Songs like Where Did Your Love Go? by Dawid Podsiadło
Based on a tempo of (+/- 10%) and a similar genre
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Dawid Podsiadło
Where Did Your Love Go?
123 bpm • B min • 04:02 • -7.76db
52% Popularity • 63% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 63% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Blood Red Sun
Thriving Seas
123 bpm • G min • 03:08 • -5.17db
28% Popularity • 61% Danceability • 62% Energy • 18% Liveness
6% Instrumentalness • 47% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 18% Liveness
6% Instrumentalness • 47% Positiveness
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Tamino
Persephone
124 bpm • C min • 05:05 • -15.02db
52% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ethereal Snake
I'm fading down
122 bpm • A# Maj • 02:45 • -16.29db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Sufferer
Nocturne
122 bpm • D min • 06:08 • -15db
31% Popularity • 26% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 18% Positiveness
31% Popularity • 26% Danceability • 48% Energy • 10% Liveness
14% Instrumentalness • 18% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Dawid Podsiadło
Where Did Your Love Go? - Live
123 bpm • G Maj • 04:06 • -6.96db
30% Popularity • 53% Danceability • 66% Energy • 84% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 53% Danceability • 66% Energy • 84% Liveness
0% Instrumentalness • 25% Positiveness
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Hey
BŁYSK.adło
124 bpm • A Maj • 03:43 • -4.34db
32% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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MISSIO
Picture In My Pocket
122 bpm • E min • 05:26 • -10db
26% Popularity • 58% Danceability • 40% Energy • 15% Liveness
26% Instrumentalness • 13% Positiveness
26% Popularity • 58% Danceability • 40% Energy • 15% Liveness
26% Instrumentalness • 13% Positiveness
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The Neighbourhood
W.D.Y.W.F.M?
124 bpm • G# min • 04:19 • -2.93db
66% Popularity • 56% Danceability • 84% Energy • 35% Liveness
1% Instrumentalness • 51% Positiveness
66% Popularity • 56% Danceability • 84% Energy • 35% Liveness
1% Instrumentalness • 51% Positiveness
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Męskie Granie Orkiestra
Warszawa
124 bpm • E Maj • 05:19 • -8.15db
34% Popularity • 51% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 51% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 33% Positiveness
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IGNACY
Odnajdę
122 bpm • F min • 03:11 • -14.15db
32% Popularity • 45% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
32% Popularity • 45% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Dawid Podsiadło
Phantom Liberty
124 bpm • A min • 05:47 • -9.98db
56% Popularity • 36% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 36% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Reignwolf
Wolf River
121 bpm • A Maj • 01:14 • -17db
51% Popularity • 35% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
51% Popularity • 35% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Kortez
Od dawna już wiem
125 bpm • A Maj • 03:56 • -12.22db
44% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rosa Walton
I Really Want to Stay at Your House
125 bpm • D# min • 04:06 • -7.4db
75% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
75% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Stuck in the Sound
Riots
125 bpm • F Maj • 04:58 • -6.47db
39% Popularity • 66% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 66% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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The Whiskey Charmers
Straight and Narrow
125 bpm • B min • 04:49 • -10db
25% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Dawid Podsiadło
Four Sticks
123 bpm • G min • 07:40 • -11.7db
24% Popularity • 39% Danceability • 41% Energy • 33% Liveness
65% Instrumentalness • 6% Positiveness
24% Popularity • 39% Danceability • 41% Energy • 33% Liveness
65% Instrumentalness • 6% Positiveness
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Daria Zawiałow
Laura
121 bpm • C# Maj • 04:40 • -9.68db
45% Popularity • 67% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 67% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Unsleeping
You Drive My Four Wheel Coffin
125 bpm • A min • 05:00 • -4.92db
31% Popularity • 63% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 63% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bitamina
Nikt - LIVE
120 bpm • G Maj • 04:24 • -6.83db
18% Popularity • 36% Danceability • 74% Energy • 93% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 36% Danceability • 74% Energy • 93% Liveness
1% Instrumentalness • 34% Positiveness
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Igo
U could be mine
120 bpm • C Maj • 03:44 • -5.15db
31% Popularity • 67% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 67% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Vlad Holiday
It Was Always There
126 bpm • G Maj • 04:20 • -7.25db
31% Popularity • 50% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 50% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Dawid Podsiadło
S&T
125 bpm • E min • 04:01 • -9.74db
23% Popularity • 73% Danceability • 74% Energy • 18% Liveness
4% Instrumentalness • 67% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 18% Liveness
4% Instrumentalness • 67% Positiveness
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Daria Zawiałow
Socjopathetic
120 bpm • D Maj • 04:11 • -7.66db
27% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Dumplings
Kocham być z tobą
120 bpm • A min • 04:12 • -7db
43% Popularity • 64% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 64% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Black Math
Countdown
120 bpm • F Maj • 03:13 • -9.96db
24% Popularity • 60% Danceability • 45% Energy • 17% Liveness
8% Instrumentalness • 12% Positiveness
24% Popularity • 60% Danceability • 45% Energy • 17% Liveness
