Songs like Where Royalty Lives by KASPR
Based on a tempo of (+/- 10%) and a similar genre
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Dónáti
A Dystopian Love Story
140 bpm • D Maj • 03:01 • -9.95db
13% Popularity • 71% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 71% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mark Hopkins
550 PN BIG BEAT ON FIRE
140 bpm • C min • 04:52 • -12.03db
30% Popularity • 59% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
30% Popularity • 59% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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KOQ
Draco Daisy
140 bpm • C# min • 02:08 • -9.06db
28% Popularity • 91% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 91% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sal Burciaga
Wave
140 bpm • D min • 01:56 • -12.22db
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 59% Positiveness
8% Popularity • 70% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 59% Positiveness
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KASPR
Where Royalty Lives
140 bpm • E min • 04:47 • -12db
0% Popularity • 48% Danceability • 72% Energy • 38% Liveness
66% Instrumentalness • 51% Positiveness
0% Popularity • 48% Danceability • 72% Energy • 38% Liveness
66% Instrumentalness • 51% Positiveness
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No Other One
No Undoing You
140 bpm • C Maj • 03:24 • -5.85db
25% Popularity • 78% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 78% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Mr. Roswell's Neighborhood
False East
140 bpm • D Maj • 03:32 • -7.71db
17% Popularity • 54% Danceability • 99% Energy • 4% Liveness
89% Instrumentalness • 83% Positiveness
17% Popularity • 54% Danceability • 99% Energy • 4% Liveness
89% Instrumentalness • 83% Positiveness
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Mark Hopkins
550 PN BIG BEAT ON FIRE - REMIX
140 bpm • C min • 04:52 • -12.03db
29% Popularity • 59% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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Karma Kahzy
See You At The Top
140 bpm • G# min • 01:22 • -6.43db
18% Popularity • 73% Danceability • 96% Energy • 18% Liveness
78% Instrumentalness • 82% Positiveness
18% Popularity • 73% Danceability • 96% Energy • 18% Liveness
78% Instrumentalness • 82% Positiveness
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Iced Cold
Staying True
140 bpm • C Maj • 02:41 • -10.43db
13% Popularity • 73% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 73% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Joel Byrum
Peace At Last
140 bpm • D Maj • 03:27 • -7.62db
25% Popularity • 69% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 69% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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12 Degrees of Saturation
The Endless War
140 bpm • D Maj • 02:31 • -11.6db
7% Popularity • 42% Danceability • 91% Energy • 16% Liveness
72% Instrumentalness • 65% Positiveness
7% Popularity • 42% Danceability • 91% Energy • 16% Liveness
72% Instrumentalness • 65% Positiveness
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Ed Eagle
I Miss You
140 bpm • D Maj • 03:34 • -8.4db
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Hopkins
2.550B.2024
140 bpm • C min • 01:23 • -12.35db
29% Popularity • 56% Danceability • 75% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
29% Popularity • 56% Danceability • 75% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
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Angel Smoke
Organic Absolution
140 bpm • C Maj • 03:06 • -11.08db
18% Popularity • 60% Danceability • 56% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
18% Popularity • 60% Danceability • 56% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Mvtte
Multiverse
140 bpm • A min • 01:11 • -14db
14% Popularity • 45% Danceability • 57% Energy • 34% Liveness
18% Instrumentalness • 23% Positiveness
14% Popularity • 45% Danceability • 57% Energy • 34% Liveness
18% Instrumentalness • 23% Positiveness
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Sal Burciaga
Mourning Light
140 bpm • C Maj • 04:48 • -14.08db
8% Popularity • 29% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
8% Popularity • 29% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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12 Degrees of Saturation
An Underworld to Rule
140 bpm • D Maj • 02:37 • -12.37db
13% Popularity • 45% Danceability • 66% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
13% Popularity • 45% Danceability • 66% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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Dovepunk
life's crazy
140 bpm • D Maj • 02:59 • -4.69db
30% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Hopkins
1.550P.2024
140 bpm • A# Maj • 01:11 • -10.42db
41% Popularity • 63% Danceability • 83% Energy • 18% Liveness
63% Instrumentalness • 40% Positiveness
41% Popularity • 63% Danceability • 83% Energy • 18% Liveness
63% Instrumentalness • 40% Positiveness
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Princess
I Stand in Awe
140 bpm • F# Maj • 03:19 • -3.04db
36% Popularity • 65% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 65% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Александр Евсейчик
Pilgrim of Love
140 bpm • A min • 04:25 • -3.78db
16% Popularity • 49% Danceability • 76% Energy • 23% Liveness
1% Instrumentalness • 39% Positiveness
16% Popularity • 49% Danceability • 76% Energy • 23% Liveness
1% Instrumentalness • 39% Positiveness
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Sal Burciaga
A dream
140 bpm • D Maj • 02:39 • -16.05db
8% Popularity • 30% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 46% Positiveness
8% Popularity • 30% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 46% Positiveness
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Arun Rock
Exhilaration
140 bpm • F min • 06:23 • -14.1db
4% Popularity • 46% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 81% Positiveness
4% Popularity • 46% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 81% Positiveness
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N.A.S.P.
