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When
by
Lou Fielding
Based on a tempo of (+/- 10%) and a similar genre
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Oliver Wood
Get the Blues
174 bpm • G Maj • 03:03 • -4.53db
8% Popularity • 37% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Lou Fielding
When
174 bpm • F# Maj • 04:22 • -10db
22% Popularity • 51% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Julian Primeaux
Bourbon Street Boogie
174 bpm • D Maj • 03:37 • -11.91db
17% Popularity • 49% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Bonneville
Evil to the Touch
174 bpm • E min • 04:59 • -10.15db
8% Popularity • 54% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Ashley
Honeychild
174 bpm • A min • 04:49 • -8.84db
17% Popularity • 47% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
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Hardy Harrod
The Blue Suede Shoes
175 bpm • G Maj • 05:54 • -11.12db
22% Popularity • 40% Danceability • 65% Energy • 42% Liveness
8% Instrumentalness • 66% Positiveness
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The Robin Bibi Yorkestra
Bibi's Seven
175 bpm • A min • 04:43 • -7.38db
11% Popularity • 47% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 87% Positiveness
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Candice Ivory
Pile Driving Blues
172 bpm • D Maj • 03:31 • -7.89db
8% Popularity • 64% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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The Gulls
B-side Jam (It's Alright)
172 bpm • D Maj • 03:45 • -10.82db
16% Popularity • 52% Danceability • 77% Energy • 15% Liveness
14% Instrumentalness • 75% Positiveness
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Funkwrench Blues
Somethin' Somethin'
172 bpm • D Maj • 02:44 • -7.48db
30% Popularity • 34% Danceability • 92% Energy • 16% Liveness
95% Instrumentalness • 69% Positiveness
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Dennis Jones
Revolves Around You
172 bpm • C# Maj • 04:08 • -2.92db
13% Popularity • 58% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Hardy Harrod
Fifties Blues
173 bpm • G Maj • 05:23 • -11.6db
22% Popularity • 40% Danceability • 52% Energy • 85% Liveness
0% Instrumentalness • 49% Positiveness
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Kurt Ackermann
That Was Then... This Is Now!
176 bpm • G Maj • 03:33 • -14.7db
8% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Nether Hour
Quaaludes
172 bpm • E min • 03:29 • -5.81db
22% Popularity • 52% Danceability • 81% Energy • 19% Liveness
81% Instrumentalness • 55% Positiveness
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Dogs In A Pile
Mr. Tooker - 6/23/23
172 bpm • C Maj • 04:14 • -8.99db
8% Popularity • 37% Danceability • 88% Energy • 64% Liveness
7% Instrumentalness • 64% Positiveness
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Nicholas Alexander
I Believe to My Soul
176 bpm • A Maj • 06:58 • -10.22db
9% Popularity • 36% Danceability • 44% Energy • 32% Liveness
9% Instrumentalness • 53% Positiveness
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Fernando Noronha & Black Soul
Lovin' Man
176 bpm • C# Maj • 03:56 • -6.43db
9% Popularity • 39% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Lou Fielding
Say One Thing
176 bpm • A Maj • 06:10 • -9.99db
22% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Daniel Anderson and Heroic Dose
Stuck With Trouble
176 bpm • D min • 03:49 • -7.6db
15% Popularity • 46% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Brothers
Don't Keep Me Wonderin' - 3-10-20 Madiso...
177 bpm • C Maj • 05:55 • -6.29db
9% Popularity • 21% Danceability • 94% Energy • 99% Liveness
32% Instrumentalness • 57% Positiveness
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Nicholas Jamerson
Sleeping in the Woods - Live From Chatta...
