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Where Did You Meet Her
Songs like
Where Did You Meet Her
by
Brendan Shine
Based on a tempo of (+/- 10%) and a similar genre
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Shane Owens
Never Tire Of The Road
99 bpm • G Maj • 03:49 • -4.23db
24% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Michael English
Friday at the Dance
99 bpm • C Maj • 02:51 • -5db
36% Popularity • 72% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Matthews
Marie
99 bpm • F Maj • 03:52 • -3db
33% Popularity • 57% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Dolan
My Own Perculiar Way
99 bpm • C Maj • 02:22 • -7.87db
26% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Brendan Shine
Where Did You Meet Her
99 bpm • G Maj • 02:42 • -9.52db
29% Popularity • 66% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Big Tom And The Mainliners
Flowers For Mama
99 bpm • D Maj • 03:00 • -10.5db
13% Popularity • 70% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Coll
Old Loves Never Die
100 bpm • A Maj • 03:06 • -11.87db
30% Popularity • 30% Danceability • 35% Energy • 36% Liveness
1% Instrumentalness • 34% Positiveness
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Kevin Prendergast
Three Pubs in Bohola
98 bpm • D Maj • 02:30 • -10.36db
19% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Frank McCaffrey
The Wedding Song
98 bpm • A Maj • 03:42 • -7.71db
25% Popularity • 50% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Kathy Durkin
Louisiana Saturday Night
98 bpm • A Maj • 02:21 • -14db
21% Popularity • 33% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Devine
Ireland's Turning Country
100 bpm • D Maj • 03:25 • -6.11db
34% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Stuart Moyles
Hold The Line
100 bpm • F Maj • 04:09 • -4.42db
24% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Declan Nerney
Marquee In Drumlish
98 bpm • D Maj • 03:14 • -5.28db
28% Popularity • 82% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Matthews
The Farmer Wants a Wife
100 bpm • G# Maj • 02:49 • -3.65db
38% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Michael English
Joey On The Fiddle
100 bpm • A# Maj • 03:31 • -5.95db
23% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Gary Gamble
Catch Me If You Can
100 bpm • G Maj • 02:26 • -4.86db
38% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Stephen Smyth
The Boy From Donegal
100 bpm • A Maj • 02:54 • -7.45db
17% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Stuart Moyles
Westport Town
100 bpm • C# Maj • 04:09 • -4.44db
34% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Brian Coll
Green Fields Of Ireland
98 bpm • G# Maj • 02:49 • -12.02db
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Liam Kelly
Shamrock and Heather
98 bpm • D Maj • 03:04 • -5.78db
18% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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The Ennis Brothers
Star Of The County Down
100 bpm • C min • 02:53 • -5.31db
43% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Gary Gamble
Star of the County Down
100 bpm • D Maj • 02:52 • -4db
22% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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T.R. Dallas
Say You Love Me
100 bpm • F Maj • 02:53 • -8.4db
20% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Brady
I Think About You
100 bpm • G Maj • 03:30 • -3.98db
25% Popularity • 55% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Stuart Moyles
The Streets Of Galway
98 bpm • G Maj • 03:39 • -2.56db
31% Popularity • 68% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Shaun Loughrey
Bed of Roses
98 bpm • G Maj • 03:02 • -5.02db
34% Popularity • 67% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Jack Keogh
One More
98 bpm • F# Maj • 03:45 • -6.62db
37% Popularity • 51% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Lynch
The Banks of My Own Lovely Lee
98 bpm • B Maj • 02:47 • -11db
31% Popularity • 49% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Larry Cunningham
Old Dungarvan Oak
98 bpm • C# Maj • 02:55 • -9.52db
24% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Barnbrack
I'll Take You Home Again Kathleen
98 bpm • E Maj • 04:43 • -11db
13% Popularity • 42% Danceability • 34% Energy • 92% Liveness
0% Instrumentalness • 21% Positiveness
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Jim Devine
Leighann Loves To Dance
98 bpm • D# Maj • 03:10 • -7db