Deadline
140 bpm • C Maj • 04:17 • -9.18db
10% Popularity • 28% Danceability • 90% Energy • 13% Liveness
55% Instrumentalness • 21% Positiveness
10% Popularity • 28% Danceability • 90% Energy • 13% Liveness
55% Instrumentalness • 21% Positiveness
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Mark Hopkins
550PN (EDIT PT1)
140 bpm • A# Maj • 01:11 • -8.92db
20% Popularity • 66% Danceability • 74% Energy • 4% Liveness
72% Instrumentalness • 57% Positiveness
20% Popularity • 66% Danceability • 74% Energy • 4% Liveness
72% Instrumentalness • 57% Positiveness
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Tender Lakes
Soft In The Centre
140 bpm • F# min • 03:49 • -10.24db
20% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Edoardo Ferrando
Cantum Inferna
141 bpm • F Maj • 02:11 • -11.36db
11% Popularity • 46% Danceability • 35% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
11% Popularity • 46% Danceability • 35% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Sterlo139
In The Life Of A Man
141 bpm • C Maj • 02:27 • -10.09db
16% Popularity • 39% Danceability • 63% Energy • 10% Liveness
7% Instrumentalness • 54% Positiveness
16% Popularity • 39% Danceability • 63% Energy • 10% Liveness
7% Instrumentalness • 54% Positiveness
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Dovepunk
FAVE
138 bpm • A# min • 02:21 • -3.54db
30% Popularity • 76% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 76% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Esoteric Mind
Dirty Dogg!
139 bpm • A Maj • 03:26 • -15.58db
6% Popularity • 40% Danceability • 68% Energy • 10% Liveness
74% Instrumentalness • 36% Positiveness
6% Popularity • 40% Danceability • 68% Energy • 10% Liveness
74% Instrumentalness • 36% Positiveness
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Mark Hopkins
2.550P.2024
140 bpm • G min • 01:12 • -7.52db
29% Popularity • 40% Danceability • 88% Energy • 11% Liveness
98% Instrumentalness • 36% Positiveness
29% Popularity • 40% Danceability • 88% Energy • 11% Liveness
98% Instrumentalness • 36% Positiveness
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Phillip J Davey
Gardens for the Stars
138 bpm • C Maj • 03:18 • -12db
11% Popularity • 40% Danceability • 36% Energy • 35% Liveness
3% Instrumentalness • 24% Positiveness
11% Popularity • 40% Danceability • 36% Energy • 35% Liveness
3% Instrumentalness • 24% Positiveness
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Igor Lisul
A Beautiful Twilight
142 bpm • E Maj • 02:35 • -16.34db
8% Popularity • 55% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 55% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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George Spiliotis
A Scum in the Garden with Serpent
138 bpm • A min • 03:00 • -8.4db
32% Popularity • 27% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 27% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Austin Powers
wouldnt know
137 bpm • D# min • 01:11 • -17.25db
18% Popularity • 77% Danceability • 32% Energy • 39% Liveness
96% Instrumentalness • 60% Positiveness
18% Popularity • 77% Danceability • 32% Energy • 39% Liveness
96% Instrumentalness • 60% Positiveness
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Derek Morris
777
137 bpm • F Maj • 02:02 • -5.46db
21% Popularity • 69% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 69% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Hopkins
3.550B.2024
140 bpm • C min • 01:09 • -12.98db
41% Popularity • 48% Danceability • 84% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
41% Popularity • 48% Danceability • 84% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
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MIK's Reaction
Diane King The Artist
136 bpm • A min • 03:02 • -16db
16% Popularity • 15% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Sandi Padilla
Kadosh (Holy)
136 bpm • G min • 06:56 • -8.91db
17% Popularity • 39% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
17% Popularity • 39% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Sean Faust
Gin Asylum
144 bpm • D Maj • 02:18 • -6.11db
10% Popularity • 48% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 47% Positiveness