177 bpm • G min • 09:38 • -5.09db
10% Popularity • 30% Danceability • 85% Energy • 85% Liveness
10% Instrumentalness • 78% Positiveness
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Ty Curtis
Back to You - Extended
171 bpm • E Maj • 07:08 • -6.58db
19% Popularity • 26% Danceability • 72% Energy • 24% Liveness
22% Instrumentalness • 45% Positiveness
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The Pale Figures
Don't Let the Bad Get to You
177 bpm • D Maj • 04:10 • -6.2db
12% Popularity • 25% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Sapucabardos
Linha de Produção
177 bpm • G Maj • 04:55 • -8.14db
22% Popularity • 38% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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FROM
Jailhouse Blues
170 bpm • F Maj • 03:14 • -6.75db
8% Popularity • 54% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Sneezy
Stepping Stone
178 bpm • D min • 03:40 • -5.04db
11% Popularity • 43% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Dr. Bernardo & the Medicine
I Can't Have You
170 bpm • G Maj • 04:00 • -7.07db
11% Popularity • 59% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 62% Positiveness
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The Prosateur
Love
170 bpm • D Maj • 03:50 • -6.89db
25% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Them Vibes
Who Can You Trust
178 bpm • A Maj • 04:26 • -6.14db
14% Popularity • 53% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Jay Howie
Sing For My Soul
178 bpm • C min • 06:33 • -7.54db
15% Popularity • 37% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Karl Denson
Gossip
170 bpm • A Maj • 03:58 • -5.64db
8% Popularity • 53% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Chase Walker Band
Buffalo Bayou
170 bpm • E min • 04:48 • -5.06db
9% Popularity • 26% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Tressie Hamill
The G Blues
170 bpm • A# Maj • 04:37 • -14.28db
22% Popularity • 52% Danceability • 34% Energy • 15% Liveness
82% Instrumentalness • 48% Positiveness
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Ty Curtis
Wish You Well
179 bpm • D min • 03:29 • -6.12db
18% Popularity • 41% Danceability • 73% Energy • 8% Liveness
2% Instrumentalness • 68% Positiveness
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Cam Clark
Nothing to Lose
180 bpm • G# min • 04:02 • -8.11db
24% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Saverio Maccne
Endless Nights Blues
180 bpm • G min • 04:30 • -2.95db
18% Popularity • 32% Danceability • 73% Energy • 29% Liveness
13% Instrumentalness • 55% Positiveness
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HeavyDrunk
Sippi Dupree - Radio Edit
168 bpm • A Maj • 02:59 • -10.39db
15% Popularity • 45% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Domino Savant
Gypsy Woman
180 bpm • G Maj • 03:36 • -7.45db
15% Popularity • 36% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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880 South
Something Has Changed
180 bpm • A min • 04:04 • -8.61db
10% Popularity • 55% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Moran Tripp
Mrs. Habanero
180 bpm • C Maj • 02:28 • -4.69db
16% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Old Shoe
Adeline
168 bpm • D Maj • 04:24 • -8.97db
9% Popularity • 64% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Eric Lindell
Bruce Cafe
168 bpm • E min • 03:03 • -9.88db
27% Popularity • 80% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Eddie Cat
Hard Headed Girl
168 bpm • A Maj • 03:55 • -8.91db
21% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Hussy Hicks
Light a Candle
181 bpm • E Maj • 05:34 • -11.82db
18% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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SpinalE
L'effetto del pesce fluorescente
181 bpm • G Maj • 01:05 • -6.94db
26% Popularity • 25% Danceability • 58% Energy • 23% Liveness
60% Instrumentalness • 66% Positiveness
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Eddie 9V
Bottle and the Blues
182 bpm • G Maj • 03:59 • -8.87db
9% Popularity • 37% Danceability • 48% Energy • 38% Liveness
3% Instrumentalness • 40% Positiveness
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Camdyn Sandoval
Satisfying You
181 bpm • F# min • 04:39 • -8.02db
26% Popularity • 30% Danceability • 84% Energy • 22% Liveness
12% Instrumentalness • 73% Positiveness
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Cedric Burnside
Smile
166 bpm • G Maj • 02:40 • -7.84db
24% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Boogie Boys
I'm Blessed
183 bpm • G Maj • 06:48 • -9.13db
11% Popularity • 40% Danceability • 54% Energy • 32% Liveness
7% Instrumentalness • 34% Positiveness
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detintin
goto
165 bpm • D Maj • 01:18 • -10.4db
9% Popularity • 33% Danceability • 65% Energy • 25% Liveness
87% Instrumentalness • 83% Positiveness
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The Radiators
End of Your Rope
183 bpm • D Maj • 03:07 • -9.33db
7% Popularity • 34% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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David Perry
Keep Showin' Up
184 bpm • C Maj • 03:23 • -7.42db
16% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Boneshakers
Queenie's Groove
165 bpm • E min • 01:01 • -12.15db
24% Popularity • 55% Danceability • 61% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
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Cedric Burnside
Coming Real To Ya
166 bpm • C Maj • 03:02 • -4.86db
23% Popularity • 42% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Heigh Chief.
