Positiveness
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Reynaldo Bastida
Hey DJ (Piano Version)
97 bpm • F Maj • 02:57 • -11.24db
34% Popularity • 35% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
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Robert Mendoza
Mayores
97 bpm • C# Maj • 02:07 • -5.96db
27% Popularity • 80% Danceability • 72% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Edy Hafler
Hallelujah - Guitar Solo
97 bpm • G Maj • 02:59 • -15.85db
37% Popularity • 68% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
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Carmen da Silva
Thank U, Next
97 bpm • C# Maj • 02:53 • -19.19db
31% Popularity • 62% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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The String Revolution
Englishman in New York
97 bpm • B min • 04:21 • -8.08db
40% Popularity • 73% Danceability • 60% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
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Alessandro Minci
With Or Without You
110 bpm • D Maj • 04:14 • -15.21db
14% Popularity • 45% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 22% Positiveness
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Marta Z
Habits
110 bpm • A# Maj • 03:28 • -11.7db
8% Popularity • 56% Danceability • 49% Energy • 8% Liveness
89% Instrumentalness • 38% Positiveness
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The Flamenco Man
Habits (Stay High)
110 bpm • A# Maj • 03:24 • -6.02db
13% Popularity • 64% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Robert Mendoza
Someone You Loved - Violin Cover
110 bpm • C# Maj • 03:06 • -8.71db
22% Popularity • 59% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Mika Krstic
Someone You Loved
110 bpm • C# Maj • 03:01 • -11db
36% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Em Casa
Someone You Loved - Piano Version
110 bpm • C# Maj • 02:59 • -17db
48% Popularity • 61% Danceability • 49% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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David Sides
Grenade
110 bpm • D min • 04:06 • -21.82db
28% Popularity • 62% Danceability • 26% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Marta Z
Sunflower
110 bpm • D Maj • 02:09 • -9.6db
21% Popularity • 67% Danceability • 46% Energy • 9% Liveness
69% Instrumentalness • 76% Positiveness
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Rachel Pierce
Payphone
110 bpm • B Maj • 03:53 • -6.31db
24% Popularity • 64% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Mendoza
How Long
110 bpm • C# min • 03:20 • -8.24db
23% Popularity • 88% Danceability • 57% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
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2CELLOS
Perfect
96 bpm • G Maj • 03:44 • -15.63db
46% Popularity • 39% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
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Alessandro Minci
I Want to Break Free
110 bpm • E Maj • 04:08 • -19db
32% Popularity • 51% Danceability • 9% Energy • 10% Liveness
14% Instrumentalness • 28% Positiveness
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Tiny Uke Orchestra
Gimme! Gimme! Gimme! (A Man After Midnig...
110 bpm • D min • 03:03 • -11db
34% Popularity • 61% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 87% Positiveness
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Daniel Jang
Blank Space
96 bpm • F Maj • 03:55 • -5.27db
41% Popularity • 50% Danceability • 52% Energy • 18% Liveness
23% Instrumentalness • 14% Positiveness
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Amanda Crow
Love Me Like You Do - Piano Version
96 bpm • G# Maj • 04:07 • -16db
34% Popularity • 54% Danceability • 23% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Robert Mendoza
Shallow
96 bpm • G Maj • 03:35 • -10.37db
16% Popularity • 49% Danceability • 28% Energy • 10% Liveness
85% Instrumentalness • 28% Positiveness
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Em Casa
Con Calma - Piano Version
96 bpm • G# min • 03:26 • -18.64db
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Carmen da Silva
I Still Haven't Found What I'm Looking F...
96 bpm • C# Maj • 03:17 • -16.43db
31% Popularity • 45% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Vanessa Stansfield
Starving - Piano
96 bpm • E Maj • 03:15 • -13db
44% Popularity • 62% Danceability • 49% Energy • 14% Liveness
73% Instrumentalness • 49% Positiveness
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Emelie Norstadt
Happier
96 bpm • F Maj • 02:26 • -16.96db
29% Popularity • 63% Danceability • 22% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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Herb Keys
The Final Countdown
96 bpm • F# min • 03:00 • -19.96db
34% Popularity • 59% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Jose Asunción
Shape of You
96 bpm • C# min • 01:40 • -9.41db
31% Popularity • 79% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 96% Positiveness
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Georg Erixon
Yesterday
96 bpm • F Maj • 02:04 • -13db
48% Popularity • 72% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Carmen da Silva
Dancing With a Stranger
96 bpm • G# Maj • 02:47 • -18.37db
35% Popularity • 61% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Deeveecool
AFRIZONE
111 bpm • A min • 03:02 • -8.28db
7% Popularity • 72% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 72% Positiveness
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Tang Jia
Shallow
95 bpm • G Maj • 03:30 • -16.56db
28% Popularity • 32% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Robert Mendoza
Closer / Don't Let Me Down
95 bpm • G# Maj • 03:44 • -6.69db
13% Popularity • 47% Danceability • 60% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Andrea Carri
Numb - Piano Version
111 bpm • F# min • 03:09 • -15.35db
48% Popularity • 45% Danceability • 26% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Manu López
Endless Love - Saxophone Mix
95 bpm • A# Maj • 04:16 • -12.49db
22% Popularity • 52% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 18% Positiveness
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The Flamenco Man
Chained to the Rhythm
95 bpm • A min • 03:55 • -3.31db
20% Popularity • 64% Danceability • 95% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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David Osborne
Listen To Your Heart
95 bpm • A min • 03:52 • -15.61db
31% Popularity • 37% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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DSharp
Love Me Like You Do
95 bpm • F min • 04:09 • -4.65db
29% Popularity • 50% Danceability • 77% Energy • 9% Liveness
51% Instrumentalness • 15% Positiveness
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When We Were Young