30% Popularity • 63% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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The Murphys
Nelena
98 bpm • F# min • 03:38 • -6.36db
29% Popularity • 57% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Brendan Bowyer
On the Banks of My Own Lovely Lee
98 bpm • D Maj • 03:07 • -19.04db
30% Popularity • 42% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Douglas
Don't Think Twice
98 bpm • D Maj • 03:30 • -8db
15% Popularity • 66% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Brady
Down By The River
98 bpm • F Maj • 03:13 • -5.22db
29% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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The Davitt Country Band
Marlena
97 bpm • F Maj • 02:38 • -8db
26% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Big Tom
Before I Met You
97 bpm • F# Maj • 02:33 • -12.35db
10% Popularity • 70% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Mick Flavin
Home in Longford
98 bpm • E Maj • 03:46 • -4.98db
23% Popularity • 69% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Richie Kavanagh
A Teenager in 1968
97 bpm • C# Maj • 03:26 • -11.64db
7% Popularity • 74% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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John Glenn And The Mainliners
Love Me Tonight
97 bpm • D# Maj • 02:42 • -9db
16% Popularity • 64% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Gerry Guthrie
The Boxer
101 bpm • C Maj • 03:24 • -6.78db
37% Popularity • 59% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Mike Denver
Tommy K the Dj
97 bpm • A# Maj • 02:50 • -3.45db
35% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Three Amigos
Mull of Kintyre
101 bpm • D Maj • 04:16 • -6.85db
29% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Barleycorn
Cavan Girl
101 bpm • E Maj • 03:18 • -13.09db
24% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Outlaws
Five Minutes More
97 bpm • B Maj • 02:37 • -6db
29% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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David James
My Donegal Doll
97 bpm • G Maj • 02:59 • -7.83db
33% Popularity • 60% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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The Tumbling Paddies
The Way I Am
97 bpm • D Maj • 03:26 • -4.54db
51% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Dominic Kirwan
Country Medley - Oh Lonesome Me/Heartach...
97 bpm • D Maj • 04:32 • -11.2db
17% Popularity • 67% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Mizzell
The Gambler Medley
97 bpm • C Maj • 04:02 • -11.16db
15% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Conor O Donnell
Owenies Bar
101 bpm • G Maj • 03:22 • -3db
26% Popularity • 49% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Mick Flavin
The Girl from Wexford Town
97 bpm • C Maj • 02:32 • -12.09db
19% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Patrick Feeney
Red Haired Mary
101 bpm • A# Maj • 03:33 • -7db
36% Popularity • 59% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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The Davitt Country Band
Locklins Bar Irish Song
101 bpm • G Maj • 03:37 • -6.32db
11% Popularity • 85% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Brendan Shine
Are You Diggin Them Dillon
97 bpm • F Maj • 03:43 • -5.89db
8% Popularity • 69% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Mizzell
Wham Bam!
101 bpm • G# Maj • 02:44 • -5.83db
15% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Kathy Durkin
Working Man
97 bpm • D Maj • 04:25 • -18.51db
29% Popularity • 53% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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The Murphys
The Streets Of Promise
97 bpm • G Maj • 03:07 • -5.48db
36% Popularity • 63% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Brady
The Last Thing on My Mind
96 bpm • A Maj • 03:35 • -5db
17% Popularity • 70% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Logue & McCool
Rainbows & Roses
96 bpm • A Maj • 03:13 • -9.92db
28% Popularity • 63% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Brendan Shine
Pub Crawl
96 bpm • C# Maj • 03:22 • -6.64db
3% Popularity • 72% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Declan Nerney
Ballad of Big Tom
96 bpm • C Maj • 03:20 • -3.99db
24% Popularity • 66% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
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Kathy Durkin
Blue Hills Of Breffni / Old Dungarvan Oa...
