Songs like When You're Smiling by Michael Bublé
Based on a tempo of (+/- 10%) and a similar genre
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Michael Bublé
When You're Smiling
150 bpm • F# Maj • 03:21 • -8.28db
38% Popularity • 52% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 52% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Dominic Halpin
Everythings Just so Fine
149 bpm • G Maj • 02:03 • -7.92db
20% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Doug Ferony
I Love You More Today Than Yesterday
151 bpm • G# Maj • 03:18 • -5.3db
18% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Billie Holiday
I Only Have Eyes For You
150 bpm • G Maj • 02:53 • -9db
51% Popularity • 50% Danceability • 32% Energy • 10% Liveness
38% Instrumentalness • 53% Positiveness
51% Popularity • 50% Danceability • 32% Energy • 10% Liveness
38% Instrumentalness • 53% Positiveness
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Jason Derulo
Spicy Margarita - Sped Up
149 bpm • A min • 02:15 • -5.06db
42% Popularity • 66% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 66% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Jamie Cullum
These Are The Days
148 bpm • G Maj • 03:21 • -7db
53% Popularity • 54% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 54% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Jones
(It Looks Like) I'll Never Fall In Love ...
148 bpm • E Maj • 04:17 • -13.08db
56% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Bobby Darin
More - Remastered 2004
152 bpm • F min • 02:25 • -8.74db
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Dionne Warwick
I Say a Little Prayer
147 bpm • G Maj • 03:08 • -7.64db
52% Popularity • 51% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 51% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Rawleigh
How Can I Remember?
147 bpm • A# Maj • 03:10 • -9.6db
18% Popularity • 31% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 31% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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The Cooltrane Quartet
Holding Back the Years
146 bpm • C Maj • 03:57 • -9.58db
46% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Scubba
Something
154 bpm • C Maj • 02:38 • -13.78db
49% Popularity • 73% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 73% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
49% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tony Bennett
Anything Goes
155 bpm • C Maj • 02:03 • -6db
48% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Bublé
Crazy Little Thing Called Love
155 bpm • F Maj • 03:09 • -4.32db
48% Popularity • 60% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 60% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Stacey Kent
Tenderly
144 bpm • A min • 03:47 • -18.7db
43% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Van Morrison
Real Real Gone
144 bpm • G Maj • 03:59 • -4.31db
29% Popularity • 59% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 59% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nat King Cole
L-O-V-E - 2000 Remaster
157 bpm • B min • 02:33 • -14.76db
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Jonny Blu
Your Birthday Song (aka The Birthday Son...
144 bpm • C Maj • 02:06 • -11.72db
14% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Barlow
Elita
158 bpm • G# min • 03:30 • -5.79db
32% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Las Vegas Big Band
It's Only You That I Love
142 bpm • F min • 02:20 • -6.53db
11% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Andrews Sisters
In the Mood
142 bpm • G# Maj • 02:53 • -7.82db
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ella Fitzgerald
It's A Lovely Day Today
141 bpm • G# Maj • 02:28 • -10.68db
52% Popularity • 57% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 57% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Dean Martin
On An Evening In Roma (Sott'er Celo De R...
