Songs like When You're Not Here by No Clear Mind
Based on a tempo of (+/- 10%) and a similar genre
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Cry A Laugh
Darkest Hours
100 bpm • C Maj • 05:21 • -15.66db
33% Popularity • 64% Danceability • 42% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
33% Popularity • 64% Danceability • 42% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Kafabindünya
Wake Up to a Brand New Day
100 bpm • E Maj • 05:19 • -8.68db
16% Popularity • 23% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
16% Popularity • 23% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Shamrain
Into Nothingness
100 bpm • D min • 03:15 • -7.89db
24% Popularity • 22% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Sleeping Pulse
The Puppeteer
100 bpm • D min • 06:42 • -7.7db
28% Popularity • 64% Danceability • 42% Energy • 12% Liveness
18% Instrumentalness • 14% Positiveness
28% Popularity • 64% Danceability • 42% Energy • 12% Liveness
18% Instrumentalness • 14% Positiveness
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The Away Days
Calm Your Eyes (Acoustic)
100 bpm • E min • 03:55 • -24.82db
34% Popularity • 56% Danceability • 17% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
34% Popularity • 56% Danceability • 17% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Saturnus
A Lonely Passage
100 bpm • A min • 05:21 • -10db
27% Popularity • 53% Danceability • 44% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 53% Danceability • 44% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
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Thurisaz
Inner Voices
100 bpm • F# Maj • 02:54 • -15.63db
38% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blueneck
Broken Fingers
100 bpm • A# Maj • 05:44 • -11.67db
25% Popularity • 45% Danceability • 29% Energy • 16% Liveness
11% Instrumentalness • 6% Positiveness
25% Popularity • 45% Danceability • 29% Energy • 16% Liveness
11% Instrumentalness • 6% Positiveness
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Kwoon
Last Paradise
100 bpm • G min • 04:15 • -9.99db
33% Popularity • 50% Danceability • 45% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Oh Hiroshima
Aria
100 bpm • F Maj • 05:08 • -8.77db
30% Popularity • 44% Danceability • 34% Energy • 18% Liveness
84% Instrumentalness • 12% Positiveness
30% Popularity • 44% Danceability • 34% Energy • 18% Liveness
84% Instrumentalness • 12% Positiveness
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Kafabindünya
Binlerce Ozur
100 bpm • E min • 07:10 • -9.28db
42% Popularity • 42% Danceability • 29% Energy • 36% Liveness
85% Instrumentalness • 3% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 36% Liveness
85% Instrumentalness • 3% Positiveness
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Heroe
You(th)
100 bpm • D Maj • 04:02 • -17.27db
25% Popularity • 41% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 6% Positiveness
25% Popularity • 41% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 6% Positiveness
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Sangre de Muerdago
Saudades
100 bpm • B min • 04:10 • -13.03db
32% Popularity • 37% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
32% Popularity • 37% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Ahenk'
Shine
100 bpm • G# min • 04:31 • -6.74db
8% Popularity • 36% Danceability • 49% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 36% Danceability • 49% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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No Clear Mind
When You're Not Here
100 bpm • E min • 05:58 • -15db
39% Popularity • 34% Danceability • 17% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 34% Danceability • 17% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Sibylle Baier
The End
99 bpm • D# Maj • 02:27 • -15db
42% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Crows in the Rain
A Thousand Papers Of Pain
99 bpm • A min • 07:56 • -27.11db
13% Popularity • 24% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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The Talking Bugs
Laika
99 bpm • E min • 05:45 • -8.66db
31% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Raised By Swans
the past is the prey
99 bpm • D min • 06:03 • -11.1db
16% Popularity • 58% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Riverside
The Day After
99 bpm • E min • 01:48 • -15.39db
36% Popularity • 41% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 41% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Shamrain
Sound Of Snow
102 bpm • A min • 04:41 • -4.85db
25% Popularity • 39% Danceability • 70% Energy • 18% Liveness
3% Instrumentalness • 9% Positiveness
25% Popularity • 39% Danceability • 70% Energy • 18% Liveness
3% Instrumentalness • 9% Positiveness
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April Rain
A Sailor Without The Sea
98 bpm • G min • 05:58 • -7.15db
25% Popularity • 50% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
25% Popularity • 50% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Hedonutopia
Maymun Kral
98 bpm • B min • 04:48 • -11.51db
36% Popularity • 52% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
36% Popularity • 52% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
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Krobak
Marching for the Freedom We Have Lost
102 bpm • E min • 10:12 • -15.26db
27% Popularity • 48% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 48% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Brek
The Fall
98 bpm • C Maj • 04:45 • -15.19db
15% Popularity • 57% Danceability • 36% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 57% Danceability • 36% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
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Chromatics
Burning Bridges
102 bpm • G min • 01:54 • -9.39db
35% Popularity • 66% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 66% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Kwoon
Swan
97 bpm • C Maj • 03:25 • -8.61db
30% Popularity • 16% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Sleep Party People
Notes to You
97 bpm • G# min • 03:11 • -9.27db
36% Popularity • 36% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Vasilis Dokakis
Once in a While
97 bpm • D min • 03:24 • -24db
5% Popularity • 24% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Shamrain
Black November
97 bpm • A min • 03:32 • -4.19db
37% Popularity • 41% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 41% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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The Away Days
Making Ends Meet
97 bpm • A Maj • 04:51 • -8.78db
35% Popularity • 65% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
35% Popularity • 65% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
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the abyss inside us
summer in her heart (prelude in c minor)
103 bpm • C min • 03:59 • -13.21db
31% Popularity • 42% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 42% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Devics
The End and the Beginning
103 bpm • G min • 04:35 • -12.42db
16% Popularity • 48% Danceability • 22% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 48% Danceability • 22% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Krobak
It's Snowing Like It's the End of the Wo...