96 bpm • G Maj • 03:36 • -14.24db
17% Popularity • 68% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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The Davitt Country Band
I'll Be There for You
96 bpm • G Maj • 03:00 • -6.17db
19% Popularity • 55% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Robert Mizzell
Hey Ho (Away We Go)
96 bpm • C# Maj • 03:17 • -11.46db
23% Popularity • 59% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Brady
Living For The Jive
96 bpm • G Maj • 03:28 • -3.47db
31% Popularity • 58% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 94% Positiveness
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Andy Cooney
On The Eighth Day
96 bpm • E Maj • 03:18 • -4.44db
13% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Jim Devine
Blink Of An Eye
96 bpm • F min • 02:52 • -6.52db
16% Popularity • 59% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Dolan
Pretty Brown Eyes
102 bpm • A Maj • 02:30 • -8.03db
27% Popularity • 41% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Davitt Country Band
Good Old Country Songs
96 bpm • G Maj • 02:49 • -6.11db
22% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Ritchie Remo
Hills Of Connemara
102 bpm • B Maj • 03:08 • -3.76db
36% Popularity • 69% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Brady
The Gambler
96 bpm • D Maj • 03:51 • -5.03db
28% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Patrick Feeney
Place In The Choir
103 bpm • E Maj • 03:06 • -6db
33% Popularity • 69% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Kelly
The Hangover
103 bpm • A# Maj • 03:14 • -5.29db
23% Popularity • 62% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Dolan
The Answer To Everything
102 bpm • C# Maj • 02:58 • -9.58db
31% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Olivia Douglas
A Hug Or Two
96 bpm • A Maj • 03:19 • -2db
30% Popularity • 62% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 95% Positiveness
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Matthew O'Donnell
Stay All Night (Stay a Little Longer)
96 bpm • D Maj • 02:52 • -4.45db
17% Popularity • 59% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Brady
Just As Long As You Love Me
96 bpm • D Maj • 02:00 • -5.12db
17% Popularity • 68% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Sabrina Fallon
Candlelight and Wine
95 bpm • D Maj • 03:16 • -7.65db
24% Popularity • 59% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Bernie Heaney
Rosie
95 bpm • G# Maj • 03:44 • -5.17db
22% Popularity • 64% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Delcan Nerney
Stop The World And Let Me Off
95 bpm • D# Maj • 02:46 • -4.67db
38% Popularity • 73% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Mike Denver
My Oklahoma Home Blowed Away
103 bpm • D Maj • 03:47 • -5.19db
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Brendan Shine
Catch Me If You Can
103 bpm • C Maj • 02:19 • -6db
28% Popularity • 59% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Jim Devine
Baby Baby
95 bpm • D Maj • 03:30 • -5.75db
17% Popularity • 62% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Liam Mannering
Walk in the Irish Rain
95 bpm • A Maj • 03:06 • -8.07db
21% Popularity • 63% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Jack Keogh
Sing My Songs
95 bpm • F# Maj • 02:58 • -5.41db
35% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Richie Kavanagh
Ride on a Tractor
95 bpm • D Maj • 02:03 • -5.94db
33% Popularity • 85% Danceability • 76% Energy • 34% Liveness
10% Instrumentalness • 79% Positiveness
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Larry Cunningham
I Love You Because
104 bpm • F Maj • 03:11 • -20.82db
18% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Brendan Shine
I'm a Savage for Bacon and Cabbage
95 bpm • D Maj • 04:01 • -8.21db
4% Popularity • 73% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Devine
We're Here To Stay
95 bpm • A Maj • 03:15 • -3.35db
28% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Barry Kirwan
Mary Mac
104 bpm • D Maj • 02:50 • -6.33db
21% Popularity • 65% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Brian Coll
The Farmer
95 bpm • D Maj • 02:24 • -13.1db
18% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Matthews
Sadie's Got Her New Dress On
104 bpm • G Maj • 03:05 • -5db
32% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Brendan Quinn
Ruby Don't Take Your Love to Town
104 bpm • D Maj • 02:52 • -8db
33% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Brendan Shine
Spuds
104 bpm • E Maj • 03:45 • -6.36db
4% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Big Tom
Four Country Roads
94 bpm • A# Maj • 02:54 • -7.01db
38% Popularity • 62% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Barleycorn
My Last Farewell
104 bpm • A Maj • 04:28 • -15db
24% Popularity • 48% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Brendan Bowyer
Love Thee Dearest
105 bpm • G Maj • 02:52 • -19db
30% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Dermot O'Brien
Dublin Town in 1962
105 bpm • A Maj • 05:43 • -8db
20% Popularity • 50% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The Three Amigos
My Woman, My Woman, My Wife
105 bpm • C# Maj • 03:34 • -7db
34% Popularity • 35% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Brendan Shine
Clock on the Wall
104 bpm • D# Maj • 02:42 • -5db
10% Popularity • 72% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Where Did You Meet Her