Sailin' On
184 bpm • A# Maj • 04:45 • -8.05db
16% Popularity • 47% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Gasoline Gypsies
The Way it Goes
164 bpm • F Maj • 04:08 • -6.19db
12% Popularity • 36% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 64% Positiveness
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Nether Hour
FOXXXY'S
164 bpm • C# min • 02:32 • -6.5db
24% Popularity • 46% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Jacquelyn Baxter
The Trendy Side Of The City
185 bpm • C Maj • 03:48 • -8.51db
28% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Erin Nicole Neal
Red House
185 bpm • E min • 04:54 • -7.53db
19% Popularity • 33% Danceability • 75% Energy • 9% Liveness
3% Instrumentalness • 55% Positiveness
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HeavyDrunk
Leaving Trunk
162 bpm • G Maj • 03:22 • -7.22db
21% Popularity • 49% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Uriah Eisenhower
Waste Time
162 bpm • C Maj • 03:35 • -5.17db
22% Popularity • 47% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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The Paddy Boy Zimmermann Band
Spaghetti In The Night
188 bpm • A Maj • 06:35 • -11.62db
8% Popularity • 30% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mark Joseph
Back-Water Blues
188 bpm • C Maj • 04:33 • -7.86db
8% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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NDOG Band
You Making Trouble For Me
160 bpm • G Maj • 03:30 • -9.35db
8% Popularity • 57% Danceability • 57% Energy • 14% Liveness
13% Instrumentalness • 55% Positiveness
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Erin Nicole Neal
Five Long Years
186 bpm • F min • 05:37 • -8.76db
18% Popularity • 43% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Camdyn Sandoval
Windless
160 bpm • B min • 03:37 • -8.45db
26% Popularity • 50% Danceability • 77% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Campbell & Johnston's Black Market Band
Righteous
160 bpm • A Maj • 02:57 • -6.03db
12% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Ekoostik Hookah
Rock n Roll Band
160 bpm • F Maj • 08:24 • -5.38db
11% Popularity • 36% Danceability • 96% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
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Rob Foglia
Drift
158 bpm • B min • 02:05 • -4.6db
9% Popularity • 36% Danceability • 82% Energy • 90% Liveness
87% Instrumentalness • 58% Positiveness
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Anaelle Peutin
Tea Toast
192 bpm • G Maj • 03:49 • -10.56db
28% Popularity • 37% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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SaRon Crenshaw
Been a Long Time
191 bpm • G Maj • 05:23 • -7.76db
9% Popularity • 39% Danceability • 70% Energy • 5% Liveness
50% Instrumentalness • 72% Positiveness
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Jeremy Short
Rock Of Ages
158 bpm • A Maj • 04:22 • -8.73db
12% Popularity • 34% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Scott Band
Somebody Told Me
156 bpm • C# min • 04:38 • -5.69db
14% Popularity • 54% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Miller and the Other Sinners
Give & Take
156 bpm • D Maj • 04:53 • -7.24db
12% Popularity • 54% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
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Matt Bradford
Water Song
156 bpm • D min • 01:02 • -12.98db
24% Popularity • 44% Danceability • 70% Energy • 29% Liveness
46% Instrumentalness • 80% Positiveness
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Gabriele Scaratti
Turnaround Shuffle
155 bpm • C Maj • 04:49 • -5.57db
18% Popularity • 61% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Assmar
Come Dance the Blues
155 bpm • G Maj • 04:16 • -7.09db
13% Popularity • 43% Danceability • 93% Energy • 9% Liveness
12% Instrumentalness • 48% Positiveness
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Jason James J
Like Dominos
196 bpm • A# min • 04:38 • -13.86db
11% Popularity • 60% Danceability • 40% Energy • 33% Liveness
26% Instrumentalness • 51% Positiveness