97 bpm • D min • 11:50 • -9.16db
60% Popularity • 22% Danceability • 41% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
60% Popularity • 22% Danceability • 41% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Hedonutopia
Çöl
97 bpm • F Maj • 06:39 • -10.03db
31% Popularity • 46% Danceability • 48% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
31% Popularity • 46% Danceability • 48% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Pygmylush
It's a Good Day to Hide
103 bpm • G# min • 06:21 • -21.99db
27% Popularity • 31% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 31% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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The Away Days
World Horizon
97 bpm • C# min • 04:08 • -6.83db
42% Popularity • 50% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
42% Popularity • 50% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
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Jonathan Bree
In The Sunshine
96 bpm • B min • 03:48 • -11.7db
41% Popularity • 48% Danceability • 47% Energy • 21% Liveness
84% Instrumentalness • 7% Positiveness
41% Popularity • 48% Danceability • 47% Energy • 21% Liveness
84% Instrumentalness • 7% Positiveness
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The Black Heart Procession
We Always Knew
104 bpm • B min • 05:26 • -11.97db
22% Popularity • 66% Danceability • 33% Energy • 35% Liveness
43% Instrumentalness • 38% Positiveness
22% Popularity • 66% Danceability • 33% Energy • 35% Liveness
43% Instrumentalness • 38% Positiveness
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Shamrain
Evangeline
104 bpm • A min • 06:07 • -6.92db
29% Popularity • 43% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
29% Popularity • 43% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Hedonutopia
Japon Orman
104 bpm • F Maj • 04:19 • -13.54db
27% Popularity • 20% Danceability • 48% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 48% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Tamino
Each Time
96 bpm • G# Maj • 05:11 • -9.03db
38% Popularity • 56% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 32% Positiveness
38% Popularity • 56% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 32% Positiveness
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Brazzaville
Bosphorus
96 bpm • A# min • 03:48 • -7.1db
33% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Nosound
This Night
96 bpm • G min • 04:30 • -16db
21% Popularity • 38% Danceability • 30% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
21% Popularity • 38% Danceability • 30% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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l i l a
follow you down to the red oak tree
96 bpm • G# min • 03:51 • -17.7db
36% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Raised By Swans
unrequited /stolen lakes
96 bpm • F# Maj • 08:07 • -14.37db
10% Popularity • 31% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Crows in the Rain
This Is Our Cry
105 bpm • G# min • 05:05 • -22.32db
11% Popularity • 51% Danceability • 22% Energy • 15% Liveness
70% Instrumentalness • 10% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 15% Liveness
70% Instrumentalness • 10% Positiveness
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Tamino
Only Our Love
95 bpm • B Maj • 03:50 • -14db
39% Popularity • 42% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 42% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Daniel Kilby
The Wonderful Cave That Lies Within
105 bpm • D# min • 04:09 • -15.63db
9% Popularity • 38% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 38% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Coals
Shattered Mirrors
105 bpm • A min • 04:59 • -13.06db
33% Popularity • 42% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Other Lives
No Trouble
105 bpm • D Maj • 03:46 • -9.91db
29% Popularity • 23% Danceability • 57% Energy • 18% Liveness
95% Instrumentalness • 20% Positiveness
29% Popularity • 23% Danceability • 57% Energy • 18% Liveness
95% Instrumentalness • 20% Positiveness
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April Rain
One Is Glad to Be of Service
105 bpm • G min • 09:50 • -6.8db
36% Popularity • 41% Danceability • 47% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 41% Danceability • 47% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Kwoon
Schizophrenic
105 bpm • B min • 05:40 • -5.89db
25% Popularity • 40% Danceability • 41% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
25% Popularity • 40% Danceability • 41% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Saturnus
For Your Demons
95 bpm • D min • 04:28 • -12db
25% Popularity • 35% Danceability • 41% Energy • 18% Liveness
15% Instrumentalness • 41% Positiveness
25% Popularity • 35% Danceability • 41% Energy • 18% Liveness
15% Instrumentalness • 41% Positiveness
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Tamino
Sun May Shine
105 bpm • A# Maj • 04:08 • -9.2db
46% Popularity • 50% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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Lamb