8% Instrumentalness • 12% Positiveness
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Męskie Granie Orkiestra
Załoga G
120 bpm • G# Maj • 04:12 • -7db
41% Popularity • 61% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 61% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 52% Positiveness
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Brodka
Varsovie
120 bpm • F# min • 03:29 • -6.35db
45% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Dawid Podsiadło
Trójkąty i Kwadraty
125 bpm • E min • 04:03 • -9.77db
53% Popularity • 71% Danceability • 72% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
53% Popularity • 71% Danceability • 72% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
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Cassinello
I'd Rather Stay on Earth
126 bpm • B min • 03:20 • -8.31db
30% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Danny Knutelsky
Lady in the Wall
120 bpm • A Maj • 02:47 • -7.96db
47% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Joji
1AM FREESTYLE
126 bpm • C min • 01:53 • -6.31db
65% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
65% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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WaluśKraksaKryzys
kawałek dla Marcina P.
120 bpm • A# Maj • 03:51 • -6.68db
37% Popularity • 74% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 74% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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CLANN
I Hold You
120 bpm • B min • 09:10 • -12db
47% Popularity • 49% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
47% Popularity • 49% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Dawid Podsiadło
W Dobrą Stronę
125 bpm • E Maj • 03:34 • -6db
56% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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The Dumplings
Nie gotujemy
120 bpm • F# min • 03:53 • -6db
40% Popularity • 76% Danceability • 68% Energy • 38% Liveness
14% Instrumentalness • 58% Positiveness
40% Popularity • 76% Danceability • 68% Energy • 38% Liveness
14% Instrumentalness • 58% Positiveness
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SAMURAI
Black Dog
120 bpm • G min • 04:23 • -5.69db
55% Popularity • 62% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 62% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Gazelle Twin
History
120 bpm • A min • 03:21 • -9.28db
43% Popularity • 56% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
43% Popularity • 56% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
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Blood Red Sun
Riot
120 bpm • G min • 04:13 • -6.7db
30% Popularity • 50% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
30% Popularity • 50% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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The Neighbourhood
Leaving Tonight
120 bpm • A min • 03:23 • -5.44db
56% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dawid Podsiadło
DBIB
125 bpm • A Maj • 03:32 • -5.62db
21% Popularity • 71% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 71% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Męskie Granie Orkiestra
Małgośka
120 bpm • B Maj • 04:37 • -7db
46% Popularity • 51% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 51% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 57% Positiveness
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Coals
S.I.T.C.
120 bpm • G# min • 03:45 • -14db
23% Popularity • 41% Danceability • 43% Energy • 9% Liveness
14% Instrumentalness • 12% Positiveness
23% Popularity • 41% Danceability • 43% Energy • 9% Liveness
14% Instrumentalness • 12% Positiveness
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Jonathan Bree
Roller Disco
120 bpm • G Maj • 02:18 • -9.08db
43% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
43% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Runforrest
Agathy
120 bpm • B min • 04:42 • -7.93db
27% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Vito Bambino
Ulek i Dawcia
120 bpm • G Maj • 04:20 • -10.39db
51% Popularity • 81% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
51% Popularity • 81% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Dawid Podsiadło
mori
125 bpm • F# Maj • 03:14 • -7.58db
62% Popularity • 37% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
62% Popularity • 37% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Męskie Granie Orkiestra
Oczy kamienic
120 bpm • C# Maj • 04:51 • -5.3db
31% Popularity • 42% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 10% Positiveness
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Royal Blood
All We Have Is Now
120 bpm • G# min • 02:33 • -13.67db
43% Popularity • 46% Danceability • 16% Energy • 13% Liveness
12% Instrumentalness • 7% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 13% Liveness
12% Instrumentalness • 7% Positiveness
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Hozier
Blood Upon the Snow
126 bpm • F min • 04:31 • -13.56db
64% Popularity • 32% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 32% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Duit
Synapses
120 bpm • B Maj • 04:41 • -9.92db
17% Popularity • 35% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
17% Popularity • 35% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Analog Tears
Feverish
119 bpm • B min • 03:30 • -9.51db
30% Popularity • 32% Danceability • 39% Energy • 38% Liveness
1% Instrumentalness • 36% Positiveness
30% Popularity • 32% Danceability • 39% Energy • 38% Liveness
1% Instrumentalness • 36% Positiveness
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Dawid Podsiadło
Forest
125 bpm • G min • 03:38 • -7.67db
39% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jack in Water
A Giant's Chair
120 bpm • A# min • 03:39 • -5.74db
27% Popularity • 57% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 57% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Męskie Granie Orkiestra
Nikt tak pięknie nie mówił, że się ...
