Songs like Where No One Goes by John Powell
Based on a tempo of (+/- 10%) and a similar genre
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John Powell
Where No One Goes
140 bpm • C# min • 02:44 • -7.43db
57% Popularity • 50% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 37% Positiveness
57% Popularity • 50% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 37% Positiveness
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Bad Lip Reading
Bushes of Love
140 bpm • F Maj • 04:44 • -6.46db
48% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Oh Hellos
Second Child, Restless Child
140 bpm • G Maj • 02:46 • -6db
53% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Fitz and The Tantrums
HandClap
140 bpm • G# Maj • 03:13 • -3db
65% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
65% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Cloudjumper
Where No One Goes
140 bpm • C# min • 02:45 • -6.27db
40% Popularity • 40% Danceability • 92% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
40% Popularity • 40% Danceability • 92% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
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League of Legends
Legends Never Die
140 bpm • E min • 03:55 • -6.64db
77% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
77% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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![Where No One Goes Reprise [5m40] cover art](https://i.scdn.co/image/ab67616d00001e0222a80f632866f26a438ff0f1)
John Powell
Where No One Goes Reprise [5m40]
140 bpm • C# min • 03:51 • -9.06db
35% Popularity • 55% Danceability • 78% Energy • 36% Liveness
5% Instrumentalness • 23% Positiveness
35% Popularity • 55% Danceability • 78% Energy • 36% Liveness
5% Instrumentalness • 23% Positiveness
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Jónsi
Around Us - Radio Edit
140 bpm • D# Maj • 03:34 • -7.33db
8% Popularity • 43% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 43% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Puggy
Where the Light Is
140 bpm • G# Maj • 02:52 • -10.57db
22% Popularity • 57% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 57% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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Daniel Pemberton
Spider-Woman (Gwen Stacy)
140 bpm • E min • 03:06 • -12.6db
54% Popularity • 27% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
54% Popularity • 27% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Ryan Gosling
I'm Just Ken
140 bpm • C# Maj • 03:42 • -6.26db
64% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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John Powell
Where No One Goes [1m2s]
140 bpm • C# min • 02:29 • -9.97db
31% Popularity • 55% Danceability • 81% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
31% Popularity • 55% Danceability • 81% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
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Phil Collins
Son of Man
142 bpm • D Maj • 02:46 • -5.07db
54% Popularity • 48% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 48% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Julie Fowlis
Into The Open Air
139 bpm • D Maj • 02:40 • -7.38db
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Fall Out Boy
The Phoenix
138 bpm • E min • 04:04 • -2.99db
71% Popularity • 56% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 56% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Daniel Pemberton
Spider-Man 2099 (Miguel O'Hara)
140 bpm • D Maj • 01:02 • -11.9db
56% Popularity • 30% Danceability • 34% Energy • 14% Liveness
26% Instrumentalness • 8% Positiveness
56% Popularity • 30% Danceability • 34% Energy • 14% Liveness
26% Instrumentalness • 8% Positiveness
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will.i.am
The Traveling Song
142 bpm • G Maj • 03:25 • -7.93db
48% Popularity • 69% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 69% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Counting Crows
Accidentally In Love
138 bpm • G Maj • 03:08 • -3.64db
69% Popularity • 56% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 56% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Leslie Odom Jr.
Guns and Ships
138 bpm • G Maj • 02:07 • -6.91db
67% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Arcade Fire
Abraham's Daughter
142 bpm • E min • 03:22 • -10.53db
41% Popularity • 53% Danceability • 61% Energy • 12% Liveness
53% Instrumentalness • 19% Positiveness
41% Popularity • 53% Danceability • 61% Energy • 12% Liveness
53% Instrumentalness • 19% Positiveness
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Captainsparklez
Fallen Kingdom
138 bpm • C# Maj • 04:10 • -6.2db
54% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Vian Izak
Call the Nightingale
142 bpm • E Maj • 01:45 • -11.19db
50% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Gregson-Williams
Ride The Dragon
142 bpm • E min • 01:36 • -13db
28% Popularity • 19% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Dan Auerbach
Run That Race
137 bpm • B min • 02:44 • -3.58db
52% Popularity • 53% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 53% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Murray Gold
Doctor Who XI
143 bpm • E min • 01:04 • -7db
39% Popularity • 38% Danceability • 92% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
39% Popularity • 38% Danceability • 92% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Reinaeiry
Viva La Vida but it's EPIC
137 bpm • G# Maj • 04:24 • -9.27db
47% Popularity • 42% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 42% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Bear McCreary
God of War
144 bpm • G# Maj • 04:06 • -10.11db
55% Popularity • 20% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
55% Popularity • 20% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Sonya Belousova
Her Sweet Kiss
144 bpm • B min • 02:00 • -10.27db
48% Popularity • 37% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
48% Popularity • 37% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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John Powell
Once There Were Dragons
144 bpm • A min • 05:45 • -17.55db
47% Popularity • 16% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
47% Popularity • 16% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Imagine Dragons
Radioactive
136 bpm • A Maj • 03:06 • -3.69db
81% Popularity • 45% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
81% Popularity • 45% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
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Lin-Manuel Miranda
Running Out Of Time
136 bpm • G Maj • 02:14 • -6.34db
51% Popularity • 52% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 52% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sea of Thieves
We Shall Sail Together - Original Game S...
