Songs like Where Are The Stars? by Silver Maple
Based on a tempo of (+/- 10%) and a similar genre
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U137
Anemone
110 bpm • C Maj • 04:07 • -11.69db
26% Popularity • 46% Danceability • 36% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
26% Popularity • 46% Danceability • 36% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
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Silver Maple
Where Are The Stars?
110 bpm • A min • 02:30 • -28.75db
20% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Patrick Jonsson
Apoptosis
110 bpm • C min • 04:39 • -19db
24% Popularity • 35% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
24% Popularity • 35% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Niklas Aman
Stronger
110 bpm • F Maj • 02:36 • -14.5db
33% Popularity • 51% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
33% Popularity • 51% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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August Wilhelmsson
The Big Truth
110 bpm • D min • 02:28 • -20.08db
32% Popularity • 18% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Martin Gauffin
Beau
110 bpm • G Maj • 02:17 • -18.89db
44% Popularity • 64% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
44% Popularity • 64% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Sergey Cheremisinov
City of Lonely Ghosts
110 bpm • F Maj • 03:12 • -25.43db
8% Popularity • 28% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 28% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Hoenix
Introspection
110 bpm • E min • 06:21 • -15.64db
32% Popularity • 35% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 35% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Krale
Memoirs of the Forgotten
110 bpm • F min • 03:35 • -16.21db
31% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Chelsea McGough
Hold This Place
110 bpm • A min • 04:47 • -18.05db
30% Popularity • 28% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 28% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Zack Hemsey
End Of An Era
110 bpm • D min • 03:36 • -10.6db
34% Popularity • 16% Danceability • 33% Energy • 25% Liveness
79% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 33% Energy • 25% Liveness
79% Instrumentalness • 4% Positiveness
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Silver Maple
Absorption
110 bpm • G Maj • 02:41 • -25.46db
3% Popularity • 17% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Francis Wells
Tranquility Sphere
111 bpm • A# min • 02:01 • -27.79db
42% Popularity • 20% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Thomas James White
A Whisper
111 bpm • F# Maj • 03:11 • -26.58db
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Slow Meadow
Hananel's Recovery
111 bpm • F# Maj • 03:03 • -15.06db
15% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Alan Ellis
Come Follow
108 bpm • D Maj • 03:11 • -14.34db
31% Popularity • 18% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Secession Studios
White Lies and Fireflies
108 bpm • E Maj • 02:11 • -16.53db
13% Popularity • 69% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 69% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Rhian Sheehan
The Pier
108 bpm • A# min • 02:03 • -17.83db
39% Popularity • 45% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
39% Popularity • 45% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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At The End Of Times, Nothing
Petrichor
108 bpm • C Maj • 03:40 • -13.37db
24% Popularity • 51% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 51% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 5% Positiveness
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Lowercase Noises
It Reminded Me of a Very Old Place
108 bpm • D Maj • 05:52 • -13.4db
21% Popularity • 24% Danceability • 27% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 27% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Jon Ekstrand
Goodnight, Earth
112 bpm • D min • 03:44 • -30.49db
14% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alan Ellis
A New Tomorrow
108 bpm • C Maj • 03:00 • -21.8db
29% Popularity • 34% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
39% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Silver Maple
'Till We Meet Again
107 bpm • D Maj • 04:01 • -21.18db
8% Popularity • 21% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ebb & Flod
Alexandria
113 bpm • G Maj • 03:05 • -15.93db
21% Popularity • 56% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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För Alltid
Aftonland
107 bpm • C# min • 05:36 • -29.35db
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
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Oscar Collin
Translucent
107 bpm • D# Maj • 02:07 • -25.65db
35% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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They Dream By Day
We Are Forever
114 bpm • D Maj • 02:14 • -22.68db
43% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
43% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Lights & Motion
Everest
114 bpm • C Maj • 03:03 • -12.67db
24% Popularity • 49% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 49% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Alan Ellis
A Rising Sun
114 bpm • C# Maj • 03:28 • -27.7db
36% Popularity • 17% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Ebb & Flod
Cordis Gravitas
114 bpm • A# Maj • 03:20 • -12.92db
14% Popularity • 54% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Hannah Parrott
The Stunning Ordinary
106 bpm • A min • 02:54 • -19.35db
28% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Santhosh Narayanan
Ul Kuthu (Background Score)
114 bpm • E min • 01:30 • -17.27db
17% Popularity • 23% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
17% Popularity • 23% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
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LUCHS
Twin Tales
115 bpm • C# Maj • 02:28 • -26.33db
33% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Clinton Shorter
The Ocean
115 bpm • D min • 02:19 • -22db
44% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
44% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Alan Ellis