119 bpm • C# min • 05:50 • -11.32db
48% Popularity • 43% Danceability • 29% Energy • 89% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 43% Danceability • 29% Energy • 89% Liveness
0% Instrumentalness • 27% Positiveness
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Vlad Holiday
Two Steps Back
128 bpm • E min • 02:04 • -17.36db
25% Popularity • 58% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 58% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Igo
Better be alive
127 bpm • G Maj • 04:01 • -5.4db
32% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Blood Red Sun
Orange Warnings
128 bpm • G# min • 04:27 • -8.41db
29% Popularity • 49% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
29% Popularity • 49% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Dawid Podsiadło
Cashew/161644
120 bpm • C Maj • 03:59 • -12.1db
28% Popularity • 60% Danceability • 40% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
28% Popularity • 60% Danceability • 40% Energy • 9% Liveness
30% Instrumentalness • 42% Positiveness
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I Hate Myself Because
i don't dance
128 bpm • C# Maj • 01:25 • -5db
56% Popularity • 63% Danceability • 79% Energy • 25% Liveness
69% Instrumentalness • 57% Positiveness
56% Popularity • 63% Danceability • 79% Energy • 25% Liveness
69% Instrumentalness • 57% Positiveness
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Two Feet
Gravity
128 bpm • G min • 02:10 • -5db
46% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
46% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
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SIAMES
No Lullaby
128 bpm • D min • 03:21 • -4.9db
49% Popularity • 58% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 70% Positiveness
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BOKKA
Town of Strangers
128 bpm • A min • 03:33 • -10.94db
44% Popularity • 66% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
44% Popularity • 66% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Tamino
You Don't Own Me
118 bpm • C# min • 04:20 • -14.02db
44% Popularity • 44% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
44% Popularity • 44% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Dawid Podsiadło
Project 19
120 bpm • C# Maj • 03:02 • -9.24db
40% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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OnenO
Makes Me Feel Better
128 bpm • F# Maj • 05:21 • -9db
41% Popularity • 57% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 24% Positiveness
41% Popularity • 57% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 24% Positiveness
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Biting Elbows
Other Me
118 bpm • C# Maj • 03:37 • -11.1db
28% Popularity • 61% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
28% Popularity • 61% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Mikromusic
Drzewiej
128 bpm • A# Maj • 02:53 • -9.83db
28% Popularity • 52% Danceability • 50% Energy • 35% Liveness
51% Instrumentalness • 23% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 35% Liveness
51% Instrumentalness • 23% Positiveness
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Five v
Waiting so long Silver fins (Berserk Lof...