144 bpm • A# min • 02:06 • -14.12db
52% Popularity • 44% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 44% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Count
A Series of Unfortunate Events Theme
136 bpm • G Maj • 01:07 • -8db
30% Popularity • 68% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 68% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 33% Positiveness
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Gaten Matarazzo
Never Ending Story
136 bpm • C Maj • 02:05 • -11.57db
57% Popularity • 44% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 44% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
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The Star Spangled Singers
Star Spangled Man
136 bpm • G Maj • 02:53 • -7.53db
35% Popularity • 57% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Barenaked Ladies
One Little Slip
136 bpm • G Maj • 02:53 • -8.23db
46% Popularity • 51% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 51% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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The Oh Hellos
Thus Always To Tyrants
136 bpm • F min • 03:39 • -9db
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tiff Randol
To Feel Alive
136 bpm • E min • 04:05 • -10db
28% Popularity • 49% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 49% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Pokémon
Pokémon Theme
145 bpm • G min • 03:18 • -6.2db
62% Popularity • 54% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 54% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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John Powell
Together We Map the World
144 bpm • G Maj • 02:18 • -26.53db
38% Popularity • 17% Danceability • 7% Energy • 22% Liveness
88% Instrumentalness • 10% Positiveness
38% Popularity • 17% Danceability • 7% Energy • 22% Liveness
88% Instrumentalness • 10% Positiveness
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Dwayne Johnson
You're Welcome
135 bpm • F Maj • 02:44 • -7.09db
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Oren Lavie
A Dance 'Round the Memory Tree - Soundtr...
145 bpm • E min • 03:38 • -19db
33% Popularity • 17% Danceability • 18% Energy • 17% Liveness
14% Instrumentalness • 7% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 17% Liveness
14% Instrumentalness • 7% Positiveness
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TheFatRat
Xenogenesis
145 bpm • A# min • 03:53 • -8.07db
60% Popularity • 54% Danceability • 61% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
60% Popularity • 54% Danceability • 61% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Only One Spider-Man
145 bpm • D Maj • 02:13 • -10db
48% Popularity • 64% Danceability • 69% Energy • 7% Liveness
93% Instrumentalness • 71% Positiveness
48% Popularity • 64% Danceability • 69% Energy • 7% Liveness
93% Instrumentalness • 71% Positiveness
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Idina Menzel
Into the Unknown
145 bpm • A# min • 03:14 • -8.53db
73% Popularity • 32% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
73% Popularity • 32% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ed Sheeran
Castle on the Hill
135 bpm • D Maj • 04:21 • -4.87db
79% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
79% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Bastille
Icarus
135 bpm • E min • 03:45 • -6.58db
59% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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J.J. Ipsen
You, Me & Other Animals
135 bpm • C Maj • 03:19 • -6.22db
30% Popularity • 55% Danceability • 76% Energy • 14% Liveness
32% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 76% Energy • 14% Liveness
32% Instrumentalness • 44% Positiveness
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John Powell
Sid's Sing-A-Long
135 bpm • A# min • 02:08 • -12db
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Start a Band)
135 bpm • D Maj • 03:53 • -10.65db
54% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
54% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Imogen Heap
Can't Take It In - Soundtrack
135 bpm • F# Maj • 04:42 • -8.66db
34% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Heitor Pereira
Bounty Hunter
134 bpm • D Maj • 03:28 • -19db
38% Popularity • 25% Danceability • 19% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 19% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Scarlett Johansson
Set It All Free
134 bpm • F# Maj • 03:34 • -4.44db
60% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
60% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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John Powell
Battle of the Bewilderbeast
134 bpm • F Maj • 06:25 • -11.2db
33% Popularity • 21% Danceability • 57% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
33% Popularity • 21% Danceability • 57% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Intro)
135 bpm • D Maj • 02:45 • -13.2db
51% Popularity • 26% Danceability • 35% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
51% Popularity • 26% Danceability • 35% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Woodkid
Run Boy Run
134 bpm • F min • 03:33 • -5.26db
71% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
52% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
52% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Jemaine Clement
Shiny
146 bpm • C Maj • 03:05 • -8db
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Weezer
You Might Think
134 bpm • D Maj • 03:07 • -7.52db
55% Popularity • 72% Danceability • 76% Energy • 12% Liveness
3% Instrumentalness • 98% Positiveness
55% Popularity • 72% Danceability • 76% Energy • 12% Liveness
3% Instrumentalness • 98% Positiveness
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John Powell
Hiccup the Chief / Drago's Coming
134 bpm • C# min • 04:44 • -14.25db
33% Popularity • 20% Danceability • 36% Energy • 4% Liveness
85% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 4% Liveness
85% Instrumentalness • 6% Positiveness
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League of Legends
The Call
133 bpm • F min • 03:42 • -12.59db
60% Popularity • 20% Danceability • 54% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
60% Popularity • 20% Danceability • 54% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
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Woodkid
Run Boy Run - Instrumental
134 bpm • F min • 03:34 • -6.31db
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
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Ruelle
War Of Hearts
148 bpm • A min • 03:46 • -6.34db
70% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
70% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
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TheFatRat
Fly Away
148 bpm • C# min • 03:14 • -4.57db
67% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
67% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Scarlett Johansson
Heads Will Roll
132 bpm • F# min • 03:37 • -5.61db
57% Popularity • 60% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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John Powell
Dragon Training
132 bpm • A min • 03:11 • -10.82db
45% Popularity • 31% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
45% Popularity • 31% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Alexandre Desplat
Mr. Fox in the Fields
132 bpm • D Maj • 01:02 • -19.89db
54% Popularity • 71% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 85% Positiveness
54% Popularity • 71% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 85% Positiveness
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Leslie Odom Jr.
