Songs like Where Are The Prophets? by Peterside Ottong
Based on a tempo of (+/- 10%) and a similar genre
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Matshikos
No. 1 Lady
176 bpm • A# Maj • 05:01 • -8.37db
9% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Peterside Ottong
Where Are The Prophets?
176 bpm • G Maj • 05:15 • -7.59db
11% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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NETHWADZI
Mudifho Busese
175 bpm • A Maj • 05:08 • -9.78db
15% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Daasebre Gyamenah
Makye
175 bpm • G Maj • 04:57 • -10.05db
24% Popularity • 64% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Nez & His Top Six
Onye Ma Echi
178 bpm • C Maj • 06:46 • -12.55db
17% Popularity • 40% Danceability • 53% Energy • 26% Liveness
8% Instrumentalness • 90% Positiveness
17% Popularity • 40% Danceability • 53% Energy • 26% Liveness
8% Instrumentalness • 90% Positiveness
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Ama Yellow Bone
Yinil'evuthangaphansi
178 bpm • G Maj • 04:13 • -4.54db
13% Popularity • 61% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 61% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
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Fireforce10
Your Name
174 bpm • F# Maj • 01:40 • -7.33db
26% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Ras Kimono
Natty Get Jail
176 bpm • C# Maj • 04:52 • -9.24db
4% Popularity • 74% Danceability • 61% Energy • 8% Liveness
17% Instrumentalness • 91% Positiveness
4% Popularity • 74% Danceability • 61% Energy • 8% Liveness
17% Instrumentalness • 91% Positiveness
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Peterside Ottong
Where Are The Prophets?
178 bpm • G Maj • 05:48 • -2.33db
0% Popularity • 62% Danceability • 93% Energy • 42% Liveness
58% Instrumentalness • 55% Positiveness
0% Popularity • 62% Danceability • 93% Energy • 42% Liveness
58% Instrumentalness • 55% Positiveness
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Mc Abraham
Fa Onyame Asem
174 bpm • C Maj • 05:54 • -9.36db
8% Popularity • 74% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 74% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Thomas Mapfumo
Jairosi
173 bpm • G Maj • 06:35 • -10.44db
22% Popularity • 56% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 56% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
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Mandators
Rebel
173 bpm • D# Maj • 04:52 • -1.85db
5% Popularity • 56% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 56% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Victor Olaiya
Mofe Mu Yan
173 bpm • C Maj • 04:48 • -3.09db
22% Popularity • 47% Danceability • 68% Energy • 20% Liveness
44% Instrumentalness • 58% Positiveness
22% Popularity • 47% Danceability • 68% Energy • 20% Liveness
44% Instrumentalness • 58% Positiveness
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Ras Kimono
What's Gwan
173 bpm • F# Maj • 05:17 • -6.56db
19% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Jah Prayzah
Soja Rinosvika Kure
172 bpm • G Maj • 06:04 • -6.37db
17% Popularity • 65% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 65% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Morgan
Akam Emejalem
172 bpm • A# Maj • 03:49 • -4.49db
11% Popularity • 74% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 74% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Juliana Kanyomozi
Bushoke with Usiende Mbali
180 bpm • G# Maj • 04:35 • -11.59db
34% Popularity • 61% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 61% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Kamoko
Ndiri Kinanda Prt 2
180 bpm • D Maj • 03:17 • -2.37db
15% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Penwell Kunene
Uzozisola
172 bpm • E min • 05:14 • -9.41db
9% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Hector Chambers / aka astro
In the streets
180 bpm • D Maj • 02:35 • -7.57db
8% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Jah Prayzah
Chii_
180 bpm • G Maj • 06:35 • -14.43db
10% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Elly Wamala
Yalaba Sirina Sente
172 bpm • D# Maj • 06:34 • -10.23db
11% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Nana Tuffour
Nyankonton
172 bpm • A# Maj • 07:38 • -13.9db
19% Popularity • 64% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Fanuel Sedekia
Moyoni
172 bpm • F Maj • 03:35 • -7.23db
7% Popularity • 61% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 61% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
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Umakalanyana
Unomazulu - Original
172 bpm • B Maj • 04:03 • -5.63db
14% Popularity • 46% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 46% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Majek Fashek
Free Africa, Free Mandela
180 bpm • F Maj • 05:39 • -15.18db
18% Popularity • 62% Danceability • 50% Energy • 78% Liveness
24% Instrumentalness • 72% Positiveness
18% Popularity • 62% Danceability • 50% Energy • 78% Liveness
24% Instrumentalness • 72% Positiveness
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Daasebre Gyamenah
U Stole My Heart
172 bpm • D# Maj • 04:49 • -8.66db
34% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Dr. Paa Bobo
EDE MABO
172 bpm • G Maj • 06:21 • -5.35db
14% Popularity • 61% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 61% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
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Oliver Mtukudzi
Ziwere
181 bpm • G Maj • 06:31 • -8.11db
13% Popularity • 50% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 50% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Peterside Ottong
Where Are The Prophets?
