Songs like When We’re 80 by Thomas Rhett
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
40% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
40% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Thomas Rhett
When We’re 80
95 bpm • C# min • 02:56 • -4.81db
37% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Bryce Mauldin
I Broke Up with You
95 bpm • A Maj • 03:00 • -7.25db
31% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Danielle Bradbery
Goodbye Summer
95 bpm • F# Maj • 03:08 • -5.74db
40% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Uncle Kracker
Floatin'
95 bpm • G Maj • 02:58 • -4.7db
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Jake Owen
Good Company
95 bpm • D Maj • 02:53 • -5.59db
48% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Thomas Rhett
Church Boots
95 bpm • C Maj • 02:57 • -5.14db
40% Popularity • 64% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 64% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Schneider
Grew up Slower
96 bpm • A min • 02:56 • -6.73db
40% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Jerrod Niemann
But I Do
94 bpm • B min • 03:44 • -7.65db
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Danielle Bradbery
Shallow
96 bpm • G Maj • 03:27 • -4.19db
43% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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High Valley
The Only
96 bpm • B Maj • 03:07 • -4.28db
22% Popularity • 56% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 56% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Brandon Lay
Yada Yada Yada
96 bpm • C Maj • 03:37 • -7.52db
36% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Janson
Everybody
96 bpm • D Maj • 02:52 • -6db
38% Popularity • 64% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 64% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Caleb Lee Hutchinson
Johnny Cash Heart
96 bpm • D Maj • 04:12 • -5.17db
27% Popularity • 63% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 63% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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MacKenzie Porter
Seeing Other People
96 bpm • C# Maj • 03:02 • -4db
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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James Barker Band
There's A Drink For That
96 bpm • G Maj • 03:04 • -6.2db
39% Popularity • 63% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 63% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Dickerson
Every Little Thing - Stripped
94 bpm • C# Maj • 03:12 • -4.75db
24% Popularity • 67% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 67% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Davis
Dreamed You Did
94 bpm • G# Maj • 02:50 • -4.72db
40% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
That Old Truck
93 bpm • C# Maj • 03:32 • -7.25db
45% Popularity • 60% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 60% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Rayne Johnson
Laid Back
97 bpm • G# Maj • 03:20 • -5db
39% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
37% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Morgan Evans
American
97 bpm • C# Maj • 03:03 • -6.44db
26% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
63% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Danielle Bradbery
Sway
97 bpm • D# Maj • 03:32 • -5.48db
48% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Hunter Hayes
Heartbreak
97 bpm • B Maj • 02:52 • -6db
35% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Trent Harmon
First Five Minutes
93 bpm • D Maj • 02:46 • -4.76db
19% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Russell Dickerson
Would You Love Me
97 bpm • C# Maj • 02:50 • -4.84db
36% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Thomas Rhett
Be A Light
98 bpm • C Maj • 02:53 • -6.69db
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Cale Dodds
Out of My System
92 bpm • C# Maj • 03:38 • -4.62db
21% Popularity • 57% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 57% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Jackson Michelson
One At A Time
98 bpm • B Maj • 02:59 • -3.93db
19% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Ross Ellis
Ghosts
98 bpm • E Maj • 04:03 • -8.09db
31% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Thomas Rhett
Cardboard Heart
98 bpm • A Maj • 02:45 • -5.02db
25% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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CB30
Like It's a Bad Thing
98 bpm • G Maj • 02:55 • -5.45db
14% Popularity • 63% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 63% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Nichols
Never Gets Old
92 bpm • C# Maj • 03:37 • -7.86db
31% Popularity • 60% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 33% Positiveness
31% Popularity • 60% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 33% Positiveness
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Michael Ray
Drink One for Me
98 bpm • D# Maj • 03:28 • -6.13db
21% Popularity • 48% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 48% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Counts