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Oghamyst
I'm Sorry
136 bpm • A min • 01:35 • -10.45db
23% Popularity • 92% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 92% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Jorge Serrano
Heaven's Angels
145 bpm • C Maj • 03:41 • -8.81db
13% Popularity • 41% Danceability • 47% Energy • 12% Liveness
75% Instrumentalness • 29% Positiveness
13% Popularity • 41% Danceability • 47% Energy • 12% Liveness
75% Instrumentalness • 29% Positiveness
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Mark Hopkins
550PN - EDIT PT2
140 bpm • G min • 01:26 • -5.99db
38% Popularity • 43% Danceability • 94% Energy • 16% Liveness
88% Instrumentalness • 24% Positiveness
38% Popularity • 43% Danceability • 94% Energy • 16% Liveness
88% Instrumentalness • 24% Positiveness
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Bobby Kuzak
Six String
145 bpm • D Maj • 04:04 • -6.96db
32% Popularity • 67% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 67% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Mr Brandon Banks
Mob Out
145 bpm • D Maj • 02:16 • -10.44db
29% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Joseph Rutakangwa
The Sound of Great
135 bpm • F# Maj • 02:12 • -7.89db
45% Popularity • 75% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
45% Popularity • 75% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Brent Newbold
I Need You
135 bpm • E min • 02:55 • -4.69db
29% Popularity • 58% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
29% Popularity • 58% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
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Terrible Tunes
Suburban Stomp
135 bpm • A# Maj • 03:21 • -8.23db
13% Popularity • 49% Danceability • 86% Energy • 57% Liveness
82% Instrumentalness • 27% Positiveness
13% Popularity • 49% Danceability • 86% Energy • 57% Liveness
82% Instrumentalness • 27% Positiveness
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Mark Hopkins
1.550B.2024
140 bpm • G Maj • 01:05 • -13.72db
33% Popularity • 65% Danceability • 83% Energy • 9% Liveness
92% Instrumentalness • 95% Positiveness
33% Popularity • 65% Danceability • 83% Energy • 9% Liveness
92% Instrumentalness • 95% Positiveness
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Ta9-Saka
OVERTURE
135 bpm • A min • 02:08 • -7.12db
12% Popularity • 50% Danceability • 82% Energy • 7% Liveness
80% Instrumentalness • 37% Positiveness
12% Popularity • 50% Danceability • 82% Energy • 7% Liveness
80% Instrumentalness • 37% Positiveness
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Soft Mothers
Help Me Out
135 bpm • C Maj • 03:51 • -6.13db
28% Popularity • 62% Danceability • 70% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
28% Popularity • 62% Danceability • 70% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Juan Manuel Rey
Disco Latina
145 bpm • E Maj • 02:43 • -7.05db
27% Popularity • 35% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 35% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Joel Byrum
Pagan in the City
135 bpm • C# min • 04:35 • -8.89db
21% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Won For The Ages
Death Valley
146 bpm • D Maj • 04:09 • -6.38db
18% Popularity • 38% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 38% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sal Burciaga
Han
134 bpm • C min • 03:00 • -21.05db
9% Popularity • 33% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 33% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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D D Colvin
All I Want
134 bpm • D Maj • 03:49 • -6.36db
23% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Guido Meyer
Epedic (2024 Version)
134 bpm • G Maj • 08:51 • -5.84db
18% Popularity • 49% Danceability • 83% Energy • 7% Liveness
69% Instrumentalness • 15% Positiveness
18% Popularity • 49% Danceability • 83% Energy • 7% Liveness
69% Instrumentalness • 15% Positiveness
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DJ BOOM The Bass
Summer Junglist (Short Mix 1)
134 bpm • C Maj • 03:00 • -9.12db
33% Popularity • 77% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