Back to Beginning
95 bpm • F min • 03:19 • -4.82db
33% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tendertwin
Triangles
95 bpm • G# min • 03:52 • -13.81db
11% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Brazzaville
Asteroid Fields
95 bpm • C Maj • 03:41 • -9.9db
11% Popularity • 70% Danceability • 45% Energy • 10% Liveness
23% Instrumentalness • 45% Positiveness
11% Popularity • 70% Danceability • 45% Energy • 10% Liveness
23% Instrumentalness • 45% Positiveness
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Kafabindünya
Kapanis Konusmasi
95 bpm • A min • 04:54 • -8.86db
38% Popularity • 38% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 5% Positiveness
38% Popularity • 38% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 5% Positiveness
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Black Hill
Eo
95 bpm • C Maj • 02:11 • -15.74db
40% Popularity • 62% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
40% Popularity • 62% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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Lilium
Loveless Road
95 bpm • G min • 05:53 • -10.29db
17% Popularity • 54% Danceability • 54% Energy • 7% Liveness
74% Instrumentalness • 63% Positiveness
17% Popularity • 54% Danceability • 54% Energy • 7% Liveness
74% Instrumentalness • 63% Positiveness
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No Clear Mind
Escher's Waterfall Carried Us Away
106 bpm • C Maj • 05:52 • -12.88db
18% Popularity • 50% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Shamrain
Raindrops
106 bpm • E min • 04:30 • -5.01db
46% Popularity • 47% Danceability • 61% Energy • 16% Liveness
2% Instrumentalness • 19% Positiveness
46% Popularity • 47% Danceability • 61% Energy • 16% Liveness
2% Instrumentalness • 19% Positiveness
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Empyrium
The Sad Song of the Wind
94 bpm • A min • 02:52 • -15.63db
30% Popularity • 47% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
30% Popularity • 47% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Feyyaz Yigit
Sıradan Duygusal
106 bpm • E min • 02:09 • -21.07db
24% Popularity • 40% Danceability • 8% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
24% Popularity • 40% Danceability • 8% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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The Away Days
Monks
94 bpm • C Maj • 04:55 • -9.29db
26% Popularity • 46% Danceability • 51% Energy • 6% Liveness
50% Instrumentalness • 10% Positiveness
26% Popularity • 46% Danceability • 51% Energy • 6% Liveness
50% Instrumentalness • 10% Positiveness
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Lilium
Four Basses
107 bpm • C Maj • 01:38 • -21.46db
34% Popularity • 59% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
34% Popularity • 59% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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No Clear Mind
When You Sat by Your Window Pane
106 bpm • A min • 06:38 • -14.16db
21% Popularity • 35% Danceability • 20% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
21% Popularity • 35% Danceability • 20% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Shamrain
Laren U Freht Ona
94 bpm • E min • 06:26 • -6.2db
26% Popularity • 38% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
26% Popularity • 38% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Devics
In Your Room
108 bpm • E min • 04:59 • -8.67db
24% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Koda
no turning back
108 bpm • E min • 04:01 • -9.44db
36% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The Away Days
Sadness Will Last Forever
93 bpm • C min • 04:12 • -5.68db
31% Popularity • 39% Danceability • 63% Energy • 11% Liveness
56% Instrumentalness • 17% Positiveness
31% Popularity • 39% Danceability • 63% Energy • 11% Liveness
56% Instrumentalness • 17% Positiveness
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Unbelievable Truth
Dune Sea
108 bpm • E min • 05:15 • -7.03db
19% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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No Clear Mind
Big Thing
93 bpm • A min • 05:30 • -13.32db
20% Popularity • 51% Danceability • 36% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
20% Popularity • 51% Danceability • 36% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Simone White
Tiny Drop
108 bpm • F min • 03:39 • -13.86db
34% Popularity • 38% Danceability • 33% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
34% Popularity • 38% Danceability • 33% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
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The Evpatoria Report
Taijin Kyofusho
92 bpm • G min • 11:00 • -7.76db
36% Popularity • 24% Danceability • 65% Energy • 24% Liveness
72% Instrumentalness • 6% Positiveness
36% Popularity • 24% Danceability • 65% Energy • 24% Liveness
72% Instrumentalness • 6% Positiveness
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April Rain
missing someone i've never seen
92 bpm • A min • 02:33 • -25.57db