141 bpm • G Maj • 02:28 • -15.51db
61% Popularity • 52% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 52% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie Cullum
Love Is In The Picture
141 bpm • D Maj • 03:37 • -11.04db
36% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Bublé
Moondance
141 bpm • D min • 04:11 • -5.82db
48% Popularity • 58% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 58% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Perry Como
It's Impossible
141 bpm • C min • 03:17 • -11db
46% Popularity • 28% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 28% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Jonny Blu
I Get No Kick From Champagne
140 bpm • A# min • 03:09 • -9db
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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The Cooltrane Quartet
Dancing with Myself
140 bpm • C Maj • 03:06 • -12.53db
34% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Dennis van Aarssen
I Can't Make This Right
140 bpm • G min • 03:22 • -6.44db
30% Popularity • 56% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 56% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Randall
A Wonderful Day Like Today
161 bpm • F Maj • 02:00 • -10db
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Joey Gian
What If I Loved You
139 bpm • E Maj • 02:24 • -13.2db
26% Popularity • 46% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 46% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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The Andrews Sisters
Rum And Coca Cola
161 bpm • A# Maj • 03:03 • -14db
31% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Stacey Kent
Landslide
139 bpm • C Maj • 03:48 • -12db
47% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Denis Solee
Come Fly With Me
138 bpm • F Maj • 03:37 • -14.64db
41% Popularity • 65% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
41% Popularity • 65% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Tom Jones
I (Who Have Nothing)
139 bpm • E min • 02:57 • -7.91db
53% Popularity • 29% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 29% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Rick Reuther
La Vien Rose - Cherie Lynn
138 bpm • D min • 04:07 • -15.43db
28% Popularity • 33% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 33% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Nancy Wilson
Sunny
138 bpm • C min • 03:59 • -15db
37% Popularity • 26% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 26% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jackson
Best Day Of My Life
138 bpm • G min • 02:17 • -6.89db
13% Popularity • 45% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 45% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Brook Benton
Moonlight In Vermont
163 bpm • G# Maj • 03:36 • -18.35db
16% Popularity • 22% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 22% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Dennis van Aarssen
Mr. Bojangles
137 bpm • E Maj • 02:05 • -21.02db
28% Popularity • 46% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 46% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Bublé
On an Evening in Roma (Sott'er Celo de R...
137 bpm • F# Maj • 02:42 • -7.65db
56% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jason Derulo
Spicy Margarita - R3HAB Remix
137 bpm • B min • 02:44 • -4.06db
59% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ann Hampton Callaway
Let's Fall In Love
137 bpm • G# Maj • 02:46 • -13.81db
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Glenn Miller
In the Mood
165 bpm • G# Maj • 03:30 • -13.81db
26% Popularity • 53% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 86% Positiveness
26% Popularity • 53% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 86% Positiveness
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The Beautiful South
Dream A Little Dream
137 bpm • G Maj • 03:33 • -9db
48% Popularity • 38% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 38% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
45% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jane Monheit
I Won't Dance
136 bpm • A# Maj • 03:35 • -8.42db
31% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Silver Belles
Bottle Of Pop
136 bpm • C# Maj • 01:46 • -5.72db
19% Popularity • 82% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 82% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Tony Bennett
Just in Time
136 bpm • D# min • 02:16 • -6.6db
43% Popularity • 60% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 60% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Cher
Welcome To Burlesque - Burlesque Origina...
136 bpm • B Maj • 02:45 • -7.88db
52% Popularity • 67% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 67% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Groban
Vincent (Starry, Starry Night)
166 bpm • F Maj • 04:37 • -11.9db
44% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Liza Minnelli
All That Jazz
136 bpm • B min • 03:05 • -7.54db
29% Popularity • 56% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
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The Cooltrane Quartet
The Lady in Red
135 bpm • F# min • 03:46 • -11db
51% Popularity • 82% Danceability • 46% Energy • 15% Liveness
22% Instrumentalness • 79% Positiveness
51% Popularity • 82% Danceability • 46% Energy • 15% Liveness
22% Instrumentalness • 79% Positiveness
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Nat King Cole
When I Fall In Love
166 bpm • C# Maj • 03:10 • -15db
64% Popularity • 15% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 15% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Cole Porter
Cole Porter: Let's Do It
135 bpm • A min • 03:08 • -12.88db
30% Popularity • 45% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 45% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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Jonny Blu
Girl From Ipanema
134 bpm • D# Maj • 02:54 • -11db
25% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Farrant
Something Cool
134 bpm • G# Maj • 02:05 • -8.72db
11% Popularity • 81% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 81% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Kat Edmonson
Mountain Greenery
168 bpm • E min • 02:30 • -13db
50% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Pentatonix
Can You Feel the Love Tonight
134 bpm • A Maj • 04:07 • -6.82db
49% Popularity • 35% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 35% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Bublé
Come Dance with Me
134 bpm • A Maj • 02:46 • -2.71db
44% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Las Vegas Big Band
Abracadabra
134 bpm • C Maj • 02:18 • -6.01db
10% Popularity • 56% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 56% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Colin Paul
How Do You Like Your Eggs in the Morning
134 bpm • A Maj • 02:47 • -9.55db
16% Popularity • 62% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 62% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Conal Fowkes
You've Got That Thing
169 bpm • D# Maj • 01:44 • -10db
36% Popularity • 57% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Diane Schuur
All Right, OK, You Win (I'm In Love With...
133 bpm • C# Maj • 03:07 • -7.54db
24% Popularity • 71% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 71% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Bublé
Come Fly with Me
134 bpm • B Maj • 03:18 • -6.48db
50% Popularity • 56% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 56% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Melody Gardot
From Paris With Love - Single Version
170 bpm • A# min • 04:46 • -11.57db
50% Popularity • 20% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
50% Popularity • 20% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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James Taylor
As Easy As Rolling Off A Log
170 bpm • A Maj • 02:50 • -9.32db
32% Popularity • 51% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 51% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Sinatra
The Way You Look Tonight
132 bpm • F min • 03:22 • -14.07db
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Stevie Wonder
You Are The Sunshine Of My Life
132 bpm • B Maj • 02:58 • -14.53db
71% Popularity • 52% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 52% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Norah Jones
Turn Me On
171 bpm • A# Maj • 02:34 • -11db
72% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
72% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Bublé
When I Fall in Love
169 bpm • C Maj • 03:07 • -15.2db
30% Popularity • 18% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Diana Drew
Just The Way You Look Tonight
131 bpm • G# Maj • 03:55 • -13db
12% Popularity • 48% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 48% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Kat Gang
They Say That Falling in Love Is Wonderf...
131 bpm • C Maj • 03:34 • -15db
13% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Denise King
The Girl of Ipanema
131 bpm • C Maj • 03:34 • -14db
37% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Perry Como
Accentuate the Positive
131 bpm • C Maj • 02:15 • -11db
38% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Emilie Schiøtt
King or Clown
131 bpm • A# Maj • 03:03 • -5.97db
49% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Bublé
Fly Me to the Moon / You're Nobody till ...
133 bpm • F Maj • 06:11 • -8.74db
39% Popularity • 51% Danceability • 37% Energy • 74% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 51% Danceability • 37% Energy • 74% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Jones
You're My World
172 bpm • A min • 03:25 • -11db
51% Popularity • 19% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 19% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Steven Blane
Central Park
131 bpm • C Maj • 02:30 • -9.83db
9% Popularity • 71% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 71% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Dinah Shore
Do You Know Where You Are Going To
130 bpm • A# min • 03:25 • -13db
36% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sinne Eeg
Talking to Myself
131 bpm • G# Maj • 04:00 • -14.63db
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Stacey Kent
Tangerine
130 bpm • G Maj • 02:13 • -18.92db
52% Popularity • 72% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Adam Skinner & Dan Skinner
Can't Stand The Rain
130 bpm • D Maj • 03:08 • -6.42db
19% Popularity • 74% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 74% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Bossa Bros
Can't Take My Eyes off You
130 bpm • C Maj • 03:34 • -10db
59% Popularity • 78% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 78% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Giovanni Zarrella
HOME
130 bpm • G Maj • 03:42 • -5.91db
26% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Jeff Meegan
Dance With Destiny
130 bpm • A# min • 04:05 • -8.19db
15% Popularity • 66% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 66% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Jason Derulo
Spicy Margarita
130 bpm • F# min • 02:34 • -4.76db
73% Popularity • 71% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
73% Popularity • 71% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Joel
Vienna
130 bpm • G min • 04:26 • -8db
10% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