Looking For More
114 bpm • F Maj • 02:40 • -27.93db
22% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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August Wilhelmsson
Columbia RD
115 bpm • C# Maj • 01:54 • -24.98db
33% Popularity • 31% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Elskavon
Dusk Line Hills
115 bpm • C# Maj • 03:57 • -12.54db
9% Popularity • 30% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Ed Carlsen
Otto
115 bpm • G min • 04:37 • -27.46db
20% Popularity • 24% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Silver Maple
At the End of Nothing
115 bpm • G min • 03:05 • -18.52db
22% Popularity • 46% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 46% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Ebb & Flod
Self Help
115 bpm • F# min • 02:30 • -22.87db
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Patryk Scelina
We Are Here for Each Other
115 bpm • A min • 02:09 • -9db
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Jakob Ahlbom
Approaching Spring
105 bpm • D Maj • 03:50 • -16db
35% Popularity • 17% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
35% Popularity • 17% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Hushed
Bring Back Tomorrow
115 bpm • E min • 03:37 • -21.07db
17% Popularity • 20% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Making Water
116 bpm • A# Maj • 02:38 • -18.85db
47% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
47% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Silver Maple
Incandescence
116 bpm • D Maj • 02:19 • -29.98db
11% Popularity • 29% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
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Glowworm
Two Great Lights
116 bpm • E Maj • 06:37 • -20.93db
9% Popularity • 34% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Dexter Britain
From Truth
116 bpm • C# Maj • 03:41 • -25.37db
26% Popularity • 59% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
26% Popularity • 59% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Rand Aldo
Aim For The Stars
116 bpm • D# Maj • 02:22 • -17db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Mabelle Jonsson
Find Me Again
116 bpm • C Maj • 01:55 • -30.77db
21% Popularity • 42% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 42% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Lowercase Noises
From: A Bitter Grief
104 bpm • G Maj • 02:38 • -24.39db
26% Popularity • 19% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Silver Maple
After The Rain
116 bpm • C Maj • 03:08 • -29.23db
33% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Ebb & Flod
Luna
116 bpm • C# min • 02:28 • -19db
36% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
36% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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James Everingham
Chasing the Wind
104 bpm • F# Maj • 03:30 • -18db
17% Popularity • 38% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
17% Popularity • 38% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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RØRE
Vikersund
104 bpm • C Maj • 03:02 • -12.6db
38% Popularity • 43% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Christoffer Franzen
And We Collide Into Nothingness
117 bpm • E min • 02:50 • -12.48db
17% Popularity • 17% Danceability • 26% Energy • 36% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 26% Energy • 36% Liveness
79% Instrumentalness • 4% Positiveness
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Rhian Sheehan
Lost Letters
116 bpm • F Maj • 03:50 • -22.93db
17% Popularity • 34% Danceability • 8% Energy • 16% Liveness
96% Instrumentalness • 7% Positiveness
17% Popularity • 34% Danceability • 8% Energy • 16% Liveness
96% Instrumentalness • 7% Positiveness
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Thomas James White
I Have No Heaven Left
117 bpm • G min • 02:13 • -22.27db
29% Popularity • 58% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 31% Positiveness
29% Popularity • 58% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 31% Positiveness
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Lights & Motion
Paper Wings
117 bpm • C Maj • 02:15 • -27.83db
25% Popularity • 42% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 42% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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LUCHS
As It Should Be
103 bpm • C Maj • 05:17 • -17db
23% Popularity • 17% Danceability • 16% Energy • 30% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 16% Energy • 30% Liveness
89% Instrumentalness • 4% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Engvall
Längtan
103 bpm • E Maj • 04:07 • -18.25db
15% Popularity • 53% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 28% Positiveness
15% Popularity • 53% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 28% Positiveness
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Jo Wandrini
Tomorrow Is Another Day
118 bpm • G# Maj • 03:35 • -19db
15% Popularity • 22% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Silver Maple
Unspoken
118 bpm • A min • 05:10 • -14db
22% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Ceilidh
The Plains of Dover
118 bpm • G Maj • 03:11 • -17db
19% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
19% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Slow Meadow
Lachrymosia
118 bpm • D min • 05:51 • -18.13db
26% Popularity • 22% Danceability • 11% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Levi Patel
Since Last Letters
118 bpm • B min • 06:04 • -17.13db
23% Popularity • 42% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 42% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Elm Lake
Thoughts in the Rain
118 bpm • B min • 02:46 • -19db
29% Popularity • 47% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
29% Popularity • 47% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
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Thomas James White
The River Severn
118 bpm • C Maj • 03:15 • -20.53db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
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Silver Maple
Crayons Part 2
102 bpm • G Maj • 02:10 • -39.32db
32% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
32% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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Paul Haslinger
The Scenic Route
102 bpm • D min • 01:49 • -26db
37% Popularity • 54% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
37% Popularity • 54% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Caleb Etheridge
Eyes of Wonder
119 bpm • B Maj • 05:43 • -12.43db
29% Popularity • 20% Danceability • 45% Energy • 14% Liveness
95% Instrumentalness • 16% Positiveness
29% Popularity • 20% Danceability • 45% Energy • 14% Liveness
95% Instrumentalness • 16% Positiveness
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Levi Patel
And She Translated Into the Sky
119 bpm • D min • 07:22 • -17.95db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Lights & Motion
Anamorphic
119 bpm • C Maj • 03:51 • -18.01db
21% Popularity • 20% Danceability • 23% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 23% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Daniel Pemberton
OSR IV - IV
119 bpm • C Maj • 03:48 • -22.83db
12% Popularity • 26% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 26% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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BPMoore
Lyra
120 bpm • G min • 02:23 • -24.01db
37% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
37% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Krale
Among Trees
120 bpm • G min • 03:44 • -16.97db
24% Popularity • 17% Danceability • 21% Energy • 39% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 21% Energy • 39% Liveness
90% Instrumentalness • 3% Positiveness
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U137
The Great Leap
120 bpm • C Maj • 03:53 • -6.98db
21% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Jeff Russo
The Next Screen (Bonus)
120 bpm • E min • 02:42 • -14.8db
35% Popularity • 38% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
35% Popularity • 38% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Elskavon
Imprints
101 bpm • G# Maj • 04:18 • -13.83db
14% Popularity • 27% Danceability • 40% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 40% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Secession Studios
Age of Resonance
120 bpm • C Maj • 04:23 • -18.66db
17% Popularity • 29% Danceability • 31% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 31% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Manos Milonakis
Dressing
120 bpm • D# Maj • 02:02 • -16.59db
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Francis Wells
Life Chronicles
120 bpm • A# Maj • 02:24 • -20db
38% Popularity • 48% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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Fractured Light Music
We Dream Of Stars
120 bpm • A min • 02:40 • -23db
32% Popularity • 40% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Tristan Barton
Revelations
120 bpm • G Maj • 03:40 • -14.58db
31% Popularity • 46% Danceability • 40% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
31% Popularity • 46% Danceability • 40% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Caleb Etheridge
Always Dreaming
120 bpm • D min • 03:06 • -22db
31% Popularity • 51% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
31% Popularity • 51% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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London Music Works
Icarus - Main Theme
120 bpm • G min • 04:49 • -15.11db
22% Popularity • 46% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
22% Popularity • 46% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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August Wilhelmsson
There Is No Me
120 bpm • C Maj • 02:20 • -21.04db
26% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
26% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Exist Strategy
Ambient Brain
120 bpm • C Maj • 03:40 • -23.02db
13% Popularity • 48% Danceability • 6% Energy • 31% Liveness
83% Instrumentalness • 7% Positiveness
13% Popularity • 48% Danceability • 6% Energy • 31% Liveness
83% Instrumentalness • 7% Positiveness
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Nil Ciuró
Constellations
120 bpm • B Maj • 03:16 • -9.46db
15% Popularity • 60% Danceability • 47% Energy • 35% Liveness
71% Instrumentalness • 25% Positiveness
15% Popularity • 60% Danceability • 47% Energy • 35% Liveness
71% Instrumentalness • 25% Positiveness
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Adam Fielding
And All Is As It Should Be
120 bpm • E min • 03:06 • -19.4db
7% Popularity • 42% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 42% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Simon Folwar
The Lonely Mountain
120 bpm • C Maj • 03:18 • -12.66db
23% Popularity • 21% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 21% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Luca Longobardi
Pavel - Piano Day 2018
120 bpm • C# Maj • 04:24 • -23.53db
16% Popularity • 61% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
16% Popularity • 61% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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August Wilhelmsson
Dreams Of Another Reality
120 bpm • C min • 03:10 • -20.34db
35% Popularity • 57% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Secession Studios
Times Passing
120 bpm • G# min • 04:23 • -18.21db
17% Popularity • 47% Danceability • 24% Energy • 26% Liveness
82% Instrumentalness • 19% Positiveness
17% Popularity • 47% Danceability • 24% Energy • 26% Liveness
82% Instrumentalness • 19% Positiveness
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Silver Maple
This Delicate Place
120 bpm • G Maj • 02:40 • -24.91db
9% Popularity • 49% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 49% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Hannah Parrott
Summit
120 bpm • G Maj • 03:10 • -18.32db
20% Popularity • 31% Danceability • 24% Energy • 38% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 31% Danceability • 24% Energy • 38% Liveness
92% Instrumentalness • 4% Positiveness
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Prequell
Part X
120 bpm • D min • 04:59 • -15db
31% Popularity • 41% Danceability • 32% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
31% Popularity • 41% Danceability • 32% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