128 bpm • E min • 03:50 • -13.17db
16% Popularity • 54% Danceability • 52% Energy • 56% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 54% Danceability • 52% Energy • 56% Liveness
95% Instrumentalness • 24% Positiveness
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KONGOS
Repeat After Me
118 bpm • E min • 03:49 • -10.02db
46% Popularity • 75% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 75% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Dawid Podsiadło
Vile
120 bpm • F Maj • 03:02 • -7db
20% Popularity • 60% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 60% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Stach Bukowski
Chwila
118 bpm • E Maj • 04:19 • -6.56db
41% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Vlad Holiday
Write Me off the Show
129 bpm • D min • 01:57 • -10.84db
29% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Futurist
Into the Hellmouth
118 bpm • C# Maj • 06:34 • -9db
19% Popularity • 60% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
19% Popularity • 60% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Kasia Lins
Kobiety By Bukowski
117 bpm • F# Maj • 03:35 • -7.95db
36% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Wake
Lost At Sea
117 bpm • F Maj • 02:06 • -9.85db
46% Popularity • 57% Danceability • 63% Energy • 8% Liveness
46% Instrumentalness • 38% Positiveness
46% Popularity • 57% Danceability • 63% Energy • 8% Liveness
46% Instrumentalness • 38% Positiveness
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Dawid Podsiadło
Powiedz mi, że nie chcesz
120 bpm • A min • 03:31 • -10.71db
35% Popularity • 61% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 25% Positiveness
35% Popularity • 61% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 25% Positiveness
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Patrick Carney
A Horse with No Name
117 bpm • C# min • 04:35 • -10.03db
47% Popularity • 67% Danceability • 59% Energy • 15% Liveness
7% Instrumentalness • 85% Positiveness
47% Popularity • 67% Danceability • 59% Energy • 15% Liveness
7% Instrumentalness • 85% Positiveness
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Meltt
On Your Own
129 bpm • F# min • 03:24 • -8.97db
42% Popularity • 45% Danceability • 66% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
42% Popularity • 45% Danceability • 66% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
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Daria Zawiałow
Za krótki sen
117 bpm • C Maj • 04:01 • -8.71db
50% Popularity • 72% Danceability • 62% Energy • 13% Liveness
3% Instrumentalness • 88% Positiveness
50% Popularity • 72% Danceability • 62% Energy • 13% Liveness
3% Instrumentalness • 88% Positiveness
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Vito Bambino
Etna
130 bpm • F# min • 04:20 • -9.04db
51% Popularity • 47% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 47% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Port Sulphur Band
Drowning Water
130 bpm • C# Maj • 04:06 • -11.72db
33% Popularity • 38% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 38% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Dawid Podsiadło
Pastempomat
120 bpm • F Maj • 03:02 • -8.01db
58% Popularity • 60% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 60% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Weird Wolves
Realization - Prey: Mooncrash
130 bpm • D Maj • 03:08 • -7.18db
25% Popularity • 29% Danceability • 78% Energy • 57% Liveness
32% Instrumentalness • 7% Positiveness
25% Popularity • 29% Danceability • 78% Energy • 57% Liveness
32% Instrumentalness • 7% Positiveness
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Kortez
Pocztówka z kosmosu
130 bpm • G Maj • 05:03 • -14.72db
38% Popularity • 39% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
38% Popularity • 39% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Seahaven
Void
130 bpm • E min • 06:06 • -7.08db
37% Popularity • 35% Danceability • 45% Energy • 42% Liveness
3% Instrumentalness • 4% Positiveness
37% Popularity • 35% Danceability • 45% Energy • 42% Liveness
3% Instrumentalness • 4% Positiveness
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Lao Che
Spółdzielnia - Live
130 bpm • G Maj • 04:22 • -8db
36% Popularity • 82% Danceability • 68% Energy • 82% Liveness
9% Instrumentalness • 70% Positiveness
36% Popularity • 82% Danceability • 68% Energy • 82% Liveness
9% Instrumentalness • 70% Positiveness
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Paulina Przybysz
Dobrze
116 bpm • A Maj • 02:57 • -10.62db
29% Popularity • 47% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 47% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Dawid Podsiadło
Block
127 bpm • B min • 04:02 • -7.09db
32% Popularity • 80% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 80% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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MISSIO
Demons
130 bpm • E min • 04:01 • -7.39db
39% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
39% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Man-Made Sunshine
Brain In A Jar
130 bpm • D min • 04:20 • -6.76db
36% Popularity • 51% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 51% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Kiltro
Curicó
130 bpm • D# min • 05:08 • -7.46db
47% Popularity • 75% Danceability • 82% Energy • 24% Liveness
64% Instrumentalness • 74% Positiveness
47% Popularity • 75% Danceability • 82% Energy • 24% Liveness
64% Instrumentalness • 74% Positiveness
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Artur Rojek
Chciałbym umrzeć z miłości - Live
116 bpm • G Maj • 06:34 • -14.23db
42% Popularity • 47% Danceability • 37% Energy • 72% Liveness
2% Instrumentalness • 7% Positiveness
42% Popularity • 47% Danceability • 37% Energy • 72% Liveness
2% Instrumentalness • 7% Positiveness
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Konrad OldMoney
Gr4ves
130 bpm • G Maj • 02:59 • -4.93db
52% Popularity • 83% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 83% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Dawid Podsiadło
Dżins
130 bpm • C Maj • 05:11 • -8db
46% Popularity • 65% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 65% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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MISSIO
Failure To Comply
130 bpm • G min • 03:38 • -7.92db
29% Popularity • 51% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 51% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