171 bpm • F# Maj • 05:22 • -6.62db
6% Popularity • 70% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
6% Popularity • 70% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Nana Tuffour
Down On My Knees
171 bpm • D Maj • 06:17 • -6.26db
11% Popularity • 67% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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Ras Kimono
What's Gawn?
171 bpm • F# Maj • 05:25 • -8.42db
8% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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KODA
Twer Jesus
182 bpm • C min • 05:19 • -12.32db
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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NETHWADZI
Zwanda Zwia Tanzwana
170 bpm • G# Maj • 04:19 • -9.93db
17% Popularity • 81% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 81% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Lucius Banda
Zamumtima
170 bpm • E Maj • 03:48 • -7.23db
21% Popularity • 77% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 97% Positiveness
21% Popularity • 77% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 97% Positiveness
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Peterside Ottong
Jah Version
171 bpm • B Maj • 05:31 • -9.06db
3% Popularity • 80% Danceability • 86% Energy • 18% Liveness
13% Instrumentalness • 63% Positiveness
3% Popularity • 80% Danceability • 86% Energy • 18% Liveness
13% Instrumentalness • 63% Positiveness
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The Gordons
Kuwiye
170 bpm • F Maj • 04:00 • -8.68db
10% Popularity • 71% Danceability • 78% Energy • 22% Liveness
2% Instrumentalness • 91% Positiveness
10% Popularity • 71% Danceability • 78% Energy • 22% Liveness
2% Instrumentalness • 91% Positiveness
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Stella Seal
Pentecost Gya
170 bpm • A# Maj • 04:14 • -9.41db
12% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Orits Wiliki Kole-Man Revolutionaire
Conqueror
170 bpm • F# min • 03:53 • -6.21db
3% Popularity • 70% Danceability • 86% Energy • 9% Liveness
12% Instrumentalness • 97% Positiveness
3% Popularity • 70% Danceability • 86% Energy • 9% Liveness
12% Instrumentalness • 97% Positiveness
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NETHWADZI
Vhutshilo Ndou (Wedding)
170 bpm • E Maj • 06:13 • -10db
15% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Lucius Banda
Ndisiyireni Kanga
170 bpm • A Maj • 04:42 • -3.14db
22% Popularity • 68% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 68% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Peterside Ottong
Sons Of Dogs
169 bpm • G Maj • 04:46 • -8.43db
3% Popularity • 75% Danceability • 76% Energy • 19% Liveness
27% Instrumentalness • 92% Positiveness
3% Popularity • 75% Danceability • 76% Energy • 19% Liveness
27% Instrumentalness • 92% Positiveness
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Paul kafeero
Mulekwa Emomboze
169 bpm • G Maj • 11:48 • -19.72db
8% Popularity • 54% Danceability • 32% Energy • 26% Liveness
56% Instrumentalness • 71% Positiveness
8% Popularity • 54% Danceability • 32% Energy • 26% Liveness
56% Instrumentalness • 71% Positiveness
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Daddy Lumba
Odo Mensu
168 bpm • A# min • 04:45 • -6.9db
9% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nana Tuffour
Oh Jesus
184 bpm • A Maj • 05:39 • -5.43db
7% Popularity • 70% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
7% Popularity • 70% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
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Rex Suru
Man Could Be Angel
165 bpm • F Maj • 04:11 • -10.36db
27% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Lucius Banda
Liri Kuti
168 bpm • A Maj • 05:42 • -7.25db
20% Popularity • 82% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 82% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Peterside Ottong
On The Side Of Life
167 bpm • F min • 05:25 • -7.83db
10% Popularity • 74% Danceability • 63% Energy • 23% Liveness
3% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 63% Energy • 23% Liveness
3% Instrumentalness • 88% Positiveness
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Adewale Ayuba
Acceleration
167 bpm • A Maj • 02:52 • -5.56db
27% Popularity • 54% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 54% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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Mlaka Maliro
Chinyengo
165 bpm • F Maj • 05:54 • -12.35db
19% Popularity • 79% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 79% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ene Ojo
Everything Will Be Alright
165 bpm • D# Maj • 03:48 • -4.88db
16% Popularity • 56% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 56% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Evi-Edna Ogholi
Ririovara
165 bpm • G# Maj • 05:39 • -7.57db
12% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Black Missionaries
Oweruza
164 bpm • D Maj • 07:32 • -2.76db
17% Popularity • 68% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 68% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Evang. Nnamdi Ewenighi
Ichiga Achiga
191 bpm • C# Maj • 05:40 • -6.28db
22% Popularity • 68% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 68% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Edward Akwasi Boateng
Won tumi fan sie Awurade
192 bpm • C Maj • 06:22 • -6.68db
8% Popularity • 71% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 71% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ras Kimono
Gimme Likkie Sugar
161 bpm • B min • 03:23 • -9.08db
18% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Tangara Speed Ghoda
Loubard feeling
160 bpm • G Maj • 05:36 • -3.79db
12% Popularity • 64% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 64% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Evi-Edna Ogholi
Ririovara (Dry Your Tears )
165 bpm • G# Maj • 05:39 • -10.82db
19% Popularity • 80% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 80% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Madoxx Sematimba
