Songs like Where In The World? by Philip Quast
Based on a tempo of (+/- 10%) and a similar genre
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Barry James
The Sewers / Dog Eats Dog
61 bpm • A Maj • 06:28 • -16.22db
14% Popularity • 22% Danceability • 17% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
14% Popularity • 22% Danceability • 17% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Philip Quast
Where In The World?
60 bpm • G Maj • 01:28 • -11.73db
8% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Adam Jacobs
Proud of Your Boy
62 bpm • D Maj • 02:21 • -8.91db
44% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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The 2020 Les Misérables Staged Concert Company
The Wedding - Live
62 bpm • C Maj • 03:07 • -11.95db
22% Popularity • 46% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 46% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 41% Positiveness
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Julia Sutton as Bird Woman
Feed The Birds - London Cast Recording
64 bpm • F# Maj • 03:39 • -17.27db
27% Popularity • 33% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 33% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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"Les Misérables Original London Cast" Ensemble
At The End Of The Day
63 bpm • F min • 04:51 • -12.15db
40% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kaho Shimada
On My Own
57 bpm • F Maj • 03:59 • -15.43db
22% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Williams
Tevye's Dream
65 bpm • F# Maj • 06:44 • -14.87db
32% Popularity • 50% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 50% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Philip Quast
Race You To The Top Of The Morning
62 bpm • G Maj • 04:54 • -21.81db
5% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Maury Yeston
We'll Meet Tomorrow
66 bpm • E Maj • 02:26 • -13.07db
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Rachel Bay Jones
I Guess I'll Miss the Man
55 bpm • C Maj • 02:06 • -14.11db
33% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Tim Bowman
At The End Of The Day
66 bpm • F min • 05:08 • -14.51db
21% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jekyll, Edward Hyde
First Transformation
66 bpm • E min • 03:51 • -13.97db
26% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Philip Quast
Life On Earth / Four Faded Walls - Live
58 bpm • F# min • 04:03 • -16.43db
2% Popularity • 58% Danceability • 36% Energy • 98% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 58% Danceability • 36% Energy • 98% Liveness
0% Instrumentalness • 25% Positiveness
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The 'Les Misérables 2010' Company
At the End of the Day - Live
66 bpm • C min • 04:58 • -7.93db
33% Popularity • 59% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 59% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Terry Mann
When I Look at You - Reprise
67 bpm • A# Maj • 02:20 • -22.85db
21% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Hugh Jackman
Valjean's Soliloquy
68 bpm • G# Maj • 03:18 • -14.56db
40% Popularity • 36% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 36% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Sherman Edwards
1776: He Plays the Violin
68 bpm • C min • 03:03 • -11db
25% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Brent Carver
How Can I Call This Home?
69 bpm • D Maj • 02:51 • -11db
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Philip Quast
Stars - Live
67 bpm • G Maj • 02:05 • -18.78db
10% Popularity • 19% Danceability • 19% Energy • 91% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 19% Danceability • 19% Energy • 91% Liveness
0% Instrumentalness • 13% Positiveness
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Rich Herbert
Javert's Arrival
69 bpm • B Maj • 00:54 • -14.12db
16% Popularity • 50% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 50% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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The Pirates Of Penzance
Away! Away! My Heart's on Fire
70 bpm • B min • 01:29 • -11.38db
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Russell Crowe
Stars
70 bpm • C# Maj • 02:45 • -15.86db
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Philip Quast
Lily's Eyes
68 bpm • A min • 03:13 • -15.44db
9% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Maguire
Second Attack / The Final Battle - Live
71 bpm • D# Maj • 01:52 • -16.27db
29% Popularity • 26% Danceability • 57% Energy • 34% Liveness
64% Instrumentalness • 31% Positiveness
29% Popularity • 26% Danceability • 57% Energy • 34% Liveness
64% Instrumentalness • 31% Positiveness
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David Burt
The Attack
72 bpm • D# Maj • 00:53 • -6.41db
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Marissa Dunlop
Castle On A Cloud
72 bpm • F Maj • 03:44 • -18.65db
19% Popularity • 36% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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John Hickok
Another Pyramid
73 bpm • F Maj • 03:35 • -7.9db
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Hugh Jackman
Oh, What A Beautiful Mornin'
73 bpm • E Maj • 03:22 • -14db
34% Popularity • 24% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Philip Quast
A Girl In The Valley
70 bpm • G Maj • 04:20 • -16.46db
6% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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"Les Misérables Original London Cast" Ensemble
Wedding Chorale / Beggars At the Feast
73 bpm • E min • 02:16 • -8.18db
30% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Martin Smith
Fantine's Arrest
73 bpm • G Maj • 04:24 • -15.65db
19% Popularity • 44% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 44% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 36% Positiveness
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Earl Carpenter
Javert's Soliloquy - Live
74 bpm • F Maj • 03:59 • -10.12db
28% Popularity • 37% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 37% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Philip Quast
He Fades Away / The River - Live
72 bpm • C min • 07:30 • -21.11db
2% Popularity • 46% Danceability • 23% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 46% Danceability • 23% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Sherman Edwards
1776: Momma Look Sharp
74 bpm • G# Maj • 03:24 • -23db
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Gary Morris
The Runaway Cart
74 bpm • C Maj • 03:38 • -15.98db
18% Popularity • 47% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 47% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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The Pirates Of Penzance
How Beautifully Blue the Sky
75 bpm • B Maj • 02:09 • -11.85db
20% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Hugh Jackman
Suddenly
75 bpm • G Maj • 02:32 • -21.94db
37% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Original Cast of Billy Elliot
He Could Be A Star
76 bpm • C min • 04:50 • -12db
27% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Pirates Of Penzance
Oh, False One, You Have Deceived
76 bpm • G Maj • 03:40 • -12db
21% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Miss Saigon Original Cast
Why God Why? - Live
76 bpm • A min • 04:14 • -12db
37% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
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Rosalind James
A Little Fall of Rain - Live
76 bpm • A# Maj • 04:45 • -19.79db
29% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Michelle Kelly as Mary Poppins
A Spoonful of Sugar (reprise) / A Shooti...