32% Popularity • 34% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
32% Popularity • 34% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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Raised By Swans
a cipher in a foreign sky
92 bpm • D min • 01:55 • -15.94db
18% Popularity • 54% Danceability • 29% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 54% Danceability • 29% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Tango With Lions
A Long Walk
92 bpm • G Maj • 04:45 • -9.21db
15% Popularity • 56% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 10% Positiveness
15% Popularity • 56% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 10% Positiveness
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No Clear Mind
Fall down Rise Up
108 bpm • A min • 05:13 • -11.46db
22% Popularity • 40% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 40% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Noiserv
Bullets On Parade
109 bpm • D min • 06:18 • -8.59db
22% Popularity • 60% Danceability • 32% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
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Açık Seçik Aşk Bandosu
Yüzündeki Ürkek Güzellik
92 bpm • A min • 11:55 • -14.91db
36% Popularity • 68% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 68% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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April Rain
Exodus
109 bpm • D min • 02:57 • -14.69db
20% Popularity • 20% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
20% Popularity • 20% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Emma Ruth Rundle
Shadows Of My Name
109 bpm • F min • 03:30 • -6.57db
40% Popularity • 51% Danceability • 56% Energy • 25% Liveness
1% Instrumentalness • 18% Positiveness
40% Popularity • 51% Danceability • 56% Energy • 25% Liveness
1% Instrumentalness • 18% Positiveness
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The Away Days
How Many Times
109 bpm • C# min • 02:51 • -7db
39% Popularity • 60% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
39% Popularity • 60% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Krobak
They're All Shot This Winter
91 bpm • F# min • 06:15 • -10.89db
32% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Blackfield
Cloudy Now - Remastered
110 bpm • A min • 03:53 • -13.24db
28% Popularity • 46% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 11% Positiveness
28% Popularity • 46% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 11% Positiveness
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Kafabindünya
Nightwalk
110 bpm • E Maj • 06:37 • -10db
24% Popularity • 23% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
24% Popularity • 23% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Reamonn
Sometimes
91 bpm • A# min • 04:05 • -4db
38% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Turkish Delight
Aşkın Sırrı Bilinmez
110 bpm • B min • 02:03 • -17.02db
28% Popularity • 68% Danceability • 38% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 68% Danceability • 38% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Les Discrets
Linceul d'hiver
110 bpm • G# min • 02:50 • -9.72db
39% Popularity • 52% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
39% Popularity • 52% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Feyyaz Yigit
Düzgün Üzül
110 bpm • A# min • 02:56 • -20.41db
32% Popularity • 71% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
32% Popularity • 71% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Henry The Lee
Saudade
110 bpm • F min • 03:16 • -21.88db
28% Popularity • 69% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
28% Popularity • 69% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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The Away Days
Less Is More
110 bpm • D min • 04:42 • -7.6db
19% Popularity • 58% Danceability • 70% Energy • 10% Liveness
17% Instrumentalness • 23% Positiveness
19% Popularity • 58% Danceability • 70% Energy • 10% Liveness
17% Instrumentalness • 23% Positiveness
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There's A Light
Farewell, My Friend
110 bpm • C# min • 08:46 • -8.8db
24% Popularity • 51% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 51% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Turkish Delight
Aşkın Sırrı Bilinmez
110 bpm • A min • 02:03 • -14.09db
41% Popularity • 67% Danceability • 46% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
41% Popularity • 67% Danceability • 46% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Saturnus
All Alone
110 bpm • A min • 06:20 • -10.18db
36% Popularity • 59% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 7% Positiveness
36% Popularity • 59% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 7% Positiveness
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April Rain
Walking With Zeus' Wife
110 bpm • G min • 06:17 • -5.23db
19% Popularity • 59% Danceability • 77% Energy • 39% Liveness
92% Instrumentalness • 13% Positiveness
19% Popularity • 59% Danceability • 77% Energy • 39% Liveness
92% Instrumentalness • 13% Positiveness
