Songs like Where Are You? - Original Broadway Cast Recording: "Spamalot" by Christian Borle
Based on a tempo of (+/- 10%) and a similar genre
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Alison Fraser
My Boy
71 bpm • A min • 03:28 • -13.41db
5% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Brandon Uranowitz
They Can't Take That Away from Me
70 bpm • C# min • 02:10 • -13.2db
16% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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SMASH Cast
The Right Regrets (SMASH Cast Version)
72 bpm • B min • 02:34 • -17.43db
20% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jonathan Groff
Sudden Changes
72 bpm • C Maj • 01:22 • -17.85db
30% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Christian Borle
I Won't Grow up (Reprise)
70 bpm • C# Maj • 01:50 • -9.84db
13% Popularity • 44% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 44% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
34% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Stephanie D'Abruzzo
Mix Tape
74 bpm • A Maj • 03:35 • -14.86db
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
When I Was a Kid (Part One)
74 bpm • C Maj • 02:00 • -14.55db
6% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
34% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Michelle Kelly as Mary Poppins
A Spoonful of Sugar (reprise) / A Shooti...
76 bpm • A# Maj • 03:46 • -15.76db
19% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Alison Fraser
Overture
68 bpm • F Maj • 01:42 • -18.66db
7% Popularity • 31% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
7% Popularity • 31% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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Christian Borle
Totally Safe
75 bpm • C# Maj • 01:33 • -4.75db
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
27% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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'Falsettos' 2016 Broadway Company
The Baseball Game
76 bpm • F# Maj • 04:44 • -7db
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alison Fraser
Picture Postcard Place (Reprise)
76 bpm • F Maj • 01:11 • -17.03db
12% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Maury Yeston
We'll Meet Tomorrow
66 bpm • E Maj • 02:26 • -13.07db
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Mary Lou Rosato
Sensitivity
66 bpm • D Maj • 02:53 • -13.91db
18% Popularity • 54% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 54% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Christian Borle
What More Can I Say?
77 bpm • C Maj • 04:15 • -16.78db
38% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sally Dexter
London Bridge
78 bpm • G Maj • 04:00 • -19db
18% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew Keenan-Bolger
Seventeen
64 bpm • G Maj • 02:03 • -12db
29% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
12% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Merwin Foard as Pilot
Fathoms Below
79 bpm • D Maj • 02:34 • -16db
34% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Lynn Ahrens
Alone in The Universe (Reprise) - Origin...
80 bpm • G Maj • 01:06 • -19.65db
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Borle
Father to Son
80 bpm • F Maj • 04:01 • -20.26db
36% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Katie Thompson
Sweet Dreams
80 bpm • C Maj • 02:51 • -9.79db
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Charles Strouse
Annie: Annie
80 bpm • C# Maj • 01:35 • -12.68db
23% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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David Haig as George Banks
Good For Nothing / Being Mrs Banks (repr...
80 bpm • C# Maj • 04:06 • -18.9db
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Borle
Show Me The Stage
80 bpm • C# min • 02:46 • -7.86db
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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'Falsettos' 2016 Broadway Company
Days Like This
81 bpm • D Maj • 03:18 • -7.33db
38% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Kiddy-Widdy-Win...
81 bpm • A min • 02:49 • -18.56db
16% Popularity • 46% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 46% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Anthony Rapp
T.E.A.M. / The Baseball Game
82 bpm • D Maj • 03:42 • -14.19db
26% Popularity • 53% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 53% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Kevin Chamberlin
The People Versus Horton The Elephant - ...
82 bpm • E Maj • 04:30 • -10.84db
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chefs - The Little Mermaid Original Broadway Cast
Les Poissons (Reprise)
82 bpm • A# Maj • 01:56 • -14.62db
27% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tammy Blanchard
Finale (Don't Feed the Plants)
82 bpm • A# min • 03:23 • -7.7db
29% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
37% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Christian Borle
I Never Wanted to Love You
84 bpm • G# Maj • 02:44 • -7db
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Kirby Ward
What Causes That?
85 bpm • C Maj • 03:42 • -21db
19% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