Backseat Driver
98 bpm • C# Maj • 04:22 • -6.73db
37% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Waterloo Revival
Like I Miss You
98 bpm • E Maj • 02:45 • -7db
21% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Ya Heard
98 bpm • F Maj • 03:03 • -5.62db
36% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
22% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Davis
A Little Lime
92 bpm • G# Maj • 02:39 • -5.51db
57% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Kane Brown
Lose It - Acoustic
92 bpm • E min • 03:03 • -5.31db
30% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Zac Brown Band
Loving You Easy
99 bpm • C# Maj • 02:35 • -4.18db
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Mirenda
I Got You
92 bpm • G Maj • 02:50 • -5.19db
35% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Rhett
Gateway Love
91 bpm • C Maj • 03:26 • -7.08db
33% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Schneider
Two Black X's
91 bpm • C# Maj • 03:14 • -5.67db
46% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Haley & Michaels
All Out
100 bpm • D Maj • 02:55 • -5.41db
14% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
14% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
50% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Rhett
The Day You Stop Lookin' Back
91 bpm • G Maj • 03:24 • -8.21db
39% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Chase Bryant
Hell If I Know
100 bpm • G# Maj • 02:49 • -5.64db
40% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Hyatt
Do It With You
100 bpm • C# Maj • 03:19 • -6.6db
24% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Davis
Singles You Up - Stripped
100 bpm • G Maj • 03:00 • -5.13db
27% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Barefoot
100 bpm • F# Maj • 03:00 • -4.59db
34% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Tim Hicks
What a Song Should Do
100 bpm • C Maj • 03:57 • -4.09db
36% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Hayes
Rescue
90 bpm • F# Maj • 03:36 • -3db
38% Popularity • 52% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 52% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Zac Brown Band
Your Majesty
90 bpm • D# Maj • 03:42 • -8db
44% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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John Gurney
Drink I Think
90 bpm • F min • 02:57 • -6.2db
19% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Trea Landon
Loved by a Country Boy
90 bpm • F Maj • 03:12 • -2.63db
42% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Rhett
Almost
100 bpm • C Maj • 03:11 • -6db
40% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Temecula Road
Fades
90 bpm • C# Maj • 03:07 • -4db
23% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Schneider
How To Country
90 bpm • D Maj • 02:48 • -4.16db
33% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Owen
That's On Me
90 bpm • D Maj • 02:55 • -4.49db
40% Popularity • 66% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 66% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Thomas Rhett
Sand
90 bpm • A Maj • 02:42 • -5.17db
44% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Roads Below
Good At It
90 bpm • C# min • 03:01 • -4.5db
17% Popularity • 55% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 55% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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LANCO
Save Me
90 bpm • C Maj • 03:08 • -6db
34% Popularity • 60% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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John Gurney
That's How You Got It
90 bpm • E Maj • 03:04 • -4.22db
35% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Hunter Hayes
One Good Reason
90 bpm • F# Maj • 03:27 • -8.83db
36% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Cale Dodds
All Over
90 bpm • B Maj • 02:51 • -4.98db
25% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
Up
90 bpm • D Maj • 03:27 • -4.39db
37% Popularity • 63% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 63% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Andrew Hyatt
Didn't Know Me
90 bpm • C Maj • 02:43 • -6.4db
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Rager
The Wrong Ones
90 bpm • G Maj • 02:49 • -6db
28% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Rector
What Makes a Man
90 bpm • A Maj • 03:30 • -6.09db
41% Popularity • 56% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Rhett
Don’t Threaten Me With A Good Time
101 bpm • C# Maj • 03:35 • -4.67db
36% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Jessie James Decker
Almost Over You
101 bpm • G Maj • 03:31 • -3db
37% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Florida Georgia Line
Blessings
89 bpm • E Maj • 03:18 • -6db
55% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
33% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
59% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
31% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Rhett
Star Of The Show
102 bpm • G Maj • 03:02 • -5.81db
49% Popularity • 70% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 70% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