33% Popularity • 77% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Ed Eagle
Rooster
146 bpm • G# Maj • 06:11 • -9.76db
31% Popularity • 40% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 40% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Gameboi Sammy
We all geeks
147 bpm • C# Maj • 02:07 • -6.83db
20% Popularity • 68% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 68% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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JONGRA
The CalimbaConspiracy
133 bpm • A min • 01:58 • -11.91db
25% Popularity • 65% Danceability • 40% Energy • 8% Liveness
18% Instrumentalness • 11% Positiveness
25% Popularity • 65% Danceability • 40% Energy • 8% Liveness
18% Instrumentalness • 11% Positiveness
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2 Odd Dogs
Time And Time Again
148 bpm • D Maj • 04:02 • -9db
31% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ferhat Geçdoğan
feg in gech or gech in feg
133 bpm • C# min • 02:46 • -38.15db
35% Popularity • 35% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
35% Popularity • 35% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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WSU-P
Techware Drive
132 bpm • A min • 05:25 • -13.35db
11% Popularity • 68% Danceability • 34% Energy • 13% Liveness
86% Instrumentalness • 56% Positiveness
11% Popularity • 68% Danceability • 34% Energy • 13% Liveness
86% Instrumentalness • 56% Positiveness
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Euthymia
I Am Past
132 bpm • A min • 04:32 • -7.68db
23% Popularity • 26% Danceability • 54% Energy • 7% Liveness
17% Instrumentalness • 15% Positiveness
23% Popularity • 26% Danceability • 54% Energy • 7% Liveness
17% Instrumentalness • 15% Positiveness
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FOURPL4Y
PRETEND
132 bpm • F min • 02:05 • -5.86db
21% Popularity • 68% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 68% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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GRAMEN Krzysztof Trawiński
Spinning around
132 bpm • F Maj • 02:28 • -15.75db
12% Popularity • 58% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 58% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Chaonixzero
Kohai
149 bpm • E min • 02:08 • -21.51db
38% Popularity • 22% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 19% Positiveness
38% Popularity • 22% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 19% Positiveness
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Sal Burciaga
Decisions
149 bpm • G# Maj • 03:19 • -13.63db
9% Popularity • 30% Danceability • 49% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 49% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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WSU-P
Cognitive Restore
132 bpm • C# Maj • 05:30 • -12.58db
11% Popularity • 66% Danceability • 61% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
11% Popularity • 66% Danceability • 61% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
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Alessio Giacomi
Poisoning a Flower
149 bpm • F min • 05:31 • -9.06db
30% Popularity • 25% Danceability • 92% Energy • 5% Liveness
82% Instrumentalness • 34% Positiveness
30% Popularity • 25% Danceability • 92% Energy • 5% Liveness
82% Instrumentalness • 34% Positiveness
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Yaël Grave Clave Mothes
Apocalyptic Spring
150 bpm • A Maj • 03:53 • -16.66db
16% Popularity • 33% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
16% Popularity • 33% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Void Berserker
Twilight Elegy
150 bpm • D Maj • 01:00 • -9.07db
10% Popularity • 56% Danceability • 72% Energy • 25% Liveness
62% Instrumentalness • 70% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 25% Liveness
62% Instrumentalness • 70% Positiveness
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Maximilian Wentz
I Never Thought
150 bpm • A# Maj • 04:25 • -5.96db
15% Popularity • 48% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 48% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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N.A.S.P.