Alexander Hamilton
132 bpm • B min • 03:56 • -7.86db
70% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Folds
Still
132 bpm • F Maj • 02:37 • -12.8db
45% Popularity • 38% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 38% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Lorax Singers
Thneedville
132 bpm • G Maj • 02:44 • -6.8db
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Anthony Gonzalez
Proud Corazón
149 bpm • F Maj • 02:03 • -6.57db
57% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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John Powell
Dragon Battle
131 bpm • D Maj • 01:55 • -7.69db
46% Popularity • 29% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
46% Popularity • 29% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Rachel House
I Am Moana (Song of the Ancestors)
149 bpm • A# Maj • 02:42 • -11.58db
64% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Loving Caliber
Faster Car
131 bpm • F# Maj • 03:47 • -8.71db
58% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
80% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
80% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Daniel Pemberton
The Prowler
150 bpm • A Maj • 02:45 • -12.26db
51% Popularity • 16% Danceability • 58% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
51% Popularity • 16% Danceability • 58% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
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Andrew Underberg
More Than Anything
131 bpm • F# Maj • 03:13 • -7.55db
77% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
77% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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John Powell
This Time For Sure
131 bpm • D# min • 00:43 • -11.08db
44% Popularity • 45% Danceability • 72% Energy • 56% Liveness
92% Instrumentalness • 62% Positiveness
44% Popularity • 45% Danceability • 72% Energy • 56% Liveness
92% Instrumentalness • 62% Positiveness
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Bad Lip Reading
Not the Future
150 bpm • G min • 05:25 • -5.27db
40% Popularity • 64% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 64% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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L.A Band
Holding Out For A Hero
150 bpm • G min • 03:56 • -5.5db
48% Popularity • 44% Danceability • 84% Energy • 74% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 44% Danceability • 84% Energy • 74% Liveness
0% Instrumentalness • 20% Positiveness
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Alan Silvestri
The Real Hero
130 bpm • G Maj • 05:54 • -18.02db
45% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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The Score
Born For This
130 bpm • F min • 03:57 • -6.25db
67% Popularity • 41% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 41% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ludwig Göransson
The Book of Boba Fett
130 bpm • G min • 02:55 • -9.82db
51% Popularity • 56% Danceability • 47% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
51% Popularity • 56% Danceability • 47% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Brian Tyler
Level Complete
151 bpm • F Maj • 02:32 • -7db
49% Popularity • 35% Danceability • 62% Energy • 6% Liveness
94% Instrumentalness • 59% Positiveness
49% Popularity • 35% Danceability • 62% Energy • 6% Liveness
94% Instrumentalness • 59% Positiveness
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Imagine Dragons
Battle Cry
130 bpm • G# Maj • 04:32 • -6.84db
56% Popularity • 23% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
56% Popularity • 23% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Ninjago Music
LEGO Ninjago WEEKEND WHIP - The Ghost Wh...
130 bpm • B min • 03:47 • -5.51db
49% Popularity • 66% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 66% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Ghost
Mary On A Cross
130 bpm • B Maj • 04:04 • -4.51db
73% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
73% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tiffany Haddish
Not Evil
130 bpm • B min • 03:33 • -4.27db
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Oleksa Lozowchuk
In the Flood
130 bpm • A min • 03:10 • -15.94db
45% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Regina Spektor
Two Birds
151 bpm • C Maj • 03:15 • -8.88db
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Harry Gregson-Williams
Evacuating London
152 bpm • E min • 03:38 • -17.38db
48% Popularity • 16% Danceability • 23% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 23% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