76 bpm • A# Maj • 03:46 • -15.76db
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Matthew Cammelle
Live With Somebody You Love
76 bpm • A Maj • 03:42 • -12db
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Philip Quast
Life On Earth - Live
77 bpm • C# Maj • 03:10 • -16.7db
1% Popularity • 44% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 44% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
21% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Hugh Jackman
Who Am I?
78 bpm • G# Maj • 02:37 • -13.18db
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
9% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Miss Saigon Original Cast
I Still Believe - Live
78 bpm • D min • 04:16 • -14.55db
34% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Philip Quast
I Was Here - Live
78 bpm • C# Maj • 04:49 • -18.57db
4% Popularity • 45% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 45% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Anne Hathaway
The Docks (Lovely Ladies)
78 bpm • D min • 04:03 • -16.35db
41% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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"Les Misérables Original London Cast" Ensemble
Lovely Ladies
78 bpm • C Maj • 04:07 • -10.05db
36% Popularity • 68% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 68% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Cole
Master Of The House
78 bpm • A Maj • 06:38 • -14.76db
20% Popularity • 61% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 61% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
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The 'Les Misérables 2010' Company
Epilogue - Live
78 bpm • D# Maj • 08:54 • -19db
29% Popularity • 19% Danceability • 16% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 19% Danceability • 16% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Groban
Pierre & Natasha
78 bpm • D Maj • 07:50 • -18db
33% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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"Les Misérables Original London Cast" Ensemble
One Day More
79 bpm • A Maj • 03:36 • -7db
48% Popularity • 23% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 23% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Miss Saigon Original Cast
Bui Doi - Live
79 bpm • G# Maj • 03:52 • -11db
36% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Morris
Valjean's Soliloquy (What Have I Done?)
79 bpm • A# Maj • 03:22 • -13.55db
19% Popularity • 43% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 43% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Gareth Gates
Empty Chairs at Empty Tables - Live
79 bpm • A# min • 02:55 • -13.98db
28% Popularity • 35% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 35% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 11% Positiveness
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Philip Quast
Some Enchanted Evening
79 bpm • C Maj • 03:10 • -14.84db
7% Popularity • 15% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
7% Popularity • 15% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kathryn Evans
Embrace Tomorrow
79 bpm • G min • 03:06 • -17.33db
2% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Amanda Seyfried
In My Life
80 bpm • D Maj • 04:16 • -18.56db
40% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Philip Quast
And They're Off - Live
80 bpm • G Maj • 03:57 • -16.44db
2% Popularity • 50% Danceability • 41% Energy • 96% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 50% Danceability • 41% Energy • 96% Liveness
0% Instrumentalness • 54% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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The 'Les Misérables 2010' Company
Turning - Live
81 bpm • C min • 01:45 • -15.23db
25% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Debbie Byrne
I Dreamed A Dream
81 bpm • D# Maj • 04:14 • -17.73db
22% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The 'Les Misérables 2010' Company
Lovely Ladies - Live
81 bpm • D min • 03:42 • -10.86db
30% Popularity • 61% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 61% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Philip Quast
Prologue - Live
81 bpm • D# min • 04:06 • -16.92db
36% Popularity • 56% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 56% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Gary Beach
Prologue
82 bpm • C Maj • 10:06 • -13.41db
20% Popularity • 39% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 39% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Sasha Baron Cohen
The Robbery
82 bpm • A# min • 02:51 • -13.84db
36% Popularity • 50% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 50% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness