Songs like Where Is The Life That Late I Led? by Broadway Cast Recording
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Zero Mostel
Free
76 bpm • A Maj • 03:34 • -15.94db
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
14% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Max Von Essen
I'll Build a Stairway to Paradise
77 bpm • G Maj • 04:15 • -8.4db
13% Popularity • 44% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 44% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
28% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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David Aaron Baker
An Opening for a Princess
77 bpm • G min • 02:37 • -10.38db
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Broadway Cast Recording
Why Can't You Behave?
75 bpm • C# Maj • 02:24 • -16.65db
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Barbra Streisand
I'm The Greatest Star
75 bpm • C Maj • 04:05 • -11.51db
34% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Brent Barrett
The Grand Parade / Some Have, Some Have ...
75 bpm • C# Maj • 08:18 • -12db
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
33% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
30% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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John Kander
I Can't Do It Alone
78 bpm • A# Maj • 02:50 • -11.25db
2% Popularity • 55% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 55% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Cody Green
Cool
78 bpm • C Maj • 04:31 • -14.22db
20% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Cy Coleman
Sweet Charity: Where Am I Going?
78 bpm • F Maj • 03:20 • -14db
13% Popularity • 26% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Broadway Cast Recording
I Hate Men
74 bpm • B Maj • 03:26 • -12.02db
21% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Frederick Loewe
Camelot: C'est moi
74 bpm • G Maj • 03:28 • -12db
23% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Burton Lane
Look to the Rainbow
73 bpm • C# Maj • 02:33 • -14.2db
19% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Rachel York
Lost and Found
79 bpm • F# Maj • 02:54 • -16db
16% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
7% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
27% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Brent Carver
Her Name Is Aurora
79 bpm • G Maj • 04:33 • -19.72db
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Cy Coleman
Sweet Charity: Baby, Dream Your Dream
73 bpm • B Maj • 03:45 • -16db
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Kay McClelland
With Every Breath I Take
80 bpm • G min • 03:56 • -18db
16% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Chita Rivera
Kiss Of The Spider Woman
79 bpm • F# min • 02:32 • -14db
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Barbara Harris
What Did I Have That I Don't Have?
80 bpm • G# Maj • 04:23 • -13db
11% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Natasha Richardson
Mein Herr
80 bpm • F# Maj • 04:18 • -9.96db
32% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
32% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
22% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
26% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
26% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
22% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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David Burns
Impossible
81 bpm • C# Maj • 02:32 • -16.7db
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Broadway Cast Recording
So in Love
81 bpm • D Maj • 03:18 • -9.43db
0% Popularity • 24% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ethel Merman
An Old-Fashioned Wedding
82 bpm • D# Maj • 02:48 • -10.09db
14% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Adler
The Pajama Game: The Pajama Game / Racin...
71 bpm • D Maj • 03:01 • -10db
14% Popularity • 45% Danceability • 53% Energy • 92% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 45% Danceability • 53% Energy • 92% Liveness
0% Instrumentalness • 86% Positiveness
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Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
21% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Brandon Uranowitz
They Can't Take That Away from Me
70 bpm • C# min • 02:10 • -13.2db
15% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
82 bpm • D Maj • 03:02 • -12.99db
22% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
9% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
32% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Zero Mostel
Funeral Sequence
83 bpm • D# Maj • 02:04 • -11.81db
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Adler
The Pajama Game: Small Talk
83 bpm • C# Maj • 03:52 • -13.14db
11% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Natasha Richardson
Maybe This Time
83 bpm • G Maj • 03:00 • -12.88db
40% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
29% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
21% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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John Kander
Cabaret: Finale
83 bpm • D Maj • 03:43 • -15.4db
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Jule Styne
Gypsy: Small World
83 bpm • C Maj • 02:16 • -11.07db
10% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Judy Holliday
I Met A Girl
84 bpm • C# Maj • 02:33 • -15.37db
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Liza Minnelli
A Quiet Thing
84 bpm • A Maj • 04:00 • -17.23db
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Broderick
Brotherhood of Man
84 bpm • A# Maj • 05:50 • -13.79db
14% Popularity • 57% Danceability • 23% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 57% Danceability • 23% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
84 bpm • F# Maj • 02:51 • -14db
21% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
29% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
15% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Julia Migenes
Matchmaker, Matchmaker
68 bpm • E Maj • 03:42 • -14.74db
10% Popularity • 54% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 54% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
24% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Barbara Cook
I'll Show Him
85 bpm • A# Maj • 03:15 • -11.77db
8% Popularity • 55% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 55% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
32% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Adler
The Pajama Game: Hey There
85 bpm • F# Maj • 03:32 • -12db
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Barbra Streisand
The Music That Makes Me Dance
85 bpm • B Maj • 03:52 • -12.13db
20% Popularity • 28% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Sherman Edwards
1776: He Plays the Violin
68 bpm • C min • 03:03 • -11db
24% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kieran McIlroy
Bidin' My Time
85 bpm • C Maj • 01:45 • -19.47db
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Rosalind Russell
One Hundred Easy Ways
68 bpm • F min • 02:53 • -15db
3% Popularity • 58% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 58% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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John Kander
My Own Best Friend
86 bpm • A# min • 02:29 • -11.16db
2% Popularity • 30% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 30% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Barbra Streisand
I'm The Greatest Star
85 bpm • C Maj • 04:00 • -11.05db
21% Popularity • 57% Danceability • 21% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 57% Danceability • 21% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