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Ty Curtis
Treat Someone
154 bpm • G Maj • 05:57 • -4.27db
19% Popularity • 20% Danceability • 93% Energy • 24% Liveness
50% Instrumentalness • 20% Positiveness
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Tru Phonic
Too Late
154 bpm • G Maj • 05:32 • -10.48db
8% Popularity • 65% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Brian Carmona
Makes Me Wonder Why
152 bpm • G Maj • 04:32 • -11.53db
14% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Firefall
Angry Eyes
152 bpm • C Maj • 04:45 • -7.06db
10% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Malton
First Piece (Backing Track)
152 bpm • A# Maj • 01:04 • -9.19db
15% Popularity • 57% Danceability • 63% Energy • 49% Liveness
97% Instrumentalness • 61% Positiveness
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Larsen Blues
Sun Between The Clouds
152 bpm • C# Maj • 04:40 • -12.84db
8% Popularity • 76% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Hardy Harrod
Joe
151 bpm • G Maj • 05:05 • -9.81db
22% Popularity • 36% Danceability • 72% Energy • 40% Liveness
3% Instrumentalness • 38% Positiveness
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Captain Thomas Project
Since I Have My Baby
200 bpm • G Maj • 03:17 • -6.34db
20% Popularity • 36% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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NDOG Band
To Get Closer
200 bpm • A# min • 03:42 • -11.7db
9% Popularity • 54% Danceability • 51% Energy • 20% Liveness
14% Instrumentalness • 72% Positiveness
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Bernard Allison
Too Many Women
201 bpm • G Maj • 04:16 • -8.51db
13% Popularity • 50% Danceability • 65% Energy • 24% Liveness
3% Instrumentalness • 80% Positiveness
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Shinyribs
Let It Fall into Place
201 bpm • E Maj • 03:17 • -8.6db
13% Popularity • 46% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Angela Petrilli & The Players
Slapjack
150 bpm • D Maj • 02:57 • -8.16db
13% Popularity • 57% Danceability • 83% Energy • 20% Liveness
86% Instrumentalness • 76% Positiveness
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Ryan & Willie
Chained by Your Love
150 bpm • A min • 03:13 • -8.11db
20% Popularity • 69% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Jay Rin
103
150 bpm • B min • 03:41 • -9.53db
16% Popularity • 62% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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The Jon Storey Band
Women Come And Go (But I’ve Still Got ...
150 bpm • F# min • 02:38 • -10db
10% Popularity • 53% Danceability • 60% Energy • 9% Liveness
33% Instrumentalness • 56% Positiveness
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Donald Fagen
What I Do - Live
202 bpm • A min • 06:52 • -16.83db
1% Popularity • 32% Danceability • 37% Energy • 86% Liveness
5% Instrumentalness • 52% Positiveness
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Big Note
Stares at Me
150 bpm • G# Maj • 03:39 • -8db
20% Popularity • 28% Danceability • 86% Energy • 70% Liveness
37% Instrumentalness • 57% Positiveness
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Jacquelyn Baxter
I Have To Be Crazy
202 bpm • A# min • 04:25 • -7.22db
26% Popularity • 26% Danceability • 74% Energy • 27% Liveness
1% Instrumentalness • 64% Positiveness
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Pamela Borum
Bad Romance
149 bpm • A min • 04:47 • -7.34db
15% Popularity • 70% Danceability • 71% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Hadden Sayers
Don't Take Your Love (out on me)
204 bpm • D Maj • 03:04 • -6.61db
9% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Derek Frank
I Know a Little
205 bpm • D Maj • 04:27 • -7.25db
15% Popularity • 35% Danceability • 84% Energy • 33% Liveness
77% Instrumentalness • 40% Positiveness
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The Soul Of John Black
Six Pack of Blues
148 bpm • D# Maj • 04:38 • -7.58db
8% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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When