Wraiths
150 bpm • A# Maj • 04:56 • -8.08db
12% Popularity • 44% Danceability • 82% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
12% Popularity • 44% Danceability • 82% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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WSU-P
Echo Corruption
132 bpm • D# Maj • 04:46 • -12.75db
11% Popularity • 60% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 60% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Ley
Always
150 bpm • A min • 01:24 • -11.45db
17% Popularity • 74% Danceability • 54% Energy • 12% Liveness
52% Instrumentalness • 11% Positiveness
17% Popularity • 74% Danceability • 54% Energy • 12% Liveness
52% Instrumentalness • 11% Positiveness
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James Cashman
Snowdrop
150 bpm • A min • 02:33 • -8.75db
19% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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sleepmakeswaves
Ritual Control
150 bpm • G Maj • 04:07 • -5.19db
30% Popularity • 19% Danceability • 99% Energy • 30% Liveness
89% Instrumentalness • 24% Positiveness
30% Popularity • 19% Danceability • 99% Energy • 30% Liveness
89% Instrumentalness • 24% Positiveness
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Stephen L Ward
I Want You Near Me
131 bpm • A min • 02:28 • -11.86db
17% Popularity • 45% Danceability • 72% Energy • 24% Liveness
78% Instrumentalness • 81% Positiveness
17% Popularity • 45% Danceability • 72% Energy • 24% Liveness
78% Instrumentalness • 81% Positiveness
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Joe's Groove Huddle
Believe Me
150 bpm • C Maj • 03:34 • -3.69db
24% Popularity • 50% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 50% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Ryan Robert Jones
Pod Drop - Action Edit
150 bpm • D min • 01:41 • -14.83db
18% Popularity • 48% Danceability • 55% Energy • 15% Liveness
84% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 55% Energy • 15% Liveness
84% Instrumentalness • 10% Positiveness
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Thee Unknownn
Love Story
150 bpm • C Maj • 03:37 • -5db
28% Popularity • 56% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 28% Positiveness
28% Popularity • 56% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 28% Positiveness
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Zach Affolter
Finding The Way
150 bpm • G Maj • 04:16 • -12db
13% Popularity • 31% Danceability • 47% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
13% Popularity • 31% Danceability • 47% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
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Payasodeyapa
Emular
130 bpm • F# Maj • 03:08 • -7.46db
8% Popularity • 45% Danceability • 89% Energy • 16% Liveness
77% Instrumentalness • 42% Positiveness
8% Popularity • 45% Danceability • 89% Energy • 16% Liveness
77% Instrumentalness • 42% Positiveness
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Dj PidieQ
The Genesis - Instrumental Version
130 bpm • C min • 01:10 • -8.01db
30% Popularity • 52% Danceability • 70% Energy • 12% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 52% Danceability • 70% Energy • 12% Liveness
82% Instrumentalness • 26% Positiveness
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A.J Hendriix
Late Night Mindful
130 bpm • C# Maj • 02:57 • -18.57db
18% Popularity • 70% Danceability • 21% Energy • 16% Liveness
77% Instrumentalness • 62% Positiveness
18% Popularity • 70% Danceability • 21% Energy • 16% Liveness
77% Instrumentalness • 62% Positiveness
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Ghosted Goat
beyond the pale
130 bpm • C# Maj • 01:17 • -13.53db
13% Popularity • 73% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 73% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Trevor Bartle
Another Game
130 bpm • F Maj • 04:07 • -11.67db
22% Popularity • 48% Danceability • 53% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
22% Popularity • 48% Danceability • 53% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
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Princess
You are faithful
130 bpm • G# Maj • 04:33 • -5.65db
35% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Kuzak
Smooth
130 bpm • A min • 03:03 • -7.13db
32% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Jon Ley
Schmetterling - Instrumental
130 bpm • A# min • 02:29 • -17db
9% Popularity • 62% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
9% Popularity • 62% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Krauw
Madness
130 bpm • E min • 04:35 • -10.44db
25% Popularity • 50% Danceability • 72% Energy • 39% Liveness
87% Instrumentalness • 22% Positiveness
25% Popularity • 50% Danceability • 72% Energy • 39% Liveness
87% Instrumentalness • 22% Positiveness
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Tyler Runyan
Xanadu
130 bpm • C# Maj • 03:15 • -8.04db
32% Popularity • 63% Danceability • 74% Energy • 14% Liveness
13% Instrumentalness • 76% Positiveness
32% Popularity • 63% Danceability • 74% Energy • 14% Liveness
13% Instrumentalness • 76% Positiveness
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Alterkix
We walk at night
130 bpm • F# Maj • 02:58 • -19.08db
13% Popularity • 56% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
13% Popularity • 56% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Brink Of Oblivion
Mr.Bring Me Down (Demo)
130 bpm • E min • 04:00 • -4.92db
12% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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William Lee
Alone In The East
130 bpm • C Maj • 03:17 • -9.87db
12% Popularity • 61% Danceability • 68% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
12% Popularity • 61% Danceability • 68% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