Ssebo omuyimbi
160 bpm • G Maj • 05:47 • -9.25db
22% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Imfezemnyama
Ngike ngicabange
160 bpm • F Maj • 04:54 • -4.41db
9% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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NETHWADZI
Rathando
160 bpm • A Maj • 06:01 • -10.41db
15% Popularity • 86% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 86% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Ras Kimono
Under Pressure
161 bpm • B min • 03:39 • -9.03db
12% Popularity • 71% Danceability • 85% Energy • 5% Liveness
76% Instrumentalness • 86% Positiveness
12% Popularity • 71% Danceability • 85% Energy • 5% Liveness
76% Instrumentalness • 86% Positiveness
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Pastor Anietie Akpan
Never Fail
160 bpm • F Maj • 03:24 • -6.81db
18% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Evi-Edna Ogholi
Happy Birthday
161 bpm • B Maj • 05:42 • -8.82db
9% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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African China
Our Government
194 bpm • G Maj • 04:29 • -9.02db
10% Popularity • 58% Danceability • 80% Energy • 4% Liveness
40% Instrumentalness • 46% Positiveness
10% Popularity • 58% Danceability • 80% Energy • 4% Liveness
40% Instrumentalness • 46% Positiveness
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Ayaka Ozubulu
Chukwuebuka
195 bpm • C# Maj • 08:38 • -5.03db
31% Popularity • 78% Danceability • 69% Energy • 7% Liveness
9% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 69% Energy • 7% Liveness
9% Instrumentalness • 97% Positiveness
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Thompson Oranu
Ihe Ayi Nemere Onwayi
195 bpm • D Maj • 06:40 • -7.19db
17% Popularity • 65% Danceability • 74% Energy • 7% Liveness
16% Instrumentalness • 98% Positiveness
17% Popularity • 65% Danceability • 74% Energy • 7% Liveness
16% Instrumentalness • 98% Positiveness
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Nana Tuffour
I'm Feeling Your Love
158 bpm • C Maj • 05:51 • -7.47db
13% Popularity • 68% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 68% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Oliver De Coque
People's Club of Nigeria
196 bpm • G Maj • 05:17 • -13.43db
30% Popularity • 60% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Evi-Edna Ogholi
Happy Birthday
160 bpm • B Maj • 05:39 • -12.51db
25% Popularity • 71% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 71% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Haruna Ishola [M.O.N. Baba Ngani Agba] and His Apala Group
Ina Ran
158 bpm • F# min • 02:59 • -1.16db
22% Popularity • 72% Danceability • 94% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 72% Danceability • 94% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
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Ras Kimono
Rum-Bar Stylee
157 bpm • G Maj • 03:50 • -12.18db
18% Popularity • 80% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 80% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Fire Ceaser
Yawe Is Your Name
156 bpm • C Maj • 01:42 • -4.47db
15% Popularity • 77% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 77% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Nkem Owoh
Agreement
198 bpm • A# min • 09:08 • -10.9db
18% Popularity • 71% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Linda Gcwensa
Lalela
156 bpm • C# min • 03:34 • -8.17db
10% Popularity • 51% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
10% Popularity • 51% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Evi-Edna Ogholi
Okioghene (God's Time)
156 bpm • B Maj • 05:28 • -10.17db
13% Popularity • 83% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 83% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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NETHWADZI
Wedding Song (Dennis Mulaudzi)
155 bpm • B Maj • 04:10 • -9.17db
17% Popularity • 88% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 88% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Nana Kwame Ampadu
Sanbra Konadu
154 bpm • C# Maj • 07:02 • -14.59db
17% Popularity • 68% Danceability • 54% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
17% Popularity • 68% Danceability • 54% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
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Lucius Banda
Tina
202 bpm • G# Maj • 06:53 • -10.57db
20% Popularity • 50% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 50% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Bro. Ifeanyi Ibeabuchi
Eluwa
153 bpm • F min • 05:17 • -8.76db
15% Popularity • 43% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 43% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 81% Positiveness
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Mandators
Apartheid
153 bpm • A Maj • 04:49 • -9.45db
7% Popularity • 84% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
7% Popularity • 84% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Ras Kimono
Rastafarian
153 bpm • A Maj • 04:44 • -13.83db
12% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Chief Dr. Oliver De Coque & His Expo '76 Ogene Sound Super of Africa
Ana Enwe Obodo Enwe
153 bpm • C# Maj • 06:45 • -10.88db
8% Popularity • 55% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 88% Positiveness
8% Popularity • 55% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 88% Positiveness
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Evi-Edna Ogholi
Rihemu
151 bpm • C Maj • 04:04 • -5.74db
12% Popularity • 80% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 80% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Solomon Skuza
You Don't Love Me Any More
150 bpm • G# Maj • 06:19 • -8.63db
17% Popularity • 75% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 75% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Rogger blake
Without You
206 bpm • D# Maj • 04:26 • -8.7db
25% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mzekezeke
Uph'uMzeke?
214 bpm • G# Maj • 04:54 • -5.34db
15